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„As Always the Lunch Is Naked‟ Jack Kerouac‟S
Universiteit Gent Academiejaar 2006-2007 „AS ALWAYS THE LUNCH IS NAKED‟ FORMAL EXPERIMENTS OF THE BEAT GENERATION FOCUSSING ON JACK KEROUAC‟S SPONTANEOUS PROSE AND WILLIAM BURROUGHS‟S CUT-UPS Promotor: Gert Buelens Verhandeling voorgelegd aan de faculteit Letteren en Wijsbegeerte voor het verkrijgen van de graad licenciaat in de taal- en letterkunde: Germaanse Talen door Lien De Coster 2 ACKNOWLEDGEMENTS I‟d like to thank Gert Buelens, my promoter, Ishrat Lindblad, Olga Putilina, and Rickey Mantley for their revisions, useful comments, enthusiasm and interest. 3 DEDICATION Last year, when I lived in Sweden, I caught a lung inflammation after I went swimming in the ice. One day during my long recovery, a friend of mine brought me a book. It was The Dharma Bums by Jack Kerouac. When I finally got better we talked about it, and for the first time I heard about the Beats. Back then my friend had a hard time defining who they were and my understanding did not come that evening – it came gradually through frequenting Wirströms, the wonderful jazz bar where the musicians made „IT‟ happen every week during the Tuesday jam session, through a lot of walking and talking in the everchanging everlasting woods, through travelling by myself, with my backpack as my only companion. Gradually it came - till the day the friend who had given me the book sent me a letter. When I read it, I knew I understood; 4 Monday, March 6, 2006, 4:53 AM last night i meet a old man(60 i think) spanish man in that party where i invite you... -
Derocher.Pdf
DeRocher (Duquet dit Desrocher) History and genealogical study Origins in Canada New Beginnings in Maine, U.S.A. Linda J. Ladue-DeRocher Diane M. DeRocher-Elderd 1999 Copyright © 1999 Linda Ladue - DeRocher and Diane DeRocher - Elderd Prologue Copyright © Claude Belanger Gagnier Photos Copyright © Rev. John F. Gagnier Gosselin Photo Copyright © Robert Roberochon Montreal illustration © Montreal Research group, Adhemar ISBN 0-9700635-0-4 To order additional copies contact: Diane DeRocher - Elderd 17 John Street, Raymond, NH 03077-1822 1-603-895-3207 [email protected] or Linda Ladue - DeRocher 1521 Silverwood Drive, Martinez, Ca 94553 1-925-372-0116 [email protected] Contents Acknowledgment * * * * * * * * V Forward * * * * * * * * * VI Linda J. Ladue-DeRocher, Diane M. DeRocher-Elderd Commentary * * * * * * * * * VIII Ronald A. DeRocher Jr. Dedication * * * * * * * * * IX Prologue * * * * * * * * * XI French canadian emigration to the U.S., 1840 - 1930. By Claude Belanger with his permission. I. The Mystery * * * * * * * * 25 Angeline and the detective work proving the line. II. The surprise * * * * * * * * 28 From Angeline back. An adventure in "dit" names. III. Historical perspective * * * * * * * 32 Denys Duquet to Angeline Desrocher. Historical events impacting the lives in chronological order. Includes web links, pictures and reference citations. IV. DeRocher in the U.S. * * * * * * * 39 Louis Desrocher to Joseph DeRocher, with historical perspective. V. An Expanding Family in an expanding nation * * * * 43 Joseph DeRocher to Ronald A. DeRocher Sr. Additional resources * * * * * * * * 48 VI. Ancestors of Ronald DeRocher Sr. * * * * * 50 Ronald A. DeRocher Sr. to earliest ancestors in Canada. VII. Lineage tree charts * * * * * * 129 Graphic form of family trees, Ronald A. DeRocher Sr. to Denys Duquett. 64 charts plus 2 blank for individual updates. -
Journeys of the Beat Generation
My Witness Is the Empty Sky: Journeys of the Beat Generation Christelle Davis MA Writing (by thesis) 2006 Certificate of Authorship/Originality I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all the information sources and literature used are indicated in the thesis. Signature of Candidate 11 Acknowledgements A big thank you to Tony Mitchell for reading everything and coping with my disorganised and rushed state. I'm very appreciative of the Kerouac Conference in Lowell for letting me attend and providing such a unique forum. Thank you to Buster Burk, Gerald Nicosia and the many other Beat scholars who provided some very entertaining e mails and opinions. A big slobbering kiss to all my beautiful friends for letting me crash on couches all over the world and always ringing, e mailing or visiting just when I'm about to explode. Thanks Andre for making me buy that first copy of On the Road. Thank you Tim for the cups of tea and hugs. I'm very grateful to Mum and Dad for trying to make everything as easy as possible. And words or poems are not enough for my brother Simon for those silly months in Italy and turning up at that conference, even if you didn't bother to wear shoes. -
The Evolution of the Franco-American Novel of New England (1875-2004)
BORDER SPACES AND LA SURVIVANCE: THE EVOLUTION OF THE FRANCO-AMERICAN NOVEL OF NEW ENGLAND (1875-2004) By CYNTHIA C. LEES A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2006 Copyright 2006 By Cynthia C. Lees ACKNOWLEDGMENTS I would like to express my gratitude to the members of my supervisory committee, five professors who have contributed unfailingly helpful suggestions during the writing process. I consider myself fortunate to have had the expert guidance of professors Hélène Blondeau, William Calin, David Leverenz, and Jane Moss. Most of all, I am grateful to Dr. Carol J. Murphy, chair of the committee, for her concise editing, insightful comments, and encouragement throughout the project. Also, I wish to recognize the invaluable contributions of Robert Perreault, author, historian, and Franco- American, a scholar who lives his heritage proudly. I am especially indebted to my husband Daniel for his patience and kindness during the past year. His belief in me never wavered. iii TABLE OF CONTENTS Page ACKNOWLEDGMENTS ................................................ iii LIST OF FIGURES .................................................... vii ABSTRACT.......................................................... viii CHAPTER 1 SITING THE FRANCO-AMERICAN NOVEL . 1 1.1 Brief Overview of the Franco-American Novel of New England . 1 1.2 The Franco-American Novel and the Ideology of La Survivance ..........7 1.3 Framing the Ideology of La Survivance: Theoretical Approaches to Space and Place ....................................................13 1.4 Coming to Terms with Space and Place . 15 1.4.1 The Franco-American Novel and the Notion of Place . -
A Comparison of the Works of Henry Miller and Jack Kerouac Jeffrey J
Southern Illinois University Carbondale OpenSIUC Honors Theses University Honors Program 8-1994 "The rT iumph of the Individual Over Art": A Comparison of the Works of Henry Miller and Jack Kerouac Jeffrey J. Eustis Follow this and additional works at: http://opensiuc.lib.siu.edu/uhp_theses Recommended Citation Eustis, Jeffrey J., ""The rT iumph of the Individual Over Art": A Comparison of the Works of Henry Miller and Jack Kerouac" (1994). Honors Theses. Paper 203. This Dissertation/Thesis is brought to you for free and open access by the University Honors Program at OpenSIUC. It has been accepted for inclusion in Honors Theses by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. -' . "The Triumph of the Individual Over Art": A Comparison of the Works of Henry Miller and Jack Kerouac Jeffrey Eustis August 1994 Senior Thesis 2 TABLE OF CONTENTS I. Introduction 3 II . Theories of Writing 7 III. Miller and Kerouac: Misogynists? Sex Fiends? 18 IV. Conclusion 30 V. Bibliography 33 3 I. Introduction Henry Miller and Jack Kerouac had much in common with one another. One of their most unfortunate common traits was their lack of acceptance by the literary establishment. Both of them had unfair one-dimensional reputations which largely have remained intact, years after their deaths. For example, Miller was always seen as a writer of "dirty books," his early master pieces such as Tropic of Cancer being regarded by many as little more than the literary equivalent of a raunchy stag film. Kerouac was viewed by many critics, and much of the pUblic, as nothing more than a hard-drinking, hell-raising hoodlum transcribing the "hep" aphorisms of his "beatnik" friends. -
MEXICO CITY BLUES Other Works by Jack Kerouac Published by Grove Press Dr
MEXICO CITY BLUES Other Works by Jack Kerouac Published by Grove Press Dr. Sax Lonesome Traveler Satori in Paris and Pic (one volume) The Subterraneans MEXICO CITY BLUES Jack Kerouac Copyright © 1959 by Jack Kerouac All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, or the facilitation thereof, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Any members of educational institutions wishing to photocopy part or all of the work for classroom use, or publishers who would like to obtain permission to include the work in an anthology, should send their inquiries to Grove/Atlantic, Inc., 841 Broadway, New York, NY 10003. Published simultaneously in Canada Printed in the United States of America Library of Congress Cataloging-in-Publication Data Kerouac, Jack, 1922-1969. Mexico City blues / Jack Kerouac. p. cm. eBook ISBN-13: 978-0-8021-9568-5 I. Title. PS3521.E735M4 1990 813’.54—dc20 90-2748 Grove Press an imprint of Grove/Atlantic, Inc. 841 Broadway New York, NY 10003 Distributed by Publishers Group West www.groveatlantic.com MEXICO CITY BLUES MEXICO CITY BLUES NOTE I want to be considered a jazz poet blowing a long blues in an afternoon jam session on Sunday. I take 242 choruses; my ideas vary and sometimes roll from chorus to chorus or from halfway through a chorus to halfway into the next. 1st Chorus Butte Magic of Ignorance Butte Magic Is the same as no-Butte All one light Old Rough Roads One High Iron Mainway Denver is the same “The guy I was with his uncle was the governor of Wyoming” “Course he paid me back” Ten Days Two Weeks Stock and Joint “Was an old crook anyway” The same voice on the same ship The Supreme Vehicle S. -
Consumers, Class, and the Spatial Reorientation of an Industrial City Jonathan Haeber University of Massachusetts Amherst
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2013 From Main to High: Consumers, Class, and the Spatial Reorientation of an Industrial City Jonathan Haeber University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the Cultural History Commons, Other History Commons, Social History Commons, and the United States History Commons Haeber, Jonathan, "From Main to High: Consumers, Class, and the Spatial Reorientation of an Industrial City" (2013). Masters Theses 1911 - February 2014. 1043. Retrieved from https://scholarworks.umass.edu/theses/1043 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. FROM MAIN TO HIGH: CONSUMERS, CLASS, AND THE SPATIAL REORIENTATION OF AN INDUSTRIAL CITY A Thesis Presented by Jonathan Haeber Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2013 Department of History FROM MAIN TO HIGH: CONSUMERS, CLASS, AND THE SPATIAL REORIENTATION OF AN INDUSTRIAL CITY A Thesis Presented by Jonathan Haeber Approved as to style and content by: _______________________________________ David Glassberg, Chair _______________________________________ Frank Couvares, Member _______________________________________ Ethan Carr, Member ____________________________________ Joye Boyman, Department Head Department of History DEDICATION For Mom and Dad. And for Holyoke. ACKNOWLEDGMENTS My research would not have been possible without the help of countless individuals in Holyoke and beyond. Penni Martorell, archivist at Wistariahurst was an enthusiastic supporter of my always evolving thesis ideas. -
ABSTRACT Jack Kerouac Was a Well-Known American Writer Who
UNIVERSIDAD DE CUENCA ABSTRACT Jack Kerouac was a well-known American writer who was famous for his spontaneous prose in all of his autobiographical works. In the first chapter, we refer about the most important characteristics about Jack Kerouac’s life. We illustrate Kerouac’s early years, his beginning in writing with his early works. Moreover, his mature life during his days from the university to the time he became a famous writer and the description of his death. In the second chapter, we show the origins and the analysis of On the Road. In which we introduce the characters and review the situations in which Jack and his friends where involved during each trip. We also take into account the changes this novel had before its publication and the opinions about it. AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 1 UNIVERSIDAD DE CUENCA Finally, the last two chapters contain important aspects. The third one tell us about the “Beat Generation”, its origins, members, what they did, and the different elements that characterized them; for instance: literature, fashion, women, etc. Moreover, in the fourth chapter, we present their lifestyle, the different liberations that appeared because of them and the music which used to identify the Beats. Key words: On the Road, “Beat Generation”, spontaneous prose, lifestyle, members, trips, liberation, characters, music, works. AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 2 UNIVERSIDAD DE CUENCA TABLE OF CONTENTS INTRODUCTION CHAPTER I: JACK KEROUAC’S BIOGRAPHY 1.1 Early life 1.2 Early works 1.3 Mature life 1.4 Later works 1.5 Jack Kerouac’s death CHAPTER II: ON THE ROAD CHARACTERISTICS 2.1. -
Bibliography of Franco-American Life, Language, and History Patrick Lacroix
The University of Maine DigitalCommons@UMaine Franco-American Centre Franco-Américain Franco-American Centre Franco-Américain Occasional Papers Fall 2018 Bibliography of Franco-American Life, Language, And History Patrick Lacroix Follow this and additional works at: https://digitalcommons.library.umaine.edu/ francoamericain_occ_papers This Article is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Franco-American Centre Franco-Américain Occasional Papers by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. Franco-American Programs/Programmes Franco-Américains Franco-American Programs/Programmes Franco-American Programs Programmes Franco-Américains Occasional Papers Fall 2018 TheThe OCCASIONALOCCASIONAL PAPERSPAPERS seriesseries isis produced produced bbyy thethe FRANCO-AMERICANFRANCO AMERICAN PROGRAMS CENTRE inin orderorder toto fosterfoster research research andand scholarshipscholarship about about Franco A Francomericans Americansand to offer and a fr ank to offerunde rstana frankding understandingof the history and of thepeo plhistorye of Ma andine peopleand its ofre gMaineion. and its region. Occasional Papers Fall 2018 University of / Université du Maine Orono, Maine FRANCO-AMERICAN PROGRAMS OCCASIONAL PAPERS FALL 2018 NUMBER 2 Bibliography of Franco-American Life, Language, and History in the Northeastern United States Patrick Lacroix, Ph. D. Franco American Programs University of / Université du Maine Orono, Maine Cover Photo: Sculpture by Christopher Gowel dedicated at Le Parc Notre Renaissance Française in Nashua, N.H., in 2001. Back Photo: Statue of Ferdinand Gagnon, “Father of the Franco-American Press,” at Lafayette Park, Manchester, N.H. PicturesCover Photo: by Patrick Sculpture Lacroix by Christopher (2015). Gowel dedicated at Le Parc Notre Renaissance Française in Nashua, N.H., in 2001. -
**** ******* ************************************** **************** Identite Culturelle Et Franc0f'honie Urns Les Ues (Iii)
DOCUMENT RESUME ED 192 567 EL 011 640 AUTHOR Baudot, Alain: And Others TITLE Identite culturelle et francophonie dans les Ameriques (Cultural Identity and the French Language in the Americas). Series No, B-88- INSTITUTION Laval Univ., Quebec (Quebec). International Center for Research on Bilingualism. PUB CATE 80 NOTE 301p.: Proceedings of the Colloguimon cultural Identity and the French Language in the Americas (3rd, Toronto, Ontario, June 2-5, 1976). LANGUAGE French UPS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Creoles; *Cultural Awareness: Cultural Influences: Elementary Secondary Education: *Ethnicity; Films: *French: Higher Education: *Language Maintenance: *Language Role: Language Variation: Music; News Media: Popular Culture: Radio: Sociolinguistics: Standazd Spoken Usage: Television; Theater Arts ABSTRACT These papers, given at five general sessions and fifteen workshops, discuss the relationship betweencultural identity and the French language in the Americas, and dealwith the following topics: (1) French speech in Canada:(2) anthropology and cultural identity:(3) translation: (4) French in Ontario and New England: (5) sociology;(6) communities in Ontario and Louisiana: (7) the French to be taught in schools: (8) Creole and Frenchin the Antilles: (9) history and nationalism:(10) sociolinguistic questions; (11) the minority writer;(12) popular traditions; (13) theater, the conscience of the people: (14) religion:(15) cinema:(16) the local press:(17) the publishing industry:(18) songs: (19) radio and television: and (20) politicalpower and the survival of French. (AMR) ********** *** * * ******* ******** * ***** ******* Reproducions supplied by EDRS are the best that can be made * from the original document. * -****_ ******* ************************************** **************** IDENTITE CULTURELLE ET FRANC0F'HONIE URNS LES UES (III) Colloque tenu au College Glendon de l'Unlyk.mite York a Toronto, CanadA, du 2 au 5 juin 1976, Actes presentes par: Main Baudot, Jean-Claude Jaubert et Ronald Sabourin U.S. -
Franco-American Cultures in a New World Perspective
Smith ScholarWorks French Studies: Faculty Publications French Studies Winter 2012 Franco-American Cultures in a New World Perspective Jonathan Gosnell Smith College, [email protected] Follow this and additional works at: https://scholarworks.smith.edu/frn_facpubs Part of the French and Francophone Language and Literature Commons Recommended Citation Gosnell, Jonathan, "Franco-American Cultures in a New World Perspective" (2012). French Studies: Faculty Publications, Smith College, Northampton, MA. https://scholarworks.smith.edu/frn_facpubs/10 This Article has been accepted for inclusion in French Studies: Faculty Publications by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected] Franco-American Cultures in a New World Perspective Jonathan Gosnell, Smith College Over forty prominent novelists from around the world signed a media petition in 2007 expressing their support for a new cosmopolitan definition of literature written in French. Rejecting the categorization “francophone” as devaluing, they demanded recognition of a “littérature-monde en français,” a world literature in French attentive to new voices from the postcolony, or what in this essay I will call a “worldly” literature in French. A book quickly emerged following the manifesto, reassembling petitioners and rearticulating their positions, which call into question the French republican narrative.1 In it they ask: Is French cultural production too narrowly defined? In response, scholars have organized conferences and special journal issues to further explore this broad conception of French literature.2 If writers, journalists, and even politicians have made much ado over the “littérature- monde en français” debate, it is because what is at issue is how French culture and identity are to be defined in the twenty-first century. -
Jack Kerouac: Citizen of Nature 19
The Rucksack Revolution: the Beat Generation's Views of Nature Christopher Clarke A Thesis in The Department of History Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts at Concordia University Montreal, Quebec, Canada March 2008 © Christopher Clarke, 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-40812-4 Our file Notre reference ISBN: 978-0-494-40812-4 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.