Nordic Perspectives on Encountering Foreignness

Total Page:16

File Type:pdf, Size:1020Kb

Nordic Perspectives on Encountering Foreignness Histories 1 NORDIC PERSPECTIVES ON ENCOUNTERING FOREIGNNESS Edited by Anne Folke Henningsen, Leila Koivunen and Taina Syrjämaa NORDIC PERSPECTIVES ON ENCOUNTERING FOREIGNNESS Edited by Anne Folke Henningsen, Leila Koivunen and Taina Syrjämaa Histories 1 General History University of Turku © 2009 authors Printed by Wasa Graphics Oy, Vaasa Layout: Akseli Salmi English proof reading: Robert Collis Cover image: The Indian Village at Copenhagen Zoo 1901. Archives of the Zoological Garden, Copenhagen. ISBN 978-951-29-4161-2 (print) ISBN 978-951-29-4162-9 (PDF) Histories 1 General History, University of Turku ISSN 1798-6508 Introduction 7 Christina Folke Ax The Stranger You Know: Icelandic Perceptions of Danes in the Twentieth Century 13 Taina Syrjämaa Making Difference, Seeking Sameness Negotiating Finnishness and Foreignness in an Exhibition 27 Leila Koivunen Exemplary Foreignness Foreign Material Cultures in the Service of Finnish Taste and Industry in the 1870s 41 Anne Folke Henningsen Producing and Consuming Foreignness “Anthropological-Zoological Exhibitions” in Copenhagen 55 Dag Hundstad Foreign or Homegrown? The Creation of Coastal Leisure Culture in the South of Norway 71 Laura Boxberg At the Crossroads of Finnishness and Foreignness Finnish Participation in the Venice Biennale in 1954 and 1956 89 Íris Ellenberger Somewhere Between “Self” and “Other” Colonialism in Icelandic Historical Research 99 List of Authors 115 conception, the idea of attachment to that which is Introduction abroad. We see foreignness as a subcategory of the more generic and widely used concept of otherness. Our approach is in many ways based on earlier stud- ies on otherness; yet as a more restricted concept “foreignness” can help to explore cultural processes from a new angle. Our research will contribute to The foreign can be revered, produced, reproduced, deconstructing the dichotomy of foreign versus in- submerged, feared or suppressed, but it has never digenous by showing the subjectivity of foreignness failed to engage one way or the other. In this vol- and its liability to shifting meanings. ume, a multidisciplinary research network Enfore In this volume we will experiment by elaborat- (Encountering Foreignness – Nordic Perspectives ing the concept of foreignness and adapting it to a since the Eighteenth Century) will focus on the cul- series of Nordic case studies. By focusing on Nordic tural dynamics of “foreignness”. We will explore the experiences of foreignness we want to contribute complex phenomenon of the continuous negotia- to a more nuanced understanding of the complex tion between “ours” and “theirs” and the making of phenomenon of cultural interaction that took place “our” place in the context of the wider world. We are during the age of imperialism and nationalism. The using the concept of foreignness as an analytical theoretical framework of colonialism and globaliza- tool for making visible this heterogeneous, variable tion has been developed to explain cultural interac- and diverse phenomenon. tion from the perspective of the main colonizers, Foreignness is a relatively new concept, used and has subsequently been questioned and remod- only occasionally in disparate manners. For us for- eled from the perspective of the formerly colonized eignness is essentially an imagined quality, some- peoples. In this debate, the Nordic countries have thing which is considered to be related with that remained somewhat marginal. Only recently has which is abroad. It can be actively produced in order an interest awoken in Scandinavia to assess its role to be consumed or exhibited, or to be kept at a dis- in these global processes. Its apparent detachment tance. Foreignness can also be strategically claimed from the mainstream of imperialism and colonial- or actively dissolved as a significant element of ism actually transpires to be a complicated entan- identities. It can coincide with a physical, “real”, glement of participation, (re)appropriation and connection with foreign countries, but it may also agency. exist separate of any such link. What matters is the Introduction - 7 We wish to study the much-debated questions in which all participants worked together to elabo- of cultural interaction from the semi-peripheral po- rate the key concept of foreignness. This working sition of the Nordic countries. The Nordic countries, method has proved very efficient in developing which share many cultural aspects, but are not a and deepening ideas. Different research cases and monolithic entity, serve as a fruitful basis for analyz- scholarly perspectives represented in the group ing such phenomena. Firstly, by analyzing foreign- have been of crucial help in grasping the nuanced, ness as an element of national identity we will make multifaceted nature of foreignness, which otherwise visible the heterogeneity of the apparently homo- easily eludes analysis. The working papers published geneous Nordic nation states. Secondly, by drawing in this volume are the result of these considerations on our findings within the Nordic context, we wish and discussions. to contribute to an understanding of the general The core group of the network consists of six- processional and dynamic character of foreignness teen historians, anthropologists and ethnologists and of the relationship between metropolitan cen- from all five Nordic countries and at various stages ters and peripheral areas elsewhere in Europe and in of their academic careers. In addition to the Nordic the wider world. members, the network has had the pleasure of invit- Our co-operation as a network dates back to ing prominent keynote speakers. Professors Annie E. 2006, when the founding members of the group Coombes, Benjamin Schmidt and Amanda Vickery prepared a joint full-day session entitled “Encoun- have very generously shared their expertise and tering Foreign Worlds – Experiences at Home and ideas with the group. The time span covered in the Abroad” for the 26th Nordic Congress of Historians research of members stretches from the early mod- in Reykjavik. The conference took place in August ern period up to the present day and the research 2007 and the proceedings of the session were pub- topics touch manifold fields, from missionary work, lished in the same year.1 The funding received from exhibitions and international tourism to port towns, the NOS-HS, Joint Committee for Nordic Research minorities, immigration and consumer culture. For- Councils for the Humanities and Social Sciences, eignness is studied as a phenomenon that is encoun- made it possible to have a series of further meet- tered and experienced both at home and abroad. In ings and discussions with an extended group in the their studies, the participants use theoretical and form of three exploratory workshops, which were methodological approaches derived from their own organized during 2008 and 2009 at the University disciplines, as well as from other fields, such as mu- of Turku in Finland. The format of the workshop se- seum and tourism studies, humanistic geography, ries has facilitated deep and intensive co-operation, art history and post-colonial studies. There is also a 8 strong interest among the members in the history and influence of foreign worlds at home as experi- of senses, performance studies, gender studies and enced in the form of flavours, food stuff, advertising, material culture studies. popular culture, museum collections and touristic Foreignness is not an established research con- themes.6 The practices of constructing and main- cept but the term has occasionally been used in taining the home in foreign environments have also previous studies of various disciplines – albeit often been studied, as well as the responses of local peo- without exact definitions. In a recent article on Brit- ple to the presence of foreigners.7 In addition, group ish culinary practices and the assimilation of other members have focused on the manners and mecha- cuisines into the traditional diet, for example, Delia nisms of representing things that are considered Chiaro discusses foreignness as manifested by exot- foreign.8 Particular attention has also been given to ic foods.2 The concept has also been used in the con- mission studies, and the ways in which ideas about text of consumer culture, for instance to refer to the foreignness, difference, and sameness have been allure and impact of imported goods.3 What is more, employed in missionary encounters.9 the assumed foreignness of international avant- This anthology consists of seven articles written garde movements – as seen from the perspective by members of the research network, thus present- of national artistic circles – has been studied.4 The ing the work of approximately half the participants term foreignness has also been used by Yael Ben-Zvi in the workshops. The topics under examination in analyzing eighteenth-century Native American cover a broad scope with a great variety in terms captivity narratives and their construction of a sense of time period, geographical location and analytic of being foreign within the broader culture of the strategies. A feature running through the volume is United States.5 Besides these specific examples, the the un-fixed character of foreignness, which all the topic of foreignness has been approached in recent articles address, along with the mobile and nego- decades in a number of other studies, without being tiable aspects of the concept. Likewise, its produc- articulated with this precise concept. Many inspir- tive qualities, in
Recommended publications
  • Imagining a New Society
    TURUN YLIOPISTON JULKAISUJA ANNALES UNIVERSITATIS TURKUENSIS SARJA - SER. B OSA - TOM. 358 HUMANIORA Johanna Ruohonen IMAGINING A NEW SOCIETY Public Painting as Politics in Postwar Finland TURUN YLIOPISTO UNIVERSITY OF TURKU Turku 2013 From the Department of Art History School of History, Culture and Arts Studies University of Turku FIN-20014 Turku Finland Supervisors Professor Altti Kuusamo University of Turku Dr. Anja Kervanto Nevanlinna, Senior Research Fellow University of Helsinki Pre-examiners Professor Jonathan Harris Winchester School of Art, University of Southampton Dr. Liisa Lindgren University of Helsinki Opponent Dr. Liisa Lindgren University of Helsinki Custos Professor Altti Kuusamo University of Turku Layout: Päivi Valotie On the cover: Tove Jansson, “Electricity”, 1945. Oil on insulate board, 286 x 213 cm. Helsinki Art Museum. Photo: Hanna Riikonen, Helsinki Art Museum. ISBN 978-951-29-5293-9 (PRINT) ISBN 978-951-29-5294-6 (PDF) ISSN 0082-6987 Painosalama Oy – Turku, Finland 2013 TABLE OF CONTENTS Acknowledgements 7 Preface: Re-visioning the Invisible 9 I PUBLIC PAINTING IN THE SOCIETY AND IN ART HISTORY 1. The Politics of Public Painting Monumental Painting as Public Art 15 Being Public 17 Private Sector Public Painting 23 Public Art and Agency 26 Monumental Memories: Art in Remembering and Forgetting 29 Setting the Framework 32 2. Public Painting in Art History Mural, Monumental, or Public? 36 Between High Art and Decoration 38 National Art in an International Context 41 The Uninteresting Public Painting 47 Building a Tradition (of Ignoring Public Paintings) 49 II FORMULATING NATIONAL ART 3. Picturing Ideologies Nationalism and the Early Finnish Public Painting 57 Realising an Ideology 62 National and Foreign 68 Addressing a Divided Nation 75 On a Lighter Tone 82 National Character for Art 87 “Art for the People” 94 4.
    [Show full text]
  • Wiborgs Nyheter 2019
    WIBORGS NYHETER Redaktionsbyrån var fordomsdags: Salakkalahtigatan 9 • Telefon 336 • Redaktionstid kl. 8–12, 7–12 Kontor och expedition: Salakkalahtigatan 9 • Telefon 324 kl. 9–14 N:r 1 • Huvudredaktör: Lars-Einar Floman Redaktör & Ombrytning: Rabbe Sandelin MÅNDAGEN den 7 januari 2019 Klangfull 7 januarisoaré Ur innehållet tt lättsamt referat av fjolårets 7 januarisoaré och en presentation av Årets viborgare 2018, Bruno Tuukkanen, konstnär och viborgspojke fyllerE förstasidan i årets nummer. På sidan 2 efter ledaren presenteras det anrika och aktiva Sällskapet Pamaus, grundat i Viborg 1891 som en finsk motvikt till bl.a. det svenska handelsgillet, numera dess broderförening i Helsingfors. På sidan 3 får vi veta mer om Viborg som sjöfartsstad i ett kunskapsrikt kåseri av journalisten Thure Malmberg. å sidorna 4 och 5 kan vi läsa om Musiken i Viborg ‒ några ögonblicks- bilder i en artikel av emeritusprofessor Raijo Pajamo, även festtalare omP samma tema på fjolårets ”7nde”. På sidan 5 hittas även två notiser om den forna hemstadens senaste attraktion: Spårvagnen har återvänt till Viborg efter 61 år, berättar WN:s långvariga medarbetare i Viborg Natalia Asejeva. WN:s eminenta lokalredaktör Emer Silius kompletterar med en notis om Spårvagnstrafiken i Viborg och på sidorna 6‒9 tar han oss igen med på en vandring i Viborg under 1900-talets tre första decennier och i dagens ryska stad, den här gången längs Den kungliga Vasagatan. Nere på sidan 9 berättar historikern och WN-medarbetaren Alexej Melnov i Viborg att Renoveringen av slottet fortsätter och avslöjar överraskande fynd vid utgrävningar på Slottsholmen. et är mindre känt att poeten och modernisten Gunnar Björling också hade en anknytning till Viborg och litteraturvetaren Fredrik Hertzberg berättarD mer om detta på sidorna 10 och 11 i artikeln Gunnar Björling i Viborg.
    [Show full text]
  • 'I Could Give up Everything to Live Only for Painting'1 – Eva Cederström's
    Issue No. 1/2019 ‘I could give up everything to live only for painting’1 – Eva Cederström’s Career and Artist Identity 1927–39 Sandra Lindblom, MA student, University of Helsinki This article is published as a result of a three-month research internship at the Finnish National Gallery Introduction And now, comes praise for the female painters! I’ll be damned if we men also in this regard are beaten by the fairer sex! [...] Eva Cederström’s paintings in the southern hall sing out high. No. 39, June Morning in the Atelier, is a piece of true painting. She is no nervous man, Eva. She is not weighed down by complexes, she paints straight from the heart. The result is fresh, powerful and beautiful paintings.2 It was in this manner that the art critic Hjalmar Hagelstam (1899–1941) praised the work that Eva Cederström (1909–95) had brought to the ‘Finnish Artists’ Exhibition’ in Helsinki Kunsthalle in the spring of 1939. Instead of simply giving recognition to Cederström’s work, he constantly refers to her gender and the competition between the sexes in the art field. In general, the 1930s texts on art have a tendency to emphasise the gender of female artists.3 Gender affected the expectations placed on artists, and there were certain prejudices among 1 ‘Voisin antaa kaikki saadakseni yksin maalaukselle elää.’ Eva Cederström’s diary 29 March 1938. Eva Cederström Archive (ECA). Archive Collections, Finnish National Gallery (FNG), Helsinki. 2 ‘Och nu, på ny kula fram för en hyllning av målarinnorna! är det inte som tusan, att vi karlar också i denna sak få på tafsen av det täcka könet! [...] [H]ögt smälla nu Eva Cederströms målningar i södra salen.
    [Show full text]
  • Turku on Fire
    ”All of the participants of this project affect the contents and the events of Turku 2011. Symbolically this happens through contact – touching creates personal illustrations. Everyone handling this application illustrates the covers of the book differently: what happens to the covers of the book comes from me, I can have and impact on what Turku will be like as the Capital of Culture in 2011.” Ilmo Valtonen, the designer of the layout of the book Turku on Fire The Application of the City of Turku for the European Capital of Culture 2011 www.turku2011.fi Turku Established in 1229, the oldest city and former capital of Finland 175 000 inhabitants, the centre of the 3rd largest urban region in the country A bilingual city (Finnish, Swedish) with 113 different nationalities Altogether 35 000 students at three universities and four polytechnics History of over 30 urban fires, The Great Fire in 1827 Nationally significant medieval landmarks include the Turku Castle and the Turku Cathedral The River Aura running through the city The Turku Archipelago consists of 20 000 islands with 20 000 inhabitants Turku The highest temperature in 2005 +30°C, the lowest -22°C Tallinn The city in which the world’s largest passenger cruisers are created The host of the oldest open-air rock festival in Europe, Ruisrock The candidate for the European Capital of Culture 2011 together with Tallinn, Estonia Editors: Niina Helander, Suvi Innilä, Mari Jokinen, Jukka Talve Revision of the Finnish text: Joni Pyysalo Translation and editing: Laura Kopu Main photographies and photo collages: Heli Konttinen, Harri Pälviranta, Markku Lappalainen.
    [Show full text]
  • FNG Research 2/2021
    Issue No. 2/2021 Contents MARJA SAKARI Editorial: Past, Present and Future JULIET SIMPSON AND ANNA- MARIA VON BONSDORFF Gothic Modern KRISTA KODRES Writing the Gothic: Defining the Character of Medieval Heritage in Estonia from the late 19th Century to the 1930s TIMO HUUSKO The Artist, his Admirers, his Dealers and Inheritors – Ilya Repin and his Career in the Republic of Finland HELENA HÄTÖNEN Sources for Ilya Repin Researchers in the Archive Collections of the Finnish National Gallery KIRSI ESKELINEN A Renaissance Masterpiece in the Sinebrychoff Art Museum Ilya Repin, Double Portrait of Natalia Nordmann and Ilya Repin, 1903, – Virgin and Child with John oil on canvas, 78.5cm x 130cm the Baptist and St Anthony the Finnish National Gallery / Ateneum Art Museum Abbot, by Jacopo Bassano Photo: Finnish National Gallery / Jenny Nurminen GILL CRABBE Magnus Enckell – Decoding an Enigma ANU UTRIAINEN AND HANNE SELKOKARI Finnish Landscapes on Tour Editorial: Past, Present and Future EMMI HALMESVIRTA ‘I always return equally humbly to the same: To give form, alright, but to what?’ – Juhana Blomstedt’s Art and Marja Sakari, PhD, Museum Director, Finnish National Gallery / Ateneum Thought 1970–80 Art Museum ANNE-MARIA PENNONEN A New Research Project: ‘Pioneering Women Artists in the 19th Century’ 31 May 2021 This edition of FNG Research is looking to the past, present and future. The future is opened up in two major research projects – ‘Gothic Modern’ and ‘Pioneering women artists’. The two initiators of the Gothic Modern project, Chief Curator, Dr Anna-Maria von Bonsdorff, from the Ateneum Art Museum and Dr Juliet Simpson, Professor of Art History at Coventry University, are spearheading an international endeavour to rethink the development of a specifically Nordic Modernism at the end of the 19th century and beginning of the 20th century, having its inspiration in the northern Gothic and Renaissance.
    [Show full text]