Marriage, Abortion, and Coming Out
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©2020 Fredrika Thelandersson ALL RIGHTS RESERVED
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Serving Norwood, Bedford Park, Fordham and University Heights NORWOOD NEWS Vol. 25, No. 18 ■ PUBLISHED BY MOSHOLU PRESERVATION CORPORATION ■ September 20 –October 3, 2012 Naomi Rivera Defeated Soundly in Assembly Primary By ALEX KRATZ The two candidates appeared togeth - er outside of the 869-unit Tracey Tow - In a stunning and convincing primary ers on Mosholu Parkway in early day upset last Thursday, Bronx Assem - August for a rally against an enormous blywoman Naomi Rivera was ousted by a rent hike. Rivera, who showed up 45 rookie, Mark Gjonaj, who outspent, out - minutes late, vowed to fight the rent maneuvered and outhustled his political - hike and made sure to point at Gjonaj ly-insulated but scandal-stricken oppo - when she talked about unscrupulous nent. and greedy landlords. (Gjonaj has Though Rivera held the advantage of strong ties to the real estate industry, incumbency in a largely Hispanic 80th but he is not a landlord. He owns a real Assembly District, that includes parts of estate brokerage firm in Morris Park Norwood, Bedford Park, Allerton, Morris and his family owns property and build - Park and Pelham Gardens, Gjonaj (pro - ings in the Bronx.) nounced Joen-eye) spared no expense and But after setting up a conference call took advantage of every opportunity to with other city officials, which didn’t defeat Rivera soundly in a four-way race. amount to anything, Tracey residents According to unofficial results said they heard nothing from Rivera. released by the Board of Elections, Gjon - Meanwhile, “Mark came through for aj won with 51.69 percent of the vote us at the eleventh hour,” said Jean Hill, (2,407 total) compared to Rivera’s 40.69 Tracey’s tenants association president. -
WHS Big Read Politics Books Suggestions
THE BIG READ 2020 Government and Politics Books Popular titles are offered for those interested in government & politics. The Big Read is a FREE CHOICE assignment. You are not required to read a government and politics book. Se ofrecen títulos populares, incluidos libros en español, para aquellos interesados en el gobierno. The Big Read es una tarea de ELECCIÓN LIBRE. No está obligado a leer un libro de gobierno y política. TITLE/TÍTULO AUTHOR YR GENRE DESCRIPTION/DESCRIPCIÓN The Spy and the Ben Macintyre 2019 Nonfiction; If anyone could be considered a Russian counterpart to the infamous British double-agent Kim Philby, it was Cold War Oleg Gordievsky. The son of two KGB agents and the product of the best Soviet institutions, the savvy, Traitor: The sophisticated Gordievsky grew to see his nation's communism as both criminal and philistine. He took his Greatest Espionage first posting for Russian intelligence in 1968 and eventually became the Soviet Union's top man in London, Story of the Cold but from 1973 on he was secretly working for MI6. For nearly a decade, as the Cold War reached its twilight, Gordievsky helped the West turn the tables on the KGB, eXposing Russian spies and helping to foil War countless intelligence plots, as the Soviet leadership grew increasingly paranoid at the United States's nuclear first-strike capabilities and brought the world closer to the brink of war. Desperate to keep the circle of trust close, MI6 never revealed Gordievsky's name to its counterparts in the CIA, which in turn grew obsessed with figuring out the identity of Britain's obviously top-level source. -
July's Slate of Staff Pick Premieres Brings The
July’s Slate of Staff Pick Premieres Brings the Freedom of Self Pleasure and Self Destruction June 29, 2017 July Staff Pick Premieres Slate Includes “Stranger Things” Star Natalia Dyer in “Yes, God, Yes” and Academy Award®-Nominated Animated Short “A Single Life” (New York, NY | June 29, 2017) Vimeo announces July’s slate of Staff Pick Premieres, with a different one making its global online premiere on Vimeo each Wednesday. Vimeo’s popular Staff Picks channel is curated by a five-person team that highlights the best short-form content on the platform. To check out the Staff Pick Premieres channel, visit https://vimeo.com/channels/premieres. This month’s slate includes “Stranger Things” star Natalia Dyer in “Yes, God, Yes,” a tale of Catholic guilt and teen masturbation from Obvious Child scribe Karen Maine, Academy Award®-nominated animated short “A Single Life,” Joe Talbot’s dark comedy of American idiocy “American Paradise” that premiered at Sundance 2017, and Amalgamated Picture Co.’s “The Privates,” about a mythical radioactive garageband. Advance links to all of the films are available; please reach out to [email protected] to request. July 5th: “Yes, God, Yes” – Comedy (Dir. Karen Maine) Synopsis: Fifteen-year-old Alice (Natalia Dyer, “Stranger Things”) has always been a good Catholic, but when an innocent AOL chat turns unexpectedly racy, she finds herself suddenly obsessed with masturbating. About the Filmmaker: Karen Maine co-wrote Obvious Child (2014), which premiered at Sundance, screened at SXSW, Rotterdam, and several other festivals, and was theatrically released in the US (A24), UK (Koch Media), and other markets throughout the world. -
Understanding the Metoo Movement Through the Lens of the Twitter
EasyChair Preprint № 4042 Understanding The MeToo Movement Through The Lens Of The Twitter Rahul Goel and Rajesh Sharma EasyChair preprints are intended for rapid dissemination of research results and are integrated with the rest of EasyChair. August 16, 2020 Understanding The MeToo Movement Through The Lens Of The Twitter Rahul Goel and Rajesh Sharma Institute of Computer Science University of Tartu, Estonia frahul.goel, [email protected] Abstract. In recent years, social media has provided platforms for rais- ing the voice against sexual harassment (SH). The MeToo movement is one such online movement that aims to show the magnitude of this stig- matized issue in society. In particular, on Twitter, which is the focus of this study, has attracted a large number of tweets from all over the world regarding the MeToo movement. The studies of the MeToo movement focus on the SH and sexual assault (SA) incidents but fails to analyze its other hidden facets. In this work, we perform micro-analysis of the MeToo movement using tweets and present a descriptive analysis cou- pled with macro level tweets analysis in order to reveal and understand the diverse subtopics of the MeToo movement. In addition, we also iden- tify and characterize varied user-groups derived through social network analysis. We find that users discussing a similar facet forms a strong community. Some of the facets out of many being discovered are as fol- lows (1) SH incidents reporting is high for people of color1; (2) discussion over color often leads to the use of hate and offensive vocabulary; and (3) along with workplaces, domestic SH cases are higher. -
MIAMI UNIVERSITY the Graduate School
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Bridget Christine Gelms Candidate for the Degree Doctor of Philosophy ______________________________________ Dr. Jason Palmeri, Director ______________________________________ Dr. Tim Lockridge, Reader ______________________________________ Dr. Michele Simmons, Reader ______________________________________ Dr. Lisa Weems, Graduate School Representative ABSTRACT VOLATILE VISIBILITY: THE EFFECTS OF ONLINE HARASSMENT ON FEMINIST CIRCULATION AND PUBLIC DISCOURSE by Bridget C. Gelms As our digital environments—in their inhabitants, communities, and cultures—have evolved, harassment, unfortunately, has become the status quo on the internet (Duggan, 2014 & 2017; Jane, 2014b). Harassment is an issue that disproportionately affects women, particularly women of color (Citron, 2014; Mantilla, 2015), LGBTQIA+ women (Herring et al., 2002; Warzel, 2016), and women who engage in social justice, civil rights, and feminist discourses (Cole, 2015; Davies, 2015; Jane, 2014a). Whitney Phillips (2015) notes that it’s politically significant to pay attention to issues of online harassment because this kind of invective calls “attention to dominant cultural mores” (p. 7). Keeping our finger on the pulse of such attitudes is imperative to understand who is excluded from digital publics and how these exclusions perpetuate racism and sexism to “preserve the internet as a space free of politics and thus free of challenge to white masculine heterosexual hegemony” (Higgin, 2013, n.p.). While rhetoric and writing as a field has a long history of examining myriad exclusionary practices that occur in public discourses, we still have much work to do in understanding how online harassment, particularly that which is gendered, manifests in digital publics and to what rhetorical effect. -
Gillian Robespierre on Getting a Movie Made
February 2, 2017 - Writer/Director Gillian Robespierre is a Brooklyn-based filmmaker, born and raised in New York City. She graduated from the School of Visual Arts, Film & Video Program. Her first feature, Obvious Child premiered at Sundance in 2014. The film got a nod for the year's "Best Discovery" on iTunes and she won Best Directorial Debut from the National Board of Review. Her second feature Landline premiered at Sundance in 2017 and was sold to Amazon. She did not vote for Trump. As told to Brandon Stosuy, 2484 words. Tags: Film, Collaboration, Anxiety, Beginnings. Gillian Robespierre on getting a movie made The writer and director of Obvious Child and Landline talks about crisis and sadness in comedy, the importance of collaboration, and why finishing a second movie isn’t any easier than finishing the first. When I reached out to you, I said I wanted to talk about crisis and sadness in your comedy. At first you wanted to go in a different direction, but you changed your mind. At first I was afraid of your question, because I thought it was too early to analyze the new movie, Landline, and compare it to Obvious Child. I’m also so early in my career. I was nervous to explore it, but then sitting with my writing partner, Elizabeth Holm, and my editor, Casey Brooks, talking about comedy, talking about digging out what really matters in this scene, it dawned on me how important crisis and sadness is in my type of comedy, and how it’s important in storytelling. -
Analyzing Ideological Discourse on Social Media: a Case Study of the Abortion Debate
Analyzing Ideological Discourse on Social Media: A Case Study of the Abortion Debate Eva Sharma*, Koustuv Saha*, Sindhu Kiranmai Ernala*, Sucheta Ghoshal*, Munmun De Choudhury Georgia Institute of Technology Atlanta, Georgia 30308, United States (evasharma,koustuv.saha,sernala3,sucheta,munmund)@gatech.edu ABSTRACT 1 INTRODUCTION Social media provides a unique platform enabling public discourse An active “public sphere” is a crucial element of social, political, and around cross-cutting ideologies. In this paper, we provide a method- cultural change. Since its emergence in the ancient Greek agoras, ological lens for studying the discourses around the controversial public sphere has served as a facilitator of informed and logical topic of abortion on social media. Drawing from the theoretical discussion around a variety of societal topics [23]. The seminal framework of “Critical Discourse Analysis”, we study discourse work of communication scholar Gerard A. Hauser notes that, by around abortion on Twitter through analysis of language and the coming together to freely discuss and identify contentious problems, manifested socio-cultural practices. First, employing a large dataset individuals can reach a common judgment, form public opinion, of over 700 thousand posts, we find that abortion discourse can be and influence collective action, policy, and decision-making [25]. classified into three ideologies: For, Against, and Neutral to Abor- Social media platforms such as Twitter have emerged as promi- tion. We observe these ideological categories to be characterized nent forums promoting open and democratic exchanges around by distinctive textual and psycholinguistic cues. Finally, we ana- many controversial topics. Many have argued these platforms to lyze the nature of discourse across ideologies against the backdrop be extending the public sphere due to their ability to facilitate of socio-cultural practices associated with abortion. -
National Agenda Midterm Matters Dave Dewalt
1 NATIONAL AGENDA MIDTERM MATTERS DAVE DEWALT CYBERSECURITY MATTERS HOSTED BY University of Delaware Center for Political Communication With support from the Office of the Provost Cosponsored by the Cybersecurity Initiative, University of Delaware PARTICIPANTS Dr. Lindsay Hoffman Director of National Agenda and Associate Director of the Center for Political Communication, University of Delaware David DeWalt Chairman of the Board for cybersecurity firm Claroty and managing director of AllegisCyber, a cybersecurity venture capital firm; former CEO of computer security company McAfee and cybersecurity company FireEye. In 2011 President Barrack Obama appointed Mr. DeWalt to the National Security Telecommunications Advisory Counsel. Transcript of Event Date: September 26, 2018 Place: Mitchell Hall, University of Delaware, Newark, DE DR. HOFFMAN: Welcome everyone to the Eighth Annual National Agenda Speaker Series brought to you by the University of Delaware Center for Political Communication with support from the Office of the Provost. Our program tonight is also cosponsored by the Cybersecurity Initiative here at UD. I’m Dr. Lindsay Hoffman. I am the Director of the National Agenda and I’m also the Associate Director of the Center for Political Communication. This year’s theme -- Midterm Matters. We’ll be talking all things related to midterm elections, as well as issues that matter for the midterm elections. The CPC is a non-partisan organization and we feature speakers across the spectrum. You may recall last fall we had a conversation with Joe Biden and John Kasich. Our first speaker, just a couple of weeks ago, was Lauren Duca, an opinion columnist for Teen Vogue. She demonstrated that opinions matter and opinions can sometimes divide and offend. -
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I SEPTEMBER 11. 2014 ARCADE 9 Prytania Theatre to Feminist Film Series to showcase Miyazaki BY ALEC SCHWARTZMAN PRINT ARCADE EDITOR screen 0 bvious Child Prytania Theatre, the sin- Neighbor Totoro:· Howl's Mov- BY MARICELA MURILLO gle oldest single screen movie ing Castle" and "Castle in the COPY EDITOR house operating in Louisiana, Sky" this fall. will continue its Sunday Night Miyazaki's films all carry a The Newcomb Feminist Film Series will resume with a showing of"Obvious Child" at 7 p.m. Series starting on Sunday. The similar feel to them, often re- Tuesday on the Newcomb Quad. Gillian Robespierre directed the movie which stars Jenny Slate, series highlights outstanding lying on recurring themes col- an SNL alumna, as Donna Stern; a female comedian in her 20s who winds up preg- directors around the world. lecting to create a larger picture. nant after a drunken one-night stand. She ultimately decides to get an In the past, the Prytania has The director draws from his abortion, and, unlike in many other films that have touched on the chosen directors such as David own background as a pacifist, subject, goes through with it. '' Lynch, Quentin Tarantino and feminist and his belief that hu- So far, the film and its cast have been nominated for The plot Wes Anderson. manity should remain rooted in the Big Screen Award and KNF Award at the Rotterdam 'This time around, the nature. The crux of most of Mi- Film Festival and the Golden Space Needle Award at fOCUSeS On the showcase presents the works yazaki's films revolve around the the Seattle Film Festival. -
R. Stuart Geiger Curriculum Vitae September 2021 [email protected] | | @Staeiou | Google Scholar | Github
Geiger CV 1/14 R. Stuart Geiger Curriculum Vitae September 2021 [email protected] | http://stuartgeiger.com | @staeiou | Google Scholar | GitHub Education University of California at Berkeley, School of Information Ph.D., Information Management & Systems, designated emphasis in New Media December 2015 Georgetown University M.A., Communication, Culture, and Technology May 2009 University of Texas at Austin B.A., Humanities Honors May 2007 Employment University of California at San Diego Assistant Professor, Dept of Communication & Halıcıoğlu Data Science Institute Jul 2020 – present University of California at Berkeley, Berkeley Institute for Data Science Postdoctoral scholar and staff ethnographer Jan 2016 – June 2020 Wikimedia Foundation Research intern (full-time) May 2011 – Aug 2011 Georgetown University Research associate, Communication, Culture, and Technology (full-time) May 2009 – Aug 2010 Publications & Other Scholarly Outputs: Peer-Reviewed Journal Publications: 1. Geiger, R. S., Cope, D., Ip, J., Lotosh, M., Shah, A., Weng, J., & Tang, R. (2021). “Garbage In, Garbage Out” Revisited: What Do Machine Learning Application Papers Report About Human- Labeled Training Data?. Quantitative Science Studies, Online First. 1-32. https://doi.org/10.1162/qss_a_00144 2. Geiger, R. S., Howard, D., & Irani, L. (2021). The Labor of Maintaining and Scaling Free and Open-Source Software Projects. Proceedings of the ACM on Human-Computer Interaction, 5 (CSCW1), 1-28. https://dl.acm.org/doi/pdf/10.1145/3449249 Geiger CV 2/14 3. Scroggins, M.J., Pasquetto, I.V., Geiger, R.S., Boscoe, B.M., Darch, P.T., Cabasse-Mazel, C., Thompson, C. and Borgman, C.L. (2020). “Thorny Problems in Data (-Intensive) Science.” Communications of the ACM. -
00:00:00 Music Transition “Switchblade Comb” by Mobius Vanchocstraw
00:00:00 Music Transition “Switchblade Comb” by Mobius VanChocStraw. A jaunty, jazzy tune reminiscent of the opening theme of a movie. Music continues at a lower volume as April introduces herself and her guest, and then it fades out. 00:00:08 April Wolfe Host Welcome to Switchblade Sisters, where women get together to slice and dice our favorite action and genre films. I’m April Wolfe. Every week, I invite a new female filmmaker on. A writer, director, actor, or producer, and we talk—in depth—about one of their fave genre films. Perhaps one that’s influenced their own work in some small way. Today, you know, you may know that we are social distancing, so remote recording of course. Um, Chicken’s in the other room, so you might not hear her screaming. Um, the wild parrots are out, though. You may hear that flock passing by. Um, so sound is a little bit different in the studio than uh, it usually is. Everything else is pretty much the same, except for today, our guest is different. Our guest is writer-director Karen Maine. Hi, Karen! 00:00:49 Karen Guest Hi! Thanks for having me. Maine 00:00:51 April Host Um, Karen, are you in Los Angeles right now, or are you elsewhere? 00:00:54 Karen Guest I am in Green Point, Brooklyn. 00:00:56 April Host You’re in Brooklyn. Uh, you guys have tornadoes or anything over there right now? You guys good? 00:01:01 Karen Guest Yeah, we’re good.