Natsca News Issue 17-3.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Archival Afterlives: Life, Death, and Knowledge-Making in Early Modern British Scienti C and Medical Archives
Archival Afterlives: Life, Death, and Knowledge-Making in Early Modern British Scienti!"c and Medical Archives Kohn Centre The Royal Society 2 June 2015 Conference Description: Early modern naturalists collected, generated, and shared massive amounts of paper. Inspired by calls for the wholesale reform of natural philosophy and schooled in humanist note-taking practices, they generated correspondence, reading notes (in margins, on scraps, in notebooks), experimental and observational reports, and drafts (rough, partial, fair) of treatises intended for circulation in manuscript or further replication in print. If naturalists claimed all knowledge as their province, natural philosophy was a paper empire. In our own day, naturalists’ materials, ensconced in archives, libraries, and (occasionally) private hands, are now the foundation of a history of science that has taken a material turn towards paper, ink, pen, and !"ling systems as technologies of communication, information management, and knowledge production. Recently, the creation of such papers, and their originators’ organization of them and intentions for them have received much attention. The lives archives lived after their creators’ deaths have been explored less often. The posthumous fortunes of archives are crucial both to their survival as historical sources today and to their use as scienti!"c sources in the past. How did (often) disorderly collections of paper come to be “the archives of the Scienti!"c Revolution”? The proposed conference considers the histories of these papers from the early modern past to the digital present, including collections of material initially assembled by Samuel Hartlib, John Ray, Francis Willughby, Isaac Newton, Hans Sloane, Martin Lister, Edward Lhwyd, Robert Hooke, and Théodore de Mayerne. -
Zootaxa,Lovell Augustus Reeve (1814?865): Malacological Author and Publisher
ZOOTAXA 1648 Lovell Augustus Reeve (1814–1865): malacological author and publisher RICHARD E. PETIT Magnolia Press Auckland, New Zealand Richard E. Petit Lovell Augustus Reeve (1814–1865): malacological author and publisher (Zootaxa 1648) 120 pp.; 30 cm. 28 November 2007 ISBN 978-1-86977-171-3 (paperback) ISBN 978-1-86977-172-0 (Online edition) FIRST PUBLISHED IN 2007 BY Magnolia Press P.O. Box 41-383 Auckland 1346 New Zealand e-mail: [email protected] http://www.mapress.com/zootaxa/ © 2007 Magnolia Press All rights reserved. No part of this publication may be reproduced, stored, transmitted or disseminated, in any form, or by any means, without prior written permission from the publisher, to whom all requests to reproduce copyright material should be directed in writing. This authorization does not extend to any other kind of copying, by any means, in any form, and for any purpose other than private research use. ISSN 1175-5326 (Print edition) ISSN 1175-5334 (Online edition) 2 · Zootaxa 1648 © 2007 Magnolia Press PETIT Zootaxa 1648: 1–120 (2007) ISSN 1175-5326 (print edition) www.mapress.com/zootaxa/ ZOOTAXA Copyright © 2007 · Magnolia Press ISSN 1175-5334 (online edition) Lovell Augustus Reeve (1814–1865): malacological author and publisher RICHARD E. PETIT 806 St. Charles Road, North Myrtle Beach, SC 29582-2846, USA. E-mail: [email protected] Table of contents Abstract ................................................................................................................................................................................4 -
Disciplinary Culture
Disciplinary Culture: Artillery, Sound, and Science in Woolwich, 1800–1850 Simon Werrett This article explores connections between science, music, and the military in London in the first decades of the nineteenth century.1 Rather than look for applications of music or sound in war, it considers some techniques common to these fields, exemplified in practices involving the pendulum as an instrument of regulation. The article begins by exploring the rise of military music in the late eighteenth and early nineteenth centuries, and then compares elements of this musical culture to scientific transformations during 1 For broad relations between music and science in this period, see: Myles Jackson, Harmonious Triads: Physicians, Musicians, and Instrument Makers in Nineteenth-Century Germany (Cambridge, MA: MIT Press, 2006); Alexandra Hui, The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840–1910 (Cambridge, MA: MIT Press, 2012); Emily I. Dolan and John Tresch, “‘A Sublime Invasion’: Meyerbeer, Balzac, and the Opera Machine,” Opera Quarterly 27 (2011), 4–31; Emily Thompson, The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933 (Cambridge, MA: MIT Press, 2004). On science and war in the Napoleonic period, see for example: Simon Werrett, “William Congreve’s Rational Rockets,” Notes & Records of the Royal Society 63 (2009), 35–56; on sound as a weapon, Roland Wittje, “The Electrical Imagination: Sound Analogies, Equivalent Circuits, and the Rise of Electroacoustics, 1863–1939,” Osiris 28 (2013), 40–63, here 55; Cyrus C. M. Mody, “Conversions: Sound and Sight, Military and Civilian,” in The Oxford Handbook of Sound Studies, eds. Trevor Pinch and Karin Bijsterveld (Oxford: Oxford University Press, 2012), pp. -
Bon Voyage? 250 Years Exploring the Natural World SHNH Summer
Bon Voyage? 250 Years Exploring the Natural World SHNH summer meeting and AGM in association with the BOC World Museum Liverpool Thursday 14th and Friday 15th June 2018 Abstracts Thursday 14th June Jordan Goodman, Department of Science and Technology Studies, University College London In the Wake of Cook? Joseph Banks and His ‘Favorite Projects’ James Cook’s three Pacific voyages spanned the years from 1768 to 1780. These were the first British voyages of exploration in which natural history collecting formed an integral part. Joseph Banks and Daniel Solander were responsible for the collection on the first voyage, HMS Endeavour, between 1768 and 1771; Johann and Georg Forster, collected on the second voyage, HMS Resolution, between 1772 and 1775; and David Nelson continued the tradition on the third voyage, HMS Resolution, from 1776 to 1780. Though Cook’s first voyage brought Banks immense fame, it was the third voyage that initiated a new kind of botanical collecting which he practised for the rest of his life. He called it his ‘Favorite Project’, and it consisted of supplying the royal garden at Kew with living plants from across the globe, to make it the finest botanical collection in the world. Banks appointed David Nelson, a Kew gardener, to collect on Cook’s third voyage. Not only would the King’s garden benefit from a supply of exotic living plants, but the gardeners Banks sent out to collect them would also learn how best to keep the plants alive at sea, for long periods of time and through many different climatic conditions. -
“A Valuable Monument of Mathematical Genius”\Thanksmark T1: the Ladies' Diary (1704–1840)
Historia Mathematica 36 (2009) 10–47 www.elsevier.com/locate/yhmat “A valuable monument of mathematical genius” ✩: The Ladies’ Diary (1704–1840) Joe Albree ∗, Scott H. Brown Auburn University, Montgomery, USA Available online 24 December 2008 Abstract Our purpose is to view the mathematical contribution of The Ladies’ Diary as a whole. We shall range from the state of mathe- matics in England at the beginning of the 18th century to the transformations of the mathematics that was published in The Diary over 134 years, including the leading role The Ladies’ Diary played in the early development of British mathematics periodicals, to finally an account of how progress in mathematics and its journals began to overtake The Diary in Victorian Britain. © 2008 Published by Elsevier Inc. Résumé Notre but est de voir la contribution mathématique du Journal de Lady en masse. Nous varierons de l’état de mathématiques en Angleterre au début du dix-huitième siècle aux transformations des mathématiques qui a été publié dans le Journal plus de 134 ans, en incluant le principal rôle le Journal de Lady joué dans le premier développement de périodiques de mathématiques britanniques, à finalement un compte de comment le progrès dans les mathématiques et ses journaux a commencé à dépasser le Journal dans l’Homme de l’époque victorienne la Grande-Bretagne. © 2008 Published by Elsevier Inc. Keywords: 18th century; 19th century; Other institutions and academies; Bibliographic studies 1. Introduction Arithmetical Questions are as entertaining and delightful as any other Subject whatever, they are no other than Enigmas, to be solved by Numbers; . -
Statutes and Rules for the British Museum
(ft .-3, (*y Of A 8RI A- \ Natural History Museum Library STATUTES AND RULES BRITISH MUSEUM STATUTES AND RULES FOR THE BRITISH MUSEUM MADE BY THE TRUSTEES In Pursuance of the Act of Incorporation 26 George II., Cap. 22, § xv. r 10th Decembei , 1898. PRINTED BY ORDER OE THE TRUSTEES LONDON : MDCCCXCYIII. PRINTED BY WOODFALL AND KINDER, LONG ACRE LONDON TABLE OF CONTENTS CHAPTER I. PAGE Meetings, Functions, and Privileges of the Trustees . 7 CHAPTER II. The Director and Principal Librarian . .10 Duties as Secretary and Accountant . .12 The Director of the Natural History Departments . 14 CHAPTER III. Subordinate Officers : Keepers and Assistant Keepers 15 Superintendent of the Reading Room . .17 Assistants . 17 Chief Messengers . .18 Attendance of Officers at Meetings, etc. -19 CHAPTER IV. Admission to the British Museum : Reading Room 20 Use of the Collections 21 6 CHAPTER V, Security of the Museum : Precautions against Fire, etc. APPENDIX. Succession of Trustees and Officers . Succession of Officers in Departments 7 STATUTES AND RULES. CHAPTER I. Of the Meetings, Functions, and Privileges of the Trustees. 1. General Meetings of the Trustees shall chap. r. be held four times in the year ; on the second Meetings. Saturday in May and December at the Museum (Bloomsbury) and on the fourth Saturday in February and July at the Museum (Natural History). 2. Special General Meetings shall be sum- moned by the Director and Principal Librarian (hereinafter called the Director), upon receiving notice in writing to that effect signed by two Trustees. 3. There shall be a Standing Committee, standing . • Committee. r 1 1 t-» • 1 t> 1 consisting 01 the three Principal 1 rustees, the Trustee appointed by the Crown, and sixteen other Trustees to be annually appointed at the General Meeting held on the second Saturday in May. -
Crustacea, Copepoda, Harpacticoida): Proposed Emendation of Spelling to ZOSIMEIDAE to Remove Homonymy with ZOSIMINAE Alcock, 1898 (Crustacea, Decapoda, XANTHIDAE)
24 Bulletin of Zoological Nomenclature 66(1) March 2009 Case 3467 ZOSIMIDAE Seifried, 2003 (Crustacea, Copepoda, Harpacticoida): proposed emendation of spelling to ZOSIMEIDAE to remove homonymy with ZOSIMINAE Alcock, 1898 (Crustacea, Decapoda, XANTHIDAE) Rony Huys and Paul F. Clark Department of Zoology, Natural History Museum, Cromwell Road, London SW7 5BD, U.K. (e-mail: [email protected] and [email protected]) Abstract. The purpose of this application, under Articles 29 and 55.3.1 of the Code, is to remove homonymy between the family-group names ZOSIMINAE Alcock, 1898 (Crustacea, Decapoda) and ZOSIMIDAE Seifried, 2003 (Crustacea, Copepoda) by changing the spelling of the junior homonym. It is proposed that the entire name Zosime Boeck, 1873 (Copepoda) be used to form ZOSIMEIDAE, leaving the stem of the senior homonym (based on the name Zosimus A.-G. Desmarest, 1823; Decapoda) unchanged. Zosimus A.-G. Desmarest, 1823 and Zosime Boeck, 1873 are respectively the type genera of ZOSIMINAE Alcock, 1898 (Decapoda) and ZOSIMIDAE Seifried, 2003 (Copepoda). Keywords. Nomenclature; taxonomy; Crustacea; Decapoda; Copepoda; Harpacti- coida; XANTHIDAE; ZOSIMEIDAE; ZOSIMIDAE; ZOSIMINAE; Zosime; Zosimus; Zosime typica; cosmopolitan. 1. Leach (1818) introduced the French vernacular names ‘Carpile’, ‘Clodorée’ (sic) and ‘Zosime’ for three genera of decapod crustaceans but did not include a descrip- tion, definition or indication of the taxa they denoted (Leach, 1818, pp. 74–75). Under Article 12 Leach’s names are nomina nuda and must be considered unavailable. 2. A.-G. Desmarest (1823, p. 228) latinised Leach’s (1818) vernacular names in a footnote to his text dealing with the genus Cancer, naming them Carpilius, Clorodius and Zosimus, respectively. -
The History and Influence of Maria Sibylla Merian's Bird-Eating Tarantula: Circulating Images and the Production of Natural Knowledge
Biology Faculty Publications Biology 2016 The History and Influence of Maria Sibylla Merian's Bird-Eating Tarantula: Circulating Images and the Production of Natural Knowledge Kay Etheridge Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/biofac Part of the Biology Commons, and the Illustration Commons Share feedback about the accessibility of this item. Recommended Citation Etheridge, K. "The History and Influence of Maria Sibylla Merian’s Bird-Eating Tarantula: Circulating Images and the Production of Natural Knowledge." Global Scientific Practice in the Age of Revolutions, 1750 – 1850. P. Manning and D. Rood, eds. (Pittsburgh, University of Pittsburgh Press. 2016). 54-70. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/biofac/54 This open access book chapter is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. The History and Influence of Maria Sibylla Merian's Bird-Eating Tarantula: Circulating Images and the Production of Natural Knowledge Abstract Chapter Summary: A 2009 exhibition at the Fitzwilliam Museum on the confluence of science and the visual arts included a plate from a nineteenth-century encyclopedia owned by Charles Darwin showing a tarantula poised over a dead bird (figure 3.1).1 The genesis of this startling scene was a work by Maria Sibylla Merian (German, 1647–1717), and the history of this image says much about how knowledge of the New World was obtained, and how it was transmitted to the studies and private libraries of Europe, and from there into popular works like Darwin’s encyclopedia. -
Catalogue 294 Recent Acquisitions CATALOGUE 294 Catalogue 294
ANTIQUARIAAT JUNK ANTIQUARIAAT Antiquariaat Junk Catalogue 294 1 Recent Acquisitions CATALOGUE CATALOGUE 294 Catalogue 294 Old & Rare Books Recent Acquisitions 2016 121 Levaillant Catalogue 294 Recent Acquisitions Antiquariaat Junk B.V. Allard Schierenberg and Jeanne van Bruggen Van Eeghenstraat 129, NL-1071 GA Amsterdam The Netherlands Telephone: +31-20-6763185 Telefax: +31-20-6751466 [email protected] www.antiquariaatjunk.com Natural History Booksellers since 1899 Please visit our website: www.antiquariaatjunk.com with thousands of colour pictures of fine Natural History books. You will also find more pictures of the items displayed in this catalogue. Items 14 & 26 sold Frontcover illustration: 88 Gessner Backcover illustration: 121 Levaillant GENERAL CONDITIONS OF SALE as filed with the registry of the District Court of Amsterdam on No- vember 20th, 1981 under number 263 / 1981 are applicable in extenso to all our offers, sales, and deliveries. THE PRICES in this catalogue are net and quoted in Euro. As a result of the EU single Market legisla- tion we are required to charge our EU customers 6% V.A.T., unless they possess a V.A.T. registration number. Postage additional, please do not send payment before receipt of the invoice. All books are sold as complete and in good condition, unless otherwise described. EXCHANGE RATES Without obligation: 1 Euro= 1.15 USD; 0.8 GBP; 124 JPY VISITORS ARE WELCOME between office hours: Monday - Friday 9.00 - 17.30 OUR V.A.T. NUMBER NL 0093.49479B01 134 Meyer 5 [1] AEMILIANUS, J. Naturalis de Ruminantibus historia Ioannis Aemy- liani... Venetiis, apaud Franciscum Zilettum, 1584. -
Sir Hans Sloane's Voyage to Jamaica, 1687-1689
Sir Hans Sloane's Voyage to Jamaica, 1687-1689 Editor's Introduction I Voyages of discovery were an important part of the search for a new order in the natural world. Tony Rice charts Sir Hans Sloane's seventeenth-century expedition to Jamaica, a voyage that produced one of the world's most significant natural history collections. Sloane amassed a hoard of thousands of natural history books, objects and artworks in his quest for a rationalist approach to the study of nature. Lovers of milk chocolate would probably not immediately see a connection between the object of their passion and the establishment of the British Museum. The curious link is a young ltish-born Protestant physician setting out on a long and distinguished medical career in late 17th-century London. In 1687 Hans Sloane was 27 years old, already had a well-established practice and was firmly ensconced in the medical and scientific society of the capital. Sloane's world was a turbulent one, politically, religiously and especially philosophically. There was still a widespread belief amongst savants that the "conect" approach to the natural world was a totally detached and Portra� of Sir Hans Sloane. hypothetical one, resulting in interpretations of natural phenomena, including plants and animals, that frequently owed more to imagination than to fact. Consequently, most published accounts of natural history were still full of fictitious nonsense often based on fanciful travellers' tales brought back by uncritical observers from exotic parts of the world. But what was to become the world's most respected scientific society, the Royal Society "for promoting natural knowledge," had been founded in 1660, the year of Sloane's birth. -
Joseph Dalton Hooker
OS E P H DA LTO N OO KE F R , S j H R, . P I O N E E R S O F P R O G R E SS M E N O F SC I E N C E 801 0 11 81! S . CHAP MAN M.A D . , . S C., F . R .S . JO S E P H D A L T O N H O O K E R 0 M S C B F. M D ET . R. , . , . , C. P F B W c D F R O O ER S S. ROF. , . , . RB OIUB P RO FES SO R 0? m m In THE UNIVERS ITY O F GLASGOW L O N D O N S O C I E T Y F O R P R O M O T I N G C H R I S T I A N K N O W L E D G E NEW YORK : TH E MA CMILLAN COMPANY TE N T CON S . HIS T O RICAL IN T Riov-UCTJON k‘ B IRTH AND EDUCATION FO REI G N TRA V E L A u T HOR smE ' ' H o oRl S P DSI fl’ IO N A s A MA N O R S clE Nc E DA TES RE LATI NG TO THE O FRI EIA-L A N D S CIE N TI FI C; O I! S I R JO SEP H H OOKER P ORTRAI TS BJB LlO GRAPHY CHAPTER I . H I STO R I CAL I NTRO DUCTI O N . -
Divers Things: Collecting the World Under Water
Hist. Sci., xlix (2011) DIVERS THINGS: COLLECTING THE WORLD UNDER WATER James Delbourgo Rutgers University I do not pretend to have been to the bottom of the sea. Robert Boyle, 1670 matter out of place Consider the following object as shown in an early eighteenth-century engraving (Figure 1). It is a piece of wood — not a highly worked thing, not ingeniously wrought, though it is an artefact of human labour rather than a natural body. Or is it? In the engraving, the piece of wood disappears: it is visible towards the bottom of the image, a sober pointed stump, but it is quickly subsumed by a second, enveloping entity that swirls about it in an embroidering corkscrew. What elements are here intertwin- ing? The legend beneath the engraving identifies the artefact thus: “Navis, prope Hispaniolam ann Dom 1659. Naufragium passae, asser, a clavo ferreo transfixus, corallio aspero candicante I. B. Obsitus, & a fundo maris anno 1687 expiscatus.” It describes a stake or spar from a ship wrecked off Hispaniola in 1659, which is transfixed by both an iron bolt and rough whitish coral, fished out of the depths in 1687. This collector’s item is neither the cliché of exemplarily beautiful coral nor straightforwardly a historical relic, but an intertwining of the two: the “transfixing” of a remnant of maritime technology by an aquatic agent. It exhibits the very proc- ess of encrustation. The spar is juxtaposed with the image of a jellyfish, and more proximately, engravings of Spanish silver coins, also encrusted with coral: “Nummus argenteus Hispanicus … incrustatus”, one of the labels reads.1 Still another illustra- tion, in a separate engraving, bears the legend “Frustum ligni e mari atlantico erutum cui adhaerescunt conchae anatiferae margine muricata” — a piece of “drift wood beset with bernecle [sic] shells”.