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Sundance Institute Expands Support to Writers and Creators of Series for TV and Online Platforms
FOR IMMEDIATE RELEASE Media Contact: March 19, 2014 Casey De La Rosa 310.360.1981 [email protected] Sundance Institute Expands Support to Writers and Creators of Series for TV and Online Platforms First ‘Sundance Institute Episodic Story Lab’ to Be Held in Fall 2014 at the Sundance Resort, with Norman and Lyn Lear as Founding Supporters Los Angeles, CA — Sundance Institute today announced a significant expansion of its renowned labs for independent artists to include dedicated support for writers and creators of series for television and online platforms. The first Sundance Institute Episodic Story Lab will be held in Fall 2014 at the Sundance Resort in Sundance, Utah. Building on the Institute’s 30-year legacy of developing new work from storytellers with distinctive and risk-taking stories, this new initiative addresses the need for more opportunities for learning and mentorship of singular and diverse voices in scripted TV and online series. In collaboration with accomplished mentors, writers at the six-day, immersive Episodic Story Lab will work on developing stories and characters that play out over multiple episodes and will also have the opportunity to better understand the landscape for production and distribution of serialized stories. Both drama and comedy writing will be supported at the Lab, which has been organized under the leadership of Michelle Satter, Founding Director of the Institute’s Feature Film Program. The Lab is made possible by generous support and guidance from television producer Norman Lear and his wife, Institute Trustee Lyn Lear. The Institute cites the growth of great writing and bold content in recent years as inspiration for the Lab. -
July's Slate of Staff Pick Premieres Brings The
July’s Slate of Staff Pick Premieres Brings the Freedom of Self Pleasure and Self Destruction June 29, 2017 July Staff Pick Premieres Slate Includes “Stranger Things” Star Natalia Dyer in “Yes, God, Yes” and Academy Award®-Nominated Animated Short “A Single Life” (New York, NY | June 29, 2017) Vimeo announces July’s slate of Staff Pick Premieres, with a different one making its global online premiere on Vimeo each Wednesday. Vimeo’s popular Staff Picks channel is curated by a five-person team that highlights the best short-form content on the platform. To check out the Staff Pick Premieres channel, visit https://vimeo.com/channels/premieres. This month’s slate includes “Stranger Things” star Natalia Dyer in “Yes, God, Yes,” a tale of Catholic guilt and teen masturbation from Obvious Child scribe Karen Maine, Academy Award®-nominated animated short “A Single Life,” Joe Talbot’s dark comedy of American idiocy “American Paradise” that premiered at Sundance 2017, and Amalgamated Picture Co.’s “The Privates,” about a mythical radioactive garageband. Advance links to all of the films are available; please reach out to [email protected] to request. July 5th: “Yes, God, Yes” – Comedy (Dir. Karen Maine) Synopsis: Fifteen-year-old Alice (Natalia Dyer, “Stranger Things”) has always been a good Catholic, but when an innocent AOL chat turns unexpectedly racy, she finds herself suddenly obsessed with masturbating. About the Filmmaker: Karen Maine co-wrote Obvious Child (2014), which premiered at Sundance, screened at SXSW, Rotterdam, and several other festivals, and was theatrically released in the US (A24), UK (Koch Media), and other markets throughout the world. -
Gillian Robespierre on Getting a Movie Made
February 2, 2017 - Writer/Director Gillian Robespierre is a Brooklyn-based filmmaker, born and raised in New York City. She graduated from the School of Visual Arts, Film & Video Program. Her first feature, Obvious Child premiered at Sundance in 2014. The film got a nod for the year's "Best Discovery" on iTunes and she won Best Directorial Debut from the National Board of Review. Her second feature Landline premiered at Sundance in 2017 and was sold to Amazon. She did not vote for Trump. As told to Brandon Stosuy, 2484 words. Tags: Film, Collaboration, Anxiety, Beginnings. Gillian Robespierre on getting a movie made The writer and director of Obvious Child and Landline talks about crisis and sadness in comedy, the importance of collaboration, and why finishing a second movie isn’t any easier than finishing the first. When I reached out to you, I said I wanted to talk about crisis and sadness in your comedy. At first you wanted to go in a different direction, but you changed your mind. At first I was afraid of your question, because I thought it was too early to analyze the new movie, Landline, and compare it to Obvious Child. I’m also so early in my career. I was nervous to explore it, but then sitting with my writing partner, Elizabeth Holm, and my editor, Casey Brooks, talking about comedy, talking about digging out what really matters in this scene, it dawned on me how important crisis and sadness is in my type of comedy, and how it’s important in storytelling. -
Identitarian Movement
Identitarian movement The identitarian movement (otherwise known as Identitarianism) is a European and North American[2][3][4][5] white nationalist[5][6][7] movement originating in France. The identitarians began as a youth movement deriving from the French Nouvelle Droite (New Right) Génération Identitaire and the anti-Zionist and National Bolshevik Unité Radicale. Although initially the youth wing of the anti- immigration and nativist Bloc Identitaire, it has taken on its own identity and is largely classified as a separate entity altogether.[8] The movement is a part of the counter-jihad movement,[9] with many in it believing in the white genocide conspiracy theory.[10][11] It also supports the concept of a "Europe of 100 flags".[12] The movement has also been described as being a part of the global alt-right.[13][14][15] Lambda, the symbol of the Identitarian movement; intended to commemorate the Battle of Thermopylae[1] Contents Geography In Europe In North America Links to violence and neo-Nazism References Further reading External links Geography In Europe The main Identitarian youth movement is Génération identitaire in France, a youth wing of the Bloc identitaire party. In Sweden, identitarianism has been promoted by a now inactive organisation Nordiska förbundet which initiated the online encyclopedia Metapedia.[16] It then mobilised a number of "independent activist groups" similar to their French counterparts, among them Reaktion Östergötland and Identitet Väst, who performed a number of political actions, marked by a certain -
Political Trends & Dynamics
Briefing Political Trends & Dynamics The Far Right in the EU and the Western Balkans Volume 3 | 2020 POLITICAL TRENDS & DYNAMICS IN SOUTHEAST EUROPE A FES DIALOGUE SOUTHEAST EUROPE PROJECT Peace and stability initiatives represent a decades-long cornerstone of the Friedrich-Ebert-Stiftung’s work in southeastern Europe. Recent events have only reaffirmed the centrality of Southeast European stability within the broader continental security paradigm. Both de- mocratization and socio-economic justice are intrinsic aspects of a larger progressive peace policy in the region, but so too are consistent threat assessments and efforts to prevent conflict before it erupts. Dialogue SOE aims to broaden the discourse on peace and stability in southeastern Europe and to counter the securitization of prevalent narratives by providing regular analysis that involves a comprehensive understanding of human security, including structural sources of conflict. The briefings cover fourteen countries in southeastern Europe: the seven post-Yugoslav countries and Albania, Greece, Turkey, Cyprus, Bulgaria, Romania, and Moldova. PREVIOUSLY PUBLISHED • Civic Mobilizations • The Digital Frontier in • The European Project in the Western in Southeast Europe Southeast Europe Balkans: Crisis and Transition February / March 2017 February / March 2018 Volume 2/2019 • Regional Cooperation in • Religion and Secularism • Chinese Soft Power the Western Balkans in Southeast Europe in Southeast Europe April / Mai 2017 April / May 2018 Volume 3/2019 • NATO in Southeast Europe -
Mobilizing White Power
1 MOBILIZING WHITE POWER Music, Culture, and Politics here’s a whole other genre of music out there that no one ever “Thears about and its [sic] real powerful, especially at that awkward stage where no one exactly knows who they are.”1 This California teen- age skin girl is talking about white power music. Resistance Records, once the major distributor in the United States, has dubbed white power music “the soundtrack to the white revolution.”2 Mainstream Americans recently heard more about white power music due to sev- eral high-proÀle hate crimes. Wade Michael Page, the 2012 Sikh Temple shooter, played in multiple white power bands and belonged to Ham- merskin Nation, a racist skinhead group known for its annual music festivals. Paul Craig Cobb, the internationally known white suprema- cist arrested for terroristic threats in Leith, North Dakota, planned to host white power music festivals on his rural land.4 Anders Behring Breivik, who committed the July 2011 terrorist attack on a socialist labor party camp in Norway, also enjoyed white power music, though he reportedly preferred hip hop.5 They are only a few of the individu- als, many of them teenagers, radicalized by white power music often accessed over the Internet. The importance of white power music for an expanding network of white supremacists across the globe should come as no surprise. However, the role of music in politics generally receives too little 1 © 2016 State University of New York Press, Albany 2 TRENDY FASCISM attention from scholars, politicians, and citizens—and white power music is no exception. -
Unbecoming Adults: Adolescence and the Technologies of Difference in Post
Unbecoming Adults: Adolescence and the Technologies of Difference in Post-1960s US Ethnic Literature and Culture DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James K. Harris, M.A. Graduate Program in English The Ohio State University 2017 Dissertation Committee: Dr. Martin Joseph Ponce, Advisor Dr. Lynn Itagaki Dr. Jian Chen Copyright by James K. Harris 2017 Abstract Adolescence has always been a cultural construction. The designation of a separate space apart from the presumed innocence of childhood and the myths of autonomy and responsibility that come to define adulthood is a surprisingly modern phenomenon. As such, adolescence bears the traces of the ideologies of race, gender, sexuality, and nation that attend so much of the period that calls itself “modernity.” My dissertation asks how writers and artists of color imagine themselves into the archive of coming of age narratives in post-1960s US literature and culture. In thinking about the importance of identity in the period following the advent of nominal civil rights, I offer the “long(er) civil rights movement” as a way of resisting the move to periodize the struggles through which difference has historically accrued meaning in the US nation- state. Each chapter centers around a “technology,” the academy, the body, the entertainment industry, and the internet, which is essential to the formation of adolescent identity in the post-war era, alongside a key term in the lexicon of American culture that accrues added meanings when filtered through the experience of difference. -
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I SEPTEMBER 11. 2014 ARCADE 9 Prytania Theatre to Feminist Film Series to showcase Miyazaki BY ALEC SCHWARTZMAN PRINT ARCADE EDITOR screen 0 bvious Child Prytania Theatre, the sin- Neighbor Totoro:· Howl's Mov- BY MARICELA MURILLO gle oldest single screen movie ing Castle" and "Castle in the COPY EDITOR house operating in Louisiana, Sky" this fall. will continue its Sunday Night Miyazaki's films all carry a The Newcomb Feminist Film Series will resume with a showing of"Obvious Child" at 7 p.m. Series starting on Sunday. The similar feel to them, often re- Tuesday on the Newcomb Quad. Gillian Robespierre directed the movie which stars Jenny Slate, series highlights outstanding lying on recurring themes col- an SNL alumna, as Donna Stern; a female comedian in her 20s who winds up preg- directors around the world. lecting to create a larger picture. nant after a drunken one-night stand. She ultimately decides to get an In the past, the Prytania has The director draws from his abortion, and, unlike in many other films that have touched on the chosen directors such as David own background as a pacifist, subject, goes through with it. '' Lynch, Quentin Tarantino and feminist and his belief that hu- So far, the film and its cast have been nominated for The plot Wes Anderson. manity should remain rooted in the Big Screen Award and KNF Award at the Rotterdam 'This time around, the nature. The crux of most of Mi- Film Festival and the Golden Space Needle Award at fOCUSeS On the showcase presents the works yazaki's films revolve around the the Seattle Film Festival. -
When Hate Speech Leads to Hateful Actions: a Corpus and Discourse Analytic Approach to Linguistic Threat Assessment of Hate Speech
WHEN HATE SPEECH LEADS TO HATEFUL ACTIONS: A CORPUS AND DISCOURSE ANALYTIC APPROACH TO LINGUISTIC THREAT ASSESSMENT OF HATE SPEECH A Dissertation submitted to the FaCulty of the Graduate SChool of Arts and SCiences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in LinguistiCs By Alexandria Marsters, M.S. Washington, DC April 1, 2019 Copyright 2019 Alexandria Marsters All Rights Reserved ii WHEN HATE SPEECH LEADS TO HATEFUL ACTIONS: A CORPUS AND DISCOURSE ANALYTIC APPROACH TO LINGUISTIC THREAT ASSESSMENT OF HATE SPEECH Alexandria Marsters, M.S. Thesis Advisor: Natalie SChilling, Ph.D. ABSTRACT Inspired by reCent aCts of mass violence motivated by hate, this work considers hate speeCh from a sociolinguistiC perspeCtive by combining corpus analysis and disCourse analytiC methods. The goals of this work are twofold. First, this research aims to propose a comprehensive definition of hate speeCh by leveraging the linguistiC body of knowledge in conjunction with insights from legal sCholarship, cross-disCiplinary aCademiC work, lexiCography, and non-aCademiC perspeCtives colleCted through a two-part survey. This work then employs the definition of hate speeCh that is developed to build two corpora of hate speeCh, one authored by those who went on to commit violence and the other by those who did not, called “Hunters” and “Howlers” respeCtively aCCording to the threat assessment paradigm of Calhoun and Weston (2009; 2012). These data are used to address the seCond goal – to enriCh future threat assessment protocols by identifying language patterns whiCh correlate with violent behavior by the authors of hate speeCh. -
Genetic Ancestry Testing Among White Nationalists Aaron
When Genetics Challenges a Racist’s Identity: Genetic Ancestry Testing among White Nationalists Aaron Panofsky and Joan Donovan, UCLA Abstract This paper considers the emergence of new forms of race-making using a qualitative analysis of online discussions of individuals’ genetic ancestry test (GAT) results on the white nationalist website Stormfront. Seeking genetic confirmation of personal identities, white nationalists often confront information they consider evidence of non-white or non- European ancestry. Despite their essentialist views of race, much less than using the information to police individuals’ membership, posters expend considerable energy to repair identities by rejecting or reinterpreting GAT results. Simultaneously, however, Stormfront posters use the particular relationships made visible by GATs to re-imagine the collective boundaries and constitution of white nationalism. Bricoleurs with genetic knowledge, white nationalists use a “racial realist” interpretive framework that departs from canons of genetic science but cannot be dismissed simply as ignorant. Introduction Genetic ancestry tests (GATs) are marketed as a tool for better self-knowledge. Purporting to reveal aspects of identity and relatedness often unavailable in traditional genealogical records, materials promoting GATs advertise the capacity to reveal one’s genetic ties to ethnic groups, ancient populations and historical migrations, and even famous historical figures. But this opportunity to “know thyself” can come with significant risks. Craig Cobb had gained public notoriety and cult status among white supremacists for his efforts to buy up property in Leith, ND, take over the local government, and establish a white supremacist enclave. In 2013, Cobb was invited on The Trisha Show, a daytime talk show, to debate these efforts. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Emerging Narrative
Emerging Narrative 25 Feature Scripts in Development Arrow Written and directed by Emily Carmichael, produced by Adam Spielberg and Josh Hetzler, cinematography by Ben Richardson. In a madcap alternate-reality Brooklyn, three science-fiction heroes face their greatest challenge yet: not saving the world anymore. (Sci- fi/Comedy) The Assumption Written and directed by Tom Quinn, produced by Steve Beal and Ellen Knechel. A young priest attempting to save his elementary school from closure becomes a local celebrity after a near-death experience. (Drama) Baby Lu Written and directed by Emily Ray Reese, produced by Tati Barrantes and Caroline Oliveira. A forbidden crush forces 13-year-old Lucinda and her mountain man father to confront her developing sexuality in a small town in Northern New Mexico. (Coming of Age) The Blandishments Written and directed by Kyle Smith. The Blandishments, a five-piece band from Indiana, weather the challenges that come with writing a hit alternative-rock song in 1993. (Comedy) Brooklyn Flee Written and directed by Alexandra Roxo, written and produced by Devon Kirkpatrick. When two girls meet online and agree to drive across country together, their impromptu adventure brings them much closer than they’d anticipated. (Comedy) Chicken Day Written by Melissa Brandt. A troublesome teenage girl must win a small town’s annual chicken competition in order to save the members of her dysfunctional family. (Drama) Cutlet Written and directed by Clay Liford, produced by Angie Meyer and Brock Williams. A road trip to an isolated farm becomes a nightmare for two siblings when they are forced to battle a mutated herd of carnivorous cattle.