The Power of Positive Programs in the American Humane Movement
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The True Measure of Success Why David Howe Puts Honesty and Integrity First
JOURNALREAL ESTATE INSTITUTE OF NEW SOUTH WALES | SEP/OCT 2017 VOL 68/05 The true measure of success Why David Howe puts honesty and integrity first PROFESSIONALISM CELEBRATING EXCELLENCE HANDLING A HACK Examining our professional identity Awards for Excellence finalists revealed Be alert and alarmed about cyber crime INSIDE REAL ESTATE JOURNAL The Real Estate Journal is the official magazine of the Real Estate Institute of New South Wales. CONTENTS 30 To terminate or not 30-32 Wentworth Avenue UPFRONT to terminate? Sydney NSW 2000 5 A word from the President (02) 9264 2343 The NSW Small Business [email protected] 6 In brief Commissioner explains the www.reinsw.com.au complexities of managing 8 AGM notice Managing Editor a mixed-use tenancy. Cath Dickinson 8 Board of Directors’ Wordcraft Media election notice 32 Handling a hack: Be alert 0410 330 903 … and alarmed! [email protected] 9 Chapter Committees www.wordcraftmedia.com.au What you can do to minimise nomination notice the risk of your agency falling Advertising (02) 9264 2343 9 Division Committees victim to a cyber attack. [email protected] nomination notice 35 Cyber insurance 10 REINSW Professionalism Art Direction and Design Cyber risk is a major emerging Bird Project Think Tank 0414 332 146 risk for all agencies. Are you [email protected] covered? www.birdproject.com PERSPECTIVES 14 Braving the big chill Printing The annual Real Estate CMMA Digital and Print TRAINING AND www.cmma.com.au Sleep Out saw 180 agents EVENTS raise more than $277,000 36 Novice Auctioneers Photography for charity. -
Anglo-American Blood Sports, 1776-1889: a Study of Changing Morals
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1974 Anglo-American blood sports, 1776-1889: a study of changing morals. Jack William Berryman University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Berryman, Jack William, "Anglo-American blood sports, 1776-1889: a study of changing morals." (1974). Masters Theses 1911 - February 2014. 1326. Retrieved from https://scholarworks.umass.edu/theses/1326 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. ANGLO-AMERICAN BLOOD SPORTS, I776-I8891 A STUDY OF CHANGING MORALS A Thesis Presented By Jack William Berryman Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of MASTER OF ARTS April, 197^ Department of History » ii ANGLO-AMERICAN BLOOD SPORTS, 1776-1889 A STUDY OF CHANGING MORALS A Thesis By Jack V/illiam Berryman Approved as to style and content by« Professor Robert McNeal (Head of Department) Professor Leonard Richards (Member) ^ Professor Paul Boyer (I'/iember) Professor Mario DePillis (Chairman) April, 197^ ACKNOWLEDGMENTS Upon concluding the following thesis, the many im- portant contributions of individuals other than myself loomed large in my mind. Without the assistance of others the project would never have been completed, I am greatly indebted to Professor Guy Lewis of the Department of Physical Education at the University of Massachusetts who first aroused my interest in studying sport history and continued to motivate me to seek the an- swers why. -
The Screaming Jets Chrome Mp3, Flac, Wma
The Screaming Jets Chrome mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Chrome Country: Australia Released: 2016 Style: Hard Rock, Pub Rock, Rock & Roll MP3 version RAR size: 1474 mb FLAC version RAR size: 1847 mb WMA version RAR size: 1813 mb Rating: 4.4 Votes: 792 Other Formats: DXD MOD WAV MIDI ASF ADX VOC Tracklist Hide Credits Automatic Cowboy 1 3:27 Written-By – Woseen* Cash In Your Ticket 2 4:10 Written-By – Woseen* Razor 3 3:17 Written-By – Gleeson*, Hocking* No Place No Home 4 4:36 Written-By – Woseen*, Kingman* The Grip 5 2:40 Written-By – Woseen*, Kingman* Sex And Violence 6 4:27 Written-By – Woseen* Won't Stop You 7 3:15 Written-By – Woseen* Smack In The Mouth 8 3:38 Written-By – Gleeson*, Hocking*, Woseen* Scar 9 3:58 Written-By – Woseen* Turn It Around 10 3:09 Written-By – Woseen* Companies, etc. Recorded At – Yabbie Road Studio Recorded At – Studios 301, Byron Bay Overdubbed At – Phat Majik Entertainment Mixed At – Phat Majik Entertainment Credits Artwork – John E. Engelhardt Bass, Backing Vocals – Paul Woseen Drums – Mickl Sayers Engineer – Scott Kingman (tracks: 1, 2, 4-7, 9, 10) Engineer [Assistant] – Don Frizza (tracks: 1, 2, 4-7, 9, 10), Hannah MacNamara (tracks: 1, 2, 4-7, 9, 10) Guitar – Scott Kingman Guitar, Backing Vocals – Jimi "The Human" Hocking* Lead Vocals – Dave Gleeson Mastered By – Matthew Gray Photography By – Scott Kingman Producer – The Screaming Jets (tracks: 3, 8) Producer, Recorded By, Engineer, Mixed By – Steve James (tracks: 1, 2, 4-7, 9, 10) Recorded By – Scott Kingman (tracks: 3,8) Related Music albums to Chrome by The Screaming Jets 1. -
Organized Animal Protection and the Language of Rights in America, 1865-1900
*DO NOT CITE OR DISTRIBUTE WITHOUT PERMISSION* “The Inalienable Rights of the Beasts”1: Organized Animal Protection and the Language of Rights in America, 1865-1900 Susan J. Pearson Assistant Professor, Department of History Northwestern University Telephone: 847-471-3744 1881 Sheridan Road Email: [email protected] Evanston, IL 60208 ABSTRACT Contemporary animal rights activists and legal scholars routinely charge that state animal protection statutes were enacted, not to serve the interests of animals, but rather to serve the interests of human beings in preventing immoral behavior. In this telling, laws preventing cruelty to animals are neither based on, nor do they establish, anything like rights for animals. Their raison d’etre, rather, is social control of human actions, and their function is to efficiently regulate the use of property in animals. The (critical) contemporary interpretation of the intent and function of animal cruelty laws is based on the accretion of actions – on court cases and current enforcement norms. This approach confuses the application and function of anticruelty laws with their intent and obscures the connections between the historical animal welfare movement and contemporary animal rights activism. By returning to the context in which most state anticruelty statutes were enacted – in the nineteenth century – and by considering the discourse of those activists who promoted the original legislation, my research reveals a more complicated story. Far from being concerned only with controlling the behavior of deviants, the nineteenth-century animal welfare activists who agitated for such laws situated them within a “lay discourse” of rights, borrowed from the successful abolitionist movement, that connected animal sentience, proved through portrayals of their suffering, to animal rights. -
International Journal of Music Business Research, October 2013, Vol
36 International Journal of Music Business Research, October 2013, vol. 2 no. 2 The Newcastle music industry: An ethnographic study of a regional creative system in action Phillip McIntyre and Gaye Sheather1 Abstract This paper presents detailed preliminary findings from an ethnographic study of the Newcastle NSW music industry. It argues that in the midst of seemingly continuous change primarily wrought by the advent of new global trade regimes and associat- ed digital technologies there are also fundamental continuities at work for local music industries. These continuities are evident in the idea that these industries are part of a dynamic system of choice-making agents constituted by musicians, pro- moters, media operatives, venue owners, educators, policy makers and many oth- ers. They compete and collaborate within the structures of a gift and financial economy which exists in a regional and global framework with a dynamic history that has helped shape this creative system in action. Keywords: Creative system, creativity, music industry, field, ethnography 1 Introduction Prior to the turn of the millenium "fundamental ideological changes in the global political arena led to the creation of pro-market international trade regimes" (Thussu 2000: 82). As the processes of deregulation, pri- vatization and the opening of borders to rapid flows of capital "com- bined with new digital information and communication technologies" (ibid.) the impacts these produced have been felt across all economies internationally, from advanced to less well developed ones. This certain- ly happened in Europe and America but other regions, countries and localities have been living through the continuities and changes these developments continue to bring. -
SA-FM Charts, 1992-10-01 to 1992-11-12
OCTOBER 1ST 1992 Na. LW 1 (3) GREATEST HITS - DR HOOK Dr Hook (EMI 7995052) 2 (2) FORM ONE PLANET Rockmelons (Festival TVD93360) 3 (11 JESUS CHRIST SUPERSTAR 1992 Soundtrack (Polygram 5137132) 4 (6) TOURISM Roxette (EMI 7999294) 5 117) UNPLUGGED Eric Clapton (Warner 9362450) 6 (5) ELECTRIC SOUP/GORILLA BISCUIT Hoodoo Gurus (BMG 432110740-2) NO. LW 7 (14) TUBULAR BELLS II Mike Oldtield (Warner 4509906) 1 (2) HUMPIN AROUND Bobby Brown (BMG MCAD518962) 8 (4) FRIENDS FOR LIFE Jose Carieras (Warner 4509902552) 2 (1) SESAME'S TREET Smart Es (BMG PDS 510) 9 (9) MTV UNPLUGGED Mariah Carey (Sony 471869 2) 3 (7) ACHY BREAKY HEART Billy Ray Cyrus (Polygram 8640562) 10 (7) GET READY FOR THIS 2 Unlimited (Festival D 30797) 4 (4) RHYTHM IS A DANCER Snap (BMG 665309) 11 (10) BOBBY Bobby Brown (BMG MCAD 10417) 5 (3) BEST THINGS IN LIFE ARE FREE Luther & Janet (Polygram 587410-4) 12 120) AMERICA'S LEAST WANTED Ugly Kid Joe (Polygram 512571-) 6 (9) TAKE ME Dream Frequency (Festival D11203) 13 (18) BETTER TIMES Black Sorrows (Sony 4721492) 7 (8) NOVEMBER RAIN Guns N' Roses (BMG GEFDS 21) 14 (8) MY GIRL SOUNDTRACK Soundtrack (Sony 469213-2) 8 (15) SOMETIMES LOVE JUST AIN'T ENOUGH Patty Smyth/Don Henley (BMG MCADS 54403) 15 (271 SOME GAVE ALL Billy Ray Cyrus (Polygram 5106352) 9 (5) FRIENDS FOR LIFE Carreras & Brightman (Polygram 863308) 16 124) CHAMELEON DREAMS Margaret Urlich (Sony 472118.2) 10 (12) DO FOR YOU Euphoria (EMI 8740054-2) 17 119) TRIBAL VOICE Yothu Yindi (Festival D 30602) 11 (21) AIN'T NO DOUBT Jimmy Nail (Warner 4509902272) 18 (11) WELCOME -
George Q. Cannon's Concern for Animal Welfare in Nineteenth-Century America
BYU Studies Quarterly Volume 38 Issue 3 Article 4 7-1-1999 "A Plea for the Horse": George Q. Cannon's Concern for Animal Welfare in Nineteenth-Century America Aaron R. Kelson Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Part of the Mormon Studies Commons, and the Religious Education Commons Recommended Citation Kelson, Aaron R. (1999) ""A Plea for the Horse": George Q. Cannon's Concern for Animal Welfare in Nineteenth-Century America," BYU Studies Quarterly: Vol. 38 : Iss. 3 , Article 4. Available at: https://scholarsarchive.byu.edu/byusq/vol38/iss3/4 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected]. Kelson: "A Plea for the Horse": George Q. Cannon's Concern for Animal Wel george Q cannon ca 18901890C R savage photographer Published by BYU ScholarsArchive, 1999 1 BYU Studies Quarterly, Vol. 38, Iss. 3 [1999], Art. 4 CCA plea for the horse george Q cannons concern for animal welfare in nineteenth century america aaron R kelson taking a position somewhat unusualforunusual forpor his time president george Q cannon actively taught rerespectspectorforjorpot animals as a matter of religious principle george Q cannon 1827 1901 is remembered as a gentle and diplo- matic leader in the church of jesus christ of latter day saints never- ththelesseless he was a courageous and outspoken defender of the principles -
Encyclopedia of Animal Rights and Animal Welfare
ENCYCLOPEDIA OF ANIMAL RIGHTS AND ANIMAL WELFARE Marc Bekoff Editor Greenwood Press Encyclopedia of Animal Rights and Animal Welfare ENCYCLOPEDIA OF ANIMAL RIGHTS AND ANIMAL WELFARE Edited by Marc Bekoff with Carron A. Meaney Foreword by Jane Goodall Greenwood Press Westport, Connecticut Library of Congress Cataloging-in-Publication Data Encyclopedia of animal rights and animal welfare / edited by Marc Bekoff with Carron A. Meaney ; foreword by Jane Goodall. p. cm. Includes bibliographical references and index. ISBN 0–313–29977–3 (alk. paper) 1. Animal rights—Encyclopedias. 2. Animal welfare— Encyclopedias. I. Bekoff, Marc. II. Meaney, Carron A., 1950– . HV4708.E53 1998 179'.3—dc21 97–35098 British Library Cataloguing in Publication Data is available. Copyright ᭧ 1998 by Marc Bekoff and Carron A. Meaney All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 97–35098 ISBN: 0–313–29977–3 First published in 1998 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. Printed in the United States of America TM The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 Cover Acknowledgments: Photo of chickens courtesy of Joy Mench. Photo of Macaca experimentalis courtesy of Viktor Reinhardt. Photo of Lyndon B. Johnson courtesy of the Lyndon Baines Johnson Presidential Library Archives. Contents Foreword by Jane Goodall vii Preface xi Introduction xiii Chronology xvii The Encyclopedia 1 Appendix: Resources on Animal Welfare and Humane Education 383 Sources 407 Index 415 About the Editors and Contributors 437 Foreword It is an honor for me to contribute a foreword to this unique, informative, and exciting volume. -
Humane Education Past, Present, and Future 3CHAPTER
Humane Education Past, Present, and Future 3CHAPTER Bernard Unti and Bill DeRosa Introduction rom the earliest years of orga- need to correct children’s cruelty. tance of a virtuous citizenry devoted nized animal protection in “This tendency should be watched in to republican principles of gover- FNorth America, humane educa- them, and, if they incline to any such nance. This made education of the tion—the attempt to inculcate the cruelty, they should be taught the boy especially critical, since as a man kindness-to-animals ethic through contrary usage,” Locke wrote. “For he would assume authority over fami- formal or informal instruction of chil- the custom of tormenting and killing ly, chattel, property, and social insti- dren—has been cast as a fruitful other animals will, by degrees, harden tutions. Responsibility for educating response to the challenge of reducing their hearts even toward men; and the child for his leadership role rested the abuse and neglect of animals. Yet, they who delight in the suffering and with women, who were assumed to be almost 140 years after the move- destruction of inferior creatures, will the repositories of gentle virtue, com- ment’s formation, humane education not be apt to be very compassionate passionate feeling, and devotion— remains largely the province of local or benign to those of their own kind” buffers against the heartless struggle societies for the prevention of cruelty (Locke 1989). of the masculine public sphere. and their educational divisions—if Over time Locke’s insight raised Humane education provided one they have such divisions. Efforts to interest in the beneficial moral effect means of insulating boys against the institutionalize the teaching of of childhood instruction favoring the tyrannical tendencies that might humane treatment of animals within kindly treatment of animals. -
Media Release
43 High Street Gawler East PO Box 130 Gawler SA 5118 Tel: 08 8522 9211 Fax: 08 8522 9212 Email: [email protected] MEDIA RELEASE Date: 5 February 2018 Embargo: None Pages: 2 Publication: All The Gawler Fringe Opening Event is back in Walker Place in 2018 The Fringe will again make its mark on Gawler with the Gawler Fringe Opening Event to commence in Walker Place on Friday 16 February at 3pm. The Opening Event will bring a weekend full of free Fringe festivities and will be sure to include something for every member of the family. The theme of this year’s event is Live, Embrace, Enjoy Local and the jam-packed program showcases the amazing talent that Gawler has to offer. Mayor Karen Redman said “The heart of Gawler will be a hive of activity with a range of outstanding local performances and some fantastic feature acts as well”. The Mayor goes on to say “At this year’s event the community can expect to see some well-known local faces with performances from groups and solo artists such as the Gawler Ukes, Burnout, Generation XYZ, The Rickety Chicks, Lily and the Drum, Allan Dean, Liam Halford, Abbie Ferris and Scott Rathman Jnr. There’s also lots of performances by Gawler’s young up and coming talent”. Friday night’s feature act is not to be missed with a dynamic performance by Dave Gleeson; legendary lead vocalist of two of Australia’s most iconic rock bands, ‘The Screaming Jets’ and ‘The Angels’. For this one-off Fringe show, Gleeso will be joined by local Gawler legends Crafty and the Shindiggers. -
Polygram 1983-1992
AUSTRALIAN RECORD LABELS PolyGram 7”, 12” singles & LP’s 1983 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, MAY 2019 POLYGRAM 7”, 12” SINGLES & LP’S, 1983–1992 POLYGRAM PRODUCT GUIDE –1 = 12” SINGLES, LP’S –2 = CD SINGLES, CD’S (NOT LISTED) –3 = VHS VIDEO (NOT LISTED) –4 = CASSETTE SINGLES, CASSETTES (NOT LISTED) –7 = 7” SINGLES 370, 377—WINDHAM HILL 370 111-1 TEARS OF JOY TUCK & PATTI 1.90 377 008-1 LOVE WARRIORS TUCK & PATTI 1.90 390–397—A & M 390 419-7 LOVE SCARED / LOVE SCARED PART II (LET’S TALK IT OVER) LANCE ELLINGTON 3.91 390 460-7 STONE COLD SOBER / THE RETURN OF MAGGIE BROWN DEL AMITRI 7.90 390 462-7 THE MESSAGE IS LOVE (2 VERSIONS) ARTHUR BAKER 3.90 390 462-1 THE MESSAGE IS LOVE (2 VERSIONS) / THE MESSAGE IS CLUB ARTHUR BAKER 3.90 390 466-7 DIAMOND IN THE DARK / LAST NIGHT CHRIS DE BURGH 6.90 390 471-7 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 471-1 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 472-7 PERFECT VIEW / WE NEVER MET THE GRACES 3.90 390 474-7 NOTHING EVER HAPPENS / NO HOLDING ON DEL AMITRI 4.90 390 474-1 NOTHING EVER HAPPENS / NO HOLDING ON / SLOWLY, IT’S COMING BACK DEL AMITRI 5.90 390 475-7 I’M A BELIEVER / NO WAY OUT GIANT 6.90 390 476-7 INSIDE OUT / BACK TO WHERE WE STARTED GUN 4.90 390 477-7 WITH A LITTLE LOVE / WINDOW PEOPLE SAM BROWN 4.90 390 477-1 WITH A LITTLE LOVE / WINDOW PEOPLE / DOLLY MIXTURE SAM BROWN 4.90 390 480-7 A CHANGE IS GONNA COME / MY BLOOD THE NEVILLE BROTHERS 3.90 390 484-1 SUPER LOVER (2 VERSIONS) / WHEN WILL I SEE YOU AGAIN BARRY WHITE 6.90 390 486-7 TWO TO MAKE IT RIGHT -
Animal Print: the Literary Production of Humane America by Alyssa
Animal Print: The Literary Production of Humane America by Alyssa Chen Walker A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (American Culture) in the University of Michigan 2013 Doctoral Committee: Professor June Howard, Chair Professor Philip J. Deloria Professor Emerita Anne C. Herrmann Associate Professor Susan Scott Parrish © Alyssa Chen Walker 2013 ACKNOWLEDGEMENTS I am grateful to the following people whose wisdom, creativity, and generosity have shaped this work (and me) so much for the better. June Howard’s influence on this project extends far back, long before I matriculated at The University of Michigan or knew her as anything other than a literary voice to which I was drawn. This project was inspired by June, and (for so many reasons) it could not have been completed without her. The best moments in it are the product of her wise counsel, fierce optimism, and timely rallying-cry of “Onward!” In theorizing the humane, I have been struck by how fully Anne Herrmann embodies all the good that this term denotes. To be taught by one who poses difficult questions not merely to challenge but to transform has been a treasured gift bequeathed by a supremely humane mentor. I am deeply grateful to Phil Deloria for taking my interest in animals seriously from the very start and for encouraging me to “be myself” (even when doing so took us both into the academically dubious realm of feline detection). By perfectly modeling and generously supporting creative risk-taking, Phil has made joy a full and valid part of my intellectual endeavors.