DOCSLIB.ORG

Axel Dressler

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Axel Dressler MUSIC HISTORY IN BLACK RIVER FALLS FALLS HISTORY PROJECT 2005 HISTORY OF THE PROJECT INTRODUCTION How do we actively engage students in the study of history? This is the ongoing challenge that history teachers must face at the secondary level. Historian David Blight of Yale University suggests that "all historical experience . must be imagined before it can be understood." One way to engage students and their imaginations more fully is to connect them to the actual process of "doing" history and relate that process to an increased understanding of their local environment. Indeed, the story of Black River Falls and the surrounding area provides a rich and diverse landscape for historical research. OVERVIEW The Falls History Project was initiated during the 2001-02 school year with the intention of promoting history education at BRFHS and connecting our students more authentically to the history of our region. As a symbolic beginning for the project, we established a permanent display related to Corporal Mitchell RedCloud, Jr., a BRFHS graduate who posthumously received the Medal of Honor for heroism in the Korean War. His life story offers a compelling example of the power of memory in our community. Our intention is that the project will be ongoing and that it will involve a number of teachers and students. 2005 marked our fourth full year. COMPONENTS OF THE PROJECT INTERNSHIP An advanced senior history student serves as a department intern and helps develop the project each year. This is designed for a student that has completed AP US History and has a particular interest in history. ORAL HISTORY WORK The central component of the project involves the gathering of oral history. The focus of the interviews depends on the particular aspect of local history that we are dealing with at the time. We have had a different focus each year. The intern first researches the topic under consideration and then conducts four interviews. The interviews are taped, transcribed, and ultimately compiled in a publication that is made available to the public. RESEARCHING LOCAL DOCUMENTARY SOURCES Each intern is introduced to the sources of history available at the "Jackson County History Room" of the BRF Public Library, particularly the microfilm archives of local newspapers. Preliminary research is conducted in the History Room. THE FALLS HISTORY PROJECT ARCHIVE In the fall of 2003 we established an archive to house the materials that are being gathered in our research. The archive is located in the high school LMC and the materials are made available for our younger history students for primary research. Over time, we expect the archive to become a rich source of local history for future generations of students. THE FALLS HISTORY PROEJCT WEB SITE We have developed a FHP web site to document our work with the project. The web site includes numerous photographs and interview transcripts. It can be accessed at the Social Studies Department homepage, accessed from the high school page. 2 PAST AND PRESENT EDITIONS 2001-02 PROJECT Andi Jo C. was our first intern. Her work focused on World War II. She interviewed local veterans, including Bob Teeples, Elmo Johnson, Vilas Johnson, and Floyd Pratt. 2002-03 PROJECT Kristen B. was our second intern. The focus of the project in 2003 was on Black River Falls in the 1930s. Kristen interviewed Ozzy Moe, Bob Pratt, Lillian McManners, and George Brudos. 2003-04 EDITION: BLACK RIVER FALLS IN 1952 Jill J. served as our third intern. The focus of Jill’s project was BRF in 1952. Jill interviewed Jean and Janet Krohn, Dick Faldet, and Basil Holder, all of whom were students at BRFHS in 1952. She also interviewed Sam Young who was in the early years of his long coaching and teaching career at the school. 2004-05 EDITION: MUSICAL HISTORY OF BLACK RIVER FALLS Our 2004-05 intern was Kirsten B.. Kirsten’s love of music prompted her to explore the impact of several personalities on the musical history of the community. THIS YEAR'S INTERVIEWEES AXEL DRESSLER: INTERVIEWED NOVEMBER 11, 2004 LARRY HANSEN: INTERVIEWED NOVEMBER 11, 2004 RICHARD CAMLEK: INTERVIEWED NOVEMBER 11, 2004 DICK DENO: INTERVIEWED NOVEMBER 30, 2005 MARGARET SEVERSON: INTERVIEWED DECEMBER 17, 2004 FOR FURTHER INFORMATION If you wish to have further information concerning the Falls History Project, contact Paul Rykken at Black River Falls High School. 715-284-4324 (#2226) [email protected] 3 Axel Dressler November 11, 2004 Falls History Project Interview Interviewer: Kirsten A. Bjerke KB: What is your name? AD: My name is Axel Dressler. KB: When and where were you born? AD: I was born in 1947 in Munster Germany. KB: Munster? AD: Munster, it sounds kind of like the Munster cheese, but it isn’t it’s a totally different town. It’s a little town in northern Germany. KB: Where did you grow up then? AD: Well I grew up through age nine in Germany, then my family decided to emigrate to the US, and we moved to Reedsburg, Wisconsin, and that’s where I was introduced to playing a string instrument, that’s where I learned how to play Cello, and was interested in music, and from there I moved to Watertown, and that’s where I went to high school. KB: Where did you go to college after that? AD: After going to high school in Watertown, I started at UW Whitewater and was a physics major, and decided to transfer to UW Oshkosh and go into music, so that’s where I graduated then in 1970, with a bachelor in music education degree. KB: Why did you choose music as a career? AD: I’ve come from quite a musical family, my father studied to be a classical pianist, and as a young child we listened to classical music, to the symphonies, choral works, all sorts of music, and it was always an interest of mine and I always thought I wanted to do something in my life with music. KB: You said you started out as a Physics major, what made you change your mind? AD: Well I had lots of interest, when I was at UW Whitewater I also played cello in the orchestra and I really truly enjoyed that. It was a choice, was I going to stay in Physics or music, I think the love of music took over and that’s why I changed. KB: Did you have any early influences, any people who might have shaped your music? AD: My father for sure, I remember as a little boy sitting on his lap as he was practicing and playing the piano, and I was always touched by, there was one particular song that I remember he played that I thought was so very, very beautiful, and so I would plunk around on the piano even as a little child and play things, and then as I went to school and learned to play in the orchestra I really enjoyed that, and my high school orchestra director in Watertown, Wisconsin was a big influence in my deciding to do that also. KB: When did you start teaching here in Black River? AD: I came here in January of 1970, so that was in the middle of the year, and I was hired as an orchestra teacher. KB: How long did you work here? AD: I worked redeveloping the orchestra program until 1989 or ’90, and so that was almost twenty years and then I had the opportunity to go into band and I thought, well I’ve done orchestra almost twenty years, and so I became a band director I believe in 1990. KB: When did you retire? AD: I retired in 2002, so I’ve been retired two years. KB: After college did you come straight here, did you have other options? AD: Back in 1970 it was quite different than it is today to get a job. Today for an opening there might be 300 applicants or 50 depending on the demand for music teacher. Back in 1970 I wrote in an application to the then superintendent and he called me up Christmas Eve and said I had the job and I came here in January and started teaching. 4 KB: How come you came midterm? AD: That just happened to be when I graduated, it took me longer than four years to get through college, that’s why so it just turned out that way. KB: Why did you choose to apply at Black River? Did you apply other places? AD: I believe I only maybe sent out two applications, it was mid year so first if all there weren’t that many openings and this was the first place I applied and I got the job and initially I thought maybe I’d stay in a small town for two three years, and then maybe move on, but roots grow fast and deep. KB: What all did you teach when you first came here? AD: Well, that was quite interesting, even though I was hired to teach orchestra, to develop the program but I also had to teach kindergarten music, I remember I used to get in my old car and drive to Millston which is a little town away from here, and they had their own school, this was a consolidated school district and taught some elementary classes and then drove to Hixton and did the same thing there, taught some elementary classes, so orchestra by far wasn’t the only thing that I taught. KB: How did that change over the years? AD: Well over the years for various reasons the school district decided that outlying schools needed to be closed for financial reasons I would assume, so I didn’t need to go, I wasn’t required to teach music at those schools and then the orchestra program grew, I believe when I came here there were maybe twelve students, and that changed to at one time I think we had sixty string players, and a lot of things have changed from the 70’s to 2002.
Load more

Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • 1 United States District Court District of Massachusetts 2
    1 1 UNITED STATES DISTRICT COURT DISTRICT OF MASSACHUSETTS 2 3 * * * * * * * * * * * * * * * * * * *ARKANSAS TEACHER RETIREMENT * 4 SYSTEM, on behalf of itself and * all others similarly situated * 5 Plaintiffs * CIVIL ACTION vs. * No. 11-10230-MLW 6 * *STATE STREET CORPORATION, * 7 STATE STREET BANK AND TRUST * COMPANY, AND STATE STREET GLOBAL * 8 MARKETS, LLC, * Defendants * 9 * * * * * * * * * * * * * * * * * * 10 11 Related cases: 11-cv-12049-MLW 12-cv-11698-MLW 12 13 14 BEFORE THE HONORABLE MARK L. WOLF UNITED STATES DISTRICT JUDGE 15 HEARING May 30, 2018 16 17 18 19 Courtroom No. 10 20 1 Courthouse Way Boston, Massachusetts 02210 21 22 JAMES P. GIBBONS, RPR/RMR Official Court Reporter 23 1 Courthouse Way, Suite 7205 Boston, Massachusetts 02210 24 [email protected] 25 2 1 APPEARANCES: 2 DONOGHUE BARRETT & SINGAL, (By William F. Sinnott, Esq., and Amy McEvoy, Esq. ), One Beacon Street, Suite 3 1320, Boston, Massachusetts 02108-3106, on behalf of the Hon. Gerald E. Rosen, Special Master 4 CHOATE, HALL & STEWART, LLP, (By Joan A. Lukey, 5 Esq., and Justin J. Wolosz, Esq.), 100-150 Oliver Street, Boston, Massachusetts 02110, on behalf of 6 Labaton Sucharow, LLP 7 NIXON PEABODY, LLP, (By Brian T. Kelly, Esq.), 100 Summer Street, Boston, Massachusetts 02110, on behalf 8 of the Thornton Law Firm, LLP 9 LIEFF CABRASER HEIMANN & BERNSTEIN, (By Richard M. Heimann, Esq.), 275 Battery Street, 30th Floor, San 10 Francisco, California 94111-3339, on behalf of Plaintiffs 11 12 WILMER HALE, LLP, (By William H. Paine, Esq., and Daniel W. Halston, Esq.), 60 State Street, Boston, 13 Massachusetts 02109, on behalf of Defendants 14 McTIGUE LAW, LLP, (By J.
    [Show full text]
  • How to Write a "Catchy" Song Title by Vince Corozine (ASCAP)
    How To Write a "Catchy" Song Title by Vince Corozine (ASCAP) The song title, "You Can't Take That Away From Me" immediately raises the question, "What can't you take away from me?" It drives the reader to want to investigate further and find out what the lyric says. It peaks our interest and arouses one's curiosity. A "catchy" song title will perk the interest of the listener and lead them to want to pursue more information about what the song is about. When selecting a song title one must ask, "What is the song about?" Is it about winning love, losing love, rival love, unrequited love? The topic of the song must be crystal clear in the mind of the songwriter and this central idea must be conveyed to the listener 1. What makes a good title? The title of a song should summarize the essence of the song and should be used in a prominent place in the song, like the first line of "Night and Day," or at the end of each verse as in "New York State of Mind," or at the very end of the song as in "You'll Never Walk Alone." Some of the strongest and best titles contain language that paints a verbal picture or suggests an image in the mind of the listener "A Boy Named Sue," or one that pertains to a color "Blue Suede Shoes." or one that mentions a place "Chicago," or represents a name "Michelle," or suggests a date "April Showers." 2. Can I use a title that already exists? It is fascinating to know that song titles, book titles, movie titles and so on are not copyrightable and therefore can be used freely by anybody without cost or paying royalties.
    [Show full text]
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • Diversity Panel, Intersection of Education and Workforce
    - Welcome to everyone again, and particularly, welcome to the folks that are here on our diversity panel, Intersection of Education and Workforce. We have with us this afternoon David Owen, South Dakota Chamber of Commerce president, Nathan Sanderson, South Dakota Retailers Association executive director, Carla Gatzke, Daktronics, Vice President for Human Resources, Sandra Ogunremi, Regional Health, Manager of Diversity, Inclusion and Equality, and Nicole Freesemann of Raven, Vice President of Human Resources. I'd like to start from my right with Ms. Freesemann, and have each of you just give a brief opening statement, for lack of a better description, a little bit about who you are, what you do, and the importance of these issues in the workplace and how they relate to what we do, and then we'll open it up for questions and hopefully have a good dialogue. This is intended to be a rather informal gathering. So with that, please proceed. - All right, good afternoon. My name is Nicole Freesemann. I am the Vice President of Human Resources with Raven Industries. I've been with Raven now a little over 11 years in various HR roles, and today lead our HR function. As I was asked to be here, as far as considering my opening statement, I was to make comment about diversity and cultural education as an important conversation in South Dakota, and so I'm gonna speak a little bit from our perspective at Raven. Diversity and inclusion is a hot topic for employers today, and often, companies mistakenly assume diversity and inclusion are synonymous, but they are not.
    [Show full text]
  • Waiting for Godot Tragicomedy in 2 Acts
    Waiting for Godot tragicomedy in 2 acts By Samuel Beckett Estragon Vladimir Lucky Pozzo a boy ACT I A country road. A tree. Evening. Estragon, sitting on a low mound, is trying to take off his boot. He pulls at it with both hands, panting. # He gives up, exhausted, rests, tries again. As before. Enter Vladimir. ESTRAGON: (giving up again). Nothing to be done. VLADIMIR: (advancing with short, stiff strides, legs wide apart). I'm beginning to come round to that opinion. All my life I've tried to put it from me, saying Vladimir, be reasonable, you haven't yet tried everything. And I resumed the struggle. (He broods, musing on the struggle. Turning to Estragon.) So there you are again. ESTRAGON: Am I? VLADIMIR: I'm glad to see you back. I thought you were gone forever. ESTRAGON: Me too. VLADIMIR: Together again at last! We'll have to celebrate this. But how? (He reflects.) Get up till I embrace you. ESTRAGON: (irritably). Not now, not now. VLADIMIR: (hurt, coldly). May one inquire where His Highness spent the night? ESTRAGON: In a ditch. VLADIMIR: (admiringly). A ditch! Where? ESTRAGON: (without gesture). Over there. VLADIMIR: And they didn't beat you? ESTRAGON: Beat me? Certainly they beat me. VLADIMIR: The same lot as usual? ESTRAGON: The same? I don't know. VLADIMIR: When I think of it . all these years . but for me . where would you be . (Decisively.) You'd be nothing more than a little heap of bones at the present minute, no doubt about it. ESTRAGON: And what of it? VLADIMIR: (gloomily).
    [Show full text]
  • PATTI LABELLE Ith a Stage Presence As Exciting As Her Belting Soprano Voice
    EDUCATION APOLLO THEATER WALK OF FAME LEGEND PATTI LABELLE ith a stage presence as exciting as her belting soprano voice and “Rock and Soul” sound she helped pioneer in the 1970s, singer Patti LaBelle is nicknamed the “Godmother of Soul.” WBorn Patricia Louise Holte on May 24, 1944 in Philadelphia, Pennsylvania, “Patsy” was shy growing up. After joining her church’s youth choir in her teens, she discovered her singing had the ability to uplift audiences. Word of Holte’s talent spread quickly through Philadelphia, and before she knew it, listeners from around the city were coming to hear her sing. Encouraged by her experience in church, she formed an all-female “Doo-Wop” group in “FROM THE DAY LABELLE high school named, The Ordettes. In 1962, after auditioning with their cover of “I Sold My Heart STEPPED OUT ONSTAGE IN THOSE to the Junkman,” the vocal quartet was OUTRAGEOUS OUTFITS, PEOPLE signed to the Bluebelle Record Company and renamed, The Bluebelles. Soon after, Holte took a new name of her own, “Patti LaBelle”; “La WOULD NEVER SEE Belle” meaning “The Beautiful” in French. GIRL GROUPS THE Within days of being signed, Patti LaBelle and the Bluebelles were booked on the nationally SAME WAY AGAIN.” televised music program, American Bandstand. The following year in 1963, they played the World Famous Apollo Theater in Harlem for the first time. Audiences loved the girls so much they nicknamed them the “Sweethearts of DO NOW the Apollo.” Wear Something Silver When the British Invasion of Rock and Roll Labelle wowed audiences not hit the U.S.
    [Show full text]
  • 50 Cent Has Returned with with Someone
    you can indulge in the success that you’re actually having, or you reflect on the struggle, What’s the idea behind the book? how hard it was to get to that point - and why The book deals with fear a lot. I think a lot people are angry. Because, where I’m from, of people are afraid to move to the next level when people get confused, they get angry… without being conscious of it. ‘Cause they may because anger is a more comfortable feeling do everything that it says for them to require, than not knowing what’s going on period. So, or be eligible, to move into a good space and they get angry to find a more comfortable space then get there and not apply themselves. You to deal with those emotions, as opposed to go to school, you get your masters in the area actually dealing with informing themselves at you’re in, [and] you get your job. [Now] you’re in that point. the boardroom and they’re asking a question and you know the answer, but someone else is So who are you writing to with this album? answering the question a lot of times. If I’m in Well I’m writing for me. I stopped writing for corporate settings I’ll ask questions because I people - the Curtis album was me trying to want the answers. I’m not afraid of people in a offer something different. If you listen to my room [thinking] I don’t know. I’d rather leave the cadence on ‘Ayo Technology’, you’ve never room knowing, ‘cause I asked the question, than heard me rap that way because I was trying to conceal that I didn’t know.
    [Show full text]
  • The KARAOKE Channel Song List
    11/17/2016 The KARAOKE Channel Song list Print this List ... The KARAOKE Channel Song list Show: All Genres, All Languages, All Eras Sort By: Alphabet Song Title In The Style Of Genre Year Language Dur. 1, 2, 3, 4 Plain White T's Pop 2008 English 3:14 R&B/Hip- 1, 2 Step (Duet) Ciara feat. Missy Elliott 2004 English 3:23 Hop #1 Crush Garbage Rock 1997 English 4:46 R&B/Hip- #1 (Radio Version) Nelly 2001 English 4:09 Hop 10 Days Late Third Eye Blind Rock 2000 English 3:07 100% Chance Of Rain Gary Morris Country 1986 English 4:00 R&B/Hip- 100% Pure Love Crystal Waters 1994 English 3:09 Hop 100 Years Five for Fighting Pop 2004 English 3:58 11 Cassadee Pope Country 2013 English 3:48 1-2-3 Gloria Estefan Pop 1988 English 4:20 1500 Miles Éric Lapointe Rock 2008 French 3:20 16th Avenue Lacy J. Dalton Country 1982 English 3:16 17 Cross Canadian Ragweed Country 2002 English 5:16 18 And Life Skid Row Rock 1989 English 3:47 18 Yellow Roses Bobby Darin Pop 1963 English 2:13 19 Somethin' Mark Wills Country 2003 English 3:14 1969 Keith Stegall Country 1996 English 3:22 1982 Randy Travis Country 1986 English 2:56 1985 Bowling for Soup Rock 2004 English 3:15 1999 The Wilkinsons Country 2000 English 3:25 2 Hearts Kylie Minogue Pop 2007 English 2:51 R&B/Hip- 21 Questions 50 Cent feat. Nate Dogg 2003 English 3:54 Hop 22 Taylor Swift Pop 2013 English 3:47 23 décembre Beau Dommage Holiday 1974 French 2:14 Mike WiLL Made-It feat.
    [Show full text]
  • Pdf, 194.50 KB
    00:00:00 Music Music Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:12 Jesse Host I’m Jesse Thorn. It’s Bullseye. Thorn 00:00:14 Music Music “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:22 Jesse Host Twyla Tharp is a legend in the world of dance. She’s put on well over 100 stage shows—either dancing in them or choreographing them. She’s won a Tony, an Emmy. She has an honorary doctorate from Harvard. She choreographed films like Hair, Amadeus, and Ragtime. She put on her first show in 1965. So, that is 55 years of dancing. She has been dancing for 55 years. She’s 78, now, and she’s still working just as hard as ever. And if that sounds extraordinary to you, well it kind of is. But Twyla Tharp doesn’t think so. She says the secret to staying healthy and vibrant is pretty simple: just keep moving. That’s the title of her book, pretty much. Keep It Moving: Lessons for the Rest of Your Life. Twyla talked with me, from New York, and man. She is a firecracker. Let’s get into our interview. [Music ends with a chorus of cheers and applause.] Twyla Tharp, welcome to Bullseye! I’m so happy to have you on the show.
    [Show full text]
  • Katie Zaffrann Transcript
    This transcript was exported on May 20, 2021 - view latest version here. Chris Velardi: Hey, it's Chris Velardi. Glad you found the 'Cuse Conversations podcast. Our guest today, Katie Zaffrann, a 2004 grad with a BFA in musical theater from VPA and her audition story, it's a good one. Katie Zaffrann: So, I remember I auditioned across the country for a number of programs. Syracuse was my first audition and it ended up being the standard that I held every other program up to. And I remember so clearly I was singing my song and the auditor who was later one of my professors got up from behind the table and started acting with me. Chris Velardi: What happens next? You'll have to listen to the conversation. She'll finish the story for you. We cover a lot of ground in this 'Cuse conversation, including Katie's time at SU. Her new venture as an instructor with Greenhouse Music, which is an online conservatory, she's teaching a class called The Whole Musician. We also dive deep into the importance of dealing with anxiety and mental health, but we're going to start with the challenges of the last year when you're a performer in a world without performances. So, how are you doing? Katie Zaffrann: I'm hanging in there and I'll be honest. I think I might be doing a little better than some. I wouldn't have said that a year ago, but I actually gave birth about two weeks into lockdown.
    [Show full text]
  • Karaoke Catalog Updated On: 25/10/2018 Sing Online on Entire Catalog
    Karaoke catalog Updated on: 25/10/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton Before He Cheats - Carrie Underwood Wannabe - Spice Girls Sweet Caroline - Neil Diamond Zombie - The Cranberries I Will Survive - Gloria Gaynor Don't Stop Believing - Journey Dancing Queen - ABBA Sweet Child O'Mine - Guns N' Roses Perfect - Ed Sheeran Piano Man - Billy Joel Amarillo By Morning - George Strait Bohemian Rhapsody - Queen Africa - Toto Always On My Mind - Willie Nelson Uptown Funk - Bruno Mars Black Velvet - Alannah Myles Me And Bobby McGee - Janis Joplin Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Santeria - Sublime Take Me Home, Country Roads - John Denver Killing Me Softly - The Fugees Someone Like You - Adele Folsom Prison Blues - Johnny Cash Valerie - Amy Winehouse Livin' On A Prayer - Bon Jovi Can't Help Falling In Love - Elvis Presley Wagon Wheel - Darius Rucker New York, New York - Frank Sinatra Girl Crush - Little Big Town House Of The Rising Sun - The Animals What A Wonderful World - Louis Armstrong Summer Nights - Grease Jackson - Johnny Cash Jolene - Dolly Parton Crazy - Patsy Cline Let It Go - Idina Menzel (Sittin' On) The Dock Of The Bay - Otis Redding My Girl - The Temptations All Of Me - John Legend I Wanna Dance With Somebody - Whitney Houston Ring Of Fire - Johnny Cash Turn The Page - Bob Seger Neon Moon - Brooks & Dunn My Way - Frank Sinatra These Boots Are Made For Walkin' - Nancy Sinatra Strawberry Wine - Deana Carter I Want It That Way - Backstreet
    [Show full text]