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Making National Museums . NaMu, Making National Museums Program, Setting the Frames, 26–28 February, Norrköping, Sweden Editors Peter Aronson and Magdalena Hillström Copyright The publishers will keep this document online on the Internet – or its possible replacement – for a period of 25 years starting from the date of publication barring exceptional circumstances. The online availability of the document implies permanent permission for anyone to read, to download, or to print out single copies for his/her own use and to use it unchanged for non- commercial research and educational purposes. Subsequent transfers of copyright cannot revoke this permission. All other uses of the document are conditional upon the consent of the copyright owner. The publisher has taken technical and administrative measures to assure authenticity, security and accessibility. According to intellectual property law, the author has the right to be mentioned when his/her work is accessed as described above and to be protected against infringement. For additional information about Linköping University Electronic Press and its procedures for publication and for assurance of document integrity, please refer to its www home page: http://www.ep.liu.se/. Linköping Electronic Conference Proceedings, No. 22 Linköping University Electronic Press Linköping, Sweden, 2007 http://www.ep.liu.se/ecp/022/ ISSN 1650-3740 (online) ISSN 1650-3686 (print) © 2007, The Authors ii Table of Content Introduction Making National Museums: comparing institutional arrangements, narrative scope and cultural integration Peter Aronsson .......................................................................................................................5 What Do National Museums DO? Three Papers, One Commentary Arne Bugge Amundsen ...........................................................................................................13 Workshop 1. Comparative Strategies National Museums and National Identity Seen from an International and Comparative Perspective, c. 1760–1918 Ellinoor Bergvelt, Debora Meijers, Lieske Tibbe and Elsa van Wezel..................................17 Are National Museums of Protestant Nations Different? The Process of Modernizing 19th-Century National Art Museums in the Netherlands and in Great Britain 1800–1855 Ellinoor Bergvelt....................................................................................................................29 Museum Landscapes: Zoning in on A Complex Cultural Field Stuart Burch ...........................................................................................................................49 Workshop 2. Nationalism with and without a State Re-thinking the remembrance of the Holocaust in German National Museums and Memorials as agents for Positive Social Change? Anna Chrusciel.......................................................................................................................69 “Where Race Matters” Christine Braunersreuther .....................................................................................................77 ‘Unionist Nationalism’ and the National Museum of Scotland, c. 1847–1866 Linda Burnett and Andrew G. Newby ....................................................................................83 Workshop 3. Colonial and Post-Colonial Transfers The National Museum of India: A Museum to and of the “Nation” Kristy Phillips.........................................................................................................................95 Workshop 4. Visualising the Past MiniaTürk: Culture, History and Memory in Turkey in Post-1980 Secil Yilmaz and V. Safak Uysal.............................................................................................115 The Exhibition as a Multimodal Pedagogical Text Eva Insulander .......................................................................................................................127 Workshop 5. The meaning of Art The Visibility Zone Laila Skjøthaug ......................................................................................................................137 iii National Museums Becoming Woman Henrik Holm...........................................................................................................................147 Workshop 6: Trajectories Ancient Sculptures and National Museums: Universal and Local Claims of Antiquity Johannes Siapkas and Lena Sjögren......................................................................................153 New Nation, New History: Alexandre Lenoir and the Musée des Monuments Français (1795–1816) Jennifer Carter .......................................................................................................................165 Representing Byzantium: The Narratives of the Byzantine Past in Greek National Museums Iro Katsariadou and Katerina Billour ..................................................................................183 Workshop 7: Consuming the Museum The Art Museum as a Platform for Self-formation Mette Houlberg Rung.............................................................................................................199 Museum Publishing: Representing the Museum Sarah Hughes .........................................................................................................................211 Museology and the Problem of Interiority Palmyre Pierroux ...................................................................................................................217 Workshop 8. In and Out of the Nation How to Explore the Nations within Europe through National Museums as Museums for Contemporary Issues Barbara Wenk ........................................................................................................................225 What Makes a Museum National? National Identities at Community Museums Ellen Chapman.......................................................................................................................237 Exploring the Museum – a Comprehensive Approach Cecilia Axelsson .....................................................................................................................247 Supplement after the Conference Manor Houses, Mansions and the Norwegian National Museum Concept. Commemorations of ‘the 400-year Night’ Aina Aske................................................................................................................................255 iv Making National Museums Making National Museums: Comparing Institutional Arrangements, Narrative Scope and Cultural Integration Peter Aronsson Culture Studies, ISAK, Linköping University [email protected] The purpose of NaMu is to develop the tools, concepts and organisational resources necessary for investigating and comparing the major public structure of National Museums, as created historically and responding to contemporary chal- lenges of globalisation, European integration, and new media. What are the forces and values of traditional national display in dealing with challenges to national, cultural and political discourse? This will be achieved by a series of conferences providing a venue for younger scholars and eminent researcher to gather and develop the multi-disciplinary competence necessary to understand and compare the dynamics of national museums in a framework of a broadly understood his- torical culture and identity politics. The opening address present the aim and intellectual challenges of the entire program and outline the question of definitions and performance made by national museums and the possibilities of the comparative and multi-disciplinary scope. 5 Setting the Frames The opening conference Setting the frames invites a discussion that will be relevant for the whole series. Its scope is not in-depth inquiry as much as to map the terrain, to explore the most productive way to develop the path to follow and generate research questions. This means to put into work knowledge from several disciplines and countries, instead of leaving them to their respective internal dynamics. In the background of this approach a thorough reflection on the structure of knowledge (contemporary and optimal) corresponds to the idea of investigating how the structure and anatomy of the National museums are working. Under scrutiny is not only an ensemble of museums of various kinds looked upon as part of a more or less concerted negotiation, but on the academic side a likewise concerted variety of disci- plines. To know to what extent different knowledge structures are compared or if the differ- ences are due to institutional and historical variation is of course vital – and difficult since these two systems do interact. For the first conference was 60 researchers from 17 countries and 22 disciplines with 43 papers attending. The diversity is challenging, and proved to be rewarding. Some dominance for art history and museology presents two well-developed clusters of disciplinary back- ground but also within them a variety of perspectives are presented in the papers. There is no paper that explicitly deals with the structure of knowledge, but of course sev- eral starts out with an image of earlier research and propose not only addition of new facts but also changing perspectives. Some of the papers do explicitly deal with a critical approach to the overwhelming structural and cognitive approach developed in the study of national muse- ums and propose changing focus and more diverse approaches from within, from the