05. the Earliest Published Records of Coprolites
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Archival Afterlives: Life, Death, and Knowledge-Making in Early Modern British Scienti C and Medical Archives
Archival Afterlives: Life, Death, and Knowledge-Making in Early Modern British Scienti!"c and Medical Archives Kohn Centre The Royal Society 2 June 2015 Conference Description: Early modern naturalists collected, generated, and shared massive amounts of paper. Inspired by calls for the wholesale reform of natural philosophy and schooled in humanist note-taking practices, they generated correspondence, reading notes (in margins, on scraps, in notebooks), experimental and observational reports, and drafts (rough, partial, fair) of treatises intended for circulation in manuscript or further replication in print. If naturalists claimed all knowledge as their province, natural philosophy was a paper empire. In our own day, naturalists’ materials, ensconced in archives, libraries, and (occasionally) private hands, are now the foundation of a history of science that has taken a material turn towards paper, ink, pen, and !"ling systems as technologies of communication, information management, and knowledge production. Recently, the creation of such papers, and their originators’ organization of them and intentions for them have received much attention. The lives archives lived after their creators’ deaths have been explored less often. The posthumous fortunes of archives are crucial both to their survival as historical sources today and to their use as scienti!"c sources in the past. How did (often) disorderly collections of paper come to be “the archives of the Scienti!"c Revolution”? The proposed conference considers the histories of these papers from the early modern past to the digital present, including collections of material initially assembled by Samuel Hartlib, John Ray, Francis Willughby, Isaac Newton, Hans Sloane, Martin Lister, Edward Lhwyd, Robert Hooke, and Théodore de Mayerne. -
Robert Plot (1641—1696)
( 218 ) SOME EARLY BRITISH ORNITHOLOGISTS AND THEIR WORKS. BY W. H. MULLENS, SI.A., LL.M., M.B.O.U. V.—ROBERT PLOT (1641—1696) AND SOME EARLY COUNTY NATURAL HISTORIES. IN the year 1661, Joshua Childrey (1623—1670), antiquary, schoolmaster, and divine, published in London a small duodecimo work entitled " Britannia Baconia: / or, the Natural / Rarities / of / England, Scotland, & Wales." This book, although of no particular value in itself, being merely a brief and somewhat imperfect compilation, was nevertheless destined to be of some considerable influence on the literature of natural history in this country. For, according to Wood's " Athense Oxonienses" (p. 339), it inspired Robert Plot (1641—1696), the first keeper of the Ashmolean Museum at Oxford, with the idea of writing the " Natural History of Oxfordshire," which appeared in 1677, and which was followed in 1686 by a " Natural History of Staffordshire," the work of the same author ; who is said to have also contemplated similar histories of Middlesex and Kent. These two works of Robert Plot's also proved in their turn to be the forerunners of a numerous series of county natural histories by different writers. The full title of the " Natural History of Oxfordshire" is as follows :— " The / Natural History / of / Oxford-shire, / being an Essay toward the Natural History / of / England. / By R.P., LL.D. / [quotation from Arat. in Phsenom.] / [engraving] Printed at the Theater in Oxford, and are to be had there: / And in London at Mr. S. Millers, at the Star near the / West-end of SOME EARLY BRITISH ORNITHOLOGISTS. -
Natural History of Staffordshire Printed in Oxford in 1686, the Subject of This Article
THE NATURAL HISTORY OF STAFFORD-SHIRE. By Robert Plot, LLD. Keeper of the Ashmolean Musæum and Professor of Chymistry in the University of Oxford. Ye shall Describe the Land, and bring the Description hither to Me. Joshua 8. v. 6. Oxford printed at the Theatre, Anno M. DC. LXXXVI. (1686) by Yasha Beresiner Introduction This volume, now in the Masonic Library of the Regular Grand Lodge of Italy, contains the earliest recorded account of accepted masonry and is considered the most implicit report on the fraternity available for the period at the end of the 17th century. It is printed in paragraphs 85 to 88 inclusive, on pages 316 to 318 of the tome. This text is referred to as the Plot Abstract. Its importance lies a) with regard to its content i.e. the summary of the legendary history, the description of contemporary freemasonry, and the criticisms of the fraternity and b) as to the sources from which Plot may have derived his information, most importantly, what he refers to as the ‘large parchment volum they have amongst them . .’ The purpose of this article is not to analyse the text and its content but rather to identify and clarify the reasons behind the importance of this Volume in the context of Masonic bibliography and history. Robert Plot Robert Plot (1640-96) was born in Kent and received a BA degree from Oxford University in 1661, an MA in 1664 and a Law degrees in 1671. In 1677 he was elected a Fellow of the Royal Society and became Secretary in 1682. -
The History and Influence of Maria Sibylla Merian's Bird-Eating Tarantula: Circulating Images and the Production of Natural Knowledge
Biology Faculty Publications Biology 2016 The History and Influence of Maria Sibylla Merian's Bird-Eating Tarantula: Circulating Images and the Production of Natural Knowledge Kay Etheridge Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/biofac Part of the Biology Commons, and the Illustration Commons Share feedback about the accessibility of this item. Recommended Citation Etheridge, K. "The History and Influence of Maria Sibylla Merian’s Bird-Eating Tarantula: Circulating Images and the Production of Natural Knowledge." Global Scientific Practice in the Age of Revolutions, 1750 – 1850. P. Manning and D. Rood, eds. (Pittsburgh, University of Pittsburgh Press. 2016). 54-70. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/biofac/54 This open access book chapter is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. The History and Influence of Maria Sibylla Merian's Bird-Eating Tarantula: Circulating Images and the Production of Natural Knowledge Abstract Chapter Summary: A 2009 exhibition at the Fitzwilliam Museum on the confluence of science and the visual arts included a plate from a nineteenth-century encyclopedia owned by Charles Darwin showing a tarantula poised over a dead bird (figure 3.1).1 The genesis of this startling scene was a work by Maria Sibylla Merian (German, 1647–1717), and the history of this image says much about how knowledge of the New World was obtained, and how it was transmitted to the studies and private libraries of Europe, and from there into popular works like Darwin’s encyclopedia. -
Catalogue 294 Recent Acquisitions CATALOGUE 294 Catalogue 294
ANTIQUARIAAT JUNK ANTIQUARIAAT Antiquariaat Junk Catalogue 294 1 Recent Acquisitions CATALOGUE CATALOGUE 294 Catalogue 294 Old & Rare Books Recent Acquisitions 2016 121 Levaillant Catalogue 294 Recent Acquisitions Antiquariaat Junk B.V. Allard Schierenberg and Jeanne van Bruggen Van Eeghenstraat 129, NL-1071 GA Amsterdam The Netherlands Telephone: +31-20-6763185 Telefax: +31-20-6751466 [email protected] www.antiquariaatjunk.com Natural History Booksellers since 1899 Please visit our website: www.antiquariaatjunk.com with thousands of colour pictures of fine Natural History books. You will also find more pictures of the items displayed in this catalogue. Items 14 & 26 sold Frontcover illustration: 88 Gessner Backcover illustration: 121 Levaillant GENERAL CONDITIONS OF SALE as filed with the registry of the District Court of Amsterdam on No- vember 20th, 1981 under number 263 / 1981 are applicable in extenso to all our offers, sales, and deliveries. THE PRICES in this catalogue are net and quoted in Euro. As a result of the EU single Market legisla- tion we are required to charge our EU customers 6% V.A.T., unless they possess a V.A.T. registration number. Postage additional, please do not send payment before receipt of the invoice. All books are sold as complete and in good condition, unless otherwise described. EXCHANGE RATES Without obligation: 1 Euro= 1.15 USD; 0.8 GBP; 124 JPY VISITORS ARE WELCOME between office hours: Monday - Friday 9.00 - 17.30 OUR V.A.T. NUMBER NL 0093.49479B01 134 Meyer 5 [1] AEMILIANUS, J. Naturalis de Ruminantibus historia Ioannis Aemy- liani... Venetiis, apaud Franciscum Zilettum, 1584. -
Sir Hans Sloane's Voyage to Jamaica, 1687-1689
Sir Hans Sloane's Voyage to Jamaica, 1687-1689 Editor's Introduction I Voyages of discovery were an important part of the search for a new order in the natural world. Tony Rice charts Sir Hans Sloane's seventeenth-century expedition to Jamaica, a voyage that produced one of the world's most significant natural history collections. Sloane amassed a hoard of thousands of natural history books, objects and artworks in his quest for a rationalist approach to the study of nature. Lovers of milk chocolate would probably not immediately see a connection between the object of their passion and the establishment of the British Museum. The curious link is a young ltish-born Protestant physician setting out on a long and distinguished medical career in late 17th-century London. In 1687 Hans Sloane was 27 years old, already had a well-established practice and was firmly ensconced in the medical and scientific society of the capital. Sloane's world was a turbulent one, politically, religiously and especially philosophically. There was still a widespread belief amongst savants that the "conect" approach to the natural world was a totally detached and Portra� of Sir Hans Sloane. hypothetical one, resulting in interpretations of natural phenomena, including plants and animals, that frequently owed more to imagination than to fact. Consequently, most published accounts of natural history were still full of fictitious nonsense often based on fanciful travellers' tales brought back by uncritical observers from exotic parts of the world. But what was to become the world's most respected scientific society, the Royal Society "for promoting natural knowledge," had been founded in 1660, the year of Sloane's birth. -
The Rediscovery of Roman Baths in Eighteenth-Century Britain
This is a repository copy of An Elusive Legacy: The Rediscovery of Roman Baths in Eighteenth-Century Britain. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/140325/ Version: Accepted Version Article: Savani, G orcid.org/0000-0002-8076-9535 (2019) An Elusive Legacy: The Rediscovery of Roman Baths in Eighteenth-Century Britain. Britannia, 50. pp. 13-48. ISSN 0068-113X https://doi.org/10.1017/S0068113X19000023 © The Author(s) 2019. Published by The Society for the Promotion of Roman Studies.This article has been published in a revised form in Britannia https://doi.org/10.1017/S0068113X19000023. This version is free to view and download for private research and study only. Not for re-distribution, re-sale or use in derivative works. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ An Elusive Legacy: The Rediscovery of Roman Baths in Eighteenth-Century Britain By GIACOMO SAVANI ABSTRACT In this paper, I investigate how eighteenth-century antiquarians engaged with the remains of Roman bath buildings in Britain and discuss their multifaceted attitude towards the ancient practice of bathing, with a focus on the city of Bath. -
Divers Things: Collecting the World Under Water
Hist. Sci., xlix (2011) DIVERS THINGS: COLLECTING THE WORLD UNDER WATER James Delbourgo Rutgers University I do not pretend to have been to the bottom of the sea. Robert Boyle, 1670 matter out of place Consider the following object as shown in an early eighteenth-century engraving (Figure 1). It is a piece of wood — not a highly worked thing, not ingeniously wrought, though it is an artefact of human labour rather than a natural body. Or is it? In the engraving, the piece of wood disappears: it is visible towards the bottom of the image, a sober pointed stump, but it is quickly subsumed by a second, enveloping entity that swirls about it in an embroidering corkscrew. What elements are here intertwin- ing? The legend beneath the engraving identifies the artefact thus: “Navis, prope Hispaniolam ann Dom 1659. Naufragium passae, asser, a clavo ferreo transfixus, corallio aspero candicante I. B. Obsitus, & a fundo maris anno 1687 expiscatus.” It describes a stake or spar from a ship wrecked off Hispaniola in 1659, which is transfixed by both an iron bolt and rough whitish coral, fished out of the depths in 1687. This collector’s item is neither the cliché of exemplarily beautiful coral nor straightforwardly a historical relic, but an intertwining of the two: the “transfixing” of a remnant of maritime technology by an aquatic agent. It exhibits the very proc- ess of encrustation. The spar is juxtaposed with the image of a jellyfish, and more proximately, engravings of Spanish silver coins, also encrusted with coral: “Nummus argenteus Hispanicus … incrustatus”, one of the labels reads.1 Still another illustra- tion, in a separate engraving, bears the legend “Frustum ligni e mari atlantico erutum cui adhaerescunt conchae anatiferae margine muricata” — a piece of “drift wood beset with bernecle [sic] shells”. -
“Jogging Along with and Without James Logan: Early Plant Science in Philadelphia”
1 Friday, 19 September 2014, 1:30–3:00 p.m.: Panel II: “Leaves” “Jogging Along With and Without James Logan: Early Plant Science in Philadelphia” Joel T. Fry, Bartram's Garden Presented at the ― James Logan and the Networks of Atlantic Culture and Politics, 1699-1751 conference Philadelphia, PA, 18-20 September 2014 Please do not cite, quote, or circulate without written permission from the author These days, John Bartram (1699-1777) and James Logan (1674-1751) are routinely recognized as significant figures in early American science, and particularly botanic science, even if exactly what they accomplished is not so well known. Logan has been described by Brooke Hindle as “undoubtedly the most distinguished scientist in the area” and “It was in botany that James Logan made his greatest contribution to science.” 1 Raymond Stearns echoed, “Logan’s greatest contribution to science was in botany.”2 John Bartram has been repeatedly crowned as the “greatest natural botanist in the world” by Linnaeus no less, since the early 19th century, although tracing the source for that quote and claim can prove difficult.3 Certainly Logan was a great thinker and scholar, along with his significant political and social career in early Pennsylvania. Was Logan a significant botanist—maybe not? John Bartram too may not have been “the greatest natural botanist in the world,” but he was very definitely a unique genius in his own right, and almost certainly by 1750 Bartram was the best informed scientist in the Anglo-American world on the plants of eastern North America. There was a short period of active scientific collaboration in botany between Bartram and Logan, which lasted at most through the years 1736 to 1738. -
Portrait of Martin Lister in This Book Is in Monochrome (Figure )
EPILOGUE LISTER’S PORTRAIT AND THE TRAGEDY OF BURWELL PARK The reader may note that the main (and only) portrait of Martin Lister in this book is in monochrome (Figure ). When I began this work, I believed optimistically that a lovely full-colored visage would be trivial to find. Surely, such an eminent Royal physician, officer of the Royal Society, alumnus of Cambridge and Oxford, and major donor to the Ashmolean Museum would have had several images painted or engraved. After all, there were numerous portraits of his parents, his mother’s being part of the Tate Collection.1 Lister’s daughters were also artists, so it was not altogether unreasonable to expect that they had subjected their father to a sitting. I was wrong. Paraphrasing George Bernard Shaw: “The reasonable woman adapts herself to the world: the unreasonable woman persists in trying to adapt the world to herself. Therefore all progress depends on the unreason- able woman,” I decided I had better make some progress.2 Three years of queries around the world passed without any solid leads, the only image available a damaged and fuzzy reproduction that was circulating on Wikipedia without attribution. After weeks of searching, I tracked down the Wikipedia image to a black-and-white photograph in the archives of the Natural History Museum in London, but, frustratingly, the photo had no provenance. John Parker and Basil Harley had to use the same unsatisfactory illustration for their groundbreaking transla- tion of Lister’s English Spiders. I came slowly to the conclusion that perhaps that would be my fate as well. -
Revelations of a Wild Continent
account of North American flora and fauna ever pub- lished. It comprised more than 200 hand- coloured etchings based on hundreds of preparatory draw- ings and notes, with descriptions of each The Curious in English and French. Mister Catesby: A Royal Society secretary “Truly Ingenious” TRUST COMMEMORATIVE BACON/CATESBY SYLVIA Cromwell Mortimer Naturalist Explores hailed them as “the New Worlds most magnificent EDITED BY E. CHARLES NELSON AND DAVID J. work I know since the ELLIOTT Art of printing has Univ. Georgia Press: been discovered”. 2015. Now, the splendid anthology The Curious Mister Catesby shows that this praise was not exaggerated. Mark- ing the tercentenary of Catesby’s first visit to America in 1712–19, this comprehensive, lavishly illustrated work illuminates the many ways in which Catesby changed how the nat- ural world was perceived and portrayed, sug- gesting for the first time a dynamic ecological relationship between flora and fauna. Edited by botanist Charles Nelson and David Elli- ott, executive director of the Catesby Com- memorative Trust, it contains reproductions of paintings, engravings, photographs and maps, as well as essays by 25 scholars in fields from art history to the study of molluscs. Although no likeness of Catesby exists and little is known about him, his evident dedica- tion to documenting nature’s marvels marks him as an ambitious and innovative plants- man, an inquisitive natural scientist and an Mark Catesby’s depiction of Catalpa bignonioides and the orchard oriole (Icterus spurius). artist of talent and energy. His friend Emanuel Mendez da Costa, an English botanist, drew HISTORY OF SCIENCE him as “tall, meagre … and of a silent dispo- sition; but when he contracted a friendship was communicative, and affable”. -
Section Nomenclature
Huitième Congrès International de Botanique - Paris, Juillet 1954 / Eighth International Botanical Congress - Paris, July 1954 Source: Taxon, Vol. 2, No. 1 (Jan., 1953), p. 14 Published by: International Association for Plant Taxonomy (IAPT) Stable URL: http://www.jstor.org/stable/1217699 . Accessed: 18/09/2011 12:27 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. International Association for Plant Taxonomy (IAPT) is collaborating with JSTOR to digitize, preserve and extend access to Taxon. http://www.jstor.org Huitieme Congres International de Botanique - Paris, Juillet 1954 Eighth International Botanical Congress - Paris, July 1954 Section de Nomenclature Section Nomenclature Les propositions concerant le Code Inter- Proposals regarding the International Code national de la Nomenclature Botanique (1952) of Botanical Nomenclature (1952) must be doivent etre soumises au Rapporteur-Gene- submitted to the Rapporteur-GeneralDr J. ral Dr J. Lanjouw avant le ler Decembre Lanjouw before 1 December 1953. All pro- 1953. On pourra publier toutes les propo- posals can be published in Taxon. Botanists sitions dans Taxon. Les botanistes qui ont preparing proposals are earnestly requested en vue quelque proposition, sont instamment to give them the form of the example which pries d'y donner la formule qui sera publiee will be published in Taxon vol.