The Messenger

Total Page:16

File Type:pdf, Size:1020Kb

The Messenger Roger Williams University DOCS@RWU The eM ssenger Student Publications 9-30-1985 The esM senger - September 30, 1985 Follow this and additional works at: http://docs.rwu.edu/the_messenger Part of the Education Commons Recommended Citation "The eM ssenger - September 30, 1985" (1985). The Messenger. Paper 20. http://docs.rwu.edu/the_messenger/20 This News Article is brought to you for free and open access by the Student Publications at DOCS@RWU. It has been accepted for inclusion in The Messenger by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. VOLUME V. ISSUE SEPTEMBER 30 1985 n • General Education Program Proposed for RWC by Mary E110 Johansson "Sixty to seventy percent of enter­ ." report on -: Academic Programs: ing Freshmen cannot read, write, or Liberal/Creative Arts and Profes­ compute on the college level". This is sional Studies was submitted for the conclusion of a study completed by' review. Basing its study on analysis of the New Jersey Board of Education student transcripts, the' findings and reported in the Chronical of revealed that most students chose higher Education, February I, 1984. minors related to their majors and. as This, along with other national a result of overlapping course re­ surveys has generated the redesigning quirements. students earned minors by of many college curricula. The effect taking two or three courses rather than of these findings has led Roger the standard 6-courses required for a Williams College to reaffirm its rnis­ Minor program. Also, due to specified sian and objectives as an institution of courses suggested within the distribu­ higher education. In so doing, the col­ tion requirement for certain majors, lege joins with other schools across the the students in reality did not have a Scoop on the Dish . nation as it addresses the growing con­ broad choice of courses:' The report cern that students awarded degrees in states that the Task Force' concluded by Mary Ellen Johansson The first satellite to relay a televi­ highly technical fields lack broader "that for most ..students at RWC, no Neutrinoes pass through it and it sion picture was launched by AT & T educational skills usually associated coherent or adequate experience of more than likely will never catch in 1962. The first geosynchronous with a college graduate. On September general education exists". - quarks. But it probably caught the at­ satellite, Syncom, was launched a year 9, 1985, the RWC Ad HOC Commit­ In efforts to change this, the College tention of students returning to Roger later by Hughes Aircraft Corporation. tee on General Education released to Curriculum Committee (CCC) studied Williams this Fall. Reference is made, Satellites in orbit maintain a fixed the Faculty Senate its Final Report on programs at RWC and at other institu­ of course, to the Satellite dish located position with reference to some posi­ "Basic Skills" and "General Educa­ tions, and presented their findings and in front of the Student Union. tion on earth. This allows continuous tion." The proposal will be considered proposals to the Faculty Senate who, According to Anthony C. Ferreira, reception of their signals. Their orbital at a special Faculty Senate meeting to by May. 1985, had been apraised of Coordinator ofStudent Activities, the day therefore corresponds to the be held on September 26, 1985. the Basic Skills and General Education dish was installed.in August and pur­ earth's day and their rotation matches The AD HOC Committee's repo rt program. An AD HOC Committee chased by college funds other than the earth's rotation. Its orbital altitude states that "in 1981, a visiting learn was formed to work out the details of those collected for student activities must be 22,300 miles so that its revolu­ from the New England Regional- Ac­ implementing such a program. This fees. tion time is the same as that of the creditation Association reported that Committee met weekly during the The college had considered bringing earth. Because of its height, a single certain parts of RWC's curriculum, summer and presented its proposal to a Cable to the campus. However, it satellite can "see" about one-half of specifically the distribution re­ the Faculty Senate on September 9, was felt that subscribing to a Cable the surface of the earth. quirements and the required minor, 1985. company would limit programming to All satellites contain receivers and were not achieving the college 's stated only those channels offered by the transmitters which are powered by goal of "cross literacy" in the educa­ Mission of Ihe College company. For approximately the same solar cells. The downlink signal is tion of students enrolled in liberal arts and the Core Curriculum cost, however, the Satellite dish was received by the dish which then directs and professional degree programs". The report describes the mission of installed with two television receivers. it to the feed which sends it throu!\!, In 1984, as part of the self-study RWC, that is "provides a curriculum One receiver is located on the first the receiver . The dish itself works report and in preparation for reac­ design to facilitate the development of floor of the Student Center in "That merely as a signal collector. The focus­ creditation, a survey which addressed critical and independent thought, Place" where TV is shown on a teo­ ing action, which is a -function of the this situation was taken among RWC while preparing students for careers foot screen. The second TV is located shape of the dish, is quite critical. The faculty and students. The results reaf­ and for life-long learning ... provides in the lower level of the student center. picture signal is maximum at the focal firmed the conclusion in 1981 of the an opportunity to integrate the Ferreira said that an actuator is used point of the dish where the feed com­ NEASC team. The Steering Commit­ broader perspectives of the liberal and to position the dish . Although two dif­ ponent is located. This feed provides tee on Reaccreditation then appointed creative arts with the more career ferent channels may be seen on the the entrance to the wave guide. a task force to analyze the problem, oriented professional and technical two different TV's, the two channels The RWC dish is mesh which is and in March, 1985, the Task Force fields". To better achieve these goals must come from the same satellite. At lighter in weight than a solid dish and continued on page 3 and to continue to meet NEASe's re­ present, the dish can focus on 12 dif­ is more resistant to other natural quirement that u25l1Jo of every stu­ ferent satellites, some having as many forces of contraction and weathering. dent's program of study be comprised as 10 individual channels. There is also of a coherent curriculum of studies in a list of several radio stations available the humanities, social sciences, and 24 hours a day. At the present time, Education Department natural sciences, with not all courses the student committee presenting taken at the introductory level". the "That Place" programs activities as HOC Committee proposes implement­ much two weeks in advance thereby Accreditation ation of the Core Curriculum. The giving students a chance to plan ahead by Kathy Cohen Teacher Education and Certification fundamental characteristic of the Core (NASDTEC) team arrived at RWC on for entertainment. This is possible The Roger Williams College " Curriculum. which comprises the Sunday, April 21. since the school receives a listing of Elementary Education program was general education portion of the stu­ NASDTEC has a book of standards what movies and programs will be of­ approved by the State Department of dent's requirements, will be that the for state and national approval of fered by the many channels available Education in 1970, thereby certifying courses be "independent of both the teacher education which a college must on the dish. The New England Sports RWC students in the state of Rhode student's major discipline and those Network gets aired once a week, and a Island to become teachers. follow for NASDTEC approval. totally free elective courses available in RWC's education program followed variety of classical, comedy, and re· This year RWC Education Coor­ four years of college study, .. devel­ cent movies are scheduled so that dif­ dinator Anne Barry told President the requirements for elementary stand­ oping students as critical and analytic ferent kinds of entertainment are William Rizzini that she wanted to try ards. A self-study done by RWC was thinkers, familiar with several modes represented. to get the education program nation­ written ' in response to the book of of thought and ... preparing them to standards. Ferreira was enthusiastic about the ally accredited. "I didn't know that think, read, write, speak and compute 1985 was the first year RWC Educa­ dish saying that the variety of enter­ we'd make it because we're a very at the level we describe as 'higher' tion students were graduated with the tainment it offers is outstanding and small department; we only had eleven education". The report clearly points NASDTEC approval. The graduates that they can now provide quality graduates in 84/85," stated Barry. out that the Core Curriculum is not are certified in 39 states. entertainment during the week-free On September 24, 1984 Rizzini simply a "back to basics" approach to the students. It provides them with wrote to Commissioner of Elementary Earhart reviewed the report of the but rather a refining and reshaping of a place to come together, have a soda, and Secondary Education J. Troy NASDTEC evaluation team submitted "skills and experiences which have eat some popcorn and take a break Earhart requesting a team be sent to by the team Chairman, Dr.
Recommended publications
  • An Analytical Approach to Vibraphone Performance Through the Transcription and Analysis of Gary Burton’S Solo on Blue Monk
    AN ANALYTICAL APPROACH TO VIBRAPHONE PERFORMANCE THROUGH THE TRANSCRIPTION AND ANALYSIS OF GARY BURTON’S SOLO ON BLUE MONK A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in Partial fulfillment of the Requirements for the degree of Doctor of Musical Arts in The School of Music By Charles B. Brooks B.A., Western Kentucky University, 1997 M.A., Austin Peay State University, 2000 December 2007 ACKNOWLEDGMENTS This document would not exist without the guidance and counsel of several extraordinary individuals. It is dedicated to my father for introducing me to the world of music. I would like to extend special gratitude to my mother for her guidance, strength, and belief that anything is possible. In addition I would like to thank Johnny Walker and my brother, Michael Brooks, without whom none of this would possible. This document is also dedicated to Kenneth Welch and Larry Long for their counsel and friendship. I extend special thanks to my teachers Dr. Christopher Norton, Mr. David Steinquest, Dr. Charles Smith, Dr. Thomas King, Dr. Jefferey Wood, Dr. Dinos Constantinides, Dr. Joseph Skillen, Dr. Robert Peck, and Dr. Michael Kingan. I would especially like to thank Dr. Willis Delony for staying the course and guiding me through rough terrain. ii TABLE OF CONTENTS ACKNOWLEDGMENTS ..............................................................................................ii LIST OF MUSICAL EXAMPLES................................................................................iv
    [Show full text]
  • Fall 2015 the Journal of Kcc Reads
    PAIDEIA VOLUME 3 | FALL 2015 THE JOURNAL OF KCC READS EDITORIAL STAFF: EDITOR-IN-CHIEF: Maureen E. Fadem | English SECTION EDITORS: LAYOUT: Irina Pistsov | KCC Graphic Artist ARTWORK: Madeline Sorel | Art PHOTOGRAPHY: Farin Kautz | KCC Graduate, Class of ‘12 Niaz Mosharraf | KCC Graduate, Class of ‘14 Catherine McConney | KCC Graduate, Class of ‘15 ASSOCIATE EDITORS: Jay Bernstein | Library Kevicha Echols | Health JoAnne Meyers | Office of Communications & Gov’t Relations Robert Schacter | Office of the Associate Provost Diana Treglia | Health ASSISTANT EDITORS: Robert Gutenmakher | KCC Student Jamila Wallace | KCC Student EDITORIAL STATEMENT: PAIDEIA: The Journal of KCC Reads is the annual publication of the common reading program at Kingsborough Community College, CUNY. The journal publishes work on adopted common reading texts by students of the college. Given that the program’s first priority is student enrichment, all KCC students are welcome to submit work for publication. We consider any work completed by a student of the college, at any level, as long as it engages the current year’s common reading text in a thoughtful way that contributes meaningfully to the conversation on the book. In the main, work published in Paideia will have been presented at the annual KCC Reads Annual Student Conference, held each year in the Spring semester and featuring scholarship by hundreds of students in various formats and from multiple disciplinary standpoints. KCC Reads is part of the Coordinated Undergraduate Education Initiative (CUE) at Kingsborough, overseen by Associate Provost Dr. Reza Fakhari (room M-386 | 718-368-5029). PAIDEIA The Journal of KCC Reads Volume 3 | Fall 2015 PAIDEIA IS THE ANNUAL PUBLICATION OF KCC READS, THE COMMON READING PROGRAM AT KINGSBOROUGH COMMUNITY COLLEGE | CUNY KCC READS IS PART OF THE COORDINATED UNDERGRADUATE EDUCATION INITIATIVE (CUE) AT KINGSBOROUGH COMMUNITY COLLEGE, OVERSEEN BY ASSOCIATE PROVOST DR.
    [Show full text]
  • ALUMNUS Spring/Summer 2021
    Pinkerton ALUMNUS Spring/Summer 2021 Graduation Returns to Campus BOARD SPOTLIGHT BRENDA KEITH Miss Brenda Keith is proud of the opportunities the program provides for has been on the Board young women. of Trustees for 20 years. “I love the mentorship opportunity with the Having graduated from young woman, and I love the fact that we’re making a law school in 1997, she difference with the scholarship program,” she said. “We was building her practice granted $100,000 in scholarships this year at Miss New when in 2001 former Hampshire. We (NH) are routinely in the top 5 or 10 trustee Bob Gorham states for the amount of scholarships we grant.” asked her to join. A 1974 Empowering young people is a passion that transcends graduate and lifelong Keith’s involvement in both Miss America and the Derry resident, she was Pinkerton Academy Board of Trustees. honored to represent “What keeps me coming back is the mentorships. To Derry on the Board. see the young women grow and become leaders. I have Brenda Keith Keith’s ties to her alma faith in the next generation, serving on the Pinkerton mater run deep as her Board, I see what the kids can do and then the natural mother, Marjorie (Piper) Keith graduated from Pinkerton extension of that is watching the young women grow in in 1948, and her 5 siblings all attended as well. Her love the Miss America program.” for Pinkerton has always been strong. What might surprise many is that Keith was a racecar “I had a great experience at Pinkerton and very much driver intermittently for ten years.
    [Show full text]
  • Catalogue 2009/10 ECM Paul Griffiths Bread and Water
    Catalogue 2009/10 ECM Paul Griffiths Bread and Water Here is someone standing at the entrance to the gallery who goes on talking all the time while almost all the visitors who come are rushing by in their eagerness to inspect what is on show inside. The hall a little way beyond is packed with rare and wonderful things, beautifully laid out and informatively labelled. There is much to see, much to learn. This is what the visitors have come for. Why, then, linger at the doorway? Why wait? But you, you have stopped. Thank you. Yes, this is the gallery, this the exhibition: a catalogue. We can use the word either to mean this paper object you hold in your hands or the totality of items a publisher or, as in this case, record company has available for sale: the CATALOGUE, as we may put it. Such a CATALOGUE is changeable as the ocean is: things will go (though rarely, where ECM is concerned), more will come. The catalogue, on the other hand, is fixed, a photograph of the ocean. There was a moment, probably before it reached print, when the catalogue was identical with the CATALOGUE. But that moment has passed and will not come again, for the ocean is growing and the photograph cannot. Is the catalogue therefore impoverished? No, no more than a photograph is. This is no snapshot, no fuzzy image trapped half_thoughtlessly on a mobile phone. Look at what you have in your hands: this is something well made, something composed. A professional photographer must have been invited to make a study of the ocean.
    [Show full text]
  • CD 64 Motion Poet Peter Erskine Erskoman (P. Erskine) Not a Word (P
    Prairie View A&M University Henry Music Library 5/23/2011 JAZZ CD 64 Motion Poet Peter Erskine Erskoman (P. Erskine) Not a Word (P. Erskine) Hero with a Thousand Faces (V. Mendoza) Dream Clock (J. Zawinul) Exit up Right (P. Erskine) A New Regalia (V. Mendoza) Boulez (V. Mendoza) The Mystery Man (B. Mintzer) In Walked Maya (P. Erskine) CD 65 Real Life Hits Gary Burton Quartet Syndrome (Carla Bley) The Beatles (John Scofield) Fleurette Africaine (Duke Ellington) Ladies in Mercedes (Steve Swallow) Real Life Hits (Carla Bley) I Need You Here (Makoto Ozone) Ivanushka Durachok (German Lukyanov) CD 66 Tachoir Vision (Marlene Tachoir) Jerry Tachoir The Woods The Trace Erica’s Dream Township Square Ville de la Baie Root 5th South Infraction Gibbiance A Child’s Game CD 68 All Pass By (Bill Molenhof) Bill Molenhof PB Island Stretch Motorcycle Boys All Pass By New York Showtune Precision An American Sound Wave Motion CD 69 In Any Language Arthur Lipner & The Any Language Band Some Uptown Hip-Hop (Arthur Lipner) Mr. Bubble (Lipner) In Any Language (Lipner) Reflection (Lipner) Second Wind (Lipner) City Soca (Lipner) Pramantha (Jack DeSalvo) Free Ride (Lipner) CD 70 Ten Degrees North 2 Dave Samuels White Nile (Dave Samuels) Ten Degrees North (Samuels) Real World (Julia Fernandez) Para Pastorius (Alex Acuna) Rendezvous (Samuels) Ivory Coast (Samuels) Walking on the Moon (Sting) Freetown (Samuels) Angel Falls (Samuels) Footpath (Samuels) CD 71 Marian McPartland Plays the Music of Mary Lou Williams Marian McPartland, piano Scratchin’ in the Gravel Lonely Moments What’s Your Story, Morning Glory? Easy Blues Threnody (A Lament) It’s a Grand Night for Swingin’ In the Land of Oo Bla Dee Dirge Blues Koolbonga Walkin’ and Swingin’ Cloudy My Blue Heaven Mary’s Waltz St.
    [Show full text]
  • Jazz Enciclopedia
    John Abercrombie Джон Эберкромби Родился: 16 декабря 1944 в Порт Честере,штат Нью-Йорк Удивительное умение Джона Эберкромби сочетать в своем творче- стве многообразие джазовых направлений сделало его одним из самых влиятельных акустических и электро гитаристов 70-х и начала 80-х годов. Записи Эберкромби на ECM помогли этому рекорд лейблу обрести свою уникальную нишу в продвижении прогрессивного камерного джаза. В по- следнее время свет его звезды несколько угас - этому есть свои причины. Его излишняя дань консерватизму доминирует над джазом, но Эберкромби по-прежнему остается гранд-персоной с высокой творческой энергетикой. Есть понятие "стиля Эберкромби": он основан исключительно на джазе и содержит в себе весь арсенал современной импровизационной музыки. Но главное - он всегда подразумевает и демонст- рирует нечто большее, чем могут вместить все диапазоны музыки - от фолка и рока до Вос- точной и Западной классической музыки. С 1962 по 1966 год Эберкромби учился в Бостон- ском музыкальном колледже (Berklee College of Music), и во время учебы гастролировал с блюзменом Джонни Хэммондом (Johnny Hammond). В 1969 году Эберкромби переезжает в Нью-Йорк и некоторое время играет в группах, возглавляемых барабанщиками Чико Хамиль- тоном и Билли Кобэмом. Группа, в которой он впервые обратил на себя внимание, называлась "Spectrum", а первый альбом, где Эберкромби заявил о себе как бэнд-лидер, назывался "Timeless. Альбом был записан с барабанщи- ком Джеком ДеДжонетте и клавишником Яном Хаммером. Затем последовал "Gateway" в со- ставе другого трио с Джеком ДеДжонетте и ба- систом Дэйвом Холландом, заменившим Яна Хаммера. Тонкий и проникновенный стиль Эберкромби дает наибольший эффект в малых формах: в составе Gateway трио, или в дуэте с гитаристом Ральфом Таунером.
    [Show full text]
  • 20110829 ECM Catalog
    ECM No. Format Univ. No. EAN No. Artist / Title 600 3514 DVD 181 3514 97835 1813514 3 Bütler/Eicher: Holozän (nach Max Frisch) 600 5001 DVD w/book 987 3185 6024 9873185 7 Jean-Luc Godard: Four Short Films 600 5050 DVD 276 9886 6025 2769886 1 Sounds And Silence (DVD) 600 5501 DVD 987 3186 6024 9873186 4 Keith Jarrett: Tokyo Solo 600 5506 DVD 177 2713 6025 1772713 7 Eleni Karaindrou: Elegy of the Uprooting 664 5502 2-DVD 177 2707 6025 1772707 6 Keith Jarrett Trio: Standards I/II Tokyo 85/86 664 5504 2-DVD 177 2710 6025 1772710 6 Keith Jarrett Trio: Live in Japan 1993/96 670 5050 Blu-ray Disc 276 9887 6025 2769887 8 Sounds And Silence (Blu-ray Disc) 800 1003 CD ECM 843 1622 0422 8431622 4 Paul Bley: w/Gary Peacock 800 1004 CD ECM 527 7102 7314 5277102 5 Marion Brown: Afternoon Of... 800 1007 CD ECM 843 4752 0422 8434752 5 Jan Garbarek: Afric Pepperbird 800 1009 CD ECM 833 6782 0422 8336782 1 Chick Corea: A.R.C. 800 1011 CD ECM 987 1766 6024 9871766 0 Holland/Phillips: Music From Two Basses 800 1016 CD ECM 527 6452 7314 5276452 2 Terje Rypdal 800 1021 CD ECM 513 7762 7314 5137762 4 Jarrett/DeJohnette: Ruta & Daitya 800 1022 CD ECM 811 9782 0422 8119782 6 Chick Corea: Return To Forever 800 1024 CD ECM 831 3312 0422 8313312 9 Burton/Corea: Crystal Silence 800 1027 CD ECM 829 3732 0422 8293732 2 Dave Holland: Conference Of The Birds 800 1029 CD ECM 847 3212 0422 8473212 3 Jan Garbarek: Triptykon 800 1032 CD ECM 829 1572 0422 8291572 6 Ralph Towner: Diary 800 1038 CD ECM 829 3832 0422 8293832 9 Art Lande: Red Lanta 800 1042 CD ECM 833 3312 0422
    [Show full text]
  • John ABERCROMBIE: Rabih ABOU-KHALIL
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ John ABERCROMBIE: John Abercrombie -g; Marc Johnson -b; Peter Erskine -d; recorded April 27, 1991 in Ludwigsburg 36614 SWEET AND LOVELY 8.20 Aircheck 36615 JUMPIN' IN 9.20 --- 36616 ALICE IN WONDERLAND 9.12 --- 36617 FURS ON ICE 8.00 --- 36618 I WISH I KNEW 8.35 --- 36619 THE MUSIC OF MY PEOPLE 10.10 --- 36620 SAMURAI HEE-HAW 7.16 --- 36621 STREET TALK 8.06 --- 36622 HOW DEEP IS THE OCEAN 8.08 --- 36623 FOUR ON ONE 8.06 --- ------------------------------------------ Rabih ABOU-KHALIL: "Bright Moments - Modern Jazz in Rastede / Ammerland" Rabih Abou-Khalil -oud; Sonny Fortune -ts; Glen Moore -b; Ramesh Shotham, Glen Velez -perc; recorded May 10, 1988 in Mühlenhof, Rastede 59413 DUSK 13.04 "Jazzgipfel Stuttgart 1992 (S2, July 30, 1992)" Rabih Abou-Khalil -oud; Kronos Quartet: David Harrington, John Sherba -v; Hank Dutt -va; Joanne Jeanrenaud -cello; recorded June 1992 in Stuttgart 39725 ARABIAN WALTZ 5.46 Aircheck Rabih Abou-Khalil -oud; Glen Moore -b; Ramesh Shotham -perc; recorded June 1992 in Stuttgart 39716 LOST CENTURIES 11.12 --- 39717 CATANIA 4.02 --- Rabih Abou-Khalil -oud; Glen Moore -b; Ramesh Shotham -perc; Kronos Quartet: David Harrington, John Sherba -v; Hank Dutt -va; Joanne Jeanrenaud -cello; recorded June 1992 in Stuttgart 39726 DREAMS OF A DYING CITY 12.08 --- Rabih Abou-Khalil -oud; Nabil Khaiat -frame drum; Ramesh Shotham -perc; Jonas Hellborg -g,b; recorded February 19, 1993 in Hamburg 43726 BLUE CAMEL 11.58 --- 43727 MIKLAGAARD 17.32 --- 43728 RABOU ABOU KABOU 9.18 --- 43729 DREAMS OF A DYING CITY 15.48 --- 43730 VILNIUS 11.38 --- 43731 DEEP PIG 18.40 --- 43732 ZIRIAB 9.44 --- 43733 ARABIAN WALTZ (CLOSING COMMENTS AND FADE) 17.42 --- "9.
    [Show full text]
  • An Analytical Approach to Vibraphone Performance Through the Transcription and Analysis of Gary Burton's Solo on Blue Monk
    Louisiana State University LSU Digital Commons LSU Major Papers Graduate School 2007 An analytical approach to vibraphone performance through the transcription and analysis of Gary Burton's solo on Blue Monk Charles Bryant Brooks Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_majorpapers Part of the Music Commons Recommended Citation Brooks, Charles Bryant, "An analytical approach to vibraphone performance through the transcription and analysis of Gary Burton's solo on Blue Monk" (2007). LSU Major Papers. 43. https://digitalcommons.lsu.edu/gradschool_majorpapers/43 This Major Paper is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Major Papers by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. AN ANALYTICAL APPROACH TO VIBRAPHONE PERFORMANCE THROUGH THE TRANSCRIPTION AND ANALYSIS OF GARY BURTON’S SOLO ON BLUE MONK A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in Partial fulfillment of the Requirements for the degree of Doctor of Musical Arts in The School of Music By Charles B. Brooks B.A., Western Kentucky University, 1997 M.A., Austin Peay State University, 2000 December 2007 ACKNOWLEDGMENTS This document would not exist without the guidance and counsel of several extraordinary individuals. It is dedicated to my father for introducing me to the world of music. I would like to extend special gratitude to my mother for her guidance, strength, and belief that anything is possible.
    [Show full text]
  • September 1990
    VOLUME 14, NUMBER 9 BUDGIE FEATURES Siouxsie & the Banshees drummer Budgie had a field day with the band's latest spin-off project, the Creatures' Boomerang album. In this interview, Budgie explains how WlNARD one drummer and one singer can create a strong pop record based HARPER on rhythms from the drumset, marimbas, and other tools of percussion. Who says bop is dead? Winard •by Adam Budofsky Harper has all but proven other- 28 DAVE wise, as his band, the Harper Brothers, has risen to the top of the jazz charts with their unique WECKL take on contemporary bop. Here Winard discusses his love for the When one of the top drummers form, plus his work with Betty PRODUCERS on the planet has his first solo Carter, Carmen McRae, album out, and is touring behind Abdullah Ibrahim, and ON DRUMMERS Chick Corea's hottest record in other jazz greats. years, you can bet he's got a few •by Bill Milkowski 24 What do today's top producers things to talk about. In this inter- expect from drummers in the stu- view, Weckl certainly does dis- dio? In this exclusive feature, MD cuss the above, plus a few of the posed this and other important other situations he's questions to four of the music encountered since the business's most-respected produc- last time we chatted, ers: heavy metal's Tom Werman, • by Rick Mattingly 18 pop music maven Russ Titelman, country music's Josh Leo, and jazz expert Jeff Weber. •by Robyn Flans 32 MD TRIVIA CONTEST Win a complete Yamaha Power recording Custom drumkit! 124 Cover Photo: Lissa Wales COLUMNS Education 42 ELECTRONIC INSIGHTS Understanding Sound Systems: Part 4 68 BASICS In The Practice Room BY SPIROS A.
    [Show full text]
  • ECM DISCOVERIES 50 Cds from THE
    ECM M EC IES OVER 80s DISC THE ALE FROM PECI DISCOVERIES ZO S /06 PREZ AL 3 50 CDs FROM THE 80s FINO JOHN ABERCROMBIE...ANIMATO 1411 JOHN ABERCROMBIE / MARC JOHNSON / PETER ERSKINE 1390 ART ENSEMBLE OF CHICAGO...FULL FORCE 1167 AZIMUTH ’85 1298 BENGT BERGER...BITTER FUNERAL BEER 1179 THE PAUL BLEY QUARTET 1365 LESTER BOWIE’S BRASS FANTASY...I ONLY HAVE EYES FOR YOU 1296 GARY BURTON...REAL LIFE HITS 1293 DON CHERRY / ED BLACKWELL...EL CORAZÓN 1230 CODONA 2 1177 COREA / VITOUS / HAYNES...TRIO MUSIC 1310 CHICK COREA...CHILDREN’S SONGS 1267 JACK DEJOHNETTE’S SPECIAL EDITION...TIN CAN ALLEY 1189 BILL FRISELL BAND...LOOKOUT FOR HOPE 1350 JAN GARBAREK...EVENTYR 1200 AGNES BUEN GARNÅS / JAN GARBAREK...ROSENSFOLE 1402 EGBERTO GISMONTI / NANA VASCONCELOS...DUAS VOZES 1279 HEINER GOEBBELS...THE MAN IN THE ELEVATOR 1369 GEORGE GRUNTZ CONCERT JAZZ BAND ’83...THEATRE 1265 CHARLIE HADEN...THE BALLAD OF THE FALLEN 1248 JON HASSELL...POWER SPOT 1327 DAVE HOLLAND...EXTENSIONS 1410 ZAKIR HUSSAIN...MAKING MUSIC 1349 MARK ISHAM / ART LANDE...WE BEGIN 1338 JARRETT / PEACOCK / DEJOHNETTE...STANDARDS VOL.1 1255 KEITH JARRETT...DARK INTERVALS 1379 MARC JOHNSON’S BASS DESIRES...SECOND SIGHT 1251 CHARLES LLOYD QUARTET...FISH OUT OF WATER 1398 CHARLIE MARIANO & KARNATAKA COLLEGE OF PERCUSSION...JYOTHI 1256 MASQUALERO...AERO 1367 PAT METHENY...REJOICING 1271 PAUL MOTIAN...IT SHOULD’VE HAPPENED A LONG TIME AGO 1283 STEPHAN MICUS...THE MUSIC OF STONES 1384 OLD AND NEW DREAMS...PLAYING 1205 OREGON 1258 GARY PEACOCK...VOICES FROM THE PAST - PARADIGM 1210 ENRICO RAVA /
    [Show full text]
  • Re-Thinking the London Gay Community Marco Venturi UCL Gender and Sexuality Studies
    1 Out of Soho, Back into the Closet: Re-Thinking the London Gay Community Marco Venturi UCL Gender and Sexuality Studies (Centre for Multidisciplinary & Intercultural Inquiry) April 2018 2 3 Declaration 'I, Marco Venturi, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis'. Date: 09/04/18 Signature: Marco Venturi 4 Abstract Over the past three decades, Soho has become known, both nationally and internationally, as London's gay district, functioning as a place where gay men could openly interact and express their sexual identities while also developing a sense of community. At the same time, Soho also worked as a bridge between these men and British society, laying the ground for those legal and social changes that contributed to a shift in attitudes towards homosexuality at the start of the millennium. However, many gay-targeted venues in the district have recently gone out of business or are struggling to stay open. Even though this tendency is often described as a direct result of the relentless process of gentrification that is swiftly changing the image of Soho, it does not explain why so many gay men seem to be almost complicit in the district's seeming disappearance. While it is impossible to ignore the part that gentrification is playing in the transformation of the district and the changing face of its gay scene, it is not the only element contributing to the process. Academic research has often concentrated on similar examples of gay districts around the world, but not much attention has been given to Soho.
    [Show full text]