Finalists Come Together to Share $60,000 Melbourne Prize for Sculpture 2020
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Curated by KELLY DOLEY and DIANA SMITH DEBORAH KELLY Has Exhibited in Australia and Internationally
DIANA SMITH and KELLY DOLEY have been collaborating together as SODA_JERK are collective duo who works with sampled material to artists, writers and curators for ten years with a focus on feminist practices construct rogue histories and counter mythologies. Taking the form of video and pedagogies. They are founding members of the performance collective installations and live video essays, their archival image practice is situated Barbara Cleveland (formally Brown Council) and working together as at the interzone of experimental film, documentary and speculative fiction. Sunday School they have curated exhibitions and performances for Boxcopy, Formed in Sydney in 2002, Soda_Jerk are based in New York where Brisbane; Artspace, Sydney; Firstdraft Gallery, Sydney and PSi Conference, their work was recently shown in a dedicated program at Anthology Film Melbourne. Their most recent project explores the legacy of artist Pat Larter Archives. They have collaborated with Sam Smith, VNS Matrix and The Amala Groom and their article Porno Parody: In Search of Pat Larter was published in Avalanches, and are part of the collective that runs Brooklyn micro-cinema Kate Blackmore and runway magazine and presented as a performance lecture as part of Barbara Spectacle Theatre. Cleveland’s Making History installation for the 20th Biennale of Sydney 2016. Jacinta Tobin CAROLINE GARCIA is a culturally promiscuous, performance maker. She AMALA GROOM is a conceptual artist whose practice is informed by has performed at Underbelly Arts Festival, Sydney; Proximity Festival, Mikala Dwyer and Indigenous methodologies. Her work, as a form of passionate activism, Perth; Channels: The Australian Video Art Festival, Melbourne; Junction Justene Williams comments on contemporary politics and race relations. -
MEDIA RELEASE for Immediate Release
MEDIA RELEASE For immediate release 2020 Adelaide Biennial artists announced in 30-year milestone exhibition AGSA Curator of Contemporary Art brings performance and live art focus to the 2020 Adelaide Biennial of Australian Art: Monster Theatres ‘Monster Theatres proposes an arena of speculation, a circus of the unorthodox and the absurd, a shadow play between truth and fiction. The title is inspired by a group of provocative Australian artists. Their urgent works of art are warnings made manifest. These theatres are theirs.’ Leigh Robb, Curator, Monster Theatres Adelaide, Australia: The Art Gallery of South Australia today announced the artist line-up and the curatorial theme for the 2020 Adelaide Biennial of Australian Art: Monster Theatres: Abdul Abdullah (NSW) Mike Bianco (WA) Polly Borland (VIC) Michael Candy (QLD) Megan Cope (VIC) Erin Coates and Anna Nazzari (WA) Julian Day (NSW) Karla Dickens (NSW) Mikala Dwyer (VIC) Brent Harris (VIC) Aldo Iacobelli (SA) Pierre Mukeba (SA) David Noonan (VIC) Mike Parr (NSW) Julia Robinson (SA) Yhonnie Scarce (SA/VIC) Garry Stewart and Australian Dance Theatre (SA) Stelarc (VIC) Kynan Tan (NSW) Mark Valenzuela (SA) Willoh S. Weiland (TAS) Judith Wright (QLD) The artists will create works across a wealth of mediums and disciplines including installation, painting, photography, sculpture, textiles, film, video and sound art, as well as performance and live art. In response to the curatorial premise, artists are invited to make visible the monsters of now. Curator Leigh Robb says, ‘Monsters ask us to interrogate our relationships with each other, the environment and technology. They force us to question our empathy towards difference across race, gender, sexuality and spirituality. -
Melbourne Prize for Urban Sculpture 201 7
MELBOURNE PRIZE FOR URBAN SCULPTURE 2017 WHAT’S INSIDE OUR 2017 PARTNERS AND PATRONS 02 ABOUT THE FINALIST EXHIBITION 04 2017 PRIZE & AWARDS 06 GOVERNMENT PARTNERS 08 JUDGES 12 MELBOURNE PRIZE ALUMNI 16 MELBOURNE PRIZE FOR URBAN 18 SCULPTURE 2017 FINALISTS PUBLIC ARTWORK DESIGN CONCEPT 26 AWARD 2017 FINALISTS RURAL & REGIONAL DEVELOPMENT AWARD 2017 34 ACKNOWLEDGEMENT 38 ABOUT THE MELBOURNE PRIZE TRUST 40 This catalogue is designed by Founding Partner, Cornwell. Design visualisations courtesy of MR.P Studios. 1 THANK YOU TO OUR 2017 PARTNERS AND PATRONS Thank you to our 2017 partners and patrons Public Artwork Design Melbourne Prize for Rural & Regional Development Concept Award 2017 Government Partners Patrons Urban Sculpture 2017 Partners Award 2017 Partner – Crafting a City of Literature The Geoff and Helen Handbury Foundation MELBOURNE PRIZE FOR URBAN SCULPTURE 2017 Professional Development Award 2017 Partners Civic Choice Award 2017 Founding Partners Diana Gibson AO C H (Roger) Brookes Corporate Partners Print Partners Creative Partners Media Communications Exhibition & Event Partner Professional Services Exhibition Consultant Broadcast Partner Exhibition Signage & AV Wine + Awards Catering Partner Engineering Consultant IT Services Banners Trophies The Mighty Wonton Names24 Design by Cornwell and Mr P Studios Design by Cornwella foundingand MR.P supporter Studios a founding partner 2 The Melbourne Prize Trust is a Deductible Gift Recipient A MESSAGE FROM THE EXECUTIVE DIRECTOR ntroduction OF THE MELBOURNE I PRIZE TRUST The Melbourne Prize for Urban Urban Sculpture 2017. This rein- Sculpture 2017 & Awards is one forces the link between the idea of the most valuable prizes of its and the object, thus broadening kind in Australia. -
Believe Not Every Spirit, but Try the Spirits
MONASH UNIVERSITY MUSEUM OF ART Education kit BELIEVE NOT EVERY SPIRIT, BUT TRY THE SPIRITS 21 April - 27 June 2015 Ground Floor, Building F www.monash.edu.au/muma Georgiana Houghton Monash University, Caulfield Campus Telephone +61 3 9905 4217 Installation view 900 Dandenong Road [email protected] Monash University Museum of Art Caulfield East VIC 3145 Australia Tues – Fri 10am – 5pm; Sat 12 – 5pm Photo: Susannah Wimberley MONASH UNIVERSITY MUSEUM OF ART About this Resource This education resource about the exhibition Believe not every spirit, but try the pirits includes: • An introduction to the exhibition • Curatorial rationale • An introduction to selected artists • An interview with MUMA’s Curator - Exhibitions Francis Parker related to the curriculum for Studio Arts: Art Industry Contexts • Learning and teaching activities for the classroom • A glossary of relevant terminology Exhibition Introduction ‘A unique amalgamation of artist, Spiritualist and medium, the fascinating and unexpected story of Georgiana Houghton has generated international interest from curators and writers who see her work as representing an abandonment of figurative form that anticipates the development of modern abstraction by artists such as Kandinsky or Malevich by several decades.’ Charlotte Day, Director, MUMA Believe not every spirit but try the spirits is a thematic, group exhibition that explores spiritualism and spiritualist practice in art. CURATORIAL RATIONALE The exhibition takes as its starting point a forgotten artist from the Victorian era, Georgiana Houghton (1814-1884), who developed a ‘In many respects nineteenth century Spiritualism has been a lost practice based on otherworldly entities. Houghton produced wildly continent for a long time. Recent research however has begun abstract watercolours to convey spiritual messages. -
Fed Square Pty Ltd Annual Report 2 0 1 9 - 2 0 2 0 Traditional Owner Acknowledgement
FED SQUARE PTY LTD ANNUAL REPORT 2 0 1 9 - 2 0 2 0 TRADITIONAL OWNER ACKNOWLEDGEMENT Fed Square proudly acknowledges that Federation Square is situated on the traditional lands of the Boon Wurrung and Woiwurrung peoples of the Kulin nation and pays respect to their Elders past and present. We acknowledge Aboriginal people as Australia’s first people and as the Traditional Owners and custodians of the land and water on which we rely. We recognise and value the ongoing contribution of Aboriginal people and communities to Victorian life and how this enriches us. We embrace the spirit of reconciliation, working towards the equality of outcomes and ensuring an equal voice. CONTENTS FED SQUARE ANNUAL REPORT 2019 - 2020 About Fed Square 3 Fed Square’s Purpose 4 Vision 4 Mission 4 Values 4 Service Goal 5 Message from Chair and CEO 6 About Fed Square 10 Corporate Governance 10 Fed Square Ptd Ltd Functional Structure 11 Fed Square’s Board 12 The Year’s Activity 16 Strategic Imperatives 17 Enhance Fed Square’s reputation as a globally recognised place for 1. 18 meaningful, visitor centred experiences Grow the Fed Square Family exponentially, by connecting people to the 2. 28 enduring power of community 3. Ensure a sustainable future for Fed Square 32 Build a social enterprise culture that is engaged, aligned and committed to 4. 36 delivering the Corporate Plan 2019-2022 The Year Ahead 38 5 Year Financial Summary 42 Key Performance Indicators 44 Statement of Corporate Governance 46 CONTENTS Directors’ Report 52 Financial Report 56 Contact Information 122 PAGE 1 Enjoying the Australian Open on the Digital Facade. -
2012 Victorian Architecture Awards | Architectureau 2012 Victorian Architecture Awards
2017515 2012 Victorian Architecture Awards | ArchitectureAU 2012 Victorian Architecture Awards Awards | Words Shelley Penn The Royal Children’s Hospital by Billard Leece Partnership and Bates Smart. Image: John Gollings The 2012 Victorian Architecture Awards were announced at a presentation dinner on 29 June, held at Crown Palladium in Melbourne. Jury comment The 2012 Victorian state awards program has seen a dramatic rise in the number of entries from previous years. The years 2010 and 2011 saw about a 1 percent growth, yet this year there was a 21 percent increase — we received a total of 235 entries. Significant jumps in the categories of Heritage, Residential Alterations and Additions, Residential Multiple and Urban Design were somewhat countered by lowered numbers in Commercial and New Public Architecture — a sign of the times perhaps. Despite economic uncertainty, however, Victorian architects are continuing to deliver outstanding work. Together, the fiftyseven awards and commendations hint, through their breadth and exceptional quality, at the enormous scope of architecture’s contribution to Victorian society and culture. Each entry, from the smallest private intervention to the larger civic projects, reveals the generosity of spirit, innovation and tenacity that underpin excellent architecture. All of the architects who entered projects, who put their work under the glare of peer evaluation and thereby gave us all a glimpse of the great things underway in Victorian architecture, are sincerely thanked. I also thank the jurors, who have contributed substantially to this year’s awards through their time and rigorous consideration — a contribution that is essential to the credibility and distinction that characterize the Institute’s awards programs. -
Design Advocacy Discussion Paper
API 8.13 Design Excellence Program Design Advocacy Discussion Paper August 2019 API 8.13: Extend City of Melbourne’s commitment to high quality urban design through advocacy, internal design review and investigation of design competitions on significant sites. Page | 1 Contents Executive summary ......................................................................................................................................... 3 Industry Design Awards ................................................................................................................................... 3 Other Awards Programs in the City of Melbourne ......................................................................................... 10 Existing Municipal Awards Programs ............................................................................................................ 12 Point Score System and integration with Awards ......................................................................................... 15 Governance & resourcing .............................................................................................................................. 17 Conclusions ................................................................................................................................................... 17 Figure 1: The Melbourne Awards, a high profile business and community event hosted by the City of Melbourne, represents a unique opportunity to integrate design awards to a broader community forum. Page | 2 Executive summary -
2015 Victorian Architecture Awards Shortlist | Architectureau 2015 Victorian Architecture Awards Shortlist
28/11/2018 2015 Victorian Architecture Awards shortlist | ArchitectureAU 2015 Victorian Architecture Awards shortlist Award Ernie Cropley Pavilion by Cox Architecture. Image: John Gollings The Australian Institute of Architects has released the shortlist for the 2015 Victorian Architecture Awards. From 169 individual project entries, 74 projects have been shortlisted across 15 categories, including two Victorian Chapter awards – the Melbourne Prize and Regional Prize. In 2015, the Institute established a new category for Educational Architecture. The Victorian Architecture Awards will be announced on 26 June at Shed 14 Central Pier in Docklands. Winners of named awards and architecture awards will then progress to the National Architecture Awards to be announced in November 2015. All entries, including the shortlist, will be exhibited in the atrium at Federation Square from 26 May to 6 June 2015. Below are the shortlists for the non-residential projects. For all residential shortlists, click here. Public Architecture – New Ernie Cropley Pavilion – Cox Architecture Library at The Dock – Clare Design + Hayball (Architect of Record) New Municipal Building & Civic Square – Lyons Jury for Public Architecture – New: Library at The Dock by Clare Design + Hayball Vivian Mitsogianni (chair, RMIT (Architect of Record). Image: Dianna Snape School of Architecture + Design), Rob McBride (McBride Charles Ryan), and Michael Bouteloup (John Wardle Architects). Public Architecture – Alterations & Additions Lab 14 - Carlton Connect Initiative – NMBW Architecture Studio Margaret Court Arena – NH Architecture + Populous https://architectureau.com/articles/2015-victorian-architecture-awards-shortlist/ 1/6 28/11/2018 2015 Victorian Architecture Awards shortlist | ArchitectureAU Shrine of Remembrance, Galleries of HIS PAGE Margaret Court Arena by NH Architecture + Remembrance – ARM Architecture Populous. -
MPT5348 Entry Form
Entry Form www.melbourneprizetrust.org & Information Entry Form & Information About the Melbourne Prize Trust and annual Melbourne Prize The Melbourne Prize Trust, in conjunction In November, Federation Square will The Melbourne Prize for Urban Sculpture 2008 The annual Melbourne Prize is the prize of the city with the Committee for Melbourne and become a unique exhibition space for is coordinated by the Melbourne Prize Trust, for the city. In most of the sectors of focus, the Prize our partners, have pleasure in offering the the finalist’s work. The free two-week in conjunction with the Committee for Melbourne is the most valuable of its kind in Australia. The Prize Melbourne Prize for Urban Sculpture 2008. exhibition will provide a public display, and the generous support of our partners continues it’s three-year cycle: in the heart of the city, of the creativity and patrons. The objective of the Prize is to recognise Melbourne Prize for Urban Sculpture 2008 of Victoria’s sculptors. and reward excellence and talent in The annual Melbourne Prize provides Melbourne Prize for Literature 2009 opportunities for artist and increases the Melbourne Prize for Music 2010 urban sculpture. Of the finalist’s exhibited at Federation public’s exposure and access to the creative Square for the Melbourne Prize for Urban The cycle commences again with the Melbourne Prize The Melbourne Prize for Urban Sculpture talent in our community. Identifying the Prize Sculpture 2005, a number of works were for Urban Sculpture 2011. 2008, which is open to Victorian residents, with the city enhances Melbourne’s position either sold, commissioned in the CBD or will raise awareness of our abundant as a cultural hub. -
Bauhaus-Now.Pdf
CURATED BY ANN STEPHEN Bauhaus Now! Title Contributors Bauhaus Now! is published by 4 Director’s foreword Buxton Contemporary Bauhaus Now! — Prof Susan Best is Professor of Buxton Contemporary, University — Ryan Johnston University of Melbourne Art History and Theory at Griffith of Melbourne. 26 July – 20 October 2019 Authors University. Best is the author of Exhibition curated by Ann Stephen Susan Best, Ann Stephen Visualizing Feeling: Affect and the Cover image 12 Bauhaus Now! Feminine Avant-garde (2011) and Mikala Dwyer and Justene Williams, Director ISBN 978-0-6482584-5-2 Reparative Aesthetics: Witnessing Mondspiel / [Moon Play] 2019 — Ann Stephen Ryan Johnston in Contemporary Art Photography (details), mixed-media installation Artists (2016). She is currently completing comprising performance; video 24 A User’s Guide to Mondspiel / [Moon Play] Curator Mikala Dwyer a book titled Impersonality: (with performances by Phillip Melissa Keys Justene Williams Self and Other in Body Art and Adams and Deanne Butterworth); — Susan Best and Ann Stephen Michael Candy Performance (contracted to thistle garden; painted coffins; Collection and Peter D Cole Bloomsbury Philosophy). welded and painted sculpture Exhibition Manager Christopher Handran with crystals; rocking theremin Projects Katarina Paseta Shane Haseman — Dr Ann Stephen is an art historian sculptures; painted wooden 36 — Lantern Parade Gertrude Herzger-Seligmann and Senior Curator of the University sculptures; wall painting; fabric 40 — Thistle Garden Operations Manager Ludwig Hirschfeld-Mack Art Gallery and Art Collection at banners; sculpture, fabric and clay Kate Fitzgerald Paul Klee the University of Sydney. Her books on scaffold; acrylic, collage and 44 — Shane Haseman, Triadic dance Rose Nolan include Modernism & Australia: fabric tassels on canvas. -
Von Sturmer Cv 2020
ANNA SCHWARTZ GALLERY DANIEL VON STURMER 1972 Born Auckland, New Zealand Lives and works in Melbourne EDUCATION 2002-03 Sandberg Institute, Amsterdam, Netherlands 1997-99 RMIT University, Melbourne, Master of Arts by Research 1993-96 RMIT University, Melbourne, Bachelor of Arts, in Fine Art, Honours SELECTED SOLO SHOWS 2020 Daniel von Sturmer: Time in Material, M+P|Art, UK 2019 Painted Light, Geelong Performing Arts Centre CATARACT, Anna Schwartz Gallery, Melbourne Electric Light (facts/figures/anna schwartz gallery upstairs), Anna Schwartz Gallery, Melbourne 2017 Electric Light (facts/figures), Bus Projects, Melbourne Daniel von Sturmer, Ten Cubed, Melbourne Luminous Figures, Starkwhite Gallery, Auckland, New Zealand 2016 Electric Light, Anna Schwartz Gallery, Melbourne 2014 These Constructs, Anna Schwartz Gallery, Melbourne Camera Ready Actions, Young Projects, Los Angeles Focus & Field, Young Projects, Los Angeles 2013 After Images, Centre for Contemporary Photography, Melbourne Daniel von Sturmer, Ten Cubed, Melbourne Daniel von Sturmer, as part of Ground Control series, Columbus Museum of Art, Ohio Production Stills, Courtenay Place Lightboxes, Wellington 2012 Small World, Anna Schwartz Gallery, Melbourne 2010 The Cinema Complex, Anna Schwartz Gallery, Sydney Video Works 2008-2009, Karsten Schubert Gallery, London 2009 Set Piece, Site Gallery, Sheffield, United Kingdom Painted Video, Anna Schwartz Gallery, Auckland Art Fair, Auckland 2008 Tableaux Plastique, Anna Schwartz Gallery, Melbourne 2007 The Object of Things, Australian Pavilion, -
Linden Art Prize 2019
LINDEN ART PRIZE 2019 As reptiae ssuntibus quas qui cor aut ut exernat uscidus cidenis nis et optat aut doluptame erum audam que et endus cus atur, sum vidunti busdam, tem estentio dolupta doluptat que nusaperio. Conse moluptaes eium ipsum nossiminus quibusd animus, quo voluptatatem exere sunt pa ant et eaquo quiaspit, con etus ut harum reroressim acidele sequid quae dollate laudaep elendan dustis autem iur acepers perites sintium excepe sed est estiatur abo. Nam ratia nobit odit dolore prae idel modis sum ad mint. Dae vendel il magnihi liquodigenis eicimpe rcipis dus es assitat exerfer roribus, quis re, seque corempo santio molenti aspere pa quaspe none sunti si doluptatia secum nobitatis estiat escia volupta tendaero quam resequi andanduntur alique iducit aut idiscie ntorpores simus is re isci INTRODUCTION cores esequo exped molupta spiendem debis maxima distotat fugit ut dollaut deratur aut lab ipsam cus eosandandem haruntia nonserum rero que odit excero inis moluptur, comnisint offic to vel iume nonsequas inulparchil exeria volorro occum nimin ratur? Sum aut eum sitatem que pore magnis estemolecus. Abor aut renim hilibusam atem quo il et qui venda dunturessi sed ut odigend endistisquis iliquae esciis antistrum harunti aerfero totas repeliam il el magnat quas aditaec atquaep elleseque et eium unt eniae sus sequi odit la peditae rumquat. Atuscipsum in pa quam, ut ad quo tet ulloribuscid escipsande qui ut min et ad que comnihici sinullam, sim libus, ni con rerum fuga. Ed qui beario torunt ratquis quibusc iustece ptatem re, tem repuda quatem quis maioreptat quam rehenem nonsenit, cuptas minit, excepudant eos dollat a quatatem sumquaesti sit fugiatum lacipic tem fuga.