Marriage, Abortion, and Coming Out
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July's Slate of Staff Pick Premieres Brings The
July’s Slate of Staff Pick Premieres Brings the Freedom of Self Pleasure and Self Destruction June 29, 2017 July Staff Pick Premieres Slate Includes “Stranger Things” Star Natalia Dyer in “Yes, God, Yes” and Academy Award®-Nominated Animated Short “A Single Life” (New York, NY | June 29, 2017) Vimeo announces July’s slate of Staff Pick Premieres, with a different one making its global online premiere on Vimeo each Wednesday. Vimeo’s popular Staff Picks channel is curated by a five-person team that highlights the best short-form content on the platform. To check out the Staff Pick Premieres channel, visit https://vimeo.com/channels/premieres. This month’s slate includes “Stranger Things” star Natalia Dyer in “Yes, God, Yes,” a tale of Catholic guilt and teen masturbation from Obvious Child scribe Karen Maine, Academy Award®-nominated animated short “A Single Life,” Joe Talbot’s dark comedy of American idiocy “American Paradise” that premiered at Sundance 2017, and Amalgamated Picture Co.’s “The Privates,” about a mythical radioactive garageband. Advance links to all of the films are available; please reach out to [email protected] to request. July 5th: “Yes, God, Yes” – Comedy (Dir. Karen Maine) Synopsis: Fifteen-year-old Alice (Natalia Dyer, “Stranger Things”) has always been a good Catholic, but when an innocent AOL chat turns unexpectedly racy, she finds herself suddenly obsessed with masturbating. About the Filmmaker: Karen Maine co-wrote Obvious Child (2014), which premiered at Sundance, screened at SXSW, Rotterdam, and several other festivals, and was theatrically released in the US (A24), UK (Koch Media), and other markets throughout the world. -
Understanding the Metoo Movement Through the Lens of the Twitter
EasyChair Preprint № 4042 Understanding The MeToo Movement Through The Lens Of The Twitter Rahul Goel and Rajesh Sharma EasyChair preprints are intended for rapid dissemination of research results and are integrated with the rest of EasyChair. August 16, 2020 Understanding The MeToo Movement Through The Lens Of The Twitter Rahul Goel and Rajesh Sharma Institute of Computer Science University of Tartu, Estonia frahul.goel, [email protected] Abstract. In recent years, social media has provided platforms for rais- ing the voice against sexual harassment (SH). The MeToo movement is one such online movement that aims to show the magnitude of this stig- matized issue in society. In particular, on Twitter, which is the focus of this study, has attracted a large number of tweets from all over the world regarding the MeToo movement. The studies of the MeToo movement focus on the SH and sexual assault (SA) incidents but fails to analyze its other hidden facets. In this work, we perform micro-analysis of the MeToo movement using tweets and present a descriptive analysis cou- pled with macro level tweets analysis in order to reveal and understand the diverse subtopics of the MeToo movement. In addition, we also iden- tify and characterize varied user-groups derived through social network analysis. We find that users discussing a similar facet forms a strong community. Some of the facets out of many being discovered are as fol- lows (1) SH incidents reporting is high for people of color1; (2) discussion over color often leads to the use of hate and offensive vocabulary; and (3) along with workplaces, domestic SH cases are higher. -
MIAMI UNIVERSITY the Graduate School
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Bridget Christine Gelms Candidate for the Degree Doctor of Philosophy ______________________________________ Dr. Jason Palmeri, Director ______________________________________ Dr. Tim Lockridge, Reader ______________________________________ Dr. Michele Simmons, Reader ______________________________________ Dr. Lisa Weems, Graduate School Representative ABSTRACT VOLATILE VISIBILITY: THE EFFECTS OF ONLINE HARASSMENT ON FEMINIST CIRCULATION AND PUBLIC DISCOURSE by Bridget C. Gelms As our digital environments—in their inhabitants, communities, and cultures—have evolved, harassment, unfortunately, has become the status quo on the internet (Duggan, 2014 & 2017; Jane, 2014b). Harassment is an issue that disproportionately affects women, particularly women of color (Citron, 2014; Mantilla, 2015), LGBTQIA+ women (Herring et al., 2002; Warzel, 2016), and women who engage in social justice, civil rights, and feminist discourses (Cole, 2015; Davies, 2015; Jane, 2014a). Whitney Phillips (2015) notes that it’s politically significant to pay attention to issues of online harassment because this kind of invective calls “attention to dominant cultural mores” (p. 7). Keeping our finger on the pulse of such attitudes is imperative to understand who is excluded from digital publics and how these exclusions perpetuate racism and sexism to “preserve the internet as a space free of politics and thus free of challenge to white masculine heterosexual hegemony” (Higgin, 2013, n.p.). While rhetoric and writing as a field has a long history of examining myriad exclusionary practices that occur in public discourses, we still have much work to do in understanding how online harassment, particularly that which is gendered, manifests in digital publics and to what rhetorical effect. -
Gillian Robespierre on Getting a Movie Made
February 2, 2017 - Writer/Director Gillian Robespierre is a Brooklyn-based filmmaker, born and raised in New York City. She graduated from the School of Visual Arts, Film & Video Program. Her first feature, Obvious Child premiered at Sundance in 2014. The film got a nod for the year's "Best Discovery" on iTunes and she won Best Directorial Debut from the National Board of Review. Her second feature Landline premiered at Sundance in 2017 and was sold to Amazon. She did not vote for Trump. As told to Brandon Stosuy, 2484 words. Tags: Film, Collaboration, Anxiety, Beginnings. Gillian Robespierre on getting a movie made The writer and director of Obvious Child and Landline talks about crisis and sadness in comedy, the importance of collaboration, and why finishing a second movie isn’t any easier than finishing the first. When I reached out to you, I said I wanted to talk about crisis and sadness in your comedy. At first you wanted to go in a different direction, but you changed your mind. At first I was afraid of your question, because I thought it was too early to analyze the new movie, Landline, and compare it to Obvious Child. I’m also so early in my career. I was nervous to explore it, but then sitting with my writing partner, Elizabeth Holm, and my editor, Casey Brooks, talking about comedy, talking about digging out what really matters in this scene, it dawned on me how important crisis and sadness is in my type of comedy, and how it’s important in storytelling. -
Analyzing Ideological Discourse on Social Media: a Case Study of the Abortion Debate
Analyzing Ideological Discourse on Social Media: A Case Study of the Abortion Debate Eva Sharma*, Koustuv Saha*, Sindhu Kiranmai Ernala*, Sucheta Ghoshal*, Munmun De Choudhury Georgia Institute of Technology Atlanta, Georgia 30308, United States (evasharma,koustuv.saha,sernala3,sucheta,munmund)@gatech.edu ABSTRACT 1 INTRODUCTION Social media provides a unique platform enabling public discourse An active “public sphere” is a crucial element of social, political, and around cross-cutting ideologies. In this paper, we provide a method- cultural change. Since its emergence in the ancient Greek agoras, ological lens for studying the discourses around the controversial public sphere has served as a facilitator of informed and logical topic of abortion on social media. Drawing from the theoretical discussion around a variety of societal topics [23]. The seminal framework of “Critical Discourse Analysis”, we study discourse work of communication scholar Gerard A. Hauser notes that, by around abortion on Twitter through analysis of language and the coming together to freely discuss and identify contentious problems, manifested socio-cultural practices. First, employing a large dataset individuals can reach a common judgment, form public opinion, of over 700 thousand posts, we find that abortion discourse can be and influence collective action, policy, and decision-making [25]. classified into three ideologies: For, Against, and Neutral to Abor- Social media platforms such as Twitter have emerged as promi- tion. We observe these ideological categories to be characterized nent forums promoting open and democratic exchanges around by distinctive textual and psycholinguistic cues. Finally, we ana- many controversial topics. Many have argued these platforms to lyze the nature of discourse across ideologies against the backdrop be extending the public sphere due to their ability to facilitate of socio-cultural practices associated with abortion. -
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I SEPTEMBER 11. 2014 ARCADE 9 Prytania Theatre to Feminist Film Series to showcase Miyazaki BY ALEC SCHWARTZMAN PRINT ARCADE EDITOR screen 0 bvious Child Prytania Theatre, the sin- Neighbor Totoro:· Howl's Mov- BY MARICELA MURILLO gle oldest single screen movie ing Castle" and "Castle in the COPY EDITOR house operating in Louisiana, Sky" this fall. will continue its Sunday Night Miyazaki's films all carry a The Newcomb Feminist Film Series will resume with a showing of"Obvious Child" at 7 p.m. Series starting on Sunday. The similar feel to them, often re- Tuesday on the Newcomb Quad. Gillian Robespierre directed the movie which stars Jenny Slate, series highlights outstanding lying on recurring themes col- an SNL alumna, as Donna Stern; a female comedian in her 20s who winds up preg- directors around the world. lecting to create a larger picture. nant after a drunken one-night stand. She ultimately decides to get an In the past, the Prytania has The director draws from his abortion, and, unlike in many other films that have touched on the chosen directors such as David own background as a pacifist, subject, goes through with it. '' Lynch, Quentin Tarantino and feminist and his belief that hu- So far, the film and its cast have been nominated for The plot Wes Anderson. manity should remain rooted in the Big Screen Award and KNF Award at the Rotterdam 'This time around, the nature. The crux of most of Mi- Film Festival and the Golden Space Needle Award at fOCUSeS On the showcase presents the works yazaki's films revolve around the the Seattle Film Festival. -
00:00:00 Music Transition “Switchblade Comb” by Mobius Vanchocstraw
00:00:00 Music Transition “Switchblade Comb” by Mobius VanChocStraw. A jaunty, jazzy tune reminiscent of the opening theme of a movie. Music continues at a lower volume as April introduces herself and her guest, and then it fades out. 00:00:08 April Wolfe Host Welcome to Switchblade Sisters, where women get together to slice and dice our favorite action and genre films. I’m April Wolfe. Every week, I invite a new female filmmaker on. A writer, director, actor, or producer, and we talk—in depth—about one of their fave genre films. Perhaps one that’s influenced their own work in some small way. Today, you know, you may know that we are social distancing, so remote recording of course. Um, Chicken’s in the other room, so you might not hear her screaming. Um, the wild parrots are out, though. You may hear that flock passing by. Um, so sound is a little bit different in the studio than uh, it usually is. Everything else is pretty much the same, except for today, our guest is different. Our guest is writer-director Karen Maine. Hi, Karen! 00:00:49 Karen Guest Hi! Thanks for having me. Maine 00:00:51 April Host Um, Karen, are you in Los Angeles right now, or are you elsewhere? 00:00:54 Karen Guest I am in Green Point, Brooklyn. 00:00:56 April Host You’re in Brooklyn. Uh, you guys have tornadoes or anything over there right now? You guys good? 00:01:01 Karen Guest Yeah, we’re good. -
Creating Digital Tools to Connect to Local Care
Abortion Care Network 2019 ACN Board WE ARE STRONGER TOGETHER Andrea Ferrigno, Co-Chair Whole Woman’s Health, TX Dallas Schubert, Co-Chair Preterm, OH David S. Cohen, Vice Chair Drexel University School of Law, PA Ravina Daphtary, Treasurer All* Above All, PA Julianna Gonen, Secretary National Center for Lesbian Rights, DC Kwajelyn Jackson, Executive Member at Large, Feminist Women’s Health network Center, GA NEWS Amelia Bonow #ShoutYourAbortion, WA The Newsletter of Abortion Care Network | Spring 2019 Kim F. Chiz Allentown Women’s Center, PA Jen Moore Conrow Jen MC Consulting, PA Ashia George Scotsdale Women’s Center, MI Creating Digital Tools to Kenya Martin National Network of Abortion Funds, TX Monica R. McLemore Connect to Local Care The Women’s Options Center at Zuckerberg San Francisco General, CA Finding an abortion clinic can be difficult. Abortion is still largely shrouded in secrecy, Sheila Ramgopal which means that few people know about their local abortion clinic before they need Allegheny Reproductive Health Center, PA care, and few patients talk openly about the clinic where they had their abortion. Mercedes Sanchez Further, anti-abortion extremists are constantly pushing deception and myths about Cedar River Clinics, WA abortion, making it difficult for patients to know what to look for and what to avoid. DeShawn Taylor Desert Star Family Planning, AZ Independent abortion clinics (Indies) make up about half of all abortion clinics and provide nearly two thirds of all abortion care in the US. In six states, the only abortion Molly Rampe Thomas Choice Network, OH clinics are independent, and in many regions, Indies are the only places offering both medication and in-clinic procedures. -
FOR IMMEDIATE RELEASE Spring 2014 Contact: Deb Pinger [email protected] 615-742-2500 Or 615-598-6440
FOR IMMEDIATE RELEASE Spring 2014 Contact: Deb Pinger [email protected] 615-742-2500 or 615-598-6440 NASHVILLE FILM FESTIVAL ANNOUNCES SPECIAL PRESENTATION, OPENING DAY AND WORLD VANGUARD LINEUP World Premieres The Identical, Field of Lost Shoes Southeast Premieres Lucky Them, Happy Christmas US and North American Premieres Long Way Home, The Enemy Within Nashville, TN - The Nashville Film Festival (NaFF) today announced the Special Presentations line-up for the 45th annual Festival, April 17 – 26th at Regal Green Hills Stadium 16. “The special presentations are Nashville’s first chance to see what will be some of the biggest hits of the year,” said Brian Owens, NaFF’s Artistic Director. “They are all incredibly entertaining in a variety of ways, from downright hysterical to powerfully moving.” The Special Presentation films are invited to the festival by Owens, as a result of his travels to Sundance and Toronto and daily contact with film-industry insiders. This is his 6th year programming NaFF, after joining the festival in Summer, 2008. The Nashville Film Festival has become one of the premier showcases for the best new work of American and international filmmakers. The festival screens films that represent the creative risk filmmakers take to tell powerful and important stories in innovative ways. Owens programmed Opening Day with Nashville in mind. These are films made in or near the city, by a Tennessee filmmaker, or by a filmmaker well-loved by the NaFF festival audience. Opening Day Selections: The Identical | Director: Dustin Marcellino. USA. 88 minutes. Starring: Blake Rayne, Ashley Judd, Ray Liotta, Seth Green, Joe Pantoliano, Amanda Crew, Brian Geraghty The Identical is the story of a young couple, who give birth to identical twin boys in the depths of the Great Depression. -
Signature Redacted
Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Master in Management HEC Paris, 2016 SUBMITTED TO THE MIT SLOAN SCHOOL OF MANAGEMENT IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN MANAGEMENT STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2016 OFTECHNOLOGY 2016 Loubna Berrada. All rights reserved. JUN 08 201 The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic LIBRARIES copies of this thesis document in whole or in part ARCHIVES in any medium now known or hereafter created. Signature of Author: Signature redE cted MIT Sloan School of Management May 6, 2016 Certified by: Signature redacted Juanjuan Zhang Epoch Foundation Professor of International Management Professor of Marketing MIT Sloan School of Management Thesis Supervisor Accepted by: Signature redacted Rodrigo S. Verdi Associate Professor of Accounting Program Director, M.S. in Management Studies Program MIT Sloan School of Management 2 Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Submitted to MIT Sloan School of Management on May 6, 2016 in Partial fulfillment of the requirements for the Degree of Master of Science in Management Studies. Abstract I believe film has the power to transform people's lives and minds and to enlighten today's generation like any other medium. This is why I wanted to write my thesis about film distribution as it will determine the future of the industry itself. The way films are distributed, accessed and consumed will be critical in shaping our future entertainment culture and the way we approach content. -
Ten Premiere Plays from Walterdale Playhouse
Hot Thespian Action! Ten Premiere Plays from Walterdale Playhouse Hot Thespian Action! Ten Premiere Plays from Walterdale Playhouse Edited with a critical introduction by Robin C. Whittaker GEREHMERTPE]WWIVMIW ©2008 Robin C. Whittaker for the introduction and commentaries Published by AU Press, Athabasca University 1200, 10011 – 109 Street Edmonton, AB T5J 3S8 Library and Archives Canada Cataloguing in Publication Hot thespian action! : ten premiere plays from Walterdale Playhouse / edited by Robin C. Whittaker. (Canadian plays) Includes bibliographical references. Also available in electronic format. ISBN 978-1-897425-26-8 1. Canadian drama (English)– 21st century. I. Whittaker, Robin, 1976– II. Series: Canadian plays (Edmonton, Alta.) PS8315.1.H68 2008 C812’.608 C2008-905017-7 This book is part of Canadian Plays series, edited by Anne Nothof of Athabasca University. ISSN 1917-5086 Canadian plays series (Print) ISSN 1917-5094 Canadian plays series (Online) This publication is licensed under a Creative Commons License, see www.creativecommons.org. The text may be reproduced for non-commercial purposes, provided that credit is given to the original author(s). Please contact AU Press, Athabasca University at [email protected] for permission beyond the usage outlined in the Creative Commons license. Printed and bound by AGMV Marquis Cover and book design by Plumbheavy Design Inc. To Walterdale’s tireless volunteer artists, technicians, builders and administrators throughout the decades. May this anthology stand as a document of their -
Public Health Implications of #Shoutyourabortion
Northumbria Research Link Citation: Ahmed, Wasim (2018) Public health implications of #ShoutYourAbortion. Public Health, 163. pp. 35-41. ISSN 0033-3506 Published by: Elsevier URL: http://dx.doi.org/10.1016/j.puhe.2018.06.010 <http://dx.doi.org/10.1016/j.puhe.2018.06.010> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/35176/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) *Manuscript WITHOUT Author Identifiers Click here to view linked References [Type here] 1 Public Health Implications of 2 3 4 #ShoutYourAbortion 5 6 7 8 9 Abstract 10 11 Objectives: Social media platforms such as Twitter allow members of the public to raise 12 13 14 awareness for issues, causes, and events.