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John ABERCROMBIE: Rabih ABOU-KHALIL

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This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ John ABERCROMBIE: John Abercrombie -g; Marc Johnson -b; Peter Erskine -d; recorded April 27, 1991 in Ludwigsburg 36614 SWEET AND LOVELY 8.20 Aircheck 36615 JUMPIN' IN 9.20 --- 36616 ALICE IN WONDERLAND 9.12 --- 36617 FURS ON ICE 8.00 --- 36618 I WISH I KNEW 8.35 --- 36619 THE MUSIC OF MY PEOPLE 10.10 --- 36620 SAMURAI HEE-HAW 7.16 --- 36621 STREET TALK 8.06 --- 36622 HOW DEEP IS THE OCEAN 8.08 --- 36623 FOUR ON ONE 8.06 --- ------------------------------------------ Rabih ABOU-KHALIL: "Bright Moments - Modern Jazz in Rastede / Ammerland" Rabih Abou-Khalil -oud; Sonny Fortune -ts; Glen Moore -b; Ramesh Shotham, Glen Velez -perc; recorded May 10, 1988 in Mühlenhof, Rastede 59413 DUSK 13.04 "Jazzgipfel Stuttgart 1992 (S2, July 30, 1992)" Rabih Abou-Khalil -oud; Kronos Quartet: David Harrington, John Sherba -v; Hank Dutt -va; Joanne Jeanrenaud -cello; recorded June 1992 in Stuttgart 39725 ARABIAN WALTZ 5.46 Aircheck Rabih Abou-Khalil -oud; Glen Moore -b; Ramesh Shotham -perc; recorded June 1992 in Stuttgart 39716 LOST CENTURIES 11.12 --- 39717 CATANIA 4.02 --- Rabih Abou-Khalil -oud; Glen Moore -b; Ramesh Shotham -perc; Kronos Quartet: David Harrington, John Sherba -v; Hank Dutt -va; Joanne Jeanrenaud -cello; recorded June 1992 in Stuttgart 39726 DREAMS OF A DYING CITY 12.08 --- Rabih Abou-Khalil -oud; Nabil Khaiat -frame drum; Ramesh Shotham -perc; Jonas Hellborg -g,b; recorded February 19, 1993 in Hamburg 43726 BLUE CAMEL 11.58 --- 43727 MIKLAGAARD 17.32 --- 43728 RABOU ABOU KABOU 9.18 --- 43729 DREAMS OF A DYING CITY 15.48 --- 43730 VILNIUS 11.38 --- 43731 DEEP PIG 18.40 --- 43732 ZIRIAB 9.44 --- 43733 ARABIAN WALTZ (CLOSING COMMENTS AND FADE) 17.42 --- "9. Traumzeit- Festival" Rabih Abou-Khalil and Ensemble Modern: Rabih Abou-Khalil -comp,oud; Jarrod Cagwin -frame drum; 'Ensemble Modern' -strings; recorded June 26, 2005 in Duisburg 75414 SUSHI 17.42 --- 75415 PEKINESE MOUNTAIN 14.05 --- 75416 LINGERIE FINE 11.41 --- 75417 SITUATED PRESENTLY FOR BEST RESULTS 8.16 --- 75418 MRS. BEAVER AND HARRY HARE 7.04 --- 75419 QUE NUMERO CALÇA (?) 5.39 --- ------------------------------------------ ACOUSTIC JAZZ QUARTET: Pierre Rudolph -fl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded 1976 in NDR Studio, Kiel 5205 CALYPSO BLUES 3.22 TV Broadcast 5206 THE DAY #1 2.48 --- Pierre Rudolph -fl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded June 1976 in Kiel, Alter Markt 55355 DANSE DU SOIR 5.27 1818 Aircheck Pierre Rudolph -sax,fl,bcl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded June 22, 1976 in Kiel, Teestube 17351 PONDICHERY #1 5.32 0001 Private recording 17352 THE DAY #2 5.10 0002 --- 17353 KATERIDEEN #1 9.25 0003 --- 17354 DANSE DU SOIR #1 5.13 0004 --- 17355 TRAMPELPFAD #1 13.21 0005 --- 17356 A.D.A.C. #1 15.30 0006 --- 17357 IMPROVISATION #1 7.17 0007 --- 17358 CALYPSO BLUES #2 4.48 0008 --- Pierre Rudolph -sax,fl,bcl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded August 24, 1976 in Kiel,Adalbertstr. 15 17362 CALYPSO BLUES #3 2.52 0009 --- 17363 PONDICHERY #2 6.21 0010 --- 17364 KUMASI 6.22 0011 --- 17365 SCHNEE #1 6.29 0012 --- 17366 PONDICHERY #3 6.23 0013 --- 17367 KUMASI #2 6.15 0014 --- 17368 FALSE START OF THE DAY 0.23 0015 --- 17369 THE DAY #3 3.49 0016 --- 17370 TRAMPELPFAD #2 20.04 0017 --- Pierre Rudolph -sax,fl,bcl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded August 31, 1976 in Kiel,Adalbertstr. 15 17371 KUMASI #3 7.03 0018 --- 17372 SCHNEE #2 7.36 0019 --- 17373 SCHNEE #3 7.37 0020 --- 17374 DANSE DU SOIR #2 5.50 0021 --- Pierre Rudolph -sax,fl,bcl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded November 07, 1976 in Lutterbek aus der ZDF- Familienserie "Ein Münchner in Honolulu" 17359 HONAUNAU SONG #1 (aka "Die Hawaii- Scheiße") 8.57 0022 --- 17360 ADJALA #1 5.44 0023 --- 17361 DELHI DAILY #1 7.57 0024 --- 17379 INDIAN HIGHWAY NO. ONE #1 11.27 0025 --- 17380 A.D.A.C. #2 (incomplete) 10.34 0026 --- 17381 BEGINNING OF A CITY DAY #1 8.15 0027 --- 17382 IDEEN EINES KATERS #2 13.10 0028 --- Pierre Rudolph -sax,fl,bcl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded November 15, 1976 in Kiel 17375 THE DAY #4 4.52 0102 --- 17376 THRE'T'NING #1 7.26 0103 --- 17377 KUMASI #4 7.00 0104 --- 17378 IDEEN EINES KATERS #3 13.26 0105 --- 17383 HONAUNAU SONG #2 13.20 0029 --- 17384 ADJALA #2 6.55 0030 --- 17385 INDIAN HIGHWAY NO. ONE #2 8.38 0101 --- Pierre Rudolph -sax,fl,bcl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded March 09, 1977 in Kronshagen, Waidmannskrach 17387 ADJALA #3 6.44 0106 --- 17388 THRE'T'NING #2 9.20 0107 --- 17389 DANSE DU SOIR #3 6.32 0108 --- 17390 SHINE #1 7.26 0109 --- 17391 A.D.A.C. #3 12.30 0110 --- 17392 INDIAN HIGHWAY NO. FOUR #1 8.20 0111 --- 17393 BASS SOLO #1 (rb only) 2.46 0112 --- 17394 COLOMB-BECHAR I #1 4.34 0113 --- 17395 IDEEN EINES KATERS #4 10.16 0114 --- 17396 HONAUNAU SONG #3 11.03 0115 --- 17397 BEGINNING OF A CITY DAY #2 4.57 0116 --- 17398 THE DAY #5 6.15 0117 --- 17399 SAHIB #1 7.15 0118 --- 17400 COLOMB-BECHAR II #1 9.06 0119 --- 17401 PONDICHERY #4 7.41 0120 --- 17402 SHINE #2 6.30 0121 --- 17403 CALYPSO BLUES #4 (LE DIABLE A BICYCLETTE) 5.02 0122 --- Pierre Rudolph -sax,fl,bcl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded March 27, 1977 in Hollin-Hof 17334 BY NIGHT #2 6.22 0128 --- 17404 BY NIGHT #1 7.06 0123 --- 17405 T.S.F. #1 4.34 0124 --- 17406 FATA MORGANA ABORTED 6.52 0125 --- 17407 FATA MORGANA #1 8.30 0126 --- 17408 DANSE DU SOIR #4 6.16 0127 --- Pierre Rudolph -sax,fl,bcl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded April 22, 1977 in Kiel, 'Glashütte' 17323 DELHI DAILY #2 13.55 0129 --- 17324 COLOMB-BECHAR II #2 12.30 0201 --- 17325 SHINE #3 7.13 0202 --- 17326 SAHIB #2 8.58 0203 --- 17386 TRAMPELPFAD #3 20.46 0204 --- Pierre Rudolph -sax,fl,bcl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded April 30, 1977 in Hollin-Hof 17327 ADJALA #4 4.56 0205 --- 17328 SHINE #4 7.30 0206 --- 17329 T.S.F. #2 5.20 0207 --- 17330 COLOMB-BECHAR I #2 7.34 0208 --- 17331 SONNTAG, 10 A #1 6.56 0209 --- 17332 COLOMB-BECHAR II #3 7.51 0210 --- 17333 TCHAD #1 10.25 0211 --- Pierre Rudolph -sax,fl,bcl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded December 13, 1977 in Kiel 17344 TRAMPELPFAD #4 31.51 0212 --- 17409 AFRICAN BEAUTY #1 8.10 0213 --- 17410 SOMALIA I #1 3.58 0214 --- 17411 SOMALIA II #1 1.54 0215 --- 17412 SOMALIA III #1 8.25 0216 --- Pierre Rudolph -sax,fl,bcl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded Winter 1977 in Kiel 17336 HEAD HUNTERS #1 8.23 0217 --- 17337 AFRICAN BEAUTY #2 10.35 0218 --- Pierre Rudolph -sax,fl,bcl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded 1978 in Lutterbek 17345 DER GEIER #2 9.32 0219 --- 17346 DELHI DAILY #3 11.32 0220 --- 17347 THANK YOU, NHÖP #3 6.14 0221 --- 17348 BEGINNING OF A CITY DAY #6 8.07 0222 --- 17349 COLOMB-BECHAR I #3 7.15 0223 --- 17350 BY NIGHT #5 8.49 0224 --- Pierre Rudolph -sax,fl,bcl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded February 06, 1978 in Kiel 17338 SOMALIA III #2 10.16 0225 --- 17339 AFRICAN BEAUTY #3 10.45 0301 --- 17340 IN THE MORNING #1 12.02 0302 --- 17341 SONNTAG, 10 A #2 10.09 0303 --- 17342 IMPROVISATION #2 14.49 0304 --- 17343 DER GEIER #1 10.50 0305 --- Pierre Rudolph -sax,fl,bcl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; recorded February 11, 1978 in Hollin-Hof 17293 BEGINNING OF A CITY DAY #3 5.54 0306 --- 17294 BEGINNING OF A CITY DAY #4 5.29 0307 --- 17295 BEGINNING OF A CITY DAY #5 5.36 0308 --- 17296 SCHNEE #4 10.04 0309 --- 17297 SCHNEE #5 7.39 0310 --- 17298 THANK YOU, NHÖP #1 5.22 0311 --- 17299 THANK YOU, NHÖP #2 4.27 0312 --- 17300 DANSE DU SOIR #5 5.39 0313 --- 17301 DANSE DU SOIR #6 5.51 0314 --- 17302 BY NIGHT #3 7.10 0315 --- 17303 BY NIGHT #4 7.18 0316 --- 17304 AFRICAN BEAUTY #4 10.00 0317 --- 17305 AFRICAN BEAUTY #5 10.04 0318 --- 17306 IN THE MORNING #2 11.56 0319 --- 17307 BY ACCIDENT #1 8.18 0320 --- 17308 LONELY COWBOY SUR L'AVENUE DES CHAMPS ELYSEES 1.00 0321 --- 17309 IN THE MORNING #3 6.50 0322 --- /*23//8 time*/ 17310 SOMALIA III 5.24 0323 --- 17311 BY ACCIDENT #2 5.50 0324 --- ------------------------------------------ ACOUSTIC JAZZ QUARTET AND GUEST: Pierre Rudolph -as,fl; Mehmet Ergin -g; Rudolf Behrend -b; Richard Berkowski -perc; Guest: Holger Erichsen -perc; recorded July 28, 1978 in Lutterbek 17312 SHINE #5 7.03 0325 --- 17313 ADJALA #5 6.35 0326 --- 17314 LILAC #1 11.03 0327 --- 17315 TRAMPELPFAD #5 20.25 0328 --- 17316 COLOMB-BECHAR I #4 6.22 0329 --- 17317 AFRICAN BEAUTY #6 10.44 0401 --- Vollständiger Titel: Ein Blinder, der in den Brunnen gefallen war, sagte, eine Stadt mag dies wohl sein, doch keine, in der es Almosen gibt 17318 EIN BLINDER, DER IN DEN BRUNNEN GEFALLEN WAR, SAGTE ..
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    The Foundation for Music Education is announcing the 7th annual summer “Stars Under The Stars,” featuring the Brad Leali Quartet with Brad Leali on Saxophone, Claus Raible on piano, Giorgos Antiniou on bass, Alvester Garnett on drums, and joined by vocalist Martha Burks. The event will be on Friday, August 12, 2011 from 7:00 to 10:00 PM at the Louise Underwood Center. “Stars Under the Stars” is an evening concert benefitting music scholarships that will include an hour of socializing with sensational food and drink from “Stella’s.” The event benefits music education scholarships. Our traditional guest host and emcee will be local TV and Radio personality Jeff Klotzman. The “Stars” this year are brilliant world-class jazz artists from the United States, Greece, and Germany! For information about tickets and/or making donations for “Stars Under the Stars,” please call 806- 687-0861, 806-300-2474, and www.foundationformusiceducation.org. Information - The Quartet is captivating through the spontaneity and homogeneousness of the performance as well as with the communicative, non-verbal interaction of the four musicians. The band book consists, besides grand jazz classics, mainly of original compositions by the members. BRAD LEALI Saxophone http://www.bradleali.com/ CLAUS RAIBLE Piano, compositions and arrangements http://www.clausraible.com/Projects.htm GIORGIOS ANTONIOU Bass http://www.norwichjazzparty.com/Musician.asp?ID=22 ALVESTER GARNETT Drums http://www.alvestergarnett.com/ MARTHA BURKS Vocalist http://www.marthaburks.com/ Some comments about the quartet in the press: “This quartet enchanted the audience from the first, almost explosion like saxophone note and put them under their spell ..
  • Society of Environmental Journalists

    Society of Environmental Journalists

    Washington University School of Medicine Digital Commons@Becker Washington University Record Washington University Publications 10-24-1996 Washington University Record, October 24, 1996 Follow this and additional works at: http://digitalcommons.wustl.edu/record Recommended Citation "Washington University Record, October 24, 1996" (1996). Washington University Record. Book 738. http://digitalcommons.wustl.edu/record/738 This Article is brought to you for free and open access by the Washington University Publications at Digital Commons@Becker. It has been accepted for inclusion in Washington University Record by an authorized administrator of Digital Commons@Becker. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS fecord Vol. 21 No. 9 Oct. 24, 1996 Washington University plays host to Society of Environmental Journalists Barbara A. Schaal, Ph.D., professor and chair of the Department of Biology in Arts and Sciences, discusses the prairie ecosystem with award-winning author Richard Manning during a tour of the Shaw Arboretum of the Missouri Botanical Garden on Thursday, Oct. 17. Manning is the author of "Grassland." Nearly 400 members of the Society of of the Missouri Botanical Garden; Cahokia Environmental Journalists (SEJ) were Mounds near Collinsville, 111.; and dioxin-tainted treated to a helping of Midwestern hospital- Times Beach, Mo., among others. ity and a dose of Washington University faculty University faculty members played key roles in expertise last week. the conference. In addition to leading some of the The University played host to SEJ's Sixth An- tours, faculty members also conducted sessions in nual Conference from Oct. 17-20. Environmental their labs on the Hilltop and Medical campuses.
  • Norway's Jazz Identity by © 2019 Ashley Hirt MA

    Norway's Jazz Identity by © 2019 Ashley Hirt MA

    Mountain Sound: Norway’s Jazz Identity By © 2019 Ashley Hirt M.A., University of Idaho, 2011 B.A., Pittsburg State University, 2009 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Musicology. __________________________ Chair: Dr. Roberta Freund Schwartz __________________________ Dr. Bryan Haaheim __________________________ Dr. Paul Laird __________________________ Dr. Sherrie Tucker __________________________ Dr. Ketty Wong-Cruz The dissertation committee for Ashley Hirt certifies that this is the approved version of the following dissertation: _____________________________ Chair: Date approved: ii Abstract Jazz musicians in Norway have cultivated a distinctive sound, driven by timbral markers and visual album aesthetics that are associated with the cold mountain valleys and fjords of their home country. This jazz dialect was developed in the decade following the Nazi occupation of Norway, when Norwegians utilized jazz as a subtle tool of resistance to Nazi cultural policies. This dialect was further enriched through the Scandinavian residencies of African American free jazz pioneers Don Cherry, Ornette Coleman, and George Russell, who tutored Norwegian saxophonist Jan Garbarek. Garbarek is credited with codifying the “Nordic sound” in the 1960s and ‘70s through his improvisations on numerous albums released on the ECM label. Throughout this document I will define, describe, and contextualize this sound concept. Today, the Nordic sound is embraced by Norwegian musicians and cultural institutions alike, and has come to form a significant component of modern Norwegian artistic identity. This document explores these dynamics and how they all contribute to a Norwegian jazz scene that continues to grow and flourish, expressing this jazz identity in a world marked by increasing globalization.