Nikon's D800 Technical Guide
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Video Tripod Head
thank you for choosing magnus. One (1) year limited warranty Congratulations on your purchase of the VPH-20 This MAGNUS product is warranted to the original purchaser Video Pan Head by Magnus. to be free from defects in materials and workmanship All Magnus Video Heads are designed to balance under normal consumer use for a period of one (1) year features professionals want with the affordability they from the original purchase date or thirty (30) days after need. They’re durable enough to provide many years replacement, whichever occurs later. The warranty provider’s of trouble-free service and enjoyment. Please carefully responsibility with respect to this limited warranty shall be read these instructions before setting up and using limited solely to repair or replacement, at the provider’s your Video Pan Head. discretion, of any product that fails during normal use of this product in its intended manner and in its intended VPH-20 Box Contents environment. Inoperability of the product or part(s) shall be determined by the warranty provider. If the product has • VPH-20 Video Pan Head Owner’s been discontinued, the warranty provider reserves the right • 3/8” and ¼”-20 reducing bushing to replace it with a model of equivalent quality and function. manual This warranty does not cover damage or defect caused by misuse, • Quick-release plate neglect, accident, alteration, abuse, improper installation or maintenance. EXCEPT AS PROVIDED HEREIN, THE WARRANTY Key Features PROVIDER MAKES NEITHER ANY EXPRESS WARRANTIES NOR ANY IMPLIED WARRANTIES, INCLUDING BUT NOT LIMITED Tilt-Tension Adjustment Knob TO ANY IMPLIED WARRANTY OF MERCHANTABILITY Tilt Lock OR FITNESS FOR A PARTICULAR PURPOSE. -
Sky-Watcher Star Adventurer Mini (SAM)
SAMStar Adventurer Mini User Guide • Astrophotography • Time-Lapse Photography • DSLR Camera Control Quite Possibly The Most Compact and Versatile Camera Tracking Platform in the Known Universe! Thank You For Purchasing This Sky-Watcher Product The Sky-Watcher Star Adventurer Mini (SAM) is a compact high-precision camera tracking platform that is ideal for long exposure astrophotography as well as time-lapse photography in daytime and nighttime settings. SAM easily fits in your backpack or camera bag, making it a convenient travel companion that can venture with you into remote locations. SAM comes with built-in WiFi and the free Star Adventurer mini Console App for Android and iOS platforms. SAM is easy to set up and easy to operate in all of its modes. The more you use it, the more you’ll love it! For your Safety To prevent damage to your Sky-Watcher product or injury to yourself or to others, all users of this product should first read the following safety precautions entirely before using this equipment. WARNING: • Do not look at the sun through the polar scope. Viewing the sun or other strong light sources through the polar scope could cause permanent visual impairment. • Do not use in the presence of flammable gas. Do not use electronic equipment in the presence of flammable gas, as this could result in explosion or fire. • Keep out of reach of children. Failure to do so could result in injury. Moreover, note that small parts constitute a choking hazard. Consult a physician immediately if a child swallows any part of this equipment. -
Alternative Processes a Few Essentials Introduction
Alternative Processes A Few Essentials Introduction Chapter 1. Capture Techniques From Alternative Photographic Processes: Crafting Handmade Images Chapter 2. Digital Negatives for Gum From Gum Printing: A Step-by-Step Manual, Highlighting Artists and Their Creative Practice Chapter 3. Fugitive and Not-So-Fugitive Printing From Jill Enfield?s Guide to Photographic Alternative Processes: Popular Historical and Contemporary Techniques 2 Featured Books on Alternative Process Photography from Routledge | Focal Press Use discount code FLR40 to take 20% off all Routledge titles. Simply visit www.routledge.com/photography to browse and purchase books of interest. 3 Introduction A young art though it may be, photography already has a rich history. As media moves full steam ahead into the digital revolution and beyond, it is a natural instinct to look back at where we?ve come from. With more artists rediscovering photography?s historical processes, the practice of photography continually redefines and re-contextualizes itself. The creative possibilities of these historical processes are endless, spawning a growing arena of practice - alternative processes, which combines past, present and everything in between, in the creation of art. This collection is an introduction to and a sample of these processes and possibilities. With Alternative Photographic Processes, Brady Wilks demonstrates techniques for manipulating photographs, negatives and prints ? emphasizing the ?hand-made? touch. Bridging the gap between the simplest of processes to the most complex, Wilks? introduction demonstrates image-manipulation pre-capture, allowing the artist to get intimate with his or her images long before development. In the newly-released Gum Printing, leading gum expert Christina Z. -
Shooting Sharp Images: Gear and Techniques You Need
SHOOTING SHARP IMAGES: GEAR AND TECHNIQUES YOU NEED Steps you can take to ensure you’re shooting sharp images every time. “For with slight efforts how should we obtain great results? It is foolish even to desire it.” – EURIPIDES An image that looks perfectly sharp on the camera’s preview screen or your laptop display may print undesirably soft. This blog entry reviews ways to capture an image with as much sharpness as possible. You can always soften a print later, but putting sharpness in later is much trickier. Shoot It Right, Don’t Try to Make It Right It’s tempting to think you can fix sharpness problems later, in the computer. Don’t fall into this trap! Software sharpening has limits, and it’s always more efficient to do something correctly rather than have to try to fix it later on. What are the elements of shooting sharp images? BUY THE RIGHT TRIPOD Use sturdy support, adequate to your particular camera’s needs. Many people make uninformed decisions when buying tripods, and are often disappointed with the lack of improvement in sharpness. Here are some pointers on tripod shopping. A full blog entry on selecting the best tripod and head combination is on tap for a future post. Meanwhile, start here. Know the weight of the items the tripod needs to support. Tripods are rated for different amounts of supported weights, and a tripod designed to support 10 lbs (4.54 kg) will not do much good when supporting 40 lbs (18.14kg) of long lens, heavy camera, brackets, strobe and tripod head. -
A N E W E R a I N O P T I
A NEW ERA IN OPTICS EXPERIENCE AN UNPRECEDENTED LEVEL OF PERFORMANCE NIKKOR Z Lens Category Map New-dimensional S-Line Other lenses optical performance realized NIKKOR Z NIKKOR Z NIKKOR Z Lenses other than the with the Z mount 14-30mm f/4 S 24-70mm f/2.8 S 24-70mm f/4 S S-Line series will be announced at a later date. NIKKOR Z 58mm f/0.95 S Noct The title of the S-Line is reserved only for NIKKOR Z lenses that have cleared newly NIKKOR Z NIKKOR Z established standards in design principles and quality control that are even stricter 35mm f/1.8 S 50mm f/1.8 S than Nikon’s conventional standards. The “S” can be read as representing words such as “Superior”, “Special” and “Sophisticated.” Top of the S-Line model: the culmination Versatile lenses offering a new dimension Well-balanced, of the NIKKOR quest for groundbreaking in optical performance high-performance lenses Whichever model you choose, every S-Line lens achieves richly detailed image expression optical performance These lenses bring a higher level of These lenses strike an optimum delivering a sense of reality in both still shooting and movie creation. It offers a new This lens has the ability to depict subjects imaging power, achieving superior balance between advanced in ways that have never been seen reproduction with high resolution even at functionality, compactness dimension in optical performance, including overwhelming resolution, bringing fresh before, including by rendering them with the periphery of the image, and utilizing and cost effectiveness, while an extremely shallow depth of field. -
Irix 45Mm F1.4
Explore the magic of medium format photography with the Irix 45mm f/1.4 lens equipped with the native mount for Fujifilm GFX cameras! The Irix Lens brand introduces a standard 45mm wide-angle lens with a dedicated mount that can be used with Fujifilm GFX series cameras equipped with medium format sensors. Digital medium format is a nod to traditional analog photography and a return to the roots that defined the vividness and quality of the image captured in photos. Today, the Irix brand offers creators, who seek iconic image quality combined with mystical vividness, a tool that will allow them to realize their wildest creative visions - the Irix 45mm f / 1.4 G-mount lens. It is an innovative product because as a precursor, it paves the way for standard wide-angle lenses with low aperture, which are able to cope with medium format sensors. The maximum aperture value of f/1.4 and the sensor size of Fujifilm GFX series cameras ensure not only a shallow depth of field, but also smooth transitions between individual focus areas and a high dynamic range. The wide f/1.4 aperture enables you to capture a clear background separation and work in low light conditions, and thanks to the excellent optical performance, which consists of high sharpness, negligible amount of chromatic aberration and great microcontrast - this lens can successfully become the most commonly used accessory that will help you create picturesque shots. The Irix 45mm f / 1.4 GFX is a professional lens designed for FujiFilm GFX cameras. It has a high-quality construction, based on the knowledge of Irix Lens engineers gained during the design and production of full-frame lenses. -
Basic View Camera
PROFICIENCY REQUIRED Operating Guide for MEDIA LOAN CALUMET 4X5 VIEW CAMERA Media Loan Operating Guides are available online at www.evergreen.edu/medialoan/ View cameras are usually tripod mounted and lend When checking out a 4x5 camera from Media Loan, themselves to a more contemplative style than the more patrons will need to obtain a tripod, a light meter, one portable 35mm and 2 1/4 formats. The Calumet 4x5 or both types of film holders, and a changing bag for Standard model view camera is a lightweight, portable sheet film loading. Each sheet holder can be loaded tool that produces superior, fine grained images because with two sheets of film, a process that must be done in of its large format and ability to adjust for a minimum of total darkness. The Polaroid holders can only be loaded image distortion. with one sheet of film at a time, but each sheet is light Media Loan's 4x5 cameras come equipped with a 150mm protected. lens which is a slightly wider angle than normal. It allows for a 44 degree angle of view, while the normal 165mm lens allows for a 40 degree angle of view. Although the controls on each of Media Loan's 4x5 lens may vary in terms of placement and style, the functions remain the same. Some of the lenses have an additional setting for strobe flash or flashbulb use. On these lenses, use the X setting for use with a strobe flash (It’s crucial for the setting to remain on X while using the studio) and the M setting for use with a flashbulb (Media Loan does not support flashbulbs). -
Lens Openings and Shutter Speeds
Illustrations courtesy Life Magazine Encyclopedia of Photography Lens Openings & Shutter Speeds Controlling Exposure & the Rendering of Space and Time Equal Lens Openings/ Double Exposure Time Here is an analogy to photographic exposure. The timer in this illustration represents the shutter speed portion of the exposure. The faucet represents the lens openings. The beaker represents the complete "filling" of the sensor chip or the film, or full exposure. You can see that with equal "openings" of the "lens" (the faucet) the beaker on the left is half full (underexposed) in 2 seconds, and completely full in 4 seconds... Also note that the capacity of the beaker is analogous to the ISO or light sensitivity setting on the camera. A large beaker represents a "slow" or less light sensitive setting, like ISO 100. A small beaker is analogous to a "fast" or more light sensitive setting, like ISO 1200. Doubling or halving the ISO number doubles or halves the sensitivity, effectively the same scheme as for f/stops and shutter speeds. 200 ISO film is "one stop faster" than ISO 100. Equal Time One f/stop down In the second illustration, the example on the left, the faucet (lens opening, f-stop, or "aperture"- all the same meaning here) is opened twice as much as the example on the right- or one "stop." It passes twice as much light as the one on the right, in the same period of time. Thus by opening the faucet one "stop," the beaker will be filled in 2 seconds. In the right example, with the faucet "stopped down" the film is underexposed by half- or one "stop." On the left, the "lens" is "opened by one stop." Equivalent Exposure: Lens Open 1 f/stop more & 1/2 the Time In this illustration, we have achieved "equivalent exposure" by, on the left, "opening the lens" by one "stop" exposing the sensor chip fully in 2 seconds. -
Pan/Tilt Head Tripod Manual #93612
PAN/TILT HEAD TRIPOD MANUAL #93612 ENGLISH INTRODUCTION Thank you for purchasing your Celestron Ultima A Pan/Tilt Head Tripod. This tripod will provide you with B C years of enjoyment and faithful service. Before using D K E your tripod for the first time, read these instructions F carefully to ensure proper use and care. G L FEATURES H M (A) Quick release plate (H) Aluminum legs (B) Quick release plate lock lever (I) Leg lock levers I (C) Bubble level (J) Rubber feet N (D) Tilt control knob (K) Pan/tilt head (E) Panning tension knob (L) Center column adjustment handle (F) Pan/tilt handle (M) Center column (G) Center column lock knob (N) Balance hook Carry case J ENGLISH I 1 USING YOUR TRIPOD The Ultima tripod will provide you with a stable platform for your spotting scope, binocular or camera in the field. With three leg sections and an adjustable center column, the tripod can be set in multiple configurations to get the exact height needed for your terrain and conditions. The Ultima is the perfect tripod for any outdoor excursion from bird watching to stargazing and everything in between. ADJUSTING THE PAN/TILT HEAD The pan/tilt head of the Ultima tripod has two control knobs. To pan with the tripod, loosen the panning tension knob until the head moves smoothly around the horizontal plane. To tilt the mounting platform, loosen the tilt control knob and adjust the mounting platform to the desired Pan/tilt handle position. Once the tripod is in position, tighten Tilt control the tension knobs to secure. -
Big Bertha/Baby Bertha
Big Bertha /Baby Bertha by Daniel W. Fromm Contents 1 Big Bertha As She Was Spoke 1 2 Dreaming of a Baby Bertha 5 3 Baby Bertha conceived 8 4 Baby Bertha’s gestation 8 5 Baby cuts her teeth - solve one problem, find another – and final catastrophe 17 6 Building Baby Bertha around a 2x3 Cambo SC reconsidered 23 7 Mistakes/good decisions 23 8 What was rescued from the wreckage: 24 1 Big Bertha As She Was Spoke American sports photographers used to shoot sporting events, e.g., baseball games, with specially made fixed lens Single Lens Reflex (SLR) cameras. These were made by fitting a Graflex SLR with a long lens - 20" to 60" - and a suitable focusing mechanism. They shot 4x5 or 5x7, were quite heavy. One such camera made by Graflex is figured in the first edition of Graphic Graflex Photography. Another, used by the Fort Worth, Texas, Star-Telegram, can be seen at http://www.lurvely.com/photo/6176270759/FWST_Big_Bertha_Graflex/ and http://www.flickr.com/photos/21211119@N03/6176270759 Long lens SLRs that incorporate a Graflex are often called "Big Berthas" but the name isn’t applied consistently. For example, there’s a 4x5 Bertha in the George Eastman House collection (http://geh.org/fm/mees/htmlsrc/mG736700011_ful.html) identified as a "Little Bertha." "Big Bertha" has also been applied to regular production Graflexes, e.g., a 5x7 Press Graflex (http://www.mcmahanphoto.com/lc380.html ) and a 4x5 Graflex that I can’t identify (http://www.avlispub.com/garage/apollo_1_launch.htm). These cameras lack the usual Bertha attributes of long lens, usually but not always a telephoto, and rapid focusing. -
Aberration Invariant Optical/Digital Incoherent Optical Systems
Imaging Systems Laboratory, Department of Electrical Engineering University of Colorado, Boulder, Colorado 80309 Aberration Invariant Optical/Digital Incoherent Optical Systems Edward R. Dowski, Jr., W. Thomas Cathey, and Joseph van der Gracht Abstract Control of optical aberrations is a principal objective of any optical design. High performance optical designs with well-corrected aberrations typically have a very low tolerance to fabrication and alignment errors and are composed of very specific optical materials. Such systems are almost always more costly than equivalent systems with less well-corrected aberrations. By optimum combination of optical pre-processing and digital post-processing, or optical coding and digital decoding of the image information, incoherent optical systems invariant to numerous aberrations can be formed. The theory of aberration invariance can also be used with low-cost, low-precision optics to produce systems that image with the performance of high-cost, high-precision, or near diffraction-limited, spatial resolution. We can show that the central aberration to be controlled is second order, or misfocus. Systems that are invariant to misfocus are also invariant to chromatic aberration, astigmatism, thermal effects, and spherical aberration. This paper therefore describes, with experimental evidence, a focus-invariant optical system. Research The most common approach to approximating a focus-invariant imaging system is to stop down the pupil aperture. Although stopping down the aperture does increase the amount of focus invariance, or depth of field, there is an attendant loss in optical power at the image plane, as well as a reduction of the diffraction-limited image resolution. The aperture can be viewed as a simple absorptive mask in the pupil plane of an optical imaging system; however, this absorptive nature results in a loss of light. -
Camera Support Equipment
CAMERA SUPPORT EQUIPMENT www.libec-global.com Heads, Tripod Systems & Monopod Pedestal Systems Jib, Remote Head & Tracking Rails Remote Controls Tripods & Cases Accessories Specifications are subject to change without notice. The colors in this brochure may differ from actual products because of the printing color inks or photographic conditions. 17/03 2017/18 CONTENTS 3 Heads,Tripod Systems & Monopod 49 Tracking Rails 4 Counterbalance 50 Remote Controls, Tripods & Accessories 6 RSPLUS 51 Remote Controls 13 RS 54 Tripods 19 LX 57 Tripod Cases 23 LIBEC ALLEX 59 Accessories 29 TH-X 61 Specications Beyond Quality Support 32 HFMP 37 Pedestal Systems 41 Jib, Remote Head & Tracking Rails 42 SWIFT JIB 45 REMOTE HEAD 2014 tv asahi/TOEI AG/TOEI 1 2 Heads, Tripod Systems & Monopod Counterbalance Importance of Counterbalance When looking for a suitable tripod head for your camera, one of the most important aspects to consider is counterbalancing capability. The counterbalancing function provides a counterforce to keep the balance between the & Monopod Systems Tripod Heads, tripod head and the camera that is mounted on it. If the right counterbalance is maintained, the camera remains stationary at any angle of tilt. You do not need to worry about holding the camera by hand and yet are able to maintain precise control of the camera. RS/RSPLUS Counterbalancing Capability The RS/RSPLUS is equipped with an excellent counterbalancing system that provides a perfect counterforce that corresponds to the weight and angle of the camera. A special innerspring mechanism is used for this Fine-tunable counterbalance knob system. When the strength of a spring is insufficient, the head cannot bear the weight of the camera.