Resurrecting the Champ
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Robert De Niro's Raging Bull
003.TAIT_20.1_TAIT 11-05-12 9:17 AM Page 20 R. COLIN TAIT ROBERT DE NIRO’S RAGING BULL: THE HISTORY OF A PERFORMANCE AND A PERFORMANCE OF HISTORY Résumé: Cet article fait une utilisation des archives de Robert De Niro, récemment acquises par le Harry Ransom Center, pour fournir une analyse théorique et histo- rique de la contribution singulière de l’acteur au film Raging Bull (Martin Scorcese, 1980). En utilisant les notes considérables de De Niro, cet article désire montrer que le travail de cheminement du comédien s’est étendu de la pré à la postproduction, ce qui est particulièrement bien démontré par la contribution significative mais non mentionnée au générique, de l’acteur au scénario. La performance de De Niro brouille les frontières des classes de l’auteur, de la « star » et du travail de collabo- ration et permet de faire un portrait plus nuancé du travail de réalisation d’un film. Cet article dresse le catalogue du processus, durant près de six ans, entrepris par le comédien pour jouer le rôle du boxeur Jacke LaMotta : De la phase d’écriture du scénario à sa victoire aux Oscars, en passant par l’entrainement d’un an à la boxe et par la prise de soixante livres. Enfin, en se fondant sur des données concrètes qui sont restées jusqu’à maintenant inaccessibles, en raison de la modestie et du désir du comédien de conserver sa vie privée, cet article apporte une nouvelle perspective pour considérer la contribution importante de De Niro à l’histoire américaine du jeu d’acteur. -
Win, Lose, Or Draw
Robinson to Spot LaMotta Only Six Pounds in Tomorrow s Fight Ray Will Weigh 154, Ohio's Coaching Snarl \vashington, D. C., Tuesday, Feb. 13, 1951— A-17 ** 4 Pounds More Than Due to Stay That Way In Any Previous Bout Until Next Sunday or Draw By th® Associated Press By the Associated Press Win, Lose, CHICAGO, Feb. 13.—Heavily COLUMBUS, Ohio, Feb. 13.— By FRANCIS STANN favored in his five previous fights Ohio State’s football coaching Star Staff Correspondent with Jake LaMotta, Sugar Ray problem—supposed to have been Robinson again is being backed solved still all mixed CHICAGO, FEB. 13.—Those 3-to-l odds favoring Sugar Ray yesterday—is from 3-1 to 4-1 to snare the Bronx and will Robinson to become the middleweight champion tomorrow on up probably stay that Bull’s title tomor- Channel 9 aren’t flattering to Jake LaMotta. Indeed, a case middleweight way until next Sunday, at least. row night. might be made for LaMotta, despite the fact Robinson has Just when the two-month hunt The welterweight champion, ini for a successor to Wes Fesler thrashed him four times in five bouts. the of and La- peak condition, j seemed about over, the univer- With LaMotta a licking doesn’t stick. The Motta battle scales at a.m. the 10 sity’s oBard of Trustees tossed first Jake ever lost was his 16th as a (CST) in the official to- fight pro. weigh-in everything into a turmoil again, Back in 1941 a guy named Jimmy Reeves beat morrow. -
Saturday Eastern Connecticut State University October 28, 2017 Willimantic, CT
Saturday Eastern Connecticut State University October 28, 2017 Willimantic, CT Fall Conference Program All sessions will be held in the Student Center (SC) 8:00-8:30 Registration & Continental Breakfast SC Betty Tipton Room First Morning Sessions, 8:30-10:00 Session 1: Law and Community in New England and Beyond SC 223 Chair/Comment: Robert J. Imholt, Albertus Magnus College “The Qualities for Common Sense: County Court Judges in Colonial Connecticut” Dominic DeBrincat, Missouri Western State University “'The Moral Treatment': On the Institutionalization of People with Disabilities in the Anglophone Atlantic, 1660- 1860” Miles Wilkerson, Windham Textile & History Museum “The Choctaw and petit marronage during the Removal Crisis” Christian Gonzales, University of Rhode Island Session 2: Exceptions to feme covert: Colonial Women as Heirs and Property Owners SC 217 Chair/Comment: Nicole Breault, University of Connecticut (graduate student) “Perceived Equality: Women, Ethnicity, and Inheritance in Late 18th-Century Lunenburg County, Nova Scotia” Kenneth S. Paulsen, Bunker Hill Community College “Margaret Brent: Feme Covert Outlier – Executor to Lord Calvert of Maryland” Lynn Byall Benson, University of Massachusetts, Boston Session 3: Liberty for Whom? Perspectives on Slavery and the American Civil War SC 115 Chair/Comment: Barbara Tucker, Eastern Connecticut State University “Children of the Revolution: Lydia Maria Child and the Pedagogy of Revolt” Lila Teeters, University of New Hampshire (graduate student) “A Class For Themselves: The -
WAKO Points Fighting Rules
WAKO Points Fighting Rules Chapter 4 - Tatami Sports Semi Contact V18 Page1 to 13 WAKO Rules of Tatami Sports / Points Fighting Table of Contents Art. 1. Definition 3 Art. 2. Fighting Rules 3 Art. 3. Competition Commands 4 Art. 4. Legal Target Areas 4 Art. 5. Illegal Target Areas (Prohibited Techniques and Behaviour) 4 Art. 6. Legal Techniques 5 Art. 7. Illegal Techniques and Actions 5 Art. 8. Scoring Criteria 6 Art. 8.1 Calls Referees and Judges may make (Points) 6 Art. 8.1.1 Score 6 Art. 8.1.2 No Score 6 Art. 8.1.3 Awarding Points 7 Art. 8.1.4 Overviews awarding points 7 Art. 9. Penalty – Exits (Warning, Disqualifications and Exits) 7 Art. 9.1 Disqualification 8 Art. 10. Hand signals 8 Art. 11. Violations of rules 8 Art. 12. Stopping the match (Time-out) 9 Art. 12.1 Reasons for Time-out 9 Art. 13. Injuries 9 Art. 14. Procedure if KO, RSC, RSC-H, Injury 10 Art. 14.1 Procedure of injuries in general 10 Art. 15. Grand Champ and Team Competition 11 Art. 15.1 Grand Champ 11 Art. 15.1.1 Original Grand Champ 11 Art. 15.2 Team Competition 11 Art. 15.2.1 World/Continental Championships 11 Art. 16. Hand Shaking / Touching of Gloves 12 Art. 17. WAKO Use of Drugs 12 Art. 18. Note! 12 Art. 19. Weigh-in 12 Chapter 4 - Tatami Points Fighting V19 Page2 to 13 WAKO Rules of Tatami Sports / Points Fighting Definition Points Fighting is a fighting discipline where two fighters fight with the primary goal of scoring Defined points/ using controlled legal Techniques with speed agility and focus. -
CHAPTER 165-X-8 Professional Bare
165-X-8-.01. Definitions., AL ADC 165-X-8-.01 Alabama Administrative Code Alabama Athletic Commission Chapter 165-X-8. Professional Bare-Knuckle Boxing Ala. Admin. Code r. 165-X-8-.01 165-X-8-.01. Definitions. Currentness (1) “Applicant” means any persons, corporations, organizations or associations required to be licensed before promoting, holding, organizing, participating in, or competing in a professional boxing match, contest, or exhibition. (2) “Body jewelry” means any tangible object affixed to, through, or around any portion of the contestant's body. (3) “Official” unless otherwise indicated is an exclusive term collectively meaning “judge,” “referee,” “timekeeper,” and “inspectors” (4) “Sanctioning Organization” means a national or international organization generally recognized in the bare-knuckle boxing community and which: ranks bare-knuckle boxers within each weight class; sanctions and approves championship matches in those weight classes; and awards championship status and championship prizes (belts, rings, plaques, etc.) to the winner of those matches. (5) “Special Event” means a bare-knuckle boxing card or bare-knuckle boxing show, which has among its contests a championship match, a pay-per-view or subscription television match, a national televised match, or any other match of significance to boxing in this state as designated by the commission. (6) “The Commission” is reference for the Alabama Athletic Commission. Authors: Dr. John Marshall, Joel R. Blankenship, Larry Bright, Stan Frierson, Shane Sears Credits Statutory Authority: Code of Ala. 1975, § 41-9-1024. History: New Rule: Filed July 16, 2010; effective August 20, 2010. Repealed: Filed December 27, 2013; effective January 31, 2014. New Rule: Published February 28, 2020; effective April 13, 2020. -
Pugilistic Death and the Intricacies of Fighting Identity
Copyright By Omar Gonzalez 2019 A History of Violence, Masculinity, and Nationalism: Pugilistic Death and the Intricacies of Fighting Identity By Omar Gonzalez, B.A. A Thesis Submitted to the Department of History California State University Bakersfield In Partial Fulfillment for the Degree of Master of Arts in History 2019 A Historyof Violence, Masculinity, and Nationalism: Pugilistic Death and the Intricacies of Fighting Identity By Omar Gonzalez This thesishas beenacce ted on behalf of theDepartment of History by their supervisory CommitteeChair 6 Kate Mulry, PhD Cliona Murphy, PhD DEDICATION To my wife Berenice Luna Gonzalez, for her love and patience. To my family, my mother Belen and father Jose who have given me the love and support I needed during my academic career. Their efforts to raise a good man motivates me every day. To my sister Diana, who has grown to be a smart and incredible young woman. To my brother Mario, whose kindness reaches the highest peaks of the Sierra Nevada and who has been an inspiration in my life. And to my twin brother Miguel, his incredible support, his wisdom, and his kindness have not only guided my life but have inspired my journey as a historian. i ACKNOWLEDGMENTS This thesis is a result of over two years of research during my time at CSU Bakersfield. First and foremost, I owe my appreciation to Dr. Stephen D. Allen, who has guided me through my challenging years as a graduate student. Since our first encounter in the fall of 2016, his knowledge of history, including Mexican boxing, has enhanced my understanding of Latin American History, especially Modern Mexico. -
Boxers of the 1940S in This Program, We Will Explore the Charismatic World of Boxing in the 1940S
Men’s Programs – Discussion Boxers of the 1940s In this program, we will explore the charismatic world of boxing in the 1940s. Read about the top fighters of the era, their rivalries, and key bouts, and discuss the history and cultural significance of the sport. Preparation & How-To’s • Print photos of boxers of the 1940s for participants to view or display them on a TV screen. • Print a large-print copy of this discussion activity for participants to follow along with and take with them for further study. • Read the article aloud and encourage participants to ask questions. • Use Discussion Starters to encourage conversation about this topic. • Read the Boxing Trivia Q & A and solicit answers from participants. Boxers of the 1940s Introduction The 1940s were a unique heyday for the sport of boxing, with some iconic boxing greats, momentous bouts, charismatic rivalries, and the introduction of televised matches. There was also a slowdown in boxing during this time due to the effects of World War II. History Humans have fought each other with their fists since the dawn of time, and boxing as a sport has been around nearly as long. Boxing, where two people participate in hand-to-hand combat for sport, began at least several thousand years ago in the ancient Near East. A relief from Sumeria (present-day Iraq) from the third millennium BC shows two facing figures with fists striking each other’s jaws. This is the earliest known depiction of boxing. Similar reliefs and paintings have also been found from the third and second millennium onward elsewhere in the ancient Middle East and Egypt. -
H(Wukeuoii *” I Gridiron Na- ? Other Clashes Across the X ’ She Flavor-Locked Fine Cigar 4 Tion
THE EVENING STAR C-3 CLCMSON FOR P. C. STAR Washington. D. C. ** POJNTS SEPTEMBER BS, 18.V3 '"lillil ¦HnrtßHffiS Redskins Likely raiDAY. w penter and built the track, Ss-- t; ATCHISON'S \~£ sbBIK as^lSfc gR-.}i-v Virginia Opener Tomorrow slapped on the point and toek care of 100 other details that Bakhtiar To Emphasize ANGLE go into staging such an affair.; Big Test for Jim The man loved track, of course, '¦' My LEWIS F. ATCHISON RICHMOND, Va., Sept. 23 m. ready Tigers, an Atlantic Coast By being an old sprinter himself, The fellow in the least enviable Conference rival, Bakhtiar’s on but he also was a standout in jJ maligned category spot in Virginia college football ¦the spot. It’s “produce or else” Ground Game that of char- The earlier this week I tant than athletic skill; Dor- acter-building. A youngster who will be Jim Bakbtiar, big Iranian, starred news tomorrow for the who By LEWIS F. ATCHISON that Dorsey Griffith had resigned i sey was a smooth operator talk- ran for Dorsey simply couldn’t sophomore fallback for the Uni- at Western High in Washington, Coach Joe Kuharich named as track coach at Catholic Uni- I ing a reluctant youngster into a 'be a snob or a quitter—the versity of Virginia. D. C., and at Bullis Prep before the Redskins’ starting backfield versity deserved more than pass- l try-out. He made them “think” training was too' tough. He had they would be good and darned with oour- Most players spend many Sat- entering Virginia. -
FY2016, VCCA Provided Creative Space to 407 Fellows, the Term We Use to Describe the Writers, Visual Artists and Composers Who Are in Residence Here at Mt
VCCA ANNUAL REPORT • FISCAL YEAR 2016 2 3 Misson stateMent VCCA advances the arts by providing a creative space in Photo: VCCA Fellow, writer Sarah Dorsey which our best national and international artists produce CONTENTS their finest literature, visual art and music Letter from the Executive Director 4 Mt. San Angelo, Amherst, Virginia 6 Fellows in Residence, Amherst, Virginia 9 Collateral Reparations 16 Moulin à Nef, Auvillar, France 18 Fellows in Residence/Progams, Auvillar, France 20 International Residencies 22 Endowed + Sponsored Fellowships and Recipients 24 Annual Fund – WAVERTREE SOCIETY 30 Annual Fund – Contributors 32 Other Gifts 38 Foundation + Government Support 41 In-Kind Donations 42 The Commission 2016 46 VCCA Governance: Board of Directors + International Oversight + 52 Honorary Board + Advisory Council + Fellows Council VCCA Staff 54 Financial Snapshot 56 Credits 61 Cover: VCCA Fellow, visual artist Anne Polashenski 4 5 LETTER FROM VCCA EXECUTIVE DIRECTOR JOY PETERSON HEYRMAN I write this introduction in gratitude for the energy and creativity shown in these pages. Arriving as I did in September of 2016 as the fourth Executive Director at the Virginia Center for the Creative Arts, I look to this history for instruction and inspiration. I am particularly grateful for the wonderful team of staff members who keep both our locations humming and to Gregory Allgire Smith, for sharing his knowledge, insights and files before heading into retirement. The story told in these pages is grounded in the serious creative work of writers, visual artists, and composers from across the nation and around the world. It reflects the arc of VCCA’s forty-five year history of “providing creative space” and the organizational building blocks put in place over time to advance that mission. -
Week 2. Day 1
Week 2. Day 1. Ok... today we work on using penguin slips to close distance and uppercut people in the face. First, watch the Penguin Slip Video Here. Then, watch the video on Adding Up-Jabs To your Penguin Slips. You will learn stuff, and be ready for the workout. After this day, you should be able to dodge punches and counter-punch... if you want try some partner training, watch this video on Partner Training... obviously. Then, do the workout, which you can download here. This workout consists of approximately 1 minute rounds with 30 seconds rest. Execute the first two items, each 30 seconds in length... and during the rest portion of the set, figure out what you're doing in the next set. Penguin Slip Workout 1. 30 Seconds Penguin Slipping in place 2. 30 Seconds Jump Rope or Shadow Boxing 3. 30 Seconds Rest (if you need it) 1. 30 Seconds Penguin Slipping Moving Forward 2. 30 Seconds Jump Rope or Shadow Boxing 3. 30 Seconds Rest 1. 30 Seconds 1 Left Penguin Slip + 1 Left Up Jab (same slip, same punch repeatedly) 2. 30 Seconds Jump Rope or Shadow Boxing 3. 30 Seconds Rest 1. 30 Seconds 2 Penguin Slips + 1 Up Jab (slip back to the side you punched from... Up-Jab alternates sides) 2. 30 Seconds Jump Rope or Shadow Boxing 3. 30 Seconds Rest (if you need it) 1. 45 Seconds 3 Penguin Slips + 1 Up-Jab (left, right, left slip... left Up-Jab) 2. 30 Seconds Jump Rope or Shadow Boxing 3. -
Beautiful Club Railroadworkers
A A Newspaper PRICE With A Constructive PER COPY CZSS Â.O STAk O Afc.g MEMPHIS, TENNESSEE, TUESDAY, MAY 1, 1951 Dr. Albert Dent Named To Administrative Board NEW YORK CITY—The Ford Foundation's Fund for the Ad vancement of Education announced Thursday a $2,280,000 fel lowship program to increase the teaching competency of younger RailroadWorkers• • IH college instructors and ease the effect of mobilization on college WASHINGTON. D. C. — TMi K and university faculties. government Wednesday punctured The program will be nationwide and will be directed by a its io per cent pay increase tar- committee of sixteen college and university presidents and deans, inula by approving a 'slx-cent hour Dr. Clarence II. Faust, president of the fund said. He also esti ly boost for one million railroad mated that as many as 500 fellowships may be awarded for the workers and President Truman prepared to ask Congress today at academic year 1951-52, depending on the quality of the appli Friday for tighter food price con cations and the extent of National lead. trols. ■ ■ a PRESIDENT DENT ON Economic Stabilizer Johnston'c NATIONAL COMMITTEE approval of the wage hike-lor il'S. i Among the members of the Na non-operating rail brotherhoods : tional Committee for Administra was the government’s first retreat tion of the fellowships is President on wages. '1 Albert W. Dent, of Dillard Univer Officials said it will be up to sity, New Orleans, La., and an the Incoming 18-man wage stablll- alumnus of Morellouse College, At zatlon board to establish a ’ hiw. -
Fight Year Duration (Mins)
Fight Year Duration (mins) 1921 Jack Dempsey vs Georges Carpentier (23:10) 1921 23 1932 Max Schmeling vs Mickey Walker (23:17) 1932 23 1933 Primo Carnera vs Jack Sharkey-II (23:15) 1933 23 1933 Max Schmeling vs Max Baer (23:18) 1933 23 1934 Max Baer vs Primo Carnera (24:19) 1934 25 1936 Tony Canzoneri vs Jimmy McLarnin (19:11) 1936 20 1938 James J. Braddock vs Tommy Farr (20:00) 1938 20 1940 Joe Louis vs Arturo Godoy-I (23:09) 1940 23 1940 Max Baer vs Pat Comiskey (10:06) – 15 min 1940 10 1940 Max Baer vs Tony Galento (20:48) 1940 21 1941 Joe Louis vs Billy Conn-I (23:46) 1941 24 1946 Joe Louis vs Billy Conn-II (21:48) 1946 22 1950 Joe Louis vs Ezzard Charles (1:04:45) - 1HR 1950 65 version also available 1950 Sandy Saddler vs Charley Riley (47:21) 1950 47 1951 Rocky Marciano vs Rex Layne (17:10) 1951 17 1951 Joe Louis vs Rocky Marciano (23:55) 1951 24 1951 Kid Gavilan vs Billy Graham-III (47:34) 1951 48 1951 Sugar Ray Robinson vs Jake LaMotta-VI (47:30) 1951 47 1951 Harry “Kid” Matthews vs Danny Nardico (40:00) 1951 40 1951 Harry Matthews vs Bob Murphy (23:11) 1951 23 1951 Joe Louis vs Cesar Brion (43:32) 1951 44 1951 Joey Maxim vs Bob Murphy (47:07) 1951 47 1951 Ezzard Charles vs Joe Walcott-II & III (21:45) 1951 21 1951 Archie Moore vs Jimmy Bivins-V (22:48) 1951 23 1951 Sugar Ray Robinson vs Randy Turpin-II (19:48) 1951 20 1952 Billy Graham vs Joey Giardello-II (22:53) 1952 23 1952 Jake LaMotta vs Eugene Hairston-II (41:15) 1952 41 1952 Rocky Graziano vs Chuck Davey (45:30) 1952 46 1952 Rocky Marciano vs Joe Walcott-I (47:13) 1952