DOCSLIB.ORG

List of Films from Inception to 2016

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

VINTAGE FILM FESTIVAL At historic Cobourg and Port Hope ALPHABETICAL LIST OF FILMS EXHIBITED SINCE INCEPTION _____________________________________________________________________________________ TITLE & YEAR RELEASED YEAR SHOWN NOTES Adventures of Huckleberry Finn, The (1960) - 2010 wrong version shipped Adventures of Prince Achmed, The (1926) - 2013 silent Adventures of Tom Sawyer, The (1938) – 2001 After Tomorrow (1932) – 2009 Alexander’s Ragtime Band (1938) – 1999 Alice’s Wonderland (1923) - 2013 Disney cartoon w/ live action All About Eve (1950) - 2016 All Quiet on the Western Front (1930) – 2012 An American in Paris (1951) - 2012 Animal Crackers (1930) – 2000 Anna Christie (1930) – 1995 Anthony Adverse (1936) – 1997 Antwerp Story, The (1945) – 2009 documentary short subject Anything Goes (1936) – 2010 Artists and Models (1937) – 2003 not shown – substitute? Asphalt Jungle, The (1950) - 2014 As You Desire Me (1931) – 2003 Babes in Arms (1939) – 1996 Baby Face (1933) – 2002 Babes in Toyland (1934) - 2015 Back in ’23 (1933) – 2009 newsreel Bachelor Mother (1939) – 2000 Back to God’s Country (1919) – 2005 silent Band Concert, The (1935) - 2013 Disney cartoon Band Wagon, The (1953) - 2015 Barretts of Wimpole Street, The (1934) – 1996 Battleship Potemkin, The (1925) - 2013 silent Beau Geste (1939) – 2007 Best Years of Our Lives, The (1946) - 2012 Black Cat, The (1934) – 1999 Blood and Sand (1922) – 1997 silent Bicycle Thieves, The - 2015 Big Broadcast, The (1932) – 2003 Big Business Girl (1931) – 2003 Big House, The (1930) – 2004 Big Parade, The (1925) – 2003 silent Bill of Divorcement, A (1932) – 1998 Bitter Tea of General Yen, The (1932) – 2003 Born Yesterday (1950) - 2016 Brave Little Tailor (19xx) - 2013 Disney cartoon Breakfast at Sunrise (1927) – 1994 silent Bride of Frankenstein (1935) – 2000 Bringing Up Father (1928) – 1994 silent Broadway Melody (1929) – 2006 Broadway Melody of 1936 (1935) – 2009 Broadway Melody of 1940 (1939) – 2006 Bucking Broadway (1917) - 2015 silent Cabin in the Sky (1943) – 2006 Cain and Mabel (1936) – 1996 Call of the Wild (1935) - 2013 Cameraman, The (1928) - 2015 silent Canary Murder Case (1929) – 2002 Captain Blood (1935) - 2005 Carefree (1938) – 2002 Carmen Jones (1954) - 2016 Carry on Sergeant (1928) – 2002 silent Cat and the Canary, The (1927) – 2004 silent Cat and the Canary, The (1939) – 2004 Catered Affair, The (1956) - 2016 Caught (1948) - 2015 Caught Short (1930) – 1996 silent Cavalcade (1933) – 2009 Charley’s Aunt (1941) – 2002 Chasing Rainbows (1930) – 1997 Christopher Bean (1933) – 1993 Circus, The (1928) – 2012 silent Come and Get It (1936) – 1997 Conquerors, The (1932) – 1995 Count of Monte Cristo, The (1934) – 2003 Country Doctor, The (1936) – 2001 Cover Girl (1944) – 2001 Crossfire (1947) - 2014 Crossroads (1942) – 2007 Crowd, The (1928) – 2001 silent Curly Top (1935) - 2014 Daddy Long Legs (1919) - 2014 silent Dames (1934) – 1998 Dancing Lady (1933) – 1995 Dancing on the Moon (1998) – 1998 special event - local film maker Dangerous (1935) – 2006 Dangerous Females (1929) – 2009 Day at the Races, A (1937) – 1995 Dead End (1937) - 2016 Destry Rides Again (1939) – 2005 Dinner at Eight (1933) – 1995/1999 Divine Lady (1929) – 1998 Divorcee, The (1930) – 1993 Dixiana (1929) – 1997 Doctor Rhythm (1938) – 1998 Dodsworth (1936) – 1994 Down Argentine Way (1940) – 2000 Drums Along the Mohawk (1939) – 2000 Eagle, The (1925) – 1995 silent Easy Living (1937) – 2010 Emma (1932) – 1994/2000/2005 Employee’s Entrance (1933) – 2001 Enchanted Cottage, The (1945) – 2011 Evangeline (1929) – 2003 silent Everybody Sing (1938) – 1999 Ex Mrs. Bradford, The (1936) – 2000 Fast Company (1938) – 2004 Ferdinand the Bull (1938) - 2013 Disney cartoon Fighting 69th, The (1940) – 2009 Follow the Fleet (1935) - 2013 Footlight Parade (1933) – 1993 Foolish Wives (1921) – 2000 silent Foreign Correspondent (1940) – 2006 For Me and My Gal (1942) – 2001 42nd Street (1933) – 1993 Four Daughters, The (1938) – 1999 Free Soul, A (1931) – 1993 Freshman, The (1925) – 1997 silent Frisco Jenny (1933) – 1999 Gabriel Over the White House (1933) – 2001 Gay Desperado, The (1936) – 1996 Girl Crazy (1943) – 2000 Girl Said No, The (1930) - 2014 Gold Diggers of 1933 (1933) – 1993 Gold Diggers of 1935 (1934) – 2008 Gold Rush, The (1925) - 2014 silent Golem, The (1920) – 2008 silent Go Into Your Dance (1935) – 1993 Good Fairy, The (1935) – 2008 Grand Hotel (1932) - 2016 Great Garrick, The (1937) – 2010 Great Zeigfield, The (1936) – 1999 Greed (1924) – 1999 silent Grubstake, The (1922) – 2010 silent Gulliver’s Travels (1938) - 2015 animation Gunga Din (1929) – 2008 Hands Across the Table (1935) – 1999 Hands Up (19xx) – 1996 silent Hawaiian Holiday (19xx) - 2013 Disney cartoon Hellzapoppin’ (1942) - 2014 His Destiny (1928) – 2007 silent Hollywood Revue of 1929 (1929) – 1996 Hope (1922) – 2008 silent Hot Water (1924) – 2007 silent How Green Was My Valley (1941) - 2015 Hudson’s Bay (1940) – 1998 Hue and Cry (1946) - 2016 I Am a Fugitive From a Chain Gang (1933) – 2010 Idiot’s Delight (1939) – 2006 Imitation of Life (1934) – 2002 I’m No Angel (1933) – 2001 International House (1933) – 2007 In the Good Old Summertime (1949) – 2011 In Which We Serve (1942) – 2011 Iron Horse, The (1924) – 1999 silent It (1927) – 2011 silent It Happened One Night (1934) - 2012 It’s a Date (1940) – 2002 Jalna (1935) – 1994 not shown – substitute? Jezebel (!938) - 2016 Judge Priest (1934) - 2015 Kentucky Kernels (1934) – 2002 Kid, The (1921) – 2008 silent Kid Brother, The (1927) – 2005 silent Kind Lady (1936) – 1995 King Kong (1933) – 2000 King of Jazz, The (1930) – 2004 Klondike Annie (1936) – 1998 Lady Eve, The (1941) – 2007 Lady For a Day (1933) – 2008 Lady Vanishes, The (1938) - 2013 Last Command, The (1928) – 1997 silent Last Laugh, The (1924) - 2016 silent Laura (1944) – 2005 Letter, The (1940) - 2016 Let Us Be Gay (1930) – 1995 Libeled Lady (1936) – 2004 Limousine Love (1927) – 1995 silent, short subject Little Man, What Now? (1934) – 1998 Lodger, The (1926) – 2008 silent Lost World, The (1925) – 2009 silent Love Affair (1939) – 2005 Love Light, The (1921) – 2004 silent Love Me Tonight (1932) – 1999 Magnificent Ambersons, The (1942) - 2015 Major and the Minor, The (1942) – 2011 Man Hunt (1941) – 1994 Marie Antoinette (1938) – 1993 Mark of Zorro, The (1940) – 2004 Marriage Circle, The (1924) – 2000 silent Metropolis (1927) – 2009 silent Mickey’s Circus (19xx) - 2013 Disney cartoon Mickey’s Garden (1935) - 2013 Disney cartoon Mickey’s Rival (1936) - 2013 Disney cartoon Midnight (1939) - 2013 Midnight Mary (1933) – 1996 Midsummer Night’s Dream, A (1935) – 2005 Min and Bill (1930) – 2001/2006/2012 Miracle Woman, The (1931) – 2004 Mogambo (1953) – 2010 Morocco (1930) – 2007 Movie Crazy (1932) – 2002 Movie Night (19xx) – 1995 silent, short subject Murder at the Vanities (1934) – 2010 Murder, My Sweet (1944) - 2014 Music Box, The (1932) - 2012 My Darling Clementine (1946) – 2006 My Financial Career (19xx) – 2000 short subject (NFB) My Gal Sal (1942) - 2013 Mystery of Edwin Drood, The (1935) - 1994 Nanook of the North (1922) – 1998 silent Never Say Die (1939) – 2005 Night Must Fall (1964) – 1995 ‘64 remake instead of ‘37 film Night Nurse (1931) – 2000 Northwest Passage (1940) - 2001 Nosferatu (1921) – 2010 silent Nothing Sacred (1937) - 2014 Notorious (1946) - 2013 Odd Man Out (1946) – 2007 Of Human Hearts (1938) – 1996 Old Dark House, The (19320 – 1994 One Hour With You (1932) – 2002 One Hundred Men and a Girl (1937) – 2008 One Romantic Night (1930) – 1997 On Your Toes (1939) – 2005 Our Dancing Daughters (1928) – 2006 Parade of the Academy Award Nominees (1932) – 1996 Disney cartoon short subject Patsy, The (1928) - 1993/2002/2011 silent Payday (1922) - 1995 silent Peach O’ Reno (1931) - 2011 Pearl of Death, The (1944) - 2008 Picture of Dorian Gray, The (1945) - 2015 Platinum Blonde (1931) - 2004 Politics (1931) - 2008 Pride and Prejudice (1940) - 1995 Prisoner of Zenda (1937) - 1994 Private Life of Henry VIII, The (1933) - 2008 Prosperity (1932) - 1998 Psycho (1960) - 2016 Public Enemy, The (1931) - 2011 Queen High (1930) - 2009 Rain (1932) - 1994 not shown – substitute? Rashomon (1950) - 2012 Raven, The (1935) - 2001 Rebecca (1940) - 2012 Red Dust (1932) - 2010 Red-Headed Woman (1932) - 2008 Reducing (1931) - 1996 Regle Du Jeu, La (1939) - 2014 Ring, The (1927) - 2013 Road to Utopia (1945) - 2008 Roaring Twenties, The (1938) - 2003 Roberta (1935) - 2003 Rocky Horror Picture Show (1975) - 2010 Roman Holiday (1953) - 2016 Roman Scandals (1933) - 1997 Rose Marie (1936) - 1998 Safety Last (1923) - 2006 silent Saratoga (1937) - 1994/1999 substitute in 1999 Scarlett Pimpernel, The (1934) - 2011 Seventh (7th) Heaven (1927) - 2012 silent She Done Him Wrong (1938) - 2005 Shop Around the Corner, The (1940) - 2011 Show Boat (1936) - 1997 Show People (1928) - 1995 silent Short Subjects - 2000/2001 Six of a Kind (1934) - 2009 Smilin’ Through (1932) - 1998 So Big (1953) - 1996 ’53 remake instead of ’32 film Sons of the Desert (1933) - 1997 Sparring Partner, The (19xx) - 1996 silent – Eric James film added Sparrows (1926) - 1998/2005 silent Speedy (1928) - 2016 silent Springtime in the Rockies (1942) - 2005 Stagecoach (1939) - 2015 Stage Door (1937) - 1996 Stella Maris (1918) - 2009 Sting of Stings (19xx) - 1995 silent, short subject Stormy Weather (1943) - 2007 Story of Irene and Vernon Castle, The (1939) - 2014 Street Scene (1931) - 1997 Sullivan’s Travels (1941) - 2007 Sunrise (1927) - 1996/2007 Swing Time (1936) - 1996 These Three (1936) - 2002 Thief of Bagdad, The
Recommended publications

  • Who's Who at Metro-Goldwyn-Mayer (1939)

    W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H.
  • February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links

    February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links

    February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Lloyd Bacon WRITING Rian James and James Seymour wrote the screenplay with contributions from Whitney Bolton, based on a novel by Bradford Ropes. PRODUCER Darryl F. Zanuck CINEMATOGRAPHY Sol Polito EDITING Thomas Pratt and Frank Ware DANCE ENSEMBLE DESIGN Busby Berkeley The film was nominated for Best Picture and Best Sound at the 1934 Academy Awards. In 1998, the National Film Preservation Board entered the film into the National Film Registry. CAST Warner Baxter...Julian Marsh Bebe Daniels...Dorothy Brock George Brent...Pat Denning Knuckles (1927), She Couldn't Say No (1930), A Notorious Ruby Keeler...Peggy Sawyer Affair (1930), Moby Dick (1930), Gold Dust Gertie (1931), Guy Kibbee...Abner Dillon Manhattan Parade (1931), Fireman, Save My Child Una Merkel...Lorraine Fleming (1932), 42nd Street (1933), Mary Stevens, M.D. (1933), Ginger Rogers...Ann Lowell Footlight Parade (1933), Devil Dogs of the Air (1935), Ned Sparks...Thomas Barry Gold Diggers of 1937 (1936), San Quentin (1937), Dick Powell...Billy Lawler Espionage Agent (1939), Knute Rockne All American Allen Jenkins...Mac Elroy (1940), Action, the North Atlantic (1943), The Sullivans Edward J. Nugent...Terry (1944), You Were Meant for Me (1948), Give My Regards Robert McWade...Jones to Broadway (1948), It Happens Every Spring (1949), The George E.
  • Itinéraires, 2019-2 Et 3 | 2019 Spencer Tracy Et La Reconfiguration De La Masculinité Hégémonique Américaine

    Itinéraires, 2019-2 Et 3 | 2019 Spencer Tracy Et La Reconfiguration De La Masculinité Hégémonique Américaine

    Itinéraires Littérature, textes, cultures 2019-2 et 3 | 2019 Corps masculins et nation : textes, images, représentations Spencer Tracy et la reconfiguration de la masculinité hégémonique américaine après la Grande Dépression Spencer Tracy and the Reconfiguration of American Hegemonic Masculinity after the Great Depression Jules Sandeau Édition électronique URL : http://journals.openedition.org/itineraires/6812 DOI : 10.4000/itineraires.6812 ISSN : 2427-920X Éditeur Pléiade Référence électronique Jules Sandeau, « Spencer Tracy et la reconfiguration de la masculinité hégémonique américaine après la Grande Dépression », Itinéraires [En ligne], 2019-2 et 3 | 2019, mis en ligne le 27 novembre 2019, consulté le 15 décembre 2019. URL : http://journals.openedition.org/itineraires/6812 ; DOI : 10.4000/ itineraires.6812 Ce document a été généré automatiquement le 15 décembre 2019. Itinéraires est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Spencer Tracy et la reconfiguration de la masculinité hégémonique américaine ... 1 Spencer Tracy et la reconfiguration de la masculinité hégémonique américaine après la Grande Dépression Spencer Tracy and the Reconfiguration of American Hegemonic Masculinity after the Great Depression Jules Sandeau 1 Si Spencer Tracy avait déjà acquis une certaine renommée pendant la première moitié des années 1930 (Loew 2008), notamment grâce à sa prestation dans The Power and the Glory (William K. Howard, 1933) qui reçut un très bon accueil critique (Curtis 2011 : 200, 208-210), ce sont ses rôles dans Fury (Fritz Lang, 1936) et San Francisco (W. S. Van Dyke, 1936) qui lui permirent de devenir une star hollywoodienne de premier plan au milieu de la décennie.
  • Published Sheet Music from the Rudy Vallee Collection

    Published Sheet Music from the Rudy Vallee Collection

    Published Sheet Music from the Rudy Vallee Collection The Rudy Vallee collection contains almost 30.000 pieces of sheet music (about two thirds published and the rest manuscripts); about half of the titles are accessible through a database and we are presenting here the first ca. 2000 with full information. Song: 21 Guns for Susie (Boom! Boom! Boom!) Year: 1934 Composer: Myers, Richard Lyricist: Silverman, Al; Leslie, Bob; Leslie, Ken Arranger: Mason, Jack Song: 33rd Division March Year: 1928 Composer: Mader, Carl Song: About a Quarter to Nine From: Go into Your Dance (movie) Year: 1935 Composer: Warren, Harry Lyricist: Dubin, Al Arranger: Weirick, Paul Song: Ace of Clubs, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Diamonds, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Spades, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred K. Song: Actions (speak louder than words) Year: 1931 Composer: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Lyricist: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Arranger: Prince, Graham Song: Adios Year: 1931 Composer: Madriguera, Enric Lyricist: Woods, Eddie; Madriguera, Enric(Spanish translation) Arranger: Raph, Teddy Song: Adorable From: Adorable (movie) Year: 1933 Composer: Whiting, Richard A. Lyricist: Marion, George, Jr. Arranger: Mason, Jack; Rochette, J. (vocal trio) Song: African Lament (Lamento Africano) Year: 1931 Composer: Lecuona, Ernesto Lyricist: Gilbert, L. Wolfe Arranger: Katzman, Louis Song: African Lament (Lamento Africano)
  • Quentin Tarantino Retro

    Quentin Tarantino Retro

    ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director.
  • Mervyn Leroy GOLD DIGGERS of 1933 (1933), 97 Min

    Mervyn Leroy GOLD DIGGERS of 1933 (1933), 97 Min

    January 30, 2018 (XXXVI:1) Mervyn LeRoy GOLD DIGGERS OF 1933 (1933), 97 min. (The online version of this handout has hot urls.) National Film Registry, 2003 Directed by Mervyn LeRoy Numbers created and directed by Busby Berkeley Writing by Erwin S. Gelsey & James Seymour, David Boehm & Ben Markson (dialogue), Avery Hopwood (based on a play by) Produced by Robert Lord, Jack L. Warner, Raymond Griffith (uncredited) Cinematography Sol Polito Film Editing George Amy Art Direction Anton Grot Costume Design Orry-Kelly Warren William…J. Lawrence Bradford him a major director. Some of the other 65 films he directed were Joan Blondell…Carol King Mary, Mary (1963), Gypsy (1962), The FBI Story (1959), No Aline MacMahon…Trixie Lorraine Time for Sergeants (1958), The Bad Seed (1956), Mister Roberts Ruby Keeler…Polly Parker (1955), Rose Marie (1954), Million Dollar Mermaid (1952), Quo Dick Powell…Brad Roberts Vadis? (1951), Any Number Can Play (1949), Little Women Guy Kibbee…Faneul H. Peabody (1949), The House I Live In (1945), Thirty Seconds Over Tokyo Ned Sparks…Barney Hopkins (1944), Madame Curie (1943), They Won't Forget (1937) [a Ginger Rogers…Fay Fortune great social issue film, also notable for the first sweatered film Billy Bart…The Baby appearance by his discovery Judy Turner, whose name he Etta Moten..soloist in “Remember My Forgotten Man” changed to Lana], I Am a Fugitive from a Chain Gang (1932), and Two Seconds (1931). He produced 28 films, one of which MERVYN LE ROY (b. October 15, 1900 in San Francisco, was The Wizard of Oz (1939) hence the inscription on his CA—d.
  • FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park  Hollywood Hills

    FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park  Hollywood Hills

    Welcome to FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Order of Service Waltzing Matilda Played by the Forest Lawn Organist – Anthony Zediker Eulogy to be read by Jack. L. Warner Pall Bearers, To be Announced. Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Orry-Kelly Filmography 1963 Irma la Douce 1942 Always in My Heart (gowns) 1936 Isle of Fury (gowns) 1963 In the Cool of the Day 1942 Kings Row (gowns) 1936 Cain and Mabel (gowns) 1962 Gypsy (costumes designed by) 1942 Wild Bill Hickok Rides (gowns) 1936 Give Me Your Heart (gowns) 1962 The Chapman Report 1942 The Man Who Came to Dinner (gowns) 1936 Stage Struck (gowns) 1962 Five Finger Exercise 1941 The Maltese Falcon (gowns) 1936 China Clipper (gowns) (gowns: Miss Russell) 1941 The Little Foxes (costumes) 1936 Jailbreak (gowns) 1962 Sweet Bird of Youth (costumes by) 1941 The Bride Came C.O.D. (gowns) 1936 Satan Met a Lady (gowns) 1961 A Majority of One 1941 Throwing a Party (Short) 1936 Public Enemy’s Wife (gowns) 1959 Some Like It Hot 1941 Million Dollar Baby (gowns) 1936 The White Angel (gowns) 1958 Auntie Mame (costumes designed by) 1941 Affectionately Yours (gowns) 1936 Murder by an Aristocrat (gowns) 1958 Too Much, Too Soon (as Orry Kelly) 1941 The Great Lie (gowns) 1936 Hearts Divided (gowns)
  • Ronald Davis Oral History Collection on the Performing Arts

    Ronald Davis Oral History Collection on the Performing Arts

    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
  • MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994

    MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994

    The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953).
  • 1947-08-22, [P ]

    1947-08-22, [P ]

    August it, 1847 TOLEDO UNION JOURNAL Five & Cry Wolf9 Combines Adventure, ttomance in Thrilling Tashion •T f A . I ‘ ' r - > r -------- --.-II.- I/-............................ ---------- I Warner Bros.’ screen version of Marjorie Carleton’s popular 'ftovel. “Cry Wolf,” which opened at the Paramount Theatre, RETURNS TO MGM proves to be a highly ^warding motion picture experience. Be­ MelcMor end 'Chief Heflin, Hart Join Calvert; To Appear HOLLYWOOD — For her role sides the superlative performances turned in by Errol Flynn and Give Duet ‘Weight1 Barbara Stanwyck 5X ith James Mason in “Cass Timberlane,” starring Barbara Stanwyck in this, their initial co starring venture, the HOLLYWOOD — Phyllis Cal­ picture boasts a remarkably HOLLYWOOD — “Luxury HOLLYWOOD — Outstand­ Spencer Tracy and Lana Turner, vert’s next film assignment, lively pace set down under the £ Liner,” Metro-Goldwyn-Mayer ing performances in Metro-Gold- Rose Hobart returned to Metro- Technicolor production, will wyn-Mayer’s soon to be rleased when she completes her starring able direction of Peter Godfrey role opposite Melvyn Douglas Goldwyn-Mayer after an ab­ in the film’s exciting opening feature the “heaviest” duet “Green Dolphin Street,” opposite in Paramount’s "My Own True sence of four years. She was sequence and artfully maintain­ ever seen on the nation’s mo- Lana Turner, have won for Van Love,” will be a bit part in an previously at M-G-M in "Su­ ed throughout, right up to the tion picture screens. san and God” and “Swing-shift Helfin and Richard Hart the untitled picture which James Maisie ” c’—^hing climax. “Five hundred thirty powerful male leading roles as Mason is writing »pd producing »L mie story, essentially a mod­ in New York.
  • Films Refusés, Du Moins En Première Instance, Par La Censure 1917-1926 N.B

    Films Refusés, Du Moins En Première Instance, Par La Censure 1917-1926 N.B

    Films refusés, du moins en première instance, par la censure 1917-1926 N.B. : Ce tableau dresse, d’après les archives de la Régie du cinéma, la liste de tous les refus prononcés par le Bureau de la censure à l’égard d’une version de film soumise pour approbation. Comme de nombreux films ont été soumis plus d’une fois, dans des versions différentes, chaque refus successif fait l’objet d’une nouvelle ligne. La date est celle de la décision. Les « Remarques » sont reproduites telles qu’elles se trouvent dans les documents originaux, accompagnées parfois de commentaires entre [ ]. 1632 02 janv 1917 The wager Metro Immoral and criminal; commissioner of police in league with crooks to commit a frame-up robbery to win a wager. 1633 04 janv 1917 Blood money Bison Criminal and a very low type. 1634 04 janv 1917 The moral right Imperial Murder. 1635 05 janv 1917 The piper price Blue Bird Infidelity and not in good taste. 1636 08 janv 1917 Intolerance Griffith [Version modifiée]. Scafold scenes; naked woman; man in death cell; massacre; fights and murder; peeping thow kay hole and girl fixing her stocking; scenes in temple of love; raiding bawdy house; kissing and hugging; naked statue; girls half clad. 1637 09 janv 1917 Redeeming love Morosco Too much caricature on a clergyman; cabaret gambling and filthy scenes. 1638 12 janv 1917 Kick in Pathé Criminal and low. 1639 12 janv 1917 Her New-York Pathé With a tendency to immorality. 1640 12 janv 1917 Double room mystery Red Murder; robbery and of low type.
  • Mutual Aesthetics Joseph D

    Mutual Aesthetics Joseph D

    Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2016 Mutual Aesthetics Joseph D. Sherry Rhode Island College, [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Other Film and Media Studies Commons, and the Visual Studies Commons Recommended Citation Sherry, Joseph D., "Mutual Aesthetics" (2016). Honors Projects Overview. 117. https://digitalcommons.ric.edu/honors_projects/117 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. MUTUAL AESTHETICS VISUAL STYLE IN THE FILMS OF F.W. MURNAU AND JOHN FORD, 1928-1941 By Joseph D. Sherry An Honors Project Submitted in Partial Fulfillment Of the Requirements for Honors In The Film Studies Program The School of Arts and Sciences Rhode Island College 2016 Sherry 1 Introduction F.W. Murnau wrote, “All great arts have had great artists born to understand them as no other men can, and the motion picture is the single art expression of our age.”1 Murnau made this remark shortly after his masterpiece, Sunrise: A Song of Two Humans (1927), was released by Fox Film Corporation. Sunrise’s production riveted the entire studio lot due to its scope and Murnau’s international reputation; its subsequent critical success solidified Murnau’s place in Fox’s top-tier of directors. But John Ford, also one of Fox’s top-tier directors, once brusquely remarked, “It’s no use talking to me about art .