Edith Watson
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Rehousing the Edith Sarah Watson Albums
WORKING LIFE IN CANADA, 1890–1930: REHOUSING THE EDITH SARAH WATSON ALBUMS AT THE ART GALLERY OF ONTARIO by Avery Steel Bachelor of Fine Arts, Photography Studies Ryerson University, Toronto, Ontario, Canada 2017 A thesis presented to Ryerson University and the Art Gallery of Ontario in partial fulfillment of the requirements for the degree of Master of Arts in the program of Film and Photographic Preservation and Collections Management Toronto, Ontario, Canada ©Avery Steel, 2019 DECLARATION I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my thesis may be made electronically available to the public. ii ABSTRACT Working Life in Canada, 1890–1930: Rehousing the Edith Sarah Watson Albums at the Art Gallery of Ontario, Avery Steel, Master of Arts, 2019, Film and Photography Preservation and Collections Management, Ryerson University. The Edith S. Watson albums, held in the photography collection at the Art Gallery of Ontario (AGO), are a collection of 16 scrapbook style photographic albums that contain 1,070 gelatin silver prints created by Edith Watson and dated from 1890 to 1930. This thesis project explores a method of rehousing photographic albums with a focus on preserving the albums’ structure, the photographs, and the tactile experience of viewing an album, as well as facilitating access to these albums within the AGO’s collection through the creation of facsimile albums. -
CHRYSALIS [Kris-Uh-Lis]
0 CHRYSALIS [kris-uh-lis] from Latin chrӯsallis, from Greek khrusallis 1. the obtect pupa of a moth or butterfly 2. anything in the process of developing A CRITICAL STUDENT JOURNAL OF TRANSFORMATIVE ART HISTORY SPECIAL ISSUE: IDENTITY POLITICS AND HISTORICAL CANADIAN ART Volume I Number 1 Fall 2014 Editor: Dr. Charmaine A. Nelson, Associate Professor of Art History, McGill University Managing Editor: Anna T. January, MA Art History, McGill University Editorial Contributor: Barbara E. Nelson © CHARMAINE A. NELSON AND INDIVIDUAL AUTHORS 1 CHRYSALIS was created by Dr. Charmaine A. Nelson as a vehicle to showcase the most innovative, rigorous, and sophisticated research produced by students within the context of her Art History courses at McGill University (Montreal). Over the years, Nelson observed that undergraduate students in her courses were more than capable of producing exceptional research on par with that of graduate students, and at times even professional academics. Disappointed that the majority of these students were faced with a negligible audience (if any) for their incredible work, with the help of her MA Art History student Anna T. January, Nelson came up with the idea to provide another platform for their research dissemination. CHRYSALIS is that platform! CHRYSALIS is an open access, electronic journal that will be published bi-annually on Nelson’s research website: www.blackcanadianstudies.com The goal of CHRYSALIS is transformation: to publish scholarship that seeks answers to exciting new questions, to encourage students to undertake primary research and to open the discipline of Art History in ways that make it more welcoming to a diverse population of students. -
Linda Helen Sawchyn @ Research in Partial Fulfillment of The
University of Alberta The "New Canadian" and Canada's 1927 Diamond Jubilee: Representation of National Unity and Identity Linda Helen Sawchyn @ A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts History of Art & Design Department of Art and Design Edmonton, Alberta Fa11 1997 National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. nie Wellington Ottawa ON KI A ON4 Ottawa ON KI A ON4 Canada Canada Yow ma VVolrs dUtetrc0 Our file le r&ih9rmc6+ The author has granted a non- L'auteur a accordé une licence non exclusive Licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, disûibute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/fïlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copy~@t in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fbm it Ni la thèse ni des emaits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Ahaxzuz This thesis is an examination of a selection of photographs of "new Canadians,' produced within the context of the 1927 celebration of Canada's Diamond Jubilee of Confederation. -
Getting Home from Work: Narrating Settler Home in British Columbia's
Getting Home From Work: Narrating Settler Home in British Columbia’s Small Resource Communities by Stephanie Keane B.A. (Hon.), University of British Columbia, 1997 M.A., University of British Columbia, 2001 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of English © Stephanie Keane, 2016 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author ii Supervisory Committee Getting Home From Work: Narrating Settler Home in British Columbia’s Small Resource Communities by Stephanie Keane B.A. (Hon.), University of British Columbia, 1997 M.A., University of British Columbia, 2001 Dr. Misao Dean, Supervisor Department of English Dr. Jamie Dopp, Departmental Member Department of English Dr. John Lutz, Outside Member Department of History iii Abstract Stories of home do more than contribute to a culture that creates multiple ways of seeing a place: they also claim that the represented people and their shared values belong in place; that is, they claim land. Narrators of post-war B.C. resource communities create narratives that support residents’ presence although their employment, which impoverishes First Nations people and destroys ecosystems, runs counter to contemporary national constructions of Canada as a tolerant and environmentalist community. As the first two chapters show, neither narratives of nomadic early workers nor those of contemporary town residents represent values that support contemporary settler communities’ claims to be at home, as such stories associate resource work with opportunism, environmental damage, race- and gender- based oppression, and social chaos. -
Women in Canadian Society/Les Femmes Et La Société Canadienne
Editorial Board / Comité de rédaction Editor-in-Chief Rédacteur en chef Kenneth McRoberts, York University, Canada Associate Editors Rédacteurs adjoints Lynette Hunter, University of Leeds, United Kingdom Danielle Juteau, Université de Montréal, Canada Robert S. Schwartzwald, University of Massachusetts, U.S.A. Managing Editor Secrétaire de rédaction Guy Leclair, ICCS/CIEC, Ottawa, Canada Advisory Board / Comité consultatif Alessandro Anastasi, Universita di Messina, Italy Michael Burgess, University of Keele, United Kingdom Paul Claval, Université de Paris-Sorbonne (Paris IV), France Dona Davis, University of South Dakota, U.S.A. Peter H. Easingwood, University of Dundee, United Kingdom Ziran He, Guangzhou Institute of Foreign Languages, China Helena G. Komkova, Institute of the USA and Canada, USSR Shirin L. Kudchedkar, SNDT Women’s University, India Karl Lenz, Freie Universität Berlin, Germany Gregory Mahler, University of Mississippi, U.S.A. James P. McCormick, California State University, U.S.A. William Metcalfe, University of Vermont, U.S.A. Chandra Mohan, University of Delhi, India Elaine F. Nardocchio, McMaster University, Canada Satoru Osanai, Chuo University, Japan Manuel Parés I Maicas, Universitat Autònoma de Barcelona, Espagne Réjean Pelletier, Université Laval, Canada Gemma Persico, Universita di Catania, Italy Richard E. Sherwin, Bar Ilan University, Israel William J. Smyth, St. Patrick’s College, Ireland Sverker Sörlin, Umea University, Sweden Oleg Soroko-Tsupa, Moscow State University, USSR Michèle Therrien, Institut des langues et civilisations orientales, France Gaëtan Tremblay, Université du Québec à Montréal, Canada Hillig J.T. van’t Land, Rijksuniversiteit Groningen, Pays-Bas Mel Watkins, University of Toronto, Canada Gillian Whitlock, Griffith University, Australia Donez Xiques, Brooklyn College, U.S.A. -
Canadian Content2014
Canadian Content2014 McGill Undergraduate Journal of Canadian Studies !Canadiane McGill Undergraduate Journal Content of Canadian Studies Volume 6, Spring 2014 Editors-in-Chief Alec Angle Arielle Baker Madeleine LeBrun Editorial Board James Guttman Samantha Hale Colleen Morawetz Alex Nevitte Remy Ventura McGill Institute for the Study of Canada 3463 Peel Street, Montreal, Quebec H3A 1W7 Published annually by the Canadian Studies Association of Undergraduate Stu- dents (CSAUS). !e editors welcome undergraduate students at McGill Univer- sity to submit academic and creative works related to the study of Canada in Eng- lish or French; students need not be enrolled in the Canadian Studies Programme to contribute. © Canadian Studies Association of Undergraduate Students 2014 With the exception of passages quoted from external authors, no part of this book may be reproduced without written permission from the Canadian Studies Association of Undergraduate Students. We cannot guarantee that all URLs are functional. Printed in Montreal, Canada Cover photo by David LeBrun Chapter title photos by Charly Vilmart Canadian Content is generously supported by: Contents Shaina Agbayani…………………………………………………………..... 11 Shopping For and From Ethnicity: Making and Seeking Green from amongst the Multicultural Rainbow of Canada Eden Abramowitz………………………………………………………...... 23 Reconciliation or Cultural Appropriation? !e Role of Tsimshian Treasures in Narrating Canadian History Alexandra Lewyckyj……………………………………………………....... 37 Discerning Spirits: !e Shamanic Roots of Inuit Christian Traditions Cerian Phillips……………………………………………………………....49 !e “Other’s” Perspective: Call for a Multi-Vocal Revision of the Native as Subject Katherine Ragan…………………………………………………………..... 65 Explaining the PQ’s Push for Quebec Sovereignty: Lessons from Israel on the Role of Rediscovering Ethnocultural Memory for State Creation Christopher Gismondi…………………………………………………….. -
Carleton University 1!142- 1992 Ottawa, Canada K 1S 5J7 ZP
-- . Carleton University 1!142- 1992 Ottawa, Canada K 1S 5J7 ZP Thesis contains black and white and/or colowed graphs/tables/photographs which when microfilmad may lose their significance. The hardcopy of the thesis is available upon request from Carleton University Library. ----- - - The University Library FlVdMIYG IDENTITI: MATTE GUNTEZWOJ,GER4LDINE MOODE AND THE SOCIAL PR4CTICE OF PHOTOGRAPHY IN CAVADA (1880- 1920) by Susan Michelle Close B.F.A. A thesis submitted to the Facdty of Graduate Studies and Research in partial fulfïent of the requirements for the degree of Master of Arts in Canadian Art History Carle ton University OTTAWA, Ontario 23 May 1995 O 1995, Susan blichelle Close National Library 8ibliothèque nationale 1+1 ,,Canada du Canada Acquisitions and Acquisitions et Bibliographie Services semices bibliographiques 395 Wellington Street 395. rue Wellington OttawaON K1AOW Ottawa ON KIA ON4 Canada Canada Your 6ie VmkfeibKB Our IWNm n)#renCe The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distriiute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fome de rnicrofiche/fïlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. -
The Artist Herself: Broadening Ideas of Self-‐Portraiture in Canada
THE ARTIST HERSELF: BROADENING IDEAS OF SELF-PORTRAITURE IN CANADA THE THIRD CONFERENCE OF THE CANADIAN WOMEN ARTISTS HISTORY INITIATIVE 8–9 May 2015 Queen’s University and the Agnes Etherington Art Centre, Kingston The 3rd cOnference Of the Canadian WOmen Artists History Initiative has been generOusly suppOrted by spOnsOrs whOse assistance has made this event pOssible. We express Our sincere gratitude to the fOllOwing: The Agnes Etherington Art Centre The Department Of Art History and Art COnservatiOn, Queen’s University The Faculty Of Fine Arts, COncOrdia University The Office Of the Vice-President fOr Research and Graduate Studies, COncOrdia University The Gail and Steven A. JarislOwsky Institute fOr Studies in Canadian Art, COncOrdia University The SOcial Sciences and Humanities Research COuncil Of Canada 2 CONFERENCE AT A GLANCE Registration: Thursday 7 May 4:00–7:00 (Agnes Etherington Art Centre) FRIDAY 8 MAY Registration: 8:00–4:00 (Dupuis LObby) Opening Welcome (Dupuis Auditorium) 9:00–9:30 Susan Mumm, Dean Of Arts and Science, Queen’s University Kristina Huneault, Canadian Women Artists HistOry Initiative, COncOrdia University STRAND 1 STRAND 2 STRAND 3 Subjects and Their Objects Self and Community Bodies and Spaces The Limits of Inclusion: Indigenous Mediated Subjects: Textiles Self-Image: Bodies and Faces Women and Visual Art Genres I 9:30–11:00 (Dupuis 217) (Dupuis 215) (Dupuis Auditorium) Chair: Amandina Anastassiades, Chair: Allison Morehead, Chair: Sherry Farrell Racette, Queen’s University Queen’s University Block University Of ManitOba • Peter LarOcque • Julia Skelly A • Sherry Farrell Racette • Carolyn Dowdell • DevOn Smither • Lori Beavis • Mark Clintberg • Catherine Sinclair • Alexandra NahwegahbOw 11:00–11:30 BREAK (Dupuis Lobby) Mediated Subjects: Photography The Limits of Inclusion: Indigenous Animal/Nature 11:30–1:00 (Dupuis 217) Women and Visual Art Genres II (Dupuis 215) Chair: Joan Schwartz, (Dupuis Auditorium) Chair: Elysia French, Block Queen’s University Chair: Sarah E.K.