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Appendix 3: Finding Aid for Vanuatu Material in Scotland
ReviewReview ofof PacificPacific Collections in Scottish Museums Appendix 3: Finding Aid for Vanuatu Material in Scotland Produced as part of Pacific Collections in Scottish Museums: Unlocking their knowledge and potential project 2013-2014. For full information and resources visit www.nms.ac.uk/pacific Artefacts and Archives relating to Vanuatu in public repositories in Scotland (United Kingdom) This finding aid has been compiled as a result of a preliminary survey of Pacific Collections in Scottish Museums undertaken between April 2013 and December 2014. The review scoped the extent of Pacific collections in Scotland and identified key strengths and resources for future research. It also compiled Collections Level Descriptions for each regional island group and to highlight significance. The review was undertaken as a partnership across four museums in Scotland with significant or extensive collections from the Pacific region. These partners were National Museums Scotland (Edinburgh); Glasgow Museums; Perth Museum and Art Gallery and Aberdeen University Museums. Each of these museums hold collections from Vanuatu that have clear associations with islands or regions in Vanuatu and relate to well known Scottish missionaries. How to use this finding aid This finding aid provides an overview of Ni-Vanuatu artefact collections in Scotland and where possible related archives or photographs. The following list provides the names of key individuals through which the collections were acquired. The finding aid enables an initial overview of collections and resources and provides contact details for each of the major museums and libraries so that requests for further information can be made. The finding aid should also be used in conjunction with Excel spreadsheets and photographs of artefacts also deposited with the National Archives of Vanuatu. -
FOI-19-1479 - Cultural Strategy
From: Foi Enquiries <[email protected]> Sent: 03 December 2019 10:22 Subject: FOI-19-1479 - Cultural Strategy Thank you for your information request of 04 November 2019. Aberdeen City Council (ACC) has completed the necessary search for the information requested. Our response is now detailed below. Why does Aberdeen need a Cultural Strategy? And what are its restraints of having a Cultural Strategy? What makes an Art organization fundable? How does the council support Art organizations? It has been said in the Strategy keeping doors open for creativity. How open are the doors to Aberdeen’s Creative Sector? There must be restraints to creating. Why does Aberdeen focus funding more on Festivals? What does Culture bring into the city that other sectors don't? Is Aberdeen on track to hit the goals they have set? Aberdeen is one of the cities that will be deeply affected by Brexit. How will Brexit affect Aberdeen and its creative industrials and its Cultural Strategy? Where can I find the old strategy to see what has been done in the past? As the new 10-year plan has mentioned it a little in the introduction. The Freedom of Information (Scotland) Act 2002 provides public access to recorded information held by the council at the time a request is made and does not cover officer’s opinions, comments or ongoing conversations. We are unable to provide you with information on your questions regarding Aberdeen City Council’s Cultural Strategy as it is not held by ACC. In order to comply with our obligations under the terms of Section 17 of the FOISA, we hereby gives notice that this information is not held by us. -
Histoire Des Collections Numismatiques Et Des Institutions Vouées À La Numismatique
HISTOIRE DES COLLECTIONS NUMISMATIQUES ET DES INSTITUTIONS VOUÉES À LA NUMISMATIQUE Numismatic Collections in Scotland Scotland is fortunate in possessing two major cabinets of international signifi- cance. In addition over 120 other institutions, from large civic museums to smaller provincial ones, hold collections of coins and medals of varying size and impor- tance. 1 The two main collections, the Hunterian held at the University of Glasgow, and the national collection, housed at the National Museums of Scotland in Edinburgh, nicely complement each other. The former, based on the renowned late 18th centu- ry cabinet of Dr. William Hunter, contains an outstanding collection of Greek and Roman coins as well as important groups of Anglo-Saxon, medieval and later English, and Scottish issues along with a superb holding of medals. The National Museums of Scotland house the largest and most comprehensive group of Scottish coins and medals extant. Each collection now numbers approximately 70,000 speci- mens. The public numismatic collections from the rest of Scotland, though perhaps not so well known, are now recorded to some extent due to a National Audit of the coun- try’s cultural heritage held by museums and galleries carried out by the Scottish Museums Council in 2001 on behalf of the Scottish Government. 2 Coins and Medals was one of 20 collections types included in the questionnaire, asking for location, size and breakdown into badges, banknotes, coins, medals, tokens, and other. Over 12 million objects made up what was termed the Distributed National Collection, of which 3.3% consisted of approximately 68,000 coins and medals in the National Museums concentrated in Edinburgh and 345,000 in the non-nationals throughout the rest of the country. -
Museum Partnership Report Understanding the National Museums’ Partnership Activities in 2017/18
Museum Partnership Report Understanding the national museums’ partnership activities in 2017/18 August 2019 We can also provide documents to meet the Specifc requirements for people with disabilities. Please email [email protected] Department for Digital, Culture, Media & Sport Printed in the UK on recycled paper ©Crown copyright 2019 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit http://www.nationalarchives.gov.uk/doc/ open-government-licence/ or e-mail: [email protected] Where we have identifed any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at [email protected] Museum Partnership Report : Understanding the national museums’ partnership activities in 2017/18 3 Contents EXECUTIVE SUMMARY 4 INTRODUCTION 5 Background to the Report 5 The national museums 6 The Survey 9 SHARING COLLECTIONS 10 Sharing collections in the UK 10 Sharing collections internationally 17 Sharing collections for research 19 Supporting new collections and acquisitions 20 Borrowing Collections 20 SHARING KNOWLEDGE 24 Partnering to build capacity and deliver professional development in the museums sector 24 Academic partnerships and collaborations 29 Acting as experts for Government 34 SUPPORTING AUDIENCE ENGAGEMENT AND SOCIAL OUTCOMES 36 Partnering to improve museum and cultural participation 37 Partnering to deliver education and learning 38 Partnering to support our health and wellbeing 41 Partnering to develop skills and careers 42 CONCLUSIONS AND LOOKING FORWARD 45 APPENDIX 1: LIST OF IMAGES 46 APPENDIX 2: THE SURVEY 48 APPENDIX 3: USEFUL LINKS 50 4 1. -
Meetings of the Society 1997-8 Lecture Helth N Di E Theatr Royae Th F Eo L Museu Scotlanf Mo D
Meetings of the Society 1997-8 Lecture Helth n di e Theatr Royae th f eo l Museu Scotlanf mo d Monday 8 December 1997, Professor Michael Lynch, MA, PhD, FRHistS, FRSE, FRSA, President, in the Chair. The summary Minutes of the Anniversary Meeting were read and approved. The President announced illnesso t that e Lecture du r ,Katherinth , D y eb e Forsyt Oghae th n hmo Inscription Scotlanf so d coult dno be delivered. He expressed the Society's gratitude to Dr Michael Spearman and Dr Sally Foster who, at an hour's notice, had agreed to lecture to Fellows. followine Th g communications were read: e DuppliTh n inscriptions Crosit d san , some recent workMichaer D y b ' l Spearman and 'The St Andrews Sarcophagus: an update' by Dr Sally Foster. Monday January2 1 1998, Professor Michael Lynch , PhDMA , FRHistS, FRSE, FRSA, Presidente th n i , Chair. This being the annual Joint Lecture with the Friends of the National Museums of Scotland, the President welcomed all present to the Meeting. The Minutes of the last Meeting were read and approved. followine Th g communicatio reads nwa : 'Tracking down Scottish export potter south-easn yi t Asia Graemy b ' CruickshankR eD , AMA,MA , FSA Scot. votA thankf eo Marr gives Si swa y k nb Russell, Chairma Friende Nationae th f th n o f so l Museums. Monday 9 February 1998, Professor Michael Lynch, MA, PhD, FRHistS, FRSE, FRSA, President, in the Chair. Minutee lasTh e th t f Meetinso g were rea approvedd dan . The following communication was read: 'Riding into history: Scotland's common ridings' by Kenneth Bogle, MA, PhD. -
University Museums and Collections Journal 7, 2014
VOLUME 7 2014 UNIVERSITY MUSEUMS AND COLLECTIONS JOURNAL 2 — VOLUME 7 2014 UNIVERSITY MUSEUMS AND COLLECTIONS JOURNAL VOLUME 7 20162014 UNIVERSITY MUSEUMS AND COLLECTIONS JOURNAL 3 — VOLUME 7 2014 UNIVERSITY MUSEUMS AND COLLECTIONS JOURNAL The University Museums and Collections Journal (UMACJ) is a peer-reviewed, on-line journal for the proceedings of the International Committee for University Museums and Collections (UMAC), a Committee of the International Council of Museums (ICOM). Editors Nathalie Nyst Réseau des Musées de l’ULB Université Libre de Bruxelles – CP 103 Avenue F.D. Roosevelt, 50 1050 Brussels Belgium Barbara Rothermel Daura Gallery - Lynchburg College 1501 Lakeside Dr., Lynchburg, VA 24501 - USA Peter Stanbury Australian Society of Anaesthetis Suite 603, Eastpoint Tower 180 Ocean Street Edgecliff, NSW 2027 Australia Copyright © International ICOM Committee for University Museums and Collections http://umac.icom.museum ISSN 2071-7229 Each paper reflects the author’s view. 4 — VOLUME 7 2014 UNIVERSITY MUSEUMS AND COLLECTIONS JOURNAL Basket porcelain with truss imitating natural fibers, belonged to a family in São Paulo, c. 1960 - Photograph José Rosael – Collection of the Museu Paulista da Universidade de São Paulo/Brazil Napkin holder in the shape of typical women from Bahia, painted wood, 1950 – Photograph José Rosael Collection of the Museu Paulista da Universidade de São Paulo/Brazil Since 1990, the Paulista Museum of the University of São Paulo has strived to form collections from the research lines derived from the history of material culture of the Brazilian society. This focus seeks to understand the material dimension of social life to define the particularities of objects in the viability of social and symbolic practices. -
Meetings of the Society 1999–2000 Held in the Lecture Theatre of the Royal Museum of Scotland
Meetings of the Society 1999–2000 Held in the Lecture Theatre of the Royal Museum of Scotland MEETINGS Monday 13 December 1999 Dr J N G Ritchie, MA PhD MBA FSA, President, in the Chair. The summary minutes of the Anniversary Meeting were read and approved. The following communications, in commemoration of the bicentenary of The Old Statistical Account, were then read: ‘The way to enlightened legislation: Sir John Sinclair, The Old Statistical Account and ‘‘Political Arithmetick’’ ’ by Donald J Withrington MA Med. and ‘Sir John Sinclair and the architecture of Improvement’ by Neil Cameron, BA FSA Scot. Monday 10 January 2000 Dr J N G Ritchie, MA PhD MBA FSA, President, in the Chair. The minutes of the last meeting were read and approved. The President welcomed Fellows to the first meeting of the new century and noted that he was only the third President since the Society’s foundation to have had the opportunity to welcome Fellows to the first meeting of a new century. The following communication was then read ‘The archaeology of Scottish thatched buildings’ by Timothy G Holden, BSc MSc PhD FLS MIFA FSA Scot. Monday 14 February 2000 Dr J N G Ritchie, MA PhD MBA FSA, President, in the Chair. This being the annual joint lecture with the Friends of the National Museums of Scotland, the President welcomed Fellows and Friends to the meeting. The minutes of the last meeting were read and approved. The following communication was then read ‘Medieval metalwork in the Museum of Scotland: making a new catalogue’ by Virginia Glenn, PhD FSA Scot. -
1650-3740 (Online) ISSN 1650-3686 (Print)
Making National Museums . NaMu, Making National Museums Program, Setting the Frames, 26–28 February, Norrköping, Sweden Editors Peter Aronson and Magdalena Hillström Copyright The publishers will keep this document online on the Internet – or its possible replacement – for a period of 25 years starting from the date of publication barring exceptional circumstances. The online availability of the document implies permanent permission for anyone to read, to download, or to print out single copies for his/her own use and to use it unchanged for non- commercial research and educational purposes. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional upon the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law, the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its www home page: http://www.ep.liu.se/. Linköping Electronic Conference Proceedings, No. 22 Linköping University Electronic Press Linköping, Sweden, 2007 http://www.ep.liu.se/ecp/022/ ISSN 1650-3740 (online) ISSN 1650-3686 (print) © 2007, The Authors ii Table of Content Introduction Making National Museums: comparing institutional arrangements, narrative scope and cultural integration Peter Aronsson .......................................................................................................................5 What Do National Museums DO? Three Papers, One Commentary Arne Bugge Amundsen ...........................................................................................................13 Workshop 1. Comparative Strategies National Museums and National Identity Seen from an International and Comparative Perspective, c. -
Museums in Annan, Dumfries and Sanquhar Exhibitions, Events and Workshops April - September 2019
Museums in Annan, Dumfries and Sanquhar Exhibitions, Events and Workshops April - September 2019 ADMISSION FREE THE ARCHAEOLOGY AND KIRKCUDBRIGHT ARTISTS Welcome COLLECTIONS OF DUMFRIES & GALLOWAY COUNCIL ARE Visit Scotland launched their #SeeSouthScotland campaign at the end of 2018. We love our local area in Dumfries and Galloway and hope that we can offer visitors from near and far an enjoyable museum experience here. We look forward to welcoming you to our venues. RECOGNISED AS Our events are listed on our new web site www.dgculture.co.uk where you can also NATIONALLY SIGNIFICANT COLLECTIONS download a PDF of this programme. AWARDED BY MUSEUMS GALLERIES SCOTLAND ON BEHALF OF THE SCOTTISH GOVERNMENT EVENTS FOR SCHOOLS AND GROUPS For further information on school or group visits please call Dumfries Museum on 01387 253374. The museums are free to visit and Camera Obscura Loans boxes Special workshops presentations at Dumfries Museum are free to school groups We have a wide range of loans boxes We offer special workshops based on available for schools and community some of our temporary exhibitions when booked in advance. If you are studying a specific topic groups to borrow free of charge. - look out for further information on and think that we can help please call us. We have a range of These cover topics such as Robert GLOW or through education email Burns, Domestic Life, Education and circulars. worksheets which may help structure your visit. Childhood and many more. Front cover: Dumfries man Robert Waland (1908 - 1999), optical engineer and astronomer, To keep up to date with our news and get worked on telescopes at the University of Arizona at Tucson that enabled astronomers to additional information follow us on compile an atlas of the moon surface that was used by the first astronauts to land on the moon Facebook and Twitter (@DumfriesMuseum). -
Glasgow Museums (£52,145), City of Edinburgh Museums and Galleries (£24,250), the Hunterian (£18,329) and Aberdeen Art Gallery and Museums (£17,027)
National Fund for Acquisitions Grants Paid 2010–2011 National Fund for Acquisitions Grants Paid 2010–2011 Hazel Williamson National Fund for Acquisitions Manager National Museums Scotland Chambers Street Edinburgh EH1 1JF Tel 0131 247 4106 email [email protected] Cover: Colour woodblock print, Kyōbashi Takegashi from Meisho Edo Hyakkei, 1857, by Utagawa Hiroshige. Acquired by The Hunterian with a grant from the National Fund for Acquisitions. National Fund for Acquisitions The National Fund for Acquisitions (NFA), provided by Scottish Government to the Trustees of National Museums Scotland, contributes towards the acquisition of objects for the collections of Scottish museums, galleries, libraries, archives and other similar institutions open to the public. The Fund can help with acquisitions in most collecting areas including objects relating to the arts, literature, history, natural sciences, technology, industry and medicine. Decisions on grant applications are made in consultation with curatorial staff at National Museums Scotland and the Directors and staff of the National Galleries of Scotland and the National Library of Scotland who provide expert advice to the Fund. While recognising that the financial climate is extremely difficult, National Museums Scotland was particularly dismayed to learn of a 25% cut to the NFA’s already limited funding, reducing the grant to only £150,000 in financial year 2011/12. NFA funding had remained at £200,000 per annum since 1996, a figure which in real terms has declined very considerably in value during the subsequent fifteen years. Clearly the extent of the cut means that the NFA cannot support collecting in Scotland as effectively as we would wish. -
Aberdeen Area Guide Aberdeen
ABERDEEN AREA GUIDE ABERDEEN Aberdeen is a friendly city well-used to welcoming Nearby living areas: people from different cultures due to its international position in the Oil & Gas industry. Because of this, Aberdeen is one of the most cosmopolitan cities in Bridge of Don, City Centre the UK and has been voted in several polls as the Garthdee, Hazlehead, happiest place to live in Britain. Maryculter, Rosemount, With a rich and diverse history and a prosperous future Woodside ahead of it, Aberdeen presents a modern cosmopolitan and thriving cultural image that embraces the multitude of languages spoken in the city and often surprises many people when they look behind the granite exterior to learn about what the city has to offer. In the city centre, Union Street otherwise known as the ‘Granite Mile’ is the gateway to over 800 shops, restaurants and bars. The main shopping malls are Union Square, Bon Accord & St Nicholas Centre, Trinity Mall and the Academy Shopping Centre. North of the city centre lies Old Aberdeen - an oasis of Aberdeen is becoming more and more ‘the place to tranquillity in contrast to the bustle of city life. Once a be’ and offers endless opportunities and experiences to separate entity from the city that grew up close to the River graduates and experienced Dee, Old Aberdeen is chiefly associated with the University professionals. It is safe to say Aberdeen is relatively of Aberdeen which dominates the skyline. Royal Deeside immune from dips in the UK’s economy - despite the is easily accessible to the west, Dunnottar Castle to the recession hitting hard in many cities across Britain, the south, sandy beaches to the north and whisky country to doom and gloom did not dramatically affect Aberdeen. -
Ancient Egyptian Collections in Scottish Museums Scotland South Scottish Ancient Egyptian Collections Review Dumfries Museum, Dumfries and Galloway Council
Ceramic vessels from the excavations of John Garstang at Esna, Hawick Museum, Live Borders © Phil Wilkinson Ancient Egyptian Collections in Scottish Museums Scotland South Scottish Ancient Egyptian Collections Review Dumfries Museum, Dumfries and Galloway Council Contact General enquiries [email protected] Location of Collections In storage Dumfries Museum and Camera Obscura The Observatory Rotchell Road Dumfries DG2 7SW Size of Collections >160 Objects (Please note: 57 are glass fragments) Published Information Online Collections: https://www.dgculture.co.uk/collections/ Selection of objects included in http://www.futuremuseum.co.uk/collections.aspx Collection Highlights • Two wooden shabtis of King Seti I (c.1294–1279 BC). • Painted wooden Ptah-Sokar-Osiris figure (c.747-525 BC). • Several fragments of inscribed linen and cartonnage, formerly Dr James Grant Bey Collection, including one piece of linen with traces of the cartouche of King Ramesses II. • Terracotta figure of the god Bes dressed in Roman military attire (c.100 AD). Collection Overview The Egyptian collections of Dumfries Museum descend from the Grierson Museum, Thornhill. Opened in the mid-1800s by Dr Thomas Boyle Grierson (1818–1889), following receipt of a grant from the Duke of Buccleuch, Grierson’s museum covered a vast number of topics, reflecting what some have called his ‘unusual’ character and his desire to assist with the education of local people. His collection was built up over some time and included objects from his father’s collection. The collections were donated to Grierson by friends, acquaintances and correspondents, with others paying for their medical treatment with objects. At its height, the museum contained over 4,000 catalogued specimens and more than 3,000 books.