Paragon Ceramic Kiln Instruction & Service Manual
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7 Great Pottery Projects
ceramic artsdaily.org 7 great pottery projects | Second Edition | tips on making complex pottery forms using basic throwing and handbuilding skills This special report is brought to you with the support of Atlantic Pottery Supply Inc. 7 Great Pottery Projects Tips on Making Complex Pottery Forms Using Basic Throwing and Handbuilding Skills There’s nothing more fun than putting your hands in clay, but when you get into the studio do you know what you want to make? With clay, there are so many projects to do, it’s hard to focus on which ones to do first. So, for those who may wany some step-by-step direction, here are 7 great pottery projects you can take on. The projects selected here are easy even though some may look complicated. But with our easy-to-follow format, you’ll be able to duplicate what some of these talented potters have described. These projects can be made with almost any type of ceramic clay and fired at the recommended temperature for that clay. You can also decorate the surfaces of these projects in any style you choose—just be sure to use food-safe glazes for any pots that will be used for food. Need some variation? Just combine different ideas with those of your own and create all- new projects. With the pottery techniques in this book, there are enough possibilities to last a lifetime! The Stilted Bucket Covered Jar Set by Jake Allee by Steve Davis-Rosenbaum As a college ceramics instructor, Jake enjoys a good The next time you make jars, why not make two and time just like anybody else and it shows with this bucket connect them. -
CATALOG-2009.Pdf
- 0 - REV. Jan 2009 TTTTTTaaaaaabbbbbblllllleeeeee ooooooffffff ccccccoooooonnnnnntttttteeeeeennnnnnttttttssssss PAGE 1. CLAY – pricing 18. SPONGES 2. CLAY – descriptions THROWING BATS 3. CLAY – descriptions continued 19. TOOLS – Chinese Clay Art tools 4. CLAY – descriptions continued 20. TOOLS – Chinese Clay Art tools 5. DRY CLAY SLIPS 21. TOOLS – Clayshaper Tools WET SLIP BY THE GALLON TOOLS – Falcon Tools 6. RAW MATERIALS – pricing 22. TOOLS – Sherrill Mud Tools 7. RAW MATERIALS – pricing TOOLS – Brushes 8. RAW MATERIALS – pricing 23. GLAZING EQUIPMENT – Sieves PLASTER FIRING SUPPLIES – Pyrometric Cones LIQUID RAW MATERIALS FIRING SUPPLIES - Burners 9. REFRACTORIES – Standard kiln shelves 24. GLAZING EQUIPMENT – Jiffy Mixers 10. REFRACTORIES – Nitride-Bonded Silicon SLAB ROLLERS – Northstar, Shimpo Carbide kiln shelves 25. POTTER’S WHEELS – Brent wheels REFRACTORIES – Core-Lite Shelves 26. POTTER’S WHEELS – Brent wheel accessories 11. REFRACTORIES – Posts 27. POTTER’S WHEELS –More Brent REFRACTORIES – Firebrick 28. POTTER’S WHEELS – Shimpo wheels REFRACTORIES – Castables POTTER’S STOOLS – Shimpo, Brent, Creative REFRACTORIES – Kaowool 29. POTTER’S WHEELS – Skutt wheels accessories PEEP HOLE PLUGS 30. POTTER’S WHEELS – Skutt wheels accessories 12. REFRACTORIES – Roselli Stilts WARE CARTS – Rolling ware carts, Batmoblie 13. LOW FIRE BISQUE TILES 31. POTTER’S WHEELS – Pacifica GLAZES – Cone 10 Stoneware glaze pricing PACIFICA WHEEL ACCESSORIES 14. GLAZES – Cone 10 Stoneware glaze 32. EXTRUDERS – Scott Creek descriptions EXTRUDERS - Northstar GLAZES – Cone 10 Tom Coleman dry glaze 33. KILNS – Skutt Kilns pricing 34. KILNS – Skutt Envirovent II GLAZES – Cone 5/6 Dry glaze pricing and 35. KILNS – Shimpo/CONE ART descriptions 15. GLAZES – Cone 5/6 Laguna dry Moroccan sand BACK COVER: stock glaze prices MAP TO OUR LOCATION RAKU GLAZES – Dry STORE HOURS 16. -
Color in Salt Glaze
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 8-1-1967 Color in salt glaze Daniel Lee Stevens Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Let us know how access to this document benefits ou.y Recommended Citation Stevens, Daniel Lee, "Color in salt glaze" (1967). Dissertations and Theses. Paper 561. https://doi.org/10.15760/etd.561 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACT OF THE THESIS OF Daniel Lee Stevens for the Master of Science in teaching in Cerami~s 'presented 0:0 August 7, 1967. Title: COLOR IN SALT GLAZE. , Abs tract approved: This thesis endeavors to bring a brief history of salt glaze to the reader, following i~s ge~esisin Germany to England and the American colonies and its continuation to the prese~t day. In order to conduct research on color in salt glaze~ a kiln had to be built for this purpose, meeting all the requirements 'that this tech- nique demands. Studies were ~ade on clay bodies to determine their throwing qualities as well as their ability to take a salt glaze. Finally, research was carried out 'in many serfes of tests studying the reactions of'various engobes and other coloring materials when ,fired in the salt glaze kiln. \ .' COLOR IN SALT GLAZE by Daniel Lee Stevens A THESIS submitted to .Portland State College, in partial fulfillment of the requirements for the degree of Master of Science in Teaching August 1967 \ I PORTLAND STATE COL~EGE LIBRARY' . -
Industrial Arts Courses. It Was Include a Glossary of Ceramic Terms
DOCUMENT RESUME VT 002 002 ED 021 963 By-Hastings, James R., Ed CERAMICS, PROJECT IDEAS FORINDUSTRIAL ARTS. New York State Education Dept.,Albany. Bureau of SecondaryCurriculum Development. Pub Date 66 Note-185p. EDRS Price MF-$0.75 HC-$7.48 UNITS, Descriptors-*CERAMICS, HIGH SCHOOLS,*INDUSTRIAL ARTS, JUNIOR HIGHSCHOOLS, *RESOURCE *STUDENT PROJECTS This book of ceramic projectideas is for teacher orstudent use insecondary industrial arts courses. It wasdeveloped in a workshopby teachers. The content useful projects and unitsof instruction and togiVe direction objectives are to provide Forty-one to ceramics instructionwhich isin keeping with achanging technology. under these units: (1)Hand Forming, (2) SlabConstructing, project plans are presented Extruding, (8) (3) Free Forming, (4) PressMolding, (5) Solid Casting,(6) Slip Casting, (7) Throwing and Turning, and (9)Jiggering. Each unit givesproject plans,student activities, projectprocedures, related technicalinformation, teacher demonstrations, references. Similarly organized units cover13 tools or related- cultural information, and turning box. pieces of equipment such as...a.jiggerarm, stilts, anextrusion press, and a Information concerning the makingof glazes is also included.Supplementary materials include a glossary of ceramic terms, abibliography of books andperiodicals, and indexes to related technical andcultural topics. (EM) i, , U.S. DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. Cetaini,a, wied feaJ FOR INDUSTRIAL ARTS , THE UNIVERSITY OF THE STATE OF NEW YORK The State Education Department Bureau of Secondary Curriculum Development Albany, 1966 THE UNIVERSITY OF THE STATE OF NEW YORK Regents of the University (with years when terms expire) EDGAR W. -
Proceedings of the Fourth Annual International Conference on Cement Microscopy March 28-April 1, 1982 Las Vegas, Nevada USA
Proceedings of the Fourth Annual International Conference On Cement Microscopy March 28-April 1, 1982 Las Vegas, Nevada USA Title: Thoughts Regarding the ONO Method of Portland Cement Clinker Analysis Authors: Prout, N. J. pp. 2-3 Title: Application of ONO Method at Canada Cement Lafarge -- Panel Discussion Authors: Chen, H. pp. 4-5 Title: Use of the ONO Technique -- Panel Discussion Authors: Hawkins, P. pp. 6 Title: Interpretations of Burning Conditions with Powder Mounts -- Panel Discussion Authors: Campbell, D. H. pp. 7-8 Title: Comments on ONO's Method and Cement Microscopy -- Panel Discussion Authors: O'Neill, R. C. pp. 9-10 Title: Concrete Microscopy at the Construction Technology Laboratories -- Panel Discussion Authors: Campbell, D. H. pp. 12-13 Title: The Use of the Microscope in the Ready-Mix Concrete Industry -- Panel Discussion Authors: Nisperos, A. pp. 14-20 Title: The Microscope and Lime Authors: Walker, D. D. pp. 21-48 Title: Influence of Second Firing System Incorporated in Suspension Preheater Kilns on Clinker and Cement Quality Authors: Dreizler, I. E. pp. 50-66 Title: Investigation of the Formation of Portland Cement Clinker in a Pilot Rotary Kiln by the Aid of XRD and Microscopy Authors: Janko, A. pp. 67-82 Title: Microscopic Analysis of Portland Cement Clinker Applied to Rotary Kiln and Compressive Strength Control Authors: Hicks, J. K.; Dorn, J. D. pp. 83-91 Title: Clinker Quality Characterization by Reflected Light Techniques Authors: Long, G. R. pp. 92-109 Title: Effects of Kiln Feed Particle Size and Mineralizers of Clinker Microstructure and Cement Quality -- A Case Study Authors: Hargave; Shah; Chatterjee; Rangnekar pp. -
Design and Simulation of Pottery Kiln
Design and Simulation of Pottery Kiln Kiran Govind ( [email protected] ) Birla Institute of Technology and Science Keerthidas PU NSS College of Engineering Karthik R National Institute of Design Kishore R NSS College of Engineering Research Article Keywords: kiln, rewood, coconut husk, bonre, pottery, chimney, downdraught, simulation, fuel consumption Posted Date: June 15th, 2021 DOI: https://doi.org/10.21203/rs.3.rs-593830/v1 License: This work is licensed under a Creative Commons Attribution 4.0 International License. Read Full License DESIGN AND SIMULATION OF POTTERY KILN Kiran Govind1, Keerthidas P U2, Karthik R3, Kishore R4 1. Kiran Govind – Birla Institute of Technology and Science – [email protected] 2. Keerthidas PU – NSS College of Engineering - [email protected] 3. Karthik R – National Institute of Design – [email protected] 4. Kishore R – NSS College of Engineering - [email protected] “*Correspondence to Kiran Govind” Abstract Pottery industry is one of the small-scale industries in India. Most rural potters depend upon traditional pottery kilns for burning process by firewood or coconut husk. In order to produce high quality pottery products better burning process is needed. The purpose of the project is to thermal analysis of burning process in a traditional furnace in order to achieve uniform temperature inside the kiln and decrease the fuel consumption through better distribution of input heat. The traditional kilns are bonfire kilns, which involve open firing in shallow pit. These kilns suffer higher fuel consumption, poor ware strength and extensive breakage. Smokes produced during firing will serious health problems to pottery workers and their family. -
Dry Kiln Operator's Manual
United States Department of Agriculture Dry Kiln Forest Service Operator's Forest Products Laboratory Manual Madison, Wisconsin Agriculture Handbook No. 188 Dry Kiln Operator’s Manual Edited by William T. Simpson, Research Forest Products Technologist United States Department of Agriculture Forest Service Forest Products Laboratory 1 Madison, Wisconsin Revised August 1991 Agriculture Handbook 188 1The Forest Products Laboratory is maintained in cooperation with the University of Wisconsin. This publication reports research involving pesticides. It does not contain recommendations for their use, nor does it imply that the uses discussed here have been registered. All uses of pesticides must be registered by appropriate State and/or Federal agencies before they can be recommended. CAUTION, Pesticides can be injurious to humans, domestic animals, desirable plants, and fish or other wildlife-if they are not handled or applied properly. Use all pesticides selectively and carefully. Follow recommended practices for the disposal of surplus pesticides aand pesticide containers. Preface Acknowledgments The purpose of this manual is to describe both the ba- Many people helped in the revision. We visited many sic and practical aspects of kiln drying lumber. The mills to make sure we understood current and develop- manual is intended for several types of audiences. ing kiln-drying technology as practiced in industry, and First and foremost, it is a practical guide for the kiln we thank all the people who allowed us to visit. Pro- operator-a reference manual to turn to when questions fessor John L. Hill of the University of New Hampshire arise. It is also intended for mill managers, so that they provided the background for the section of chapter 6 can see the importance and complexity of lumber dry- on the statistical basis for kiln samples. -
Techniques & Tips
ceramic artsdaily.org techniques & tips for electric kilns inspiration, instruction and glaze recipes for making pottery in electric kilns This special report is brought to you with the support of Skutt Kilns and Pottery Wheels. Techniques and Tips for Electric Kilns Instructions and Glaze Recipes for Making Pottery in Electric Kilns Electric kiln firing is one of the most common firing methods because electric pottery kilns are readily available and simple to install. But that doesn’t mean that they yield common results. Electric pottery kilns can be incredible tools in the studio. The authors presented here are creative potters and ceramic artists using electric pottery kilns to create exquisite ceramic art. Not only can electric kilns produce great results, but they also offer control and dependability. And electric kilns keep becoming more versatile, economical, and easy to use with advances in controllers, energy efficiency, materials, and safety. Improve your electric firing results and take advantage of the incredible potential offered by electric kiln firing. How to Fire Electric Pottery Kilns From the Pottery Making Illustrated Instructor’s File Archives This introductory/refresher course covers all the bases of firing electric kilns. How to Clean Kiln Shelves, Mix Kiln Wash, and Apply Kiln Wash by Vince Pitelka Kiln shelf maintenance is a much hated but very necessary part of having a kiln. Neglected kiln shelves can result in flakes of kiln wash landing smack dab in the middle of a beautiful glaze surface. In this article, an excerpt from Clay: A Studio Handbook, 2nd edition, (due out Fall 2016) Vince Pitelka gives some tips on scraping kiln shelves, mixing kiln wash, and shares a couple of kiln wash recipes. -
Chapter 2 Kiln Types and Features
Chapter 2 Kiln Types and Features Classification systems 43 A lumber dry kiln consists of one or more chambers Operational techniques 43 designed to provide and control the environmental con- Compartment kilns 43 ditions of heat, humidity, and air circulation necessary Progressive kilns 48 for the proper drying of wood. As the development of Temperatures of operation 48 the modern dry kiln has progressed, a number of de- Low-temperature kilns 49 sign modifications have been explored in relation to the Conventional-temperature kilns 49 mechanism of heat supply, arrangement and type of Elevated-temperature kilns 49 fans, control of relative humidity or wet-bulb temper- High-temperature kilns 49 ature, and use of various materials for construction of Type of heating and energy source 49 the chamber. Steam 49 Direct fire 49 The design of a kiln has an important bearing on its Electricity 50 operation and drying efficiency. A properly designed Hot water and hot oil 50 and operated kiln will dry most species of lumber or Solar 50 other wood products to any specified moisture content General construction features 50 between 3 and 19 percent in a reasonably short time Construction materials 50 without appreciable losses caused by drying defects. Aluminum 50 Concrete block, poured concrete, and brick 50 Wood and plywood 51 Classification Systems Foundations and floors 51 Dry kilns can be classified in a number of different Heating systems 51 ways. In this manual, we have chosen a system that Indirect heating 52 classifies by (1) operational techniques, (2) tempera- Direct heating 53 tures of operation, and (3) type of heating and energy Steam traps and control valves 54 source. -
Guidelines for the Safe Use of Ceramic Art Materials X.2.1
This document is under consideration within an ASTM International technical committee. The revisions proposed have not received all approvals required to become an ASTM standard. You agree not to reproduce or circulate or quote, in whole or in part, this document outside of ASTM Committee/Society activities, or submit it to any other organization or standards bodies (whether national, international, or other) except with the approval of the Chairman of the Committee having jurisdiction and the written authorization of the President of the Society. If you do not agree with these conditions please immediately destroy all copies of the document. Copyright ASTM International, 100 Barr Harbor Drive, West Conshohocken, PA 19428. All Rights Reserved. This document is under consideration within an ASTM International technical committee. The revisions proposed have not received all approvals required to become an ASTM standard. You agree not to reproduce or circulate or quote, in whole or in part, this document outside of ASTM Committee/Society activities, or submit it to any other organization or standards bodies (whether national, international, or other) except with the approval of the Chairman of the Committee having jurisdiction and the written authorization of the President of the Society. If you do not agree with these conditions please immediately destroy all copies of the document. Copyright ASTM International, 100 Barr Harbor Drive, West Conshohocken, PA 19428. All Rights Reserved. GUIDELINES FOR THE SAFE USE OF CERAMIC ART MATERIALS -
Bisque Or Biscuit: the First Firing a Pot Undergoes to Prepare It for Glazing
Glossary of Ceramic Terms: Introduction to Ceramic Terms and Definitions Bisque or Biscuit: The first firing a pot undergoes to prepare it for glazing. In industry this is done at a higher temperature than the subsequent glaze firing, the reverse is usually true of the studio potter. Burnishing: A technique where the Leather hard clay is polished with a hard instrument to force the smallest clay particles to the surface creating a soft sheen. This surface remains after the pot is fired so long as the firing temperature is kept below 1100oC. Clay: AL2O3 2SiO2 2H2O. The decomposition of Granite through the process of Kaolinization creates clay (see Kaolinization). Clay is a mineral with a plate (platelet) like structure; it is these plates, (about 0.5 microns across) when lubricated with water, slide against each other to form the plastic mass we know as clay (see Water). 'Primary ' clays are those found close to the area of Kaolinization and hence the purest (Kaolin or China Clays). Secondary clays are those moved by water away form the site of Kaolinization and get progressively more plastic and less pure (Ball Clays, Fire clays, Earthenwares). Clay Body: A clay designed for a special purpose. It is created by blending different clays of by adding to clays other materials, such as feldspar and flint in order to produce a desired workability, maturing temperature, or finished result. A clay body is the result of mans technology. Cobalt: One of the strongest coloring oxides used by the potter. Cobalt creates a dark dense royal blue in most cases. -
Ceramics: the History, Materials, and Manipulative Techniques of the Craft
Eastern Illinois University The Keep Plan B Papers Student Theses & Publications 1-1-1965 Ceramics: The History, Materials, and Manipulative Techniques of the Craft James W. Mizener Follow this and additional works at: https://thekeep.eiu.edu/plan_b Recommended Citation Mizener, James W., "Ceramics: The History, Materials, and Manipulative Techniques of the Craft" (1965). Plan B Papers. 447. https://thekeep.eiu.edu/plan_b/447 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Plan B Papers by an authorized administrator of The Keep. For more information, please contact [email protected]. CERAMICS: THE HISTORY, MATERIALS, AND MANIPULATIVE TECHNIQUES OF THE CRAFT (TITLE) BY James W. Mizener PLAN B PAPER SUBMIITED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF SCIENCE IN EDUCATION AND PREPARED IN COURSE Industrial Arts 452, Recreational Crafts IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY, CHARLESTON, ILLINOIS 1965 YEAR I HEREBY RECOMMEND THIS PLAN B PAPER BE ACCEPTED AS FULFILLING THIS PART OF THE DEGREE, M.S. IN ED. TABLE OF CONTENTS CHAPTER PAGE INTRODUCTION . 1 I. HISTORY AND DEVELOPMENT • 3 Ancient People 3 Chinese Contributions . 8 Contemporary Application 10 Industry •••••• 10 Therapy •• 10 School 11 Recreation 11 II. CERAMIC CONSTRUCTION 13 Clay . 13 Classification of Clay 16 Earthenware • 16 Stoneware • 16 Porcelain •• 17 Tools and Equipment . 17 Methods and Techniques of Ceramic Construction 20 Wedging Clay • • • • • ••• 20 Hand-Built Modeling ••••••••••• 21 Free Form Modeling • • • • 21 Slab Building ••••••••• 23 Coil Building •••••••• 24 Casting Pottery From Molds •••• 25 Single and Multi-Piece Molds •• 26 Preparing the Slip • • • • • • • • • • 28 Casting .