DOCSLIB.ORG

PDF (763.96 Kib)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PDF (763.96 Kib) I SEPTEMBER 11. 2014 ARCADE 9 Prytania Theatre to Feminist Film Series to showcase Miyazaki BY ALEC SCHWARTZMAN PRINT ARCADE EDITOR screen 0 bvious Child Prytania Theatre, the sin- Neighbor Totoro:· Howl's Mov- BY MARICELA MURILLO gle oldest single screen movie ing Castle" and "Castle in the COPY EDITOR house operating in Louisiana, Sky" this fall. will continue its Sunday Night Miyazaki's films all carry a The Newcomb Feminist Film Series will resume with a showing of"Obvious Child" at 7 p.m. Series starting on Sunday. The similar feel to them, often re- Tuesday on the Newcomb Quad. Gillian Robespierre directed the movie which stars Jenny Slate, series highlights outstanding lying on recurring themes col- an SNL alumna, as Donna Stern; a female comedian in her 20s who winds up preg- directors around the world. lecting to create a larger picture. nant after a drunken one-night stand. She ultimately decides to get an In the past, the Prytania has The director draws from his abortion, and, unlike in many other films that have touched on the chosen directors such as David own background as a pacifist, subject, goes through with it. '' Lynch, Quentin Tarantino and feminist and his belief that hu- So far, the film and its cast have been nominated for The plot Wes Anderson. manity should remain rooted in the Big Screen Award and KNF Award at the Rotterdam 'This time around, the nature. The crux of most of Mi- Film Festival and the Golden Space Needle Award at fOCUSeS On the showcase presents the works yazaki's films revolve around the the Seattle Film Festival. Producer Elisabeth Holm of highly revered Japanese di- difficulty involved in remaining won the Red Crown Producer's Award atthe Sundance many th j rlQ S rector, Hayao Miyazaki. Over committed to these principles in Film Festival and Jenny Slate won the Outstanding a six -decade career, Miyazaki the face of ambiguous dangers. Achievement in Filmmaking-Breakout Performance Stern gains from has produced countless criti- All showings, which feature Award at the Newport Beach Film Festival. cally acclaimed animated films the Japanese dubbed versions of The plot focuses on the many things Stern gains from the abortion, including "Spirited Away:• the the films with English subtitle, the abortion, including a possible relationship, happiness and first anime film to earn an will take place at 10 p.m. Each maturity. The film, which runs for an hour and 23 minutes, '' a l s o American Academy Award. individual showing costs $10. stars Jake Lacy, Gaby Hoffman, Richard Kind and Polly Draper. 1be theater, celebrating its Paige Brunet, co·operator of The Newcomb Film Series shows three movies each semester focusing on I OOth year in operation, will the theater, realized the majori- the empowerment of women, the realities of sexual assault, the fight for equal treatment and the display the series using state of ty of people would want to catch ongoing struggle for women's rights. the art sound and projection, the whole series. Therefore, the Newcomb College Institute has sponsored the film series since the fall of 2010. Most of the a Sony Digital 4k projector Prytania will offer package deals screenings include a presentation by experts, directors, filmmakers and others aimed to encour- paired with 7.1 Dolby Digital on all five tickets for only $40. age discussion about the topics addressed in the movies. Sound. An added bonus for all patrons In the past, the series has screened the films "The Invisible War:' which documented the ram- .' In addition to "Spirited over the age of 21, the theatre is pant sexual assault against women in the U.S. Military, as well as "Defending our Lives:' a docu- Away:' Prytania will also show BYOB for all screenings. mentary about the truth of domestic violence in the United States. "Princess Mononoke:' "My ·. Launch Party The first 50 fanatics will receive a limited edition Ironsides Waffles shirt Fanatics! Wear your shirt when you visit Ironsides Waffles and receive $1 off your order! FOR COMPLETE DATES & LOCATIONS VISIT: Tuesdau. September 16 C:J •UptownCemDtntno ｾ IJ UptownCempusOtnlno 9am - 2pm .
Load more

Recommended publications
  • July's Slate of Staff Pick Premieres Brings The
    July’s Slate of Staff Pick Premieres Brings the Freedom of Self Pleasure and Self Destruction June 29, 2017 July Staff Pick Premieres Slate Includes “Stranger Things” Star Natalia Dyer in “Yes, God, Yes” and Academy Award®-Nominated Animated Short “A Single Life” (New York, NY | June 29, 2017) Vimeo announces July’s slate of Staff Pick Premieres, with a different one making its global online premiere on Vimeo each Wednesday. Vimeo’s popular Staff Picks channel is curated by a five-person team that highlights the best short-form content on the platform. To check out the Staff Pick Premieres channel, visit https://vimeo.com/channels/premieres. This month’s slate includes “Stranger Things” star Natalia Dyer in “Yes, God, Yes,” a tale of Catholic guilt and teen masturbation from Obvious Child scribe Karen Maine, Academy Award®-nominated animated short “A Single Life,” Joe Talbot’s dark comedy of American idiocy “American Paradise” that premiered at Sundance 2017, and Amalgamated Picture Co.’s “The Privates,” about a mythical radioactive garageband. Advance links to all of the films are available; please reach out to [email protected] to request. July 5th: “Yes, God, Yes” – Comedy (Dir. Karen Maine) Synopsis: Fifteen-year-old Alice (Natalia Dyer, “Stranger Things”) has always been a good Catholic, but when an innocent AOL chat turns unexpectedly racy, she finds herself suddenly obsessed with masturbating. About the Filmmaker: Karen Maine co-wrote Obvious Child (2014), which premiered at Sundance, screened at SXSW, Rotterdam, and several other festivals, and was theatrically released in the US (A24), UK (Koch Media), and other markets throughout the world.
    [Show full text]
  • Gillian Robespierre on Getting a Movie Made
    February 2, 2017 - Writer/Director Gillian Robespierre is a Brooklyn-based filmmaker, born and raised in New York City. She graduated from the School of Visual Arts, Film & Video Program. Her first feature, Obvious Child premiered at Sundance in 2014. The film got a nod for the year's "Best Discovery" on iTunes and she won Best Directorial Debut from the National Board of Review. Her second feature Landline premiered at Sundance in 2017 and was sold to Amazon. She did not vote for Trump. As told to Brandon Stosuy, 2484 words. Tags: Film, Collaboration, Anxiety, Beginnings. Gillian Robespierre on getting a movie made The writer and director of Obvious Child and Landline talks about crisis and sadness in comedy, the importance of collaboration, and why finishing a second movie isn’t any easier than finishing the first. When I reached out to you, I said I wanted to talk about crisis and sadness in your comedy. At first you wanted to go in a different direction, but you changed your mind. At first I was afraid of your question, because I thought it was too early to analyze the new movie, Landline, and compare it to Obvious Child. I’m also so early in my career. I was nervous to explore it, but then sitting with my writing partner, Elizabeth Holm, and my editor, Casey Brooks, talking about comedy, talking about digging out what really matters in this scene, it dawned on me how important crisis and sadness is in my type of comedy, and how it’s important in storytelling.
    [Show full text]
  • 00:00:00 Music Transition “Switchblade Comb” by Mobius Vanchocstraw
    00:00:00 Music Transition “Switchblade Comb” by Mobius VanChocStraw. A jaunty, jazzy tune reminiscent of the opening theme of a movie. Music continues at a lower volume as April introduces herself and her guest, and then it fades out. 00:00:08 April Wolfe Host Welcome to Switchblade Sisters, where women get together to slice and dice our favorite action and genre films. I’m April Wolfe. Every week, I invite a new female filmmaker on. A writer, director, actor, or producer, and we talk—in depth—about one of their fave genre films. Perhaps one that’s influenced their own work in some small way. Today, you know, you may know that we are social distancing, so remote recording of course. Um, Chicken’s in the other room, so you might not hear her screaming. Um, the wild parrots are out, though. You may hear that flock passing by. Um, so sound is a little bit different in the studio than uh, it usually is. Everything else is pretty much the same, except for today, our guest is different. Our guest is writer-director Karen Maine. Hi, Karen! 00:00:49 Karen Guest Hi! Thanks for having me. Maine 00:00:51 April Host Um, Karen, are you in Los Angeles right now, or are you elsewhere? 00:00:54 Karen Guest I am in Green Point, Brooklyn. 00:00:56 April Host You’re in Brooklyn. Uh, you guys have tornadoes or anything over there right now? You guys good? 00:01:01 Karen Guest Yeah, we’re good.
    [Show full text]
  • FOR IMMEDIATE RELEASE Spring 2014 Contact: Deb Pinger [email protected] 615-742-2500 Or 615-598-6440
    FOR IMMEDIATE RELEASE Spring 2014 Contact: Deb Pinger [email protected] 615-742-2500 or 615-598-6440 NASHVILLE FILM FESTIVAL ANNOUNCES SPECIAL PRESENTATION, OPENING DAY AND WORLD VANGUARD LINEUP World Premieres The Identical, Field of Lost Shoes Southeast Premieres Lucky Them, Happy Christmas US and North American Premieres Long Way Home, The Enemy Within Nashville, TN - The Nashville Film Festival (NaFF) today announced the Special Presentations line-up for the 45th annual Festival, April 17 – 26th at Regal Green Hills Stadium 16. “The special presentations are Nashville’s first chance to see what will be some of the biggest hits of the year,” said Brian Owens, NaFF’s Artistic Director. “They are all incredibly entertaining in a variety of ways, from downright hysterical to powerfully moving.” The Special Presentation films are invited to the festival by Owens, as a result of his travels to Sundance and Toronto and daily contact with film-industry insiders. This is his 6th year programming NaFF, after joining the festival in Summer, 2008. The Nashville Film Festival has become one of the premier showcases for the best new work of American and international filmmakers. The festival screens films that represent the creative risk filmmakers take to tell powerful and important stories in innovative ways. Owens programmed Opening Day with Nashville in mind. These are films made in or near the city, by a Tennessee filmmaker, or by a filmmaker well-loved by the NaFF festival audience. Opening Day Selections: The Identical | Director: Dustin Marcellino. USA. 88 minutes. Starring: Blake Rayne, Ashley Judd, Ray Liotta, Seth Green, Joe Pantoliano, Amanda Crew, Brian Geraghty The Identical is the story of a young couple, who give birth to identical twin boys in the depths of the Great Depression.
    [Show full text]
  • Signature Redacted
    Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Master in Management HEC Paris, 2016 SUBMITTED TO THE MIT SLOAN SCHOOL OF MANAGEMENT IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN MANAGEMENT STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2016 OFTECHNOLOGY 2016 Loubna Berrada. All rights reserved. JUN 08 201 The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic LIBRARIES copies of this thesis document in whole or in part ARCHIVES in any medium now known or hereafter created. Signature of Author: Signature redE cted MIT Sloan School of Management May 6, 2016 Certified by: Signature redacted Juanjuan Zhang Epoch Foundation Professor of International Management Professor of Marketing MIT Sloan School of Management Thesis Supervisor Accepted by: Signature redacted Rodrigo S. Verdi Associate Professor of Accounting Program Director, M.S. in Management Studies Program MIT Sloan School of Management 2 Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Submitted to MIT Sloan School of Management on May 6, 2016 in Partial fulfillment of the requirements for the Degree of Master of Science in Management Studies. Abstract I believe film has the power to transform people's lives and minds and to enlighten today's generation like any other medium. This is why I wanted to write my thesis about film distribution as it will determine the future of the industry itself. The way films are distributed, accessed and consumed will be critical in shaping our future entertainment culture and the way we approach content.
    [Show full text]
  • Northumbria Research Link
    Northumbria Research Link Citation: Hair, Melissa (2019) “I’d like an abortion please”: rethinking unplanned pregnancy narratives in contemporary American cinema. Feminist Media Studies, 19 (3). pp. 380-395. ISSN 1468-0777 Published by: Taylor & Francis URL: https://doi.org/10.1080/14680777.2018.1465444 <https://doi.org/10.1080/14680777.2018.1465444> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/34184/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) “I’d like an abortion please”: Rethinking Unplanned Pregnancy Narratives in Contemporary American Cinema Released in 2014 and 2015 respectively, the American indie films Obvious Child and Grandma each feature a central protagonist who is dealing with an unplanned pregnancy and is pursuing an abortion.
    [Show full text]
  • Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
    Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] ​ www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, ​ 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE
    [Show full text]
  • Movie Suggestions for 55 and Older: #4 (141) After the Ball
    Movie Suggestions for 55 and older: #4 (141) After The Ball - Comedy - Female fashion designer who has strikes against her because father sells knockoffs, gives up and tries to work her way up in the family business with legitimate designes of her own. Lots of obstacles from stepmother’s daughters. {The} Alamo - Western - John Wayne, Richard Widmark, Laurence Harvey, Richard Boone, Frankie Avalon, Patrick Wayne, Linda Cristal, Joan O’Brien, Chill Wills, Ken Curtis, Carlos Arru , Jester Hairston, Joseph Calleia. 185 men stood against 7,000 at the Alamo. It was filmed close to the site of the actual battle. Alive - Adventure - Ethan Hawke, Vincent Spano, James Newton Howard, et al. Based on a true story. Rugby players live through a plane crash in the Andes Mountains. When they realize the rescue isn’t coming, they figure ways to stay alive. Overcoming huge odds against their survival, this is about courage in the face of desolation, other disasters, and the limits of human courage and endurance. Rated “R”. {The} American Friend - Suspense - Dennis Hopper, Bruno Ganz, Lisa Kreuzer, Gerard Blain, Nicholas Ray, Samuel Fuller, Peter Lilienthal, Daniel Schmid, Jean Eustache, Sandy Whitelaw, Lou Castel. An American sociopath art dealer (forged paintings) sells in Germany. He meets an idealistic art restorer who is dying. The two work together so the German man’s family can get funds. This is considered a worldwide cult film. Amongst White Clouds - 294.3 AMO - Buddhist, Hermit Masters of China’s Zhongnan Mountains. Winner of many awards. “An unforgettable journey into the hidden tradition of China’s Buddhist hermit monks.
    [Show full text]
  • Shilyh Warren Abortion, Abortion, Abortion, Still
    Shilyh Warren Abortion, Abortion, Abortion, Still: Documentary Show and Tell Some of us are weary of the topic. Some of us are weary of ringing the alarm bells, of holding signs, of trying to keep clinics open, sidewalks clear, women informed. After several months of work- ing steadily on the subject of abortion in feminist documentary, while also living in Texas, I, too, am wearing down. But the fact remains: we are in the midst of an urgent political, legal, and cultural upheaval over abortion. Still. Since women placed abortion at the center of their concerns in the late 1960s, abortion has remained at the top of the feminist agenda. While many conceptual, social, and material links connect 1970s feminisms with the contem- porary landscape of feminist activism, abortion abides as one of the significant power struggles between women and systems of patriarchal and capitalist power and control. In the words of Ellen Willis (quoted in Nelson 2003: 3), a member of the New York–based radical feminist group Redstock- ings, demanding legal abortion in the late 1960s was about “asserting autonomy and subjecthood; it was about the right to have sex, play God, to bring life into the world. This freaked people out.” Histo- rians such as Wendy Kline (2010: 68) explain that abortion was initially “a touchstone” for women’s The South Atlantic Quarterly 114:4, October 2015 doi 10.1215/00382876-3157122 © 2015 Duke University Press Downloaded from http://read.dukeupress.edu/south-atlantic-quarterly/article-pdf/114/4/755/471396/ddsaq_114_4_05Warren_Fpp.pdf by guest on 01 October 2021 756 The South Atlantic Quarterly • October 2015 liberation and was taken up by feminist activists as “a collective problem for all women.” However, abortion has not been a coalition issue for women in the way second-wave feminist activists envisioned.
    [Show full text]
  • The Queerness of Immaturity in American Film
    NEVER GROW UP: THE QUEERNESS OF IMMATURITY IN AMERICAN FILM by LAUREN R. DAVINE Bachelor of Arts Honors, Film Studies Western University, London, Ontario, 2007 Master of Arts, Cinema Studies University of Toronto, Toronto, Ontario, 2010 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the program of Communication and Culture Toronto, Ontario, Canada, 2018 ©Lauren Davine 2018 Author’s Declaration I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii Never Grow Up: The Queerness of Immaturity in American Film Lauren Davine, 2018 Doctor of Philosophy in Communication and Culture Ryerson University and York University Abstract This dissertation examines the contradictory status of immaturity in our culture. While immaturity’s otherness to heteronormative adulthood is a source of fear and anxiety, this otherness is also what makes it desirable–that is, immaturity represents an escape from the pressures and standards of adulthood, signifying an oppositional subjectivity reminiscent of youthful rebellion. Indeed, the oppositional nature of immaturity is ultimately what gives it power as a source of political agency.
    [Show full text]
  • 2014 Year in Review
    2014 Year In Review A supplement to help you complete the “What Life was Like…” and “Profile of…” Time Capsule books We suggest you use this Year In Review as a guide to help complete the book. You should copy the information into your book using your own handwriting so that the book looks uniform and complete. TOP 10 Songs TOP 10 TV SHOWS 1. “Flawless,” Beyonce & Nicki Minaj 1. Transparent (Amazon) 2. “Blank Space,” Taylor Swift 2. The Americans (FX) 3. “Move That Dope,” Future, Pharrell Williams, Pusha 3. The Good Wife (CBS) T, Casino 4. Orange Is the New Black (Netflix) 4. “Inside Out,” Spoon 5. Fargo (FX) 5. “2 On,” Tinashe & Schoolboy Q 6. Last Week Tonight with John Oliver (HBO) 6. “Red Eyes,” The War on Drugs 7. Broad City (Comedy Central) 7. “Blockbuster Night Part 1,” Run the Jewels 8. Louie (FX) 8. “In the House of Yes,” Mr Twin Sister 9. High Maintenance (Vimeo) 9. “Talking Backwards,” Real Estate 10. Silicon Valley (HBO) 10. “Chandelier,” Sia Source: http://time.com/collection/top-10-everything-of-2014/ Source: http://time.com/collection/top-10-everything-of-2014/ TOP 10 BEST MOVIES TOP 10 MOVIE PERFORMERS 1. The Grand Budapest Hotel 1. Benedict Cumberbatch, The Imitation Game 2. Boyhood 2. Julianne Moore, Still Alice 3. The LEGO Movie 3. Chadwick Boseman, Get On Up 4. Lucy 4. Marion Cotillard, The Immigrant and Two 5. Goodbye to Language Days, One Night 6. Jodorowsky’s Dune 5. Eva Green, 300: Rise of an Empire and Sin 7. Nightcrawler City: A Dame to Kill For 8.
    [Show full text]
  • Movie Trailers: Appealing to Millennials Olivia E. Lepore
    MOVIE TRAILERS 1 Movie Trailers: Appealing to Millennials Olivia E. Lepore University of Minnesota August 12, 2014 MOVIE TRAILERS 2 Acknowledgements This study would not have been possible without the support of my Cohort 8 family. I had no idea how much I could learn during my tenure in the Strategic Communication M.A. program, not only from our instructors but also from the career experience of my peers. The knowledge gained from simply being in the same room as my cohort members is invaluable. We were lucky to have such dedicated instructors and eager students, and I will forever be grateful for the experience. I would also like to give special acknowledgement to Alison Johnson, who went above and beyond in answering my many questions, guiding my ideas and encouraging me to pursue the topic of this capstone. MOVIE TRAILERS 3 Table of Contents About the Author ...........................................................................................................................4 Executive Summary .......................................................................................................................5 Introduction ....................................................................................................................................5 Literature ........................................................................................................................................7 Research Questions ......................................................................................................................12
    [Show full text]