Selected Bibliography of American Indian Studies Materials for Teachers and Classroom Use

Total Page:16

File Type:pdf, Size:1020Kb

Selected Bibliography of American Indian Studies Materials for Teachers and Classroom Use Selected Bibliography of American Indian Studies Materials for Teachers and Classroom Use Compiled by J P Leary, Consultant American Indian Studies Program Wisconsin Department of Public Instruction Note: The inclusion of any resource on this list should not be construed as an endorsement or recommendation on the part of the compiler or the Wisconsin Department of Public Instruction. Teachers are encouraged to preview all books and to use their own judgement about appropriateness depending on grade level and/or class preparedness. There are several websites that include reviews or suggestions for conducting your own review, including Oyate (www.oyate.org) and the American Indian Library Association (www.nativeculture.com/lisamitten/aila.html). I. Background Readings A. General B. History of American Indian Education C. Reference II. Instructional Methods and Practices A. Teaching Strategies B. Research Findings C. Resource Development and Evaluation III. Classroom Resources A. Curriculum Materials and Lessons B. Textbooks and Readers C. A/V Materials I. Background Readings General Bergstrom, Amy, Linda Miller Cleary and Thomas D. Peacock. The Seventh Generation: Native Students Speak About Finding the Good Path. Charleston, WV: ERIC/CRESS, 2003. Boatman, John. Wisconsin American Indian History and Culture. Milwaukee: University of Wisconsin-Milwaukee, American Indian Studies Program, 1993. 1 Charles, Jim. “Celebrating the Diversity of American Indian Literature” ALAN Review 18:3 (Spring 1991): 4-8. Coates, Ned. “Teaching About American Indians” Nature Study 46 (March 1994): 3-4, 27. Edmunds, R. David. “Old Stories: The Emergence of a New Indian History” OAH Magazine of History. 9:4 (Summer 1995): 3-9. Fixico, Donald L., An Anthology of Western Great Lakes Indian History. Milwaukee, WI: American Indian Studies Program, 1987. Loew, Patty. Indian Nations of Wisconsin: Histories of Endurance and Renewal. Madison: Wisconsin Historical Society Press, 2001. Lurie, Nancy O. Wisconsin Indians. Madison: The State Historical Society of Wisconsin, 1980. -----. Wisconsin Indians. Revised and Expanded Edition. Madison: Wisconsin Historical Society Press, 2001. Nabokov, Peter, ed. Native American Testimony: An Anthology of Indian and White Relations, First Encounter to Dispossession. 2nd ed., revised. New York: Viking, 1991. Roessel, Ruth. The Role of Indian Studies in American Education. Chinle, AZ: Navajo Community College Press, 1974. Snipp, C. Matthew. American Indians: The First of This Land. New York: Russell Sage Foundation, 1989. Weatherford, Jack. Indian Givers: How the Indians of the Americas Transformed the World. New York: Crown, 1988. -----. Native Roots: How Indians Enriched America. New York: Crown, 1991. Wrone, David R. Who’s the Savage? Melbourne, FL: Krieger Publishing, 1982. History of American Indian Education Adams, David Wallace. Education for Extinction: American Indians and the Boarding School Experience, 1870-1928. Lawrence: University of Kansas Press, 1995. Archuleta, Margaret L., Brenda J. Child and K. Tsianina Lomawaima, eds. Away from Home: American Indian Boarding School Experiences, 1879-2000. Phoenix, Ariz.: Heard Museum; Santa Fe: Distributed by Museum of New Mexico Press, 2000. Benham, Manette K.P. and Wayne J. Stein. The Renaissance of American Indian Higher Education: Capturing the Dream. Mahwah, NJ: Lawrence Erlbaum, 2003. 2 Bowker, Ardy. Sisters in the Blood: The Education of Women in Native America. Bozeman: Montana State University Center for Bilingual/Multicultural Education, 1993. Carroll, James T. Seeds of Faith : Catholic Indian Boarding Schools. New York; London: Garland Pub., 2000. Chalcraft, Edwin L. and Gary C. Collins, ed. Assimilation’s Agent: My Life As a Superintendent in the Indian Boarding School System. Lincoln: University of Nebraska Press, 2007. Child, Brenda. Boarding School Seasons: American Indian Families, 1900-1940. Lincoln: University of Nebraska Press, 1998. Churchill, Ward. Kill the Indian, Save the Man : The Genocidal Impact of American Indian Residential Schools. Consortium Press, 2004. Cobb, Amanda J. Listening to Our Grandmothers' Stories: The Bloomfield Academy for Chickasaw Females, 1852-1949. Lincoln: University of Nebraska Press, 2000. Coleman, Michael C. American Indian Children at School, 1850-1930. Jackson: University Press of Mississippi, 1993. DeJong, David H. Promises of the Past: A History of Indian Education. Golden, CO: North American Press, 1993. Deloria, Vine Jr. Indian Education in America: Eight Essays by Vine Deloria, Jr. Boulder, CO: American Indian Science and Engineering Society, 1991. Deloria, Vine, Jr. and Daniel R. Wildcat. Power and Place: Indian Education in America. Golden, CO: Fulcrum Publishing, 2001. Ellis, Clyde. To Change Them Forever: Indian Education at the Rainy Mountain Boarding School, 1893-1920. Norman, OK: University of Oklahoma Press, 1996. Giago, Tim. Children Left Behind: The Dark History of Indian Mission Boarding Schools. Santa Fe: Clear Light, 2006. Hoxie, Fredrick E. A Final Promise: The Campaign to Assimilate the Indians, 1880-1920. Lincoln, Neb.: University of Nebraska Press, 2001. Huff, Delores J. To Live Heroically: Institutional Racism and American Indian Education. Albany: State University of New York Press, 1997. Hultgren, Mary Lou. To Lead and To Serve: American Indian Education at Hampton, 1878- 1923. Charlottesville: Virginia Foundation for the Humanities and Public Policy/Hampton University, 1989. Johnston, Basil. Indian School Days. Norman, OK: University of Oklahoma Press, 1989. Lomawaima, K. Tsianina. They Called It Prairie Light: The Story of Chilocco Indian School. Lincoln: University of Nebraska Press, 1995. 3 Lomawaima, K. Tsianina and Teresa L. McCarty. To Remain an Indian: Lessons in Democracy from a Century of Native American Education. New York: Teachers College Press, 2006Mihesuah, Devon A. Cultivating the Rosebuds: The Education of Women at the Cherokee Female Seminary, 1851-1909. Urbana: University of Illinois Press, 1993. Moranian, Suzann Elizabeth. “Ethnocide in the Schoolhouse: Missionary Efforts to Educate Indian Youth in Pre-Reservation Wisconsin” Wisconsin Magazine of History (1981): 242-260. Oppelt, Norman T. The Tribally-Controlled Indian Colleges: The Beginnings of Self- Determination in American Indian Education. Tsaile, AZ: Navajo Community College Press, 1990. Pratt, Richard Henry. Battlefield and Classroom: Four Decades With the American Indian, 1867-1904. Ian Pratt and Robert W. Utley, eds. Norman: University of Oklahoma Press, 2004. Reyhner, Jon Allan. American Indian Education: A History. Norman: University of Oklahoma Press, 2004. Riney. Scott. The Rapid City Indian School, 1898-1933. Norman: University of Oklahoma Press, 1999. Spack, Ruth. America’s Second Tongue: American Indian Education and the Ownership of English, 1860-1900. Lincoln: University of Nebraska Press, 2002. Spring, Joel. The Cultural Transformation of A Native American Family and Its Tribe 1763- 1995: A Basket of Apples.. Mahwah, N.J.: Lawrence Erlbaum Associates, 1996. Szasz, Margaret Connell. Education and the American Indian: The Road to Self-Determination Since 1928. Albuquerque: University of New Mexico Press, 1979. -----. Indian Education in the American Colonies, 1607-1783. Albuquerque: University of New Mexico Press, 1988. -----. Scottish Highlanders and Native Americans: Indigenous Education in the Eighteenth- Century Atlantic World. Norman, OK: University of Oklahoma Press, 2007. Tierney, William G. Official Encouragement, Institutional Discouragement: Minorities in Academe -- The Native American Experience. Norwood, NJ: Ablex Publishing Co., 1992. Trafzer, Clifford E., Jean A. Keller and Lorene Sisquoc, eds. Boarding School Blues: Revisiting American Indian Educational Experiences. Lincoln: University of Nebraska Press, 2006. Wright, David E., III, Michael W. Hirlinger, and Robert E. Englund. The Politics of Second Generation Discrimination in American Indian Education: Incidence, Explanation, and Mitigating Strategies. Westport, CT: Bergin and Garvey, 1998. 4 Reference Note: This section deals primarily with references for teachers and classroom use for American Indian Education. Resources designed for a more general reference to American Indian Studies are located in the Reference section of the Research Biblography for American Indian Studies. Anderson, Vicki. Native Americans in Fiction: A Guide to 765 Books for Librarians and Teachers, K-9. Jefferson, NC: McFarland and Co., 1994. Byler, Mary Gloyne. American Indian Authors for Young Readers: A Selected Bibliography. New York: Association on American Indian Affairs, 1973. Caldwell-Wood, Naomi and Lisa A. Mitten. I is Not For Indian: The Portrayal of Native Americans in Books for Young People. American Indian Library Association, 1991. Christensen, Rosemary Ackley. Tribal Literacy Handbook with an Emphasis on Woodland Tribal People. Minneapolis, MN: Indian Education Department, Minneapolis Public Schools, 1990. Christensen, Rosemary Ackley, Steven Premo, and Rhea Kaner-Sullivan. Tribal Government Unit: Annotated Bibliography. Minneapolis: Minneapolis Public Schools, Department of Indian Education, 1988. D’Arcy McNickle Center for the History of the American Indian, Newberry Library. Bibliography of Recent Books and Articles in American Indian History. Chicago: D’Arcy McNickle Center, published annually. Demmert, Jr., William G, “Improving Academic Performance Among Native American Students,”ERIC/CRESS, 2001,<http://www.ael.org/snaps/Demmert%2Epdf>
Recommended publications
  • Pathways to the Eighth Fire: Indigenous Knowledge and Storytelling in Toronto
    Pathways to the Eighth Fire: Indigenous Knowledge and Storytelling in Toronto Jon Johnson A dissertation submitted to the Faculty of Graduate Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Communication and Culture York University Toronto, Ontario July 2015 © Jon Johnson, 2015 Abstract A considerable body of scholarly research now accords with long-held Indigenous prophecy in affirming the ongoing importance of Indigenous knowledge for the health and wellness of contemporary Indigenous and non-Indigenous peoples and their environments. Yet, while much research has examined Indigenous knowledge and traditions in more natural or rural contexts, there has been to date very little examination of the presence and character of Indigenous knowledge and traditions in more urban contexts. This dissertation redresses this gap in the research via an analysis of Indigenous knowledge, traditions, and storytelling in Toronto and their prophetic implications for contemporary Indigenous and non-Indigenous peoples. The analysis is based on a comparative literature review of Indigenous knowledge, traditions, and community as they have been practiced in urban and non-urban locales, long-term participation within Toronto’s Indigenous community particularly as a tour guide for the highly-regarded community-based Great ‘Indian’ Bus Tour of Toronto, and in-depth semi-structured interviews with a small group of Anishinaabe Torontonians regarding their perceptions of the city and the practice of urban Indigenous knowledge and traditions. These lines of investigation revealed that land-based urban Indigenous knowledge and storytelling traditions are practiced in at least some cities like Toronto in ways that exhibit significant similarities and continuities with those practiced in non- urban locales.
    [Show full text]
  • Saturday, September 23, 2017 Letter from the Presenting Sponsor
    present the Environmental Media Awards Celebrating OUTSTANDING achievement within the ENTERTAINMENT and ENVIRONMENTAL communities #EMAAWARDS Saturday, September 23, 2017 Letter from the presenting sponsor Good evening ladies and gentleman, On behalf of Toyota and Lexus, welcome to the 27th annual Environmental Media Awards! Tonight we are honored to serve as presenting sponsors and celebrate the 17th anniversary of our partnership with the Environmental Media Association. Over the past 17 years, we’ve helped honor the thought leaders that inspire millions to lead more environmentally conscious lives. Tonight we continue to celebrate the efforts of the entertainment industry and celebrities that shape our culture. After all these years, we are still inspired by EMA’s efforts to promote environmental awareness using the powerful medium of entertainment. Tonight we’ve brought an inspiring vehicle line up to the party. The 2017 Toyota Mirai hydrogen fuel cell vehicle returns to the green carpet. As one of the world’s first mass-produced hydrogen fuel cell electric vehicles, the Toyota Mirai is a four-door, mid- size sedan with performance that fully competes with traditional internal combustion engines – but uses no gasoline. Instead, Mirai creates electricity on demand using hydrogen, oxygen and a fuel cell, and emits nothing but water vapor in the process. Lexus is excited to showcase its all-new hybrid luxury sedan, the LS 500h. With smooth power and an estimated 33 miles per gallon on the highway, it has a range of more than 600 miles of luxurious driving. On sale in February 2018 with a starting price around $80,000, the LS 500h will be the luxury sedan of choice for environmentally minded drivers.
    [Show full text]
  • A Healing Performance of Mino-Bimaadiziwin: the Good Life
    THE JOURNEY OF A DIGITAL STORY: A HEALING PERFORMANCE OF MINO-BIMAADIZIWIN: THE GOOD LIFE CARMELLA M. RODRIGUEZ A DISSERTATION Submitted to the Ph.D. in Leadership and Change Program of Antioch University in partial fulfillment of the requirements for the degree of Doctor of Philosophy June, 2015 This is to certify that the Dissertation entitled: THE JOURNEY OF A DIGITAL STORY: A HEALING PERFORMANCE OF MINO-BIMAADIZIWIN: THE GOOD LIFE prepared by Carmella M. Rodriguez is approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Leadership and Change Approved by: Carolyn Kenny, Ph.D., Committee Chair date Elizabeth Holloway, Ph.D., Committee Member date Luana Ross, Ph.D., Committee Member date Daniel Hart, M.F.A., Committee Member date Jo-Ann Archibald, Ph.D. External Reader date Copyright 2015 Carmella M. Rodriguez All rights reserved. Acknowledgements Creator, I thank you for guiding me through this beautiful journey, for accepting me as one of your children and for all of creation. Thank you spiritual guides for teaching me about life and keeping me on the right path. Brenda Manuelito, thank you for being my partner and the other half of nDigiDreams. I’m so grateful I met you in a little hog farm in Lyons, Colorado. Thank you for travelling across this beautiful land with me on dirt roads, blue skies, and across so many waterways. Our learning journey together has been incredible and I’m so happy that we are doing something good for “the people.” Thank you to all of the medicine men and women, who helped us raise nDigiDreams, since birth and for the spiritual guidance and prayers for this path.
    [Show full text]
  • James Leo Herlihy Papers
    Special Collections Department James Leo Herlihy Papers 1959 - 1986 Manuscript Collection Number: 344 Accessioned: Purchase, July 1996. Extent: 1.6 linear ft. Content: Manuscripts, correspondence, notes, photographs, clippings, reviews, interviews, advertisements, brochures, and programs. Access: The collection is open for research. Processed: October 1997 by Shanon Wilson. for reference assistance email Special Collections or contact: Special Collections, University of Delaware Library Newark, Delaware 19717-5267 (302) 831-2229 Table of Contents Biographical Note Scope and Contents Note Contents List Biographical Note James Leo Herlihy's stories about the underside of American culture, told through the experiences of those outside of the mainstream, have garnered their author comparisons with Sherwood Anderson. Herlihy was born in Detroit, Michigan, on February 27, 1927. After leaving high school, he enlisted in the Navy in 1945, receiving his overseas orders just two days before the end of World War II. From 1947- 48, with money from the G.I. Bill, Herlihy attended Black Mountain College in North Carolina, a small, experimental institution whose faculty included Merce Cunningham, John Cage, William De Kooning, and other innovative figures in the arts. There, Herlihy studied art, music, and literature. Herlihy formed strong relationships in the Black Mountain community, and his friendships with such figures as Anais Nin and the poet/potter M. C. (Mary Caroline) Richards would provide inspiration and support in his future creative endeavors. After an aptitude test indicated that his abilities might lie in the theatre, Herlihy moved to California and attended the Pasadena Playhouse College from 1948-1950. Over the next four years, Herlihy performed in about fifty plays in theaters along the West Coast.
    [Show full text]
  • Teacher's Guide – First Inquiry
    dawnland TEACHER’S GUIDE – FIRST INQUIRY BY DR. MISHY LESSER A DOCUMENTARY ABOUT CULTURAL SURVIVAL AND STOLEN CHILDREN BY ADAM MAZO AND BEN PENDER-CUDLIP COPYRIGHT © 2019 MISHY LESSER AND UPSTANDER FILMS, INC. ALL RIGHTS RESERVED BOSTON, MASSACHUSETTS DAWNLAND TEACHER’S GUIDE TABLE OF CONTENTS A. INTRODUCTION ..............................................................................................................................................3 B. PREPARING TO TEACH DAWNLAND .................................................................................................................17 C. THE COMPELLING QUESTION TO SUPPORT INQUIRY .........................................................................................22 D. FIRST INQUIRY: FROM TURTLE ISLAND TO THE AMERICAS ...................................................................................24 The First Inquiry spans millennia, beginning tens of thousands of years ago and ending in the eighteenth century with scalp proclamations that targeted Native people for elimination. Many important moments, events, documents, sources, and voices were left out of the lessons you are about to read because they can be accessed elsewhere. We encourage teachers to consult and use the excellent resources developed by Tribal educators, such as: • Since Time Immemorial: Tribal Sovereignty in Washington State • Indian Education for All (Montana) • Haudenosaunee Guide for Educators Lesson 1: The peopling of Turtle Island ...............................................................................................................
    [Show full text]
  • Why Go to Cannes When You Can Go to Fargo?
    Why go to Cannes when you can go to Fargo? M A R C H 3 – 6 , 2 0 0 4 • F A R G O , N O R T H D A K O T A 1 Dear Festival Audiences, On behalf of the Fargo Theatre Board of Directors and staff and the indefatigable film festival volunteer corp, it is my great pleasure to welcome you to Fargo... the Film Festival, Take IV. From a film about men who love to fly to one featuring girls who love to jump high, the 4th Annual Fargo Film Festival is a 60 hour, four day celebration of the Spirit of Independent film and filmmakers. So, ladies and gentlemen, please fasten your seatbelts and start your viewing engines cuz it’s gonna be an unrated, full-throttle ride into the collective “eyes” of cameras held by free-falling, innovative, independent filmmakers. Grab your popcorn and prepare for take off! Margie Bailly FARGO THEATRE Executive Director e e t t i F E S T I VA L C O M M I T T E E C O - C H A I R S : m m o Tony McRae C l a Troy Parkinson v i t s e F 4 0 F E S T I VA L V O L U N T E E R S : 0 2 Ann Hall Anderson Thema Johnson Joel Anderson Martin Jonason Casey Borchert Michelle Kaiser Greg Carlson Annele Nelson-Mondragon Greg Danz Lynn Nichols Jaclynn Davis-Wallette Matt Olien Del Dvoracek Gladys Ray Lynn Fundingsland Tony Tilton Carol Grimm Andrea Warren-Deegan Ludvik Herrera Sarah Weiler Chandice Johnson F E S T I VA L V I E W I N G C O M M I T T E E M E M B E R S : Ann Hall Anderson *Martin Jonason Joel Anderson Michelle Kaiser *Casey Borchert Chris Magnus Greg Danz *Ian McGlocklin g n o *Jaclynn Davis-Wallette *Tony McRae L y d n Stefan
    [Show full text]
  • The Cycles of Violence Against Native Women: an Analysis of Colonialism, Historical Legislation and the Violence Against Women Reauthorization Act of 2013
    PSU McNair Scholars Online Journal Volume 12 Issue 1 Beyond the Nation-State: Decolonial, Liberatory, and Critical Essays Imaging an Article 1 Otherwise 2018 The Cycles of Violence Against Native Women: An Analysis of Colonialism, Historical Legislation and the Violence Against Women Reauthorization Act of 2013 Genevieve M. Le May Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/mcnair Let us know how access to this document benefits ou.y Recommended Citation Le May, Genevieve M. (2018) "The Cycles of Violence Against Native Women: An Analysis of Colonialism, Historical Legislation and the Violence Against Women Reauthorization Act of 2013," PSU McNair Scholars Online Journal: Vol. 12: Iss. 1, Article 1. https://doi.org/10.15760/mcnair.2018.1 This open access Article is distributed under the terms of the Creative Commons Attribution-NonCommercial- ShareAlike 4.0 International License (CC BY-NC-SA 4.0). All documents in PDXScholar should meet accessibility standards. If we can make this document more accessible to you, contact our team. Portland State University McNair Research Journal 2018 Cycles of Violence Against Native Women: An Analysis of Colonialism, Historical Legislation and the Violence Against Women Reauthorization Act of 2013 By Genevieve Marie Le May Faculty Mentor: Dr. Brook Colley (Eastern Cherokee/Wasco) Citation: Le May, Genevieve M. The Perpetuating Cycles of Violence Against Native Women: An Analysis of Colonialism, Historical Legislation and the Violence Against Women Reauthorization Act of 2013. Portland State University McNair Scholars Online Journal, 2016: 17 1 Cycles of Violence Against Native Women: An Analysis of Colonialism, Historical Legislation and the Violence Against Women Reauthorization Act of 2013 By Genevieve Marie Le May Faculty Mentor: Dr.
    [Show full text]
  • A FILM by BRADY CORBET Starring
    A FILM BY BRADY CORBET Starring: Natalie Portman, Jude Law, Stacy Martin, Jennifer Ehle and Raffey Cassidy Run Time: 112 minutes Rating: R FESTIVALS: Venice Film Festival Toronto International Film Festival Film Fest 919 Mill Valley Film Festival San Diego International Film Festival Chicago International Film Festival New Orleans Film Festival Philadelphia Film Festival IFF Boston Austin Film Festival Savannah Film Festival Denver Film Festival AFI Fest St. Louis International Film Festival Napa Valley Film Festival Houston Cinema Arts Festival Hawaii International Film Festival LOGLINE VOX LUX follows the rise of Celeste from the ashes of a maJor national tragedy to pop superstardom. The film spans 18 years and traces important cultural moments through her eyes, starting in 1999 and concluding in 2017. SYNOPSIS In 1999, teenage Celeste (Raffey Cassidy) survives a violent tragedy. After singing at a memorial service, Celeste transforms into a burgeoning pop star with the help of her songwriter sister (Stacy Martin) and a talent manager (Jude Law). Celeste's meteoric rise to fame and concurrent loss of innocence dovetails with a shattering terrorist attack on the nation, elevating the young powerhouse to a new kind of celebrity: American icon, secular deity, global superstar. By 2017, adult Celeste (Natalie Portman) is mounting a comeback after a scandalous incident that derailed her career. Touring in support of her siXth album, a compendium of sci-fi anthems entitled “VoX LuX,” the indomitable, foul-mouthed pop savior must overcome her personal and familial struggles to navigate motherhood, madness and monolithic fame in the Age of Terror. In Brady Corbet's second feature, following his 2015 breakout debut The Childhood of a Leader— winner of the Best Director and Best Debut Film prizes at the Venice Film Festival — Celeste becomes a symbol of the cult of celebrity and the media machine in all its guts, grit and glory.
    [Show full text]
  • A Tale of Love and Darkness
    BASED ON THE NOVEL BY AMOS OZ WRITTEN, DIRECTED BY AND STARRING NATALIE PORTMAN A Tale of Love and Darkness PRODUCTION NOTES running time : 98 Minutes available format: DCP Publicity Contact Distribution Contacts Maxine Leonard PR International [email protected] Voltage Pictures 662 N. Crescent Heights Blvd Los Angeles, CA 90048 Allison Werner [email protected] 1 A Tale of Love and Darkness Based on Amos Oz's international best-seller, A TALE OF LOVE AND DARKNESS is the story of Oz's youth at the end of the British Mandate for Palestine and the early years of the State of Israel. The film details young Amos' relationship with his mother and his birth as a writer, looking at what happens when the stories we tell, become the stories we live. PRODUCERS: Ram Bergman, David Mandil EXEC PRODUCERS: Nicolas Chartier, Allison Shearmur DIRECTOR OF PHOTOGRAPHY: Slawomir Idziak EDITOR: Andrew Mondshein, A.C.E. PRODUCTION DESIGNER: Arad Sawat COMPOSER: Nicholas Britell COSTUME DESIGNER: Li Alembik CAST: Natalie Portman, Gilad Kahana, Amir Tessler WRITER AND DIRECTOR: Natalie Portman 2 A Tale of Love and Darkness PRODUCTION NOTES SYNOPSIS A Tale of Love and Darkness is based on Amos Oz’s memories of growing up in Jerusalem in the years before Israeli statehood with his parents; his the academic father, Arieh, and his dreamy, imaginative mother, Fania. They were one of many Jewish families who moved to Palestine from Europe during the 1903s and 1940s to escape persecution. Arieh was cautiously hopeful for the future. But Fania wanted much more. The terror of the war and the running had been followed by the tedium of everyday life, which weighed heavily on Fania’s spirit.
    [Show full text]
  • Stories from the Seventh Fire
    STORIES FROM THE STORIES FROM THE Series Synopsis . 3 Episode Summaries . 4 Production Notes . 6 Cast and Crew Bios . 9 Awards . .16 Screenings . .17 Credits . 19 Quotables . 29 Contact . table. of. .contents . 30 STORIES FROM THE I n Native-Canadian culture, storytelling is an age-old art form designed to share wisdom and history. In today’s world this ancient oral tradition is more meaningful than ever, building bridges between young and old, between regions and cultures around the world. Produced in English and Cree, Stories from the Seventh Fire was inspired by a prophecy from an Ojibway elder who foretold of a time when we would seek out these stories and old teachings to reconnect with Mother Earth. Four half-hour episodes of Stories from the Seventh Fire present the seasons, Spring, Summer, Fall and Winter combining 2-D, Flash and 3-D animation, live action nature footage and the voices of some of Canada’s best-loved Native performers. Each episode explores a season with two stories. In the first half of the show the Storyteller (Gordon Tootoosis) tells ancient stories about the Cree trickster, Wesakechak (Johnny Waniandy), using the animated characters set in motion by Vancouver’s Bardel Animation (Stickin' Around, Prince of Egypt). The animated characters, creatures and landscapes are based on designs created by shaman and renowned Aboriginal artist, Norval Morrisseau. His unique style is famous for its bold, vivid colours and spiritually inspired designs. In the second half of the program a 3-D digital Mother Wolf (Tantoo Cardinal) and her cubs are brought to life by computer-animators Bioware (Baldur's Gate, Winter) and AurenyA Entertainment (Elfkin's First Christmas, Spring, Summer and Fall).
    [Show full text]
  • The Seventh Generation: Native Students Speak About Finding the Good Path
    DOCUMENT RESUME ED 472 385 RC 023 865 AUTHOR Bergstrom, Amy; Cleary, Linda Miller; Peacock, Thomas D. TITLE The Seventh Generation: Native Students Speak about Finding the Good Path. INSTITUTION ERIC Clearinghouse on Rural Education and Small Schools, Charleston, WV. SPONS AGENCY Office of Educational Research and Improvement (ED), Washington, DC. ISBN ISBN-1-880785-25-0 PUB DATE 2003-00-00 NOTE 205p. CONTRACT ED -99 -CO -0027. AVAILABLE FROM ERIC/CRESS, P.O. Box 1348, Charleston, WV 25325-1348 ($20). Tel: 800-624-9120 (Toll Free). PUB TYPE Books (010) Opinion Papers (120) -- Reports Research (143) EDRS PRICE EDRS Price MF01/PC09 Plus Postage. DESCRIPTORS Alaska Natives; *American Indian Students; American Indians; Canada Natives; Elementary Secondary Education; Ethnicity; Individual Development; Personal Narratives; *Resilience (Personality); Secondary School Students; *Self Concept; Social Support Groups; Spirituality; *Student Attitudes; *Student Experience; Student Motivation; *Values; Youth Problems ABSTRACT Many American Indian, First Nations, and Alaska Native cultures have prophecies about the "Seventh Generation"--young people who will have a spiritual and cultural awakening and lead the regeneration of the nations and the earth. This book honors the Seventh Generation. It draws on the words of 120 Native youth, interviewed in the United States and Canada, to share what can be learned from their stories of success, failure, growth, and resilience. Chapters focus on themes that emerged in these stories: glimpses into the lives of Native youth, factors that influence how youth develop a Native identity, things that make life and school difficult, ways that students handle difficulty, different intellectual gifts and how they may be used to help one's people, finding the help and motivation to succeed in school, and how students found the "good path" and where it has taken them.
    [Show full text]
  • Native American Film + Video Festival 2003
    NATIVE AMERICAN FILM +VIDEO FESTIVAL 2003 DECEMBER 4–7 Smithsonian National Museum of the American Indian THE NATIVE AMERICAN FILM AND VIDEO FESTIVAL The 12th Native American Film and Video Festival celebrates the many remarkable recent accomplish­ HOW TO ATTEND THE FESTIVAL ments in the field of Native media, presenting 85 outstanding productions from Bolivia, Brazil, Canada, Chile, El Salvador, Mexico, Arctic Russia and the continental United States and Hawai'i. All festival programs are free. For daytime programs at NMAI and the evening program at Donnell Media Center, Organized by the Film and Video Center of the Smithsonian National Museum of the American seating is on a first come, first served basis. Indian (FVC), the festival is being presented in New York City at the NMAI George Gustav Heye Center, the Donnell Media Center of The New York Public Library, and the American Indian Community House. Reservations are recommended for evening programs at NMAI and AICH. No more than 4 tickets can be The festival program has been chosen by invited selectors—Native American media makers and reserved by any one person. At NMAI: pickup cultural activists—and the FVC program staff. Additional input from experts in the field has con­ reserved tickets at the Will-Call Desk starting 40 tributed to the diversity of work being presented and to this year’s strong “New Generations” program min. before showtime. Tickets not picked up by 15 for Native youth media makers, who will screen their work to New York high school students and the min. before showtime are released to the Wait List.
    [Show full text]