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NAVJOT ALTAF Selected Biography
1260 Carillion Point nyb@nybgallery Kirkland, WA 98033, USA +1 425 466 1776 NAVJOT ALTAF Selected biography From Meerut, India. Education Fine and Applied Arts, Sir J.J. School of Arts, Mumbai, India Graphics, Garhi Studios, New Delhi, India Solo Exhibitions 2018 Lost Text, The Guild Gallery, Alibaug, India. Lost Text, Special Project, Art Fair, New Delhi, The Guild Gallery, India. 2016 How Perfect Perfection Can Be Installation with drawings, sculptures, soil, rice grain, and video, Chemould Prescott Road Art Gallery, Mumbai, India. Catalogue. 2015 How Perfect Perfection Can Be Installation with drawings, sculptures, soil, rice grain, and video, The Guild Gallery Alibaug, India. 2013 Horn in the Head, Sculpture Installation with audio and video, Talwar Gallery, New Delhi, India. 2010 TOUCH IV22 monitors video installation, Talwar Gallery, New Delhi, The Guild, Bombay, India. A place in NY, Photomontage, The Guild Gallery, Bombay and NY, USA. Catalogue. 2009 Lacuna in Testimony - Patricia and Phillip Frost Art Museum, Florida, USA. 2008 Touch 4 projection video installation and interactive sculptures, Sakshi Gallery, Bombay, India. Bombay Shots- Photomontage, The Guild Gallery, Bombay, India. Catalogue. 2006 Jagar Multimedia Installation, and Water Weaving, video Installation, Sakshi Gallery, Bombay, India. Junctions 1 – 2 – 3 Photo installation with sound, The Guild Gallery, Bombay, India. Catalogue. 2005 Water Weaving, Video Installation, Talwar Gallery, NY, USA. Catalogue. 2004 Bombay Meri Jaan and 'Lacuna in Testimony', video Installation, Sakshi Gallery, Bombay, India. Catalogue. 2003 In Response To, sculpture installation with photographs by Ravi Agarwal, Talwar Gallery, NY, USA. Catalogue. Displaced Self, Interactive project with artists from Israel and Ireland, Sakshi gallery, Bombay, India. -
Exploring Mumbai During Monsoon Season | Miles Away Travel Blog
Exploring Mumbai During Monsoon Season | Miles Away Travel Blog US English Sign In My Bookings US CITY GUIDES INTERNATIONAL TRAVEL INTERESTS TRAVEL TIPS TRAVEL STORIES MUST READ Namaste! Everythi… TRENDING STORIES BUDGET TRAVEL Home Asia India QUIZZES & INFOGRAPHICS MEET YOUR WRITERS POST CATEGORIES Image via Flickr CC - Rajarshi Mitra 0 Post Categories Exploring Mumbai During Monsoon Season Sandy Bornstein August 24, 2016 India 1 Comment When I booked my airplane ticket to Mumbai, India, I knew that I would be arriving during the monsoon season (mid June to mid September). While I’ve TRAVELING? SEE visited other regions of India in the summer, I was pretty clueless about the THINGS TO DO IN torrential rain that affected this part of the country. TOP US CITIES Like Mumbai — the historic, vibrant, and colorful city that’s home to playboy billionaires, s cialites, and Bollywood stars — sits in the pathway for the seasonal, moisture-laden, Indian Ocean winds. As a result, gray skies and rain are the norm. Without much warning, gusts of wind swooshed through the congested Mumbai streets as layered dark clouds released bountiful amounts of rain. Locals scurriedShare about as visitors looked on with amazement. Streets flooded. Gridlock occurred. Motorcycles weaved in and out as if they were racing down a slalom ski course. Horns blared non-stop while exuberant kids jumped in muddy puddles on side streets. https://www.cheapoair.com/miles-away/exploring-mumbai-monsoon/[4/30/17, 9:08:08 AM] Exploring Mumbai During Monsoon Season | Miles Away Travel Blog Don’t be discouraged if you also find yourself in Mumbai during the monsoon. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
G. R. IRANNA Born 1970, Sindgi, Bijapur, Karnataka, India. Education 1999-2000 Artist-In-Residence, Wimbledon School of Art
G. R. IRANNA Born 1970, Sindgi, Bijapur, Karnataka, India. Education 1999-2000 Artist-in-Residence, Wimbledon School of Art, London 1994 Master of Fine Art (Painting), College of Art, New Delhi 1992 Bachelor of Fine Arts (Painting), College of Visual Art, Gulbarga, Karnataka Select Solo Exhibitions 2017 The Primordial Ash, Aicon Gallery, New York Ether is All That Is, Gallery Espace, New Delhi 2016 And the last shall be the first: G R Iranna Works 1995-2015, National Gallery of Modern Art (NGMA), Bengaluru 2014 Tempered Branches, Aicon Gallery, New York 2012 Limning Heterotopias, Gallery Espace, New Delhi Thought of the day, Kashi Art Gallery Cochi, curated by Tanya Abraham 2011 Scaffolding the Absent: G. R. Iranna’s Phenomenological Interventions, The Guild Art Gallery, Mumbai 2010 Ribbed Routes, The Guild Art Gallery, Mumbai / New York 2008 Birth of Blindness, Aicon Gallery, London and New York. 2007 The Dancer on the Horse, Berkeley Square Gallery, London Recent Works by GR Iranna, Berkley Square Gallery, London 2006 King of Clay, Aicon Gallery, New York and California Disorder and Early Sufferings, Gallery Muller & Plate, Munich 2005 Early Works, Gallery Muller and Plate, Munich Threads of Humanism, Bodhi Art, New Delhi, Singapore 2003 The Guild Art Gallery, Mumbai Dream and Perplexity, Chitrakala Parisath, Bangalore 2001 The Enigma of Departure, British Council and The Guild Art Gallery,Mumbai 2000 Foyer Gallery, Wimbledon School of Art, London Gallery Espace, New Delhi Maulana Azad Center for Indian Culture, Cairo, Eqypt 1999 In -
Contemporary Asian Art and Exhibitions Connectivities and World-Making
Contemporary Asian Art and Exhibitions Connectivities and World-making Contemporary Asian Art and Exhibitions Connectivities and World-making Michelle Antoinette and Caroline Turner ASIAN STUDIES SERIES MONOGRAPH 6 Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Antoinette, Michelle, author. Title: Contemporary Asian art and exhibitions : connectivities and world-making / Michelle Antoinette and Caroline Turner. ISBN: 9781925021998 (paperback) 9781925022001 (ebook) Subjects: Art, Asian. Art, Modern--21st century. Intercultural communication in art. Exhibitions. Other Authors/Contributors: Turner, Caroline, 1947- author. Dewey Number: 709.5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover illustration: N.S. Harsha, Ambitions and Dreams 2005; cloth pasted on rock, size of each shadow 6 m. Community project designed for TVS School, Tumkur, India. © N.S. Harsha; image courtesy of the artist; photograph: Sachidananda K.J. Cover design and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Acknowledgements . vii Introduction Part 1 — Critical Themes, Geopolitical Change and Global Contexts in Contemporary Asian Art . 1 Caroline Turner Introduction Part 2 — Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art . 23 Michelle Antoinette 1 . Polytropic Philippine: Intimating the World in Pieces . 47 Patrick D. Flores 2 . The Worlding of the Asian Modern . -
Clix Symposium Travel Advisory
CLIx Symposium Travel Advisory Contents Clix International Symposium: ....................................................................................................... 1 Getting to TISS, mumbai ................................................................................................................ 2 List Of Hotels Near TISS Campus .................................................................................................. 4 Mumbai: Useful Applications ......................................................................................................... 5 Mumbai: Arts &Entertainment ....................................................................................................... 6 Mumbai Transport: ......................................................................................................................... 7 Emergency Information .................................................................................................................. 9 Must Haves ..................................................................................................................................... 9 Safety Tips ...................................................................................................................................... 9 India: Facts .................................................................................................................................... 10 Mumbai City: History .................................................................................................................. -
CHRISTIE's ART JOURNEYS: a Colourful Odyssey Through India
CHRISTIE’S ART JOURNEYS: A Colourful Odyssey Through India 10 Days: 3rd – 12th November Mumbai – Delhi 10 Days: 7th – 16th November Delhi – Mumbai Join Abercrombie & Kent and Christie’s on a colourful journey through India, a diverse country that offers visitors a sensory and intoxicating overload. The palaces of regal Rajasthan conjure up princely images of the Maharajahs in a time gone-by, whilst the art scene of Mumbai reveals a new side to this exotic country. We’ll go behind the scenes of Mumbai’s burgeoning Contemporary Art scene with Christie’s expert Sonal Singh, who will introduce us to a renowned Indian artist. As well as being joined by a Christie’s expert in Mumbai, we’ll be accompanied by A&K expert guides throughout, whose insider knowledge shines a whole new light on this fascinating country. YOUR EXPERT A&K GUIDES MAHESH RAMNANI & ANSHUMAN TRIPATHI Having studied Tourism at Delhi University, Mahesh completed a Conducted Tourist Guide course in 1996 earning his status as a Government of India Approved Tour Guide. He has worked for A&K ever since, guiding clients of all nationalities around India. His experience and expertise is unrivalled, and he particularly enjoys taking guests on walking tours of Old Delhi, Colonial Delhi, the city’s temples and its fascinating museums. Originally from rural India, Anshuman completed post graduate degrees in History and Tourism Management before heading to Delhi to pursue a career in tour guiding, enabling him to show off his beloved country. An adrenaline- junkie at heart, Anshuman led trekking tours and wildlife expeditions TYEB MEHTA (1925-2009): UNTITLED (FALLING BULL) alongside tours of the Golden Triangle and around Rajasthan. -
Personal Artist's Statement Why Do I Do What I
Personal Artist’s Statement Why do I do what I do? Honestly, I don’t really know. I know it makes me happy. It makes me think. When I’m working, time ceases to exist. Dire situations in my life did not permit me to go to art school, but I continued to paint on the side until I could make it my profession. Maybe this is what makes my work and style unique. I’m inspired by what I read and the music I listen to, the movies I watch and art that makes me think. I try to embody these in my work with simplicity and a good measure of Chekhov’s humour. In every work, I have a subtle message that I’ve hidden away in plain sight. Sometimes I even forget that they’re in there. I begin my process by writing notes, collecting visuals and sketching ideas, preferably with a theme in mind. This gives me the parameters to work within, like following a script while shooting a movie. Then, I choose the materials that will best express the idea I want to convey. Once the work has started, a great deal of improvisation comes into play. Constrained by space in my working environment, I prefer working on canvas cloth as it allows me the flexibility of rolling and storing. The rest of my materials involve digital mediums as well as oils, acrylic and water colours. This, with the tools I have at my disposal in this digital age, is the thrust of my current crop of work: We are being bombarded with news, imagery and ideas from a billion sources simultaneously. -
Sudarshan Shetty Education Expositions
SUDARSHAN SHETTY Né à Mangalore en 1961, Karnataka, Inde Vit et travaille à Mumbai, Inde EDUCATION 1980 BFA de peinture à la Sir J. J. School of Art, Mumbai, Inde EXPOSITIONS PERSONNELLES (SÉLECTION) 2018 A Song A Story & The Empty Vessel, Leila Heller Gallery, Dubai, Emirats Arabes Unis Shoonya Ghar – Empty is this house, Unlimited, Art Basel, Bâle, Suisse Galerie Krinzinger, Vienne, Autriche 2017 Sudarshan Shetty – The Cave Inside, Galerie Krinzinger, Vienne, Autriche Shoonya Ghar, Al Serkal, Dubai, Emirats Arabes Unis Shoonya Ghar, Dr. Bhau Daji Lad, Mumbai City Museum, Mumbai, Inde 2016 Shoonya Ghar, National Gallery of Modern Art, New Delhi, Inde A Song A Story, Rolls-Royce Art Programme, Maker Maxity, Mumbai, Inde 2015 Mimic Momento, Galerie Daniel Templon, Bruxelles, Belgique Who must write these lines, GALLERYSKE, Bangalore, Inde 2014 Every broken moment, piece by piece, GALLERYSKE, New Delhi, Inde 2012 The pieces earth took away, Galerie Krinzinger, Vienne, Autriche Indian Highway, Ullens Center, Beijing, Chine 2011 Between the tea cup and a sinking constellation, Galerie Daniel Templon, Paris, France Listen outside this house, GALLERYSKE, Bangalore, Inde 2010 This is too shall pass, Dr. Bhau Daji Lad Museum, Mumbai, Inde The more I die the lighter I get, Tilton Gallery, New York, USA 30 RUE BEAUBOURG 75003 PARIS | +33 (0)1 42 72 14 10 28 RUE DU GRENIER SAINT-LAZARE 75003 PARIS | +33 (0)1 85 76 55 55 13 RUE VEYDT-VEYDTSTRAAT 1060 BRUSSELS | +32 (0)2 537 13 17 [email protected] | www.templon.com 2009 Sudarshan Shetty, Galerie Daniel -
Beyond Bombay Art District
Belgeo Revue belge de géographie 3 | 2014 Art(s) & Espace(s) / Art(s) & Space(s) Beyond Bombay art district: Reorganization of art production into a polycentric territory at metropolitan scale Au-delà de l’art district de Bombay : Réorganisation polycentrique de la production artistique à l’échelle de la métropole Christine Ithurbide Electronic version URL: http://journals.openedition.org/belgeo/13199 DOI: 10.4000/belgeo.13199 ISSN: 2294-9135 Publisher: National Committee of Geography of Belgium, Société Royale Belge de Géographie Electronic reference Christine Ithurbide, « Beyond Bombay art district: Reorganization of art production into a polycentric territory at metropolitan scale », Belgeo [Online], 3 | 2014, Online since 19 December 2014, connection on 19 April 2019. URL : http://journals.openedition.org/belgeo/13199 ; DOI : 10.4000/belgeo.13199 This text was automatically generated on 19 April 2019. Belgeo est mis à disposition selon les termes de la licence Creative Commons Attribution 4.0 International. Beyond Bombay art district: Reorganization of art production into a polycentr... 1 Beyond Bombay art district: Reorganization of art production into a polycentric territory at metropolitan scale Au-delà de l’art district de Bombay : Réorganisation polycentrique de la production artistique à l’échelle de la métropole Christine Ithurbide Introduction 1 The notion of the art district has been central to analyze the relations between arts and spaces, and more particularly to understand the recent evolution in the organization of contemporary art industry and practices in different urban contexts. Derived from the industrial district conceptualized by Alfred Marshall in the late 19th century and revisited in the 1980s in Italy by the theorists of the regulation and, in particular Giacomo Becattini, it came to designate more or less concentrated area specialized in art activities, initiated either by small-scales industries or public institutions or both. -
The Venue City “Mumbai”
THE VENUE CITY “MUMBAI” Mumbai (previously known as Bombay) is the biggest metropolis of India. A city that is full of life and is also known for its well known tourists places, commercial hubs and government bodies. It is also known as the financial capital of India. The city is located on the western part of the India and is the capital of Maharashtra Interesting Facts about the city “Mumbai” Mumbai a city constituted comprising of seven islands. Bombay Electric Supply & Transport (BEST) is India’s first Bus service, which was started in Mumbai in the year 1905. India’s first Train which was started in 1863, started in Mumbai. The recently started monorail in Mumbai is the first of its kind in India. Mumbai stands as the 7th most populated city in the world. Antilla, the 27 floored single home in Mumbai owned by Mukesh Ambani with a net worth of Rs. 1,000,000,000/-, is the second most expensive home in the world. Dr. DY Patil Stadium of Navi Mumbai is the 6th best international cricket stadium in the world. Central Park – Khargar (Navi Mumbai is the largest park in asia and the third largest in the world) Chhatrapati Shivaji International Airport is the 3rd best international airport in the world. India’s largest and only international standard theme park, Adlabs Imagica, Is in Mumbai. Mumbai has the most number of Malls in India (52) Juhu Aerodrome, founded in 1928 is the first airport of India. The Taj Mahal Hotel, founded in 1903, is India’s first ever 5 star hotel. -
Mumbai on the Move Approximately 4¼ Hours $$ Enjoyed
A Day in the Life: Mumbai on the Move Approximately 4¼ Hours $$ Enjoyed it? 4 out of 5 Value 3 out of 5 1 out of 1(100%)reviewers would recommend this product to a friend. Read 1 review | Write a review Experience the real, everyday Mumbai, including the highlights of this fascinating city, with its Western monuments and Eastern sensibilities. Begin at the beginning, with the Gateway of India. This is the city’s most famous landmark—an Indo-Saracenic archway built in 1911 to commemorate the visit of King George V and Queen Mary. It was originally conceived as an entry point for passengers arriving on P&O steamers from England; today, it is remembered more often as the place from which the British staged their final departure. You will stop here for photographs. Continue your excursion with an orientation drive through Mumbai passing prominent landmarks such as Flora Fountain, the university and Victoria Terminus. The latter is a most remarkable railway station, inspired by St Pancras Station in London. It was built during Queen Victoria’s Golden Jubilee year and is an extraordinary conglomeration of domes, spires, Corinthian columns and minarets in a style described by journalist James Cameron as Victorian- Gothic-Saracenic-Italianate-Oriental-St Pancras-Baroque. The first train in India left from this station in 1853; today, half-a-million commuters use the station every day. At theMani Bhawan Gandhi Museum you’ll visit the site that was Mahatma Gandhi’s Bombay base between 1917 and 1934. A series of tiny dioramas tell Gandhi’s life story.