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Interview with Tom Mccullough 24 March 2010
ART GALLERY OF NEW SOUTH WALES ARCHIVE BALNAVES FOUNDATION AUSTRALIAN SCULPTURE ARCHIVE PROJECT Interview with Tom McCullough 24 March 2010 This is an edited transcript of an interview with Tom McCullough on 24 March 2010 at Mount Martha, Victoria, by Deborah Edwards, senior curator of Australian art at the Art Gallery of New South Wales, for the Balnaves Foundation Australian Sculpture Archive Project. The project focuses on significant Australian sculptors and sculptural practice. It was developed with a grant from the Balnaves Foundation in 2010, which supported the recording and transcription of interviews with artists and other figures in Australian art. About Tom McCullough Tom McCullough has had an enormous impact on Australian sculpture. As director of the Mildura Art Centre, he curated the Mildura Prize for Sculpture in 1967 and the Mildura Sculpture Triennials in 1970, 1973, 1975 and 1978 as well as Sculpture 75 in Canberra. He was also curator of the first Australian Sculpture Triennial in Melbourne, in 1981, and artistic director of the second Biennale of Sydney, in 1976. This is an edited transcript of a recorded interview. Some adjustments, including deletions, have been made to the original as part of the editing process; however, the accuracy of all statements has not been verified and errors of fact may not have been corrected. The views expressed are those of the participants and do not represent those of the Art Gallery of New South Wales. Unedited audio files of this interview are in the Gallery’s archive. © Art Gallery of New South Wales ART GALLERY OF NEW SOUTH WALES ARCHIVE BALNAVES FOUNDATION AUSTRALIAN SCULPTURE ARCHIVE PROJECT: Interview with Tom McCullough Interview on 24 March 2010 Deborah Edwards (DE): I was keen to sketch in your early life and early training. -
Survey of Post-War Built Heritage in Victoria: Stage One
Survey of Post-War Built Heritage in Victoria: Stage One Volume 1: Contextual Overview, Methodology, Lists & Appendices Prepared for Heritage Victoria October 2008 This report has been undertaken in accordance with the principles of the Burra Charter adopted by ICOMOS Australia This document has been completed by David Wixted, Suzanne Zahra and Simon Reeves © heritage ALLIANCE 2008 Contents 1.0 Introduction................................................................................................................................. 5 1.1 Context ......................................................................................................................................... 5 1.2 Project Brief .................................................................................................................................. 5 1.3 Acknowledgements....................................................................................................................... 6 2.0 Contextual Overview .................................................................................................................. 7 3.0 Places of Potential State Significance .................................................................................... 35 3.1 Identification Methodology .......................................................................................................... 35 3.2 Verification of Places .................................................................................................................. 36 3.3 Application -
European Influences in the Fine Arts: Melbourne 1940-1960
INTERSECTING CULTURES European Influences in the Fine Arts: Melbourne 1940-1960 Sheridan Palmer Bull Submitted in total fulfilment of the requirements of the degree ofDoctor ofPhilosophy December 2004 School of Art History, Cinema, Classics and Archaeology and The Australian Centre The University ofMelbourne Produced on acid-free paper. Abstract The development of modern European scholarship and art, more marked.in Austria and Germany, had produced by the early part of the twentieth century challenging innovations in art and the principles of art historical scholarship. Art history, in its quest to explicate the connections between art and mind, time and place, became a discipline that combined or connected various fields of enquiry to other historical moments. Hitler's accession to power in 1933 resulted in a major diaspora of Europeans, mostly German Jews, and one of the most critical dispersions of intellectuals ever recorded. Their relocation to many western countries, including Australia, resulted in major intellectual and cultural developments within those societies. By investigating selected case studies, this research illuminates the important contributions made by these individuals to the academic and cultural studies in Melbourne. Dr Ursula Hoff, a German art scholar, exiled from Hamburg, arrived in Melbourne via London in December 1939. After a brief period as a secretary at the Women's College at the University of Melbourne, she became the first qualified art historian to work within an Australian state gallery as well as one of the foundation lecturers at the School of Fine Arts at the University of Melbourne. While her legacy at the National Gallery of Victoria rests mostly on an internationally recognised Department of Prints and Drawings, her concern and dedication extended to the Gallery as a whole. -
Guided Tour Map (PDF 2MB)
Map V4 EXPLORE the UNIVERSITY OF MELBOURNE STORIES SECRETS ONE OF THE WORLD’S MOST BEAUTIFUL DISCOVER AND INSPIRING UNIVERSITY CAMPUSES. WELCOME! WELCOME TO THE UNIVERSITY OF MELBOURNE, AN INTERNATIONALLY RECOGNISED RESEARCH-INTENSIVE UNIVERSITY WITH A TRADITION OF EXCELLENCE IN TEACHING AND LEARNING, RESEARCH AND RESEARCH TRAINING, AND COMMUNITY ENGAGEMENT. THE UNIVERSITY WAS FOUNDED IN 1853, AND IS SITUATED IN THE HEART OF THE WORLD’S MOST LIVEABLE CITY. USE THIS MAP TO PLAN YOUR VISIT – WHETHER YOU’RE DISCOVERING 150 YEARS OF MELBOURNE’S HISTORY, ABOUT TO STUDY OR WORK HERE, OR JUST WANT TO EXPLORE OUR BEAUTIFUL CAMPUS. GETTING AROUND ON FOOT MELBOURNE VISITOR SHUTTLE The Parkville campus is a 15–20 minute walk The Melbourne Visitor Shuttle hop-on-hop-off bus north of Melbourne’s CBD. includes a stop at the University of Melbourne. Climb aboard and explore any of the 13 precincts. The University is Stop 7. Tickets are $10. BY TRAM, TRAIN OR BUS www.thatsmelbourne.com.au Catch the number 19 tram on Elizabeth Street and alight at Stop 14, or tram number 1, 3/3a, 5, 6, 8, 16, GRAB A MEMENTO OF YOUR VISIT 64, 67 or 72 on Swanston Street and alight at the Melbourne University Tram Stop. TO THE UNIVERSITY OF MELBOURNE The 401 bus from North Melbourne train station is A great selection of University of Melbourne clothes a free shuttle for validated public transport ticket and merchandise is available at the Co-op Bookshop holders stopping at the Royal Melbourne and at Stop 1 on the corner of Grattan and Swanston Women’s hospitals and the University of Melbourne’s Streets or online: www.shop.unimelb.edu.au Gate 10 on Grattan Street. -
Fed Square Pty Ltd Annual Report 2 0 1 9 - 2 0 2 0 Traditional Owner Acknowledgement
FED SQUARE PTY LTD ANNUAL REPORT 2 0 1 9 - 2 0 2 0 TRADITIONAL OWNER ACKNOWLEDGEMENT Fed Square proudly acknowledges that Federation Square is situated on the traditional lands of the Boon Wurrung and Woiwurrung peoples of the Kulin nation and pays respect to their Elders past and present. We acknowledge Aboriginal people as Australia’s first people and as the Traditional Owners and custodians of the land and water on which we rely. We recognise and value the ongoing contribution of Aboriginal people and communities to Victorian life and how this enriches us. We embrace the spirit of reconciliation, working towards the equality of outcomes and ensuring an equal voice. CONTENTS FED SQUARE ANNUAL REPORT 2019 - 2020 About Fed Square 3 Fed Square’s Purpose 4 Vision 4 Mission 4 Values 4 Service Goal 5 Message from Chair and CEO 6 About Fed Square 10 Corporate Governance 10 Fed Square Ptd Ltd Functional Structure 11 Fed Square’s Board 12 The Year’s Activity 16 Strategic Imperatives 17 Enhance Fed Square’s reputation as a globally recognised place for 1. 18 meaningful, visitor centred experiences Grow the Fed Square Family exponentially, by connecting people to the 2. 28 enduring power of community 3. Ensure a sustainable future for Fed Square 32 Build a social enterprise culture that is engaged, aligned and committed to 4. 36 delivering the Corporate Plan 2019-2022 The Year Ahead 38 5 Year Financial Summary 42 Key Performance Indicators 44 Statement of Corporate Governance 46 CONTENTS Directors’ Report 52 Financial Report 56 Contact Information 122 PAGE 1 Enjoying the Australian Open on the Digital Facade. -
2012 Victorian Architecture Awards | Architectureau 2012 Victorian Architecture Awards
2017515 2012 Victorian Architecture Awards | ArchitectureAU 2012 Victorian Architecture Awards Awards | Words Shelley Penn The Royal Children’s Hospital by Billard Leece Partnership and Bates Smart. Image: John Gollings The 2012 Victorian Architecture Awards were announced at a presentation dinner on 29 June, held at Crown Palladium in Melbourne. Jury comment The 2012 Victorian state awards program has seen a dramatic rise in the number of entries from previous years. The years 2010 and 2011 saw about a 1 percent growth, yet this year there was a 21 percent increase — we received a total of 235 entries. Significant jumps in the categories of Heritage, Residential Alterations and Additions, Residential Multiple and Urban Design were somewhat countered by lowered numbers in Commercial and New Public Architecture — a sign of the times perhaps. Despite economic uncertainty, however, Victorian architects are continuing to deliver outstanding work. Together, the fiftyseven awards and commendations hint, through their breadth and exceptional quality, at the enormous scope of architecture’s contribution to Victorian society and culture. Each entry, from the smallest private intervention to the larger civic projects, reveals the generosity of spirit, innovation and tenacity that underpin excellent architecture. All of the architects who entered projects, who put their work under the glare of peer evaluation and thereby gave us all a glimpse of the great things underway in Victorian architecture, are sincerely thanked. I also thank the jurors, who have contributed substantially to this year’s awards through their time and rigorous consideration — a contribution that is essential to the credibility and distinction that characterize the Institute’s awards programs. -
Design Advocacy Discussion Paper
API 8.13 Design Excellence Program Design Advocacy Discussion Paper August 2019 API 8.13: Extend City of Melbourne’s commitment to high quality urban design through advocacy, internal design review and investigation of design competitions on significant sites. Page | 1 Contents Executive summary ......................................................................................................................................... 3 Industry Design Awards ................................................................................................................................... 3 Other Awards Programs in the City of Melbourne ......................................................................................... 10 Existing Municipal Awards Programs ............................................................................................................ 12 Point Score System and integration with Awards ......................................................................................... 15 Governance & resourcing .............................................................................................................................. 17 Conclusions ................................................................................................................................................... 17 Figure 1: The Melbourne Awards, a high profile business and community event hosted by the City of Melbourne, represents a unique opportunity to integrate design awards to a broader community forum. Page | 2 Executive summary -
Inge King Eulogy
Inge King Memorial Service NGV Great Hall, Monday 9 May 2016, 10:30 am I’m deeply honoured to be speaking today about Inge’s extraordinary career. I’m conscious of there being many others eminently qualified to speak, including Professors Judith Trimble and Sasha Grishin, each of whom have published eloquent monographs on Inge, and Professors Margaret Plant and Jenny Zimmer, who have both written informed, extended essays for two of Inge’s earliest survey exhibitions. In addition the NGV’s curator of Australian art, David Hurlston, and former NGV curator and recently retired director of the Geelong Gallery, Geoffrey Edwards, have both worked closely with Inge in the sensitive presentation of two retrospectives held here at the gallery, in 1992 and 2014. In the presence of such a wealth of knowledge and experience, I’m frankly humbled to have been asked to speak. I’d like to briefly mention how I came to know Inge, if only to contextualise my appearance here. Inge was arguably the best-known member of the Centre Five group, which forms the subject of my PhD thesis. I began reading about her work in 2008, while still living in Ireland and planning a return to Australia after a nine-year absence. The reading prompted faint memories of seeing her work at the Queensland Art Gallery while still a student in Brisbane. The following year, six months after embarking on doctoral studies at Melbourne University, I finally met my appointed supervisor, Professor Charles Green, who had until then been on sabbatical. One of the first things he said to me at that meeting was: ‘Now, you do know I’m Inge King’s godson, don’t you?’ Well, no, I didn’t. -
Annual Report: 2015–16
Annual ReportAnnual 2015–16 Library Board of Victoria Board Library Library Board of Victoria Annual Report 2015–16 Contents 2 President’s report 4 Chief Executive Officer’s year in review 6 Vision and values 7 Report of operations 22 Financial summary 24 2015–16 key performance indicators 24 Service Agreement with the Minister for Creative Industries 25 Output framework 27 Acquisitions statistics 2015–16 28 Library Board and corporate governance 33 Library Executive 34 Organisational structure 35 Reconciliation of executive officers 36 Major contracts 36 Victorian Industry Participation Policy 36 National Competition Policy 36 Compliance with the Building Act 1993 37 Financial information 38 Occupational health and safety performance measures 39 Public sector values and employment principles 40 Statement of workforce data and merit and equity 41 Environmental performance 42 Freedom of information 43 Protected Disclosure Act 2012 43 Disability Action Plan 43 Government advertising expenditure 44 Consultancies 45 Risk attestation Financial statements 47 Auditor-General’s report 49 Library Board of Victoria letter 50 Financial report for year ended 30 June 2016 57 Notes to the financial statements 114 Disclosure index President’s report I am pleased to present my fifth report as the We were delighted to welcome Kate Torney as President of the Library Board of Victoria. our new Chief Executive Officer in November last year. Kate came to the Library leadership There is much good news to report. Our Vision role with more than 20 years in the information 2020 building project progresses apace – in industry, most recently as Director of News at the September last year we were thrilled that the Ian Australian Broadcasting Corporation. -
2015 Victorian Architecture Awards Shortlist | Architectureau 2015 Victorian Architecture Awards Shortlist
28/11/2018 2015 Victorian Architecture Awards shortlist | ArchitectureAU 2015 Victorian Architecture Awards shortlist Award Ernie Cropley Pavilion by Cox Architecture. Image: John Gollings The Australian Institute of Architects has released the shortlist for the 2015 Victorian Architecture Awards. From 169 individual project entries, 74 projects have been shortlisted across 15 categories, including two Victorian Chapter awards – the Melbourne Prize and Regional Prize. In 2015, the Institute established a new category for Educational Architecture. The Victorian Architecture Awards will be announced on 26 June at Shed 14 Central Pier in Docklands. Winners of named awards and architecture awards will then progress to the National Architecture Awards to be announced in November 2015. All entries, including the shortlist, will be exhibited in the atrium at Federation Square from 26 May to 6 June 2015. Below are the shortlists for the non-residential projects. For all residential shortlists, click here. Public Architecture – New Ernie Cropley Pavilion – Cox Architecture Library at The Dock – Clare Design + Hayball (Architect of Record) New Municipal Building & Civic Square – Lyons Jury for Public Architecture – New: Library at The Dock by Clare Design + Hayball Vivian Mitsogianni (chair, RMIT (Architect of Record). Image: Dianna Snape School of Architecture + Design), Rob McBride (McBride Charles Ryan), and Michael Bouteloup (John Wardle Architects). Public Architecture – Alterations & Additions Lab 14 - Carlton Connect Initiative – NMBW Architecture Studio Margaret Court Arena – NH Architecture + Populous https://architectureau.com/articles/2015-victorian-architecture-awards-shortlist/ 1/6 28/11/2018 2015 Victorian Architecture Awards shortlist | ArchitectureAU Shrine of Remembrance, Galleries of HIS PAGE Margaret Court Arena by NH Architecture + Remembrance – ARM Architecture Populous. -
MPT5348 Entry Form
Entry Form www.melbourneprizetrust.org & Information Entry Form & Information About the Melbourne Prize Trust and annual Melbourne Prize The Melbourne Prize Trust, in conjunction In November, Federation Square will The Melbourne Prize for Urban Sculpture 2008 The annual Melbourne Prize is the prize of the city with the Committee for Melbourne and become a unique exhibition space for is coordinated by the Melbourne Prize Trust, for the city. In most of the sectors of focus, the Prize our partners, have pleasure in offering the the finalist’s work. The free two-week in conjunction with the Committee for Melbourne is the most valuable of its kind in Australia. The Prize Melbourne Prize for Urban Sculpture 2008. exhibition will provide a public display, and the generous support of our partners continues it’s three-year cycle: in the heart of the city, of the creativity and patrons. The objective of the Prize is to recognise Melbourne Prize for Urban Sculpture 2008 of Victoria’s sculptors. and reward excellence and talent in The annual Melbourne Prize provides Melbourne Prize for Literature 2009 opportunities for artist and increases the Melbourne Prize for Music 2010 urban sculpture. Of the finalist’s exhibited at Federation public’s exposure and access to the creative Square for the Melbourne Prize for Urban The cycle commences again with the Melbourne Prize The Melbourne Prize for Urban Sculpture talent in our community. Identifying the Prize Sculpture 2005, a number of works were for Urban Sculpture 2011. 2008, which is open to Victorian residents, with the city enhances Melbourne’s position either sold, commissioned in the CBD or will raise awareness of our abundant as a cultural hub. -
Von Sturmer Cv 2020
ANNA SCHWARTZ GALLERY DANIEL VON STURMER 1972 Born Auckland, New Zealand Lives and works in Melbourne EDUCATION 2002-03 Sandberg Institute, Amsterdam, Netherlands 1997-99 RMIT University, Melbourne, Master of Arts by Research 1993-96 RMIT University, Melbourne, Bachelor of Arts, in Fine Art, Honours SELECTED SOLO SHOWS 2020 Daniel von Sturmer: Time in Material, M+P|Art, UK 2019 Painted Light, Geelong Performing Arts Centre CATARACT, Anna Schwartz Gallery, Melbourne Electric Light (facts/figures/anna schwartz gallery upstairs), Anna Schwartz Gallery, Melbourne 2017 Electric Light (facts/figures), Bus Projects, Melbourne Daniel von Sturmer, Ten Cubed, Melbourne Luminous Figures, Starkwhite Gallery, Auckland, New Zealand 2016 Electric Light, Anna Schwartz Gallery, Melbourne 2014 These Constructs, Anna Schwartz Gallery, Melbourne Camera Ready Actions, Young Projects, Los Angeles Focus & Field, Young Projects, Los Angeles 2013 After Images, Centre for Contemporary Photography, Melbourne Daniel von Sturmer, Ten Cubed, Melbourne Daniel von Sturmer, as part of Ground Control series, Columbus Museum of Art, Ohio Production Stills, Courtenay Place Lightboxes, Wellington 2012 Small World, Anna Schwartz Gallery, Melbourne 2010 The Cinema Complex, Anna Schwartz Gallery, Sydney Video Works 2008-2009, Karsten Schubert Gallery, London 2009 Set Piece, Site Gallery, Sheffield, United Kingdom Painted Video, Anna Schwartz Gallery, Auckland Art Fair, Auckland 2008 Tableaux Plastique, Anna Schwartz Gallery, Melbourne 2007 The Object of Things, Australian Pavilion,