The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat

Total Page:16

File Type:pdf, Size:1020Kb

The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat Thu, Oct 01, 2020 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 12:24 Grieg Lyric Pieces No. 1, Op. 12 Eva Knardahl 00984 BIS 104 731859000104 2 00:14:5417:52 Rosetti Horn Concerto in E Tuckwell/English 00835 EMI 62031 077776203126 Chamber Orchestra 00:33:46 25:43 Mozart String Quartet No. 17 in B flat, Emerson String 02061 DG 427 657 028942765726 K. 458 "Hunt" Quartet 01:00:5915:38 Dukas Polyeucte Czech 05728 Supraphon 3479 099925347925 Philharmonic/Almeida 01:17:37 26:20 Alwyn Odd Man Out Suite London 08718 Chandos 9243 095115924327 Symphony/Hickox 01:44:5714:06 Handel Concerto Grosso in F, Op. 6 English 00667 Archiv 410 899 028941089922 No. 9 Concert/Pinnock 02:00:33 27:35 Lalo Cello Concerto in D minor Harrell/Berlin Radio 00473 London 414 387 028941438720 Symphony/Chailly 02:29:0814:58 Haydn Trumpet Concerto in E flat Andre/Munich 12311 DG 289 479 028947946489 CO/Stadlmair 4648 02:45:06 14:07 Dvorak The Noonday Witch, Op. 108 Royal 05127 Teldec 3942-244 639842448727 Concertgebouw/Harno 87 ncourt 03:00:4312:27 Debussy Estampes Alexandre Pirojenko 12882 Novy Svet n/a n/a 03:14:1029:18 Schumann Grand Sonata No. 3 in F minor, Vladimir Horowitz 02598 RCA 6680 078635668025 Op. 14 03:44:28 14:48 Bach Concerto in D minor for Violin & Spivakov/Utkin/Mosco 00114 RCA 7991 078635799125 Oboe, BWV 1060 w Virtuosi 04:00:4610:22 Dukas Sorcerer's Apprentice London 03621 Allegro 1022 723722336126 Symphony/Mackerras 04:12:08 16:26 Kodaly Summer Evening Orpheus Chamber 10084 DG 447 109 028944710922 Orchestra 04:29:3430:20 Fauré Piano Quartet No. 1 in C minor, Schubert Ensemble of 05638 BBC MM82 n/a Op. 15 London 05:01:24 14:52 Ben-Haim Pastorale Variee for Clarinet Fiterstein/Goldstein 11913 Centaur 2766 044747276625 and Piano, Op. 31b 05:17:1614:22 Rossini String Sonata No. 5 in E flat Camerata Bern/Furi 00767 DG 413 310 028941331021 05:32:3809:35 Vivaldi Cello Concerto in C, RV 400 Dieltiens/Ensemble 05356 Harmonia 901655 794881441525 Explorations Mundi 05:43:1305:04 Elgar Aubade from Nursery Suite Hallé Orchestra/Elder 13264 Hallé 7548 506500134155 7 05:49:12 10:13 Fill Music: announcer selects 06:01:00 11:36 Cherubini Overture to Le Crescendo Orchestra of 01774 Frequenz 011-042 800327811042 Tuscany/Renzetti 8 06:13:3603:22 Scarlatti, D. Sonata in G, Kirkpatrick 201 Vladimir Horowitz 02703 Sony 53460 07464534602 06:17:5813:36 Dvorak Slavonic Rhapsody in D, Op. Vancouver 03949 CBC 5166 059582516621 45 No. 1 Symphony/Comissiona Records 06:33:0906:48 Mozart Overture to Don Giovanni, K. Mostly Mozart Festival 04564 Sony 62830 074646283028 527 Orch/Brico 06:40:5708:58 Tchaikovsky Waltz-Scherzo, Op. 34 Shaham/Russian 04919 DG 289 457 028945706429 National 064 Orchestra/Pletnev 06:50:55 08:36 Bach Selections from "Nine Little Glenn Gould 02661 Sony 52597 07464525972 Preludes" (from the W.F. Bach Piano Book) 07:01:0610:22 Respighi Two Dances from Ancient Airs L.A. Chamber 00561 EMI 47116 07777471162 & Dances, Suite No. 3 Orch/Marriner 07:12:2807:08 Arban Variations on Casta Diva Bowden/Kassia PV1201 Summit 743 099402743929 Ensemble Records Thu, Oct 01, 2020 - The Classical Station, WCPE 2 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 07:20:36 06:19 Bach, C.P.E. Finale (Allegro assai) from Nicolet/Netherlands 03995 Philips 442 592 028944259223 Flute Concerto in B flat Chamber Orchestra/Zinman 07:27:5508:01 Purcell Sonata in E flat King's Consort 12204 Vivat 106 079943911468 5 07:37:3107:25 Strauss, Josef My Life is Love and Laughter Vienna 02968 Sony 66860 074646686027 (Waltz) Philharmonic/Mehta Classical 07:45:5603:00 Haydn Finale from Symphony No. 049 Handel and Haydn 13265 Coro 16168 828021616822 in F minor, "The Passion Society/Christophers Symphony" 07:49:5609:54 Hertel Trumpet Concerto in D Hardenberger/Academ 00883 Philips 420 203 028942020320 y SMF/Marriner 08:01:25 09:25 Rossini Overture to The Thieving National 00370 London 443 850 028944385021 Magpie Philharmonic/Chailly 08:11:5004:32 Chopin Grand Waltz in A flat, Op. 42 Claudio Arrau 00373 Philips 400 025 325914000252 9 08:17:22 05:14 Mozart Finale (Allegro) from String Trampler/Budapest 07702 Sony 75944 828767594422 Quintet in E flat, K. 614 String Quartet Classical 08:23:3607:29 Strauss Jr. Love Song Waltz Gaudier Ensemble 05554 Hyperion 67169 034571171692 08:32:4005:33 Ruchman Longing Boughton/Ruchman 13659 self-publish n/a 884501652131 ed 08:39:1310:54 Vivaldi Recorder Concerto in C minor, Petri/I Solisti 00117 RCA 7885 078635788525 RV 441 Veneti/Scimone 08:51:07 08:18 Fill Music: announcer selects 09:01:15 16:37 Schumann Scenes from Childhood, Op. 15 Vladimir Horowitz 06941 DG 35025 020831455025 5 09:18:5210:44 Elgar Coronation March, Op. 65 Royal Liverpool 01782 EMI 62528 077776252827 Philharmonic/Groves 09:30:51 28:28 Bruch Symphony No. 1 in E flat, Op. Gewandhaus 01646 Philips 420 932 028942093225 28 Orch/Masur 10:01:0923:26 Dvorak Czech Suite in D, Op. 39 Detroit 00673 London 414 370 028941437020 Symphony/Dorati 10:25:50 07:16 Haydn Scherzando No. 2 in C Pahud/Haydn-Ensembl 05052 EMI 56577 724355657725 e Berlin/Schellenberger 10:34:2124:17 Mendelssohn String Symphony No. 09 in C Orpheus Chamber 10239 DG 437 528 028943752824 Orchestra 11:00:2835:44 Mozart Piano Concerto No. 22 in E flat, Perahia/English 09954 CBS 42242 7464422422 K. 482 Chamber Orchestra Masterwor ks 11:37:27 10:56 Vivaldi Concerto in G minor, RV 439 P. Romero/I Musici 13613 Decca 478 0219 028947802174 11:49:3809:32 Potter, A.J. Rhapsody under a High Sky RTE 03211 Marco Polo 8.223804 730099380423 Sinfonietta/O'Duinn 12:01:0013:32 Alfven Swedish Rhapsody No. 1, Op. Royal Opera Orchestra 00145 Swedish 1003 N/A 19 "Midsummer Vigil" Stockholm/Alfvén Society 12:15:3203:51 Chabrier Habanera Jorge Federico Osorio PV1332 Cedille 197 735131919722 12:20:2314:18 Bach, J.C.F. Sonata in E minor for Camerata of Cologne 07350 CPO 777 087 761203708727 Transverse Flute, Viola and Continuo 12:35:56 07:06 Fill Music: announcer selects 1336 12:44:02 15:23 Verdi The Queen’s Ballet from Don Orch. Bologna Comm. 00139 London 425 108 028942510821 Carlo Theatre/Chailly 13:01:1514:34 Beethoven Leonore Overture No. 3 Philharmonia 00330 EMI 47190 N/A Orchestra/Klemperer Thu, Oct 01, 2020 - The Classical Station, WCPE 3 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 13:16:49 12:16 Corelli Concerto Grosso in B flat, Op. Cantilena/Shepherd 00794B Chandos 8336/7/8 N/A 6 No. 5 13:30:2014:11 Medtner Sonata in A minor, Op. 30 Vladimir Viardo 01990 Elektra/No 79283 075597928327 nesuch 13:45:31 13:24 Bach, C.P.E. Trio Sonata in D Les Amis de Philippe 06225 CPO 999 495 761203949526 14:00:4540:43 Dukas Symphony in C Suisse Romande 00758 Erato 88089 326965880892 Orchestra/Jordan 6 14:42:4316:41 Berlioz Love Scene from Romeo & Baltimore 01468 Telarc 80164 089408016424 Juliet, Op. 17 Symphony/Zinman 15:01:1421:29 Chopin Piano Sonata No. 2 in B flat Vladimir Horowitz 00904 RCA 44797 07464447972 minor, Op. 35 Records 15:23:5825:23 Haydn Symphony No. 083 in G minor, Austro-Hungarian 04399 Nimbus 5419/20 083603541927 "The Hen" Haydn Records Orchestra/Fischer 15:50:21 08:34 Cornelius Overture to The Barber of Royal Scottish National 12045 Naxos 8.573418 747313341870 Bagdad Orchestra/Friedel 16:00:1006:46 Waldteufel Estudiantina Slovak State 06698 Naxos www.thec n/a Philharmonic/Walter lassicalst ation.org 16:07:5110:47 Bach, C.P.E. Symphony in E flat Akademie fur Alte 04942 Harmonia 901622 794881409426 Music Berlin/Mai Mundi 16:19:3305:34 Debussy Danse (Tarantelle Styrienne) French National 01838 Denon 71799 081757179928 Orchestra/Inbal 16:26:0204:02 Bach Prelude and Fugue No. 3 in C Andras Schiff 00498 London 414 388 028941438829 sharp from The Well-Tempered Clavier, Book 1 16:31:19 14:51 Elgar Cockaigne Overture (In London BBC Symphony/Davis 02671 Erato 94809 745099480929 Town,) Op. 40 16:47:0504:20 Holst March from Second Suite in F, Cleveland Symphonic 00335 Telarc 80038 N/A Op. 28 No. 2 Winds/Fennell 16:52:20 07:42 Nicolai Overture to The Homecoming Bamberg 01954 Virgin 91079 075679107923 of the Exile Symphony/Rickenbach er 17:01:1711:39 Dukas Sorcerer's Apprentice French National 05365 RCA Victor 68802 090266880225 Orchestra/Slatkin 17:13:5102:49 Mozart 4th mvt (Molto Allegro) from Academy of St. 12801 Philips 422 602 028942250123 Symphony No. 13 in F, K. 112 Martin-in-the-Fields/Ma rriner 17:17:35 11:25 Handel Concerto Grosso in F, Op. 6 English 00665 Archiv 410 897 028941089724 No. 2 Concert/Pinnock 17:30:1507:34 Strauss Jr. Legal Amendments Waltz Czecho-Slovak State 02357 Marco Polo 8.223219 489103023219 Philharmonic/Walter 8 17:38:44 07:49 Glinka Memory of A Summer Night in Tchaikovsky Moscow 03547 Harmonia 288 114 N/A Madrid Radio Mundi Symphony/Fedoseyev 17:47:2812:03 Field Piano Sonata in E flat, Op. 1 Miceal O’Rourke 01231 Chandos 8787 095115878729 No. 1 18:00:4605:49 Sibelius Valse triste, Op. 44 No. 1 Monte Carlo 01665 RCA 60012 090266001224 Philharmonic/Foster 18:07:3008:01 Coenen 1st mvt (Allegro) from Quintet Viotta 03000 NM 92035 871330992035 in A for Winds Ensemble/Liberman Classics 2 18:16:2610:04 Schubert Impromptu in B flat, D.
Recommended publications
  • DOSVC Weblist 8: Erato Box 51
    DOSVC Weblist 8: Erato Box 51 Label Serial No Composer, Work or Title Artists Record Condition notes Erato EPR 15554 Honegger Symphonie, Roussel Suite Munch, L'ORTF, Lamoreux Near Mint cutout notch UR Erato NUM 75106 Berlioz Symphonie Fantastique Conlon, Orch Nat de France Near Mint Gatefold album Erato NUM 75126 Schumann: Cello Concerto/Four Horns Lodeon/Devoyon/Guschlbauer Factory Sealed Cut Out notch Erato NUM 75146 Mahler/Strauss: Quartets for strings & piano Quatuor Ivaldi Near Mint Cut Out notch Erato NUM 75166 Corelli: Christmas Concerto Scimone, Solisti Veneti Factory Sealed Gatefold album Erato NUM 75167 Mozart: Sonata in D Major/C Minor/Fantasy Pires Factory Sealed Erato NUM 75168 Chopin Sonata 2 and 3 Duchable Factory Sealed Gatefold album, CO notch Erato NUM 75169 Handel: Alcina Gardiner, English Baroque Factory Sealed Gatefold album, CO notch 2 copies Erato NUM 75170 Offenbach/Cherubini/Saint-Saens/Godard Horne/Foster Factory Sealed Gatefold album, CO notch Erato NUM 75171 vocal by: Tosti/Rotoli/Brogi/Denza Raimondi/Scimone Factory Sealed Gatefold album, CO notch Erato NUM 75174 Delalande: Simphonies pour les Soupers du Roy Paillard Chamb Orch Factory Sealed Gatefold album, CO notch Erato NUM 75177 Liszt: Sonata in B Minor/Two Legends Duchable Factory Sealed Erato NUM 75178 Schumann: Scenes from Childhood/Forest Pires Factory Sealed Gatefold album, CO notch Erato NUM 75180 Mozart: Symphonies 38 & 39 Conlon , Scottish Chamber Near Mint Cut Out notch Erato NUM 75181 Motets of Vivaldi Scimone, Solisti Veneti Near Mint Cut Out
    [Show full text]
  • Elgar, Cello Concerto in E Minor
    Cello Concerto in E minor, Op. 85 i. Adagio; Moderato ii. Lento; Allegro molto iii. Adagio iv. Allegro; Moderato; Allegro, ma non troppo; Poco più lento; Adagio Edward Elgar enjoys a curious reputation in his own country. To many, he is the composer of overtly nationalistic music such as Pomp and Circumstance, the musical incarnation of Edwardian imperialism. Although early works such as the Enigma Variations and Imperial March garnered him praise and fame, it is his later works from 1918-1919 that are much more autobiographical in content – none more so than the Cello Concerto in E minor. The Concerto was mostly composed between 1918 and 1919 at Brinkwells, a cottage in the Sussex woods where he wrote three other chamber works – the Violin Sonata, String Quartet and Piano Quintet. Like these other Brinkwells compositions, the Cello Concerto is a deeply introspective work which reveals much about the composer’s state of mind: an aging artist concerned about his waning popularity, his wife’s failing health, and reflecting on the horrors of the First World War. Despite a grossly under-rehearsed première at the Queen’s Hall on 27 October 1919, it has since been established as perhaps the finest cello concerto in the repertoire, alongside Dvořák’s, and the only work of Elgar’s to enjoy regular performances outside the English-speaking world. The Cello Concerto is an emotionally draining work not only for the players but also the listener, its overwhelming mood one of melancholy and autumnal world-weariness. The first movement opens with a declamatory, grandiose statement by the soloist leading, in almost improvisatory style, into a lilting melody; there is a wistfully lyrical middle section before the opening melody returns.
    [Show full text]
  • String Quartet in E Minor, Op 83
    String Quartet in E minor, op 83 A quartet in three movements for two violins, viola and cello: 1 - Allegro moderato; 2 - Piacevole (poco andante); 3 - Allegro molto. Approximate Length: 30 minutes First Performance: Date: 21 May 1919 Venue: Wigmore Hall, London Performed by: Albert Sammons, W H Reed - violins; Raymond Jeremy - viola; Felix Salmond - cello Dedicated to: The Brodsky Quartet Elgar composed two part-quartets in 1878 and a complete one in 1887 but these were set aside and/or destroyed. Years later, the violinist Adolf Brodsky had been urging Elgar to compose a string quartet since 1900 when, as leader of the Hallé Orchestra, he performed several of Elgar's works. Consequently, Elgar first set about composing a String Quartet in 1907 after enjoying a concert in Malvern by the Brodsky Quartet. However, he put it aside when he embarked with determination on his long-delayed First Symphony. It appears that the composer subsequently used themes intended for this earlier quartet in other works, including the symphony. When he eventually returned to the genre, it was to compose an entirely fresh work. It was after enjoying an evening of chamber music in London with Billy Reed’s quartet, just before entering hospital for a tonsillitis operation, that Elgar decided on writing the quartet, and he began it whilst convalescing, completing the first movement by the end of March 1918. He composed that first movement at his home, Severn House, in Hampstead, depressed by the war news and debilitated from his operation. By May, he could move to the peaceful surroundings of Brinkwells, the country cottage that Lady Elgar had found for them in the depth of the Sussex countryside.
    [Show full text]
  • Czech Portraits Friday, Mar
    Czech Portraits Friday, Mar. 4 10:30am Vítězslav NovákNovák, Czech composer (1870-1949) Vítězslav Novák held an almost “cult status” popu- larity among his native Czech people. Like his mentor Antonín Dvořák, he used thematic mate- rial from Czech folk melodies in his music and was inspired by the landscape of his native country in South Bohemia. In 1908 he succeeded Dvořák as professor of composition at the Prague Conserva- tory and helped lead the next generation of Czech composers into the new age. Lady Godiva Overture Composed in 1907, duration is 15 minutes This piece was commissioned to open a Czech play of the same name and is taken from a 13th century story about the noble-hearted and beautiful Lady REPERTOIRE Godiva. It tells the story of the Lady’s efforts to end the suffering and oppression of the people in Coventry under her husband’s rule, Count Leofric. After multiple pleas to ask the Count to lower the • NOVÁK taxes, Leofric finally offers her a deal. Lady Godiva Overture The terms, which she ultimately ac- cepts, require her to ride through • ELGAR town naked in exchange for an end to Concerto in E Minor for the heavy taxation. The piece portrays Cello and Orchestra the characters, Count Leofric and • NOVÁK Lady Godiva through contrasting Eternal Longing Op. 33 melodies. Count Leofric has a very fierce motif in C minor while Lady • SMETANA Godiva is delicately portrayed in Eb Moldau from Má Vlast major. The music moves back in forth Coventry painted by Herbert Edward Cox, United Kingdom between the two as if in argument.
    [Show full text]
  • Tertis's Viola Version of Elgar's Cello Concerto by Anthony Addison Special to Clevelandclassical
    Preview Heights Chamber Orchestra conductor's notes: Tertis's viola version of Elgar's Cello Concerto by Anthony Addison Special to ClevelandClassical An old adage suggested that violists were merely vio- linists-in-decline. That was before Lionel Tertis! He was born in 1876 of musical parents who had come to England from Poland and Russia and, at three years old, he started playing the piano. At six he performed in public, but had to be locked in a room to make him practice, a procedure that has actually fostered many an international virtuoso. At thirteen, with the agree- ment of his parents, he left home to earn his living in music playing in pickup groups at summer resorts, accompanying a violinist, and acting as music attendant at a lunatic asylum. +41:J:-:/1?<1>95@@1041?@A0510-@(>5:5@E;88131;2!A?5/@-75:3B5;85:-?45? "second study," but concentrating on the piano and playing concertos with the school or- chestra. As sometime happens, his violin teacher showed little interest in a second study <A<58-:01B1:@;8045?2-@41>@4-@41C-?.1@@1>J@@102;>@413>;/1>E@>-01 +5@4?A/4 encouragement, Tertis decided he had to teach himself. Fate intervened when fellow stu- dents wanted to form a string quartet. Tertis volunteered to play viola, borrowed an in- strument, loved the rich quality of its lowest string and thereafter turned the old adage up- side down: a not very obviously gifted violinist becoming a world class violist. But, until the viola attained respectability in Tertis’s hands, composers were reluctant to write for the instrument.
    [Show full text]
  • Focus 2020 Pioneering Women Composers of the 20Th Century
    Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers.
    [Show full text]
  • Repertoire List
    APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op.
    [Show full text]
  • View List (.Pdf)
    Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No.
    [Show full text]
  • BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
    BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973)
    [Show full text]
  • Cello Concerto in B Minor, Op. 104 ANTONÍN DVORÁK
    I believe Prokofiev is the most imaginative orchestrator of all time. He uses the percussion and the special effects of the strings in new and different ways; always tasteful, never too much of any one thing. His Symphony No. 5 is one of the best illustrations of all of that. JANET HALL, NCS VIOLIN Cello Concerto in B Minor, Op. 104 ANTONÍN DVORÁK BORN September 8, 1841, near Prague; died May 1, 1904, in Prague PREMIERE Composed 1894-1895; first performance March 19, 1896, in London, conducted by the composer with Leo Stern as soloist OVERVIEW During the three years that Dvořák was teaching at the National Conservatory of Music in New York City, he was subject to the same emotions as most other travelers away from home for a long time: invigoration and homesickness. America served to stir his creative energies, and during his stay, from 1892 to 1895, he composed some of his greatest scores: the “New World” Symphony, the Op. 96 Quartet (“American”), and the Cello Concerto. He was keenly aware of the new musical experiences to be discovered in the land far from his beloved Bohemia when he wrote, “The musician must prick up his ears for music. When he walks he should listen to every whistling boy, every street singer or organ grinder. I myself am often so fascinated by these people that I can scarcely tear myself away.” But he missed his home and, while he was composing the Cello Concerto, looked eagerly forward to returning. He opened his heart in a letter to a friend in Prague: “Now I am finishing the finale of the Cello Concerto.
    [Show full text]
  • Musicweb International August 2020 RETROSPECTIVE SUMMER 2020
    RETROSPECTIVE SUMMER 2020 By Brian Wilson The decision to axe the ‘Second Thoughts and Short Reviews’ feature left me with a vast array of part- written reviews, left unfinished after a colleague had got their thoughts online first, with not enough hours in the day to recast a full review in each case. This is an attempt to catch up. Even if in almost every case I find myself largely in agreement with the original review, a brief reminder of something you may have missed, with a slightly different slant, may be useful – and, occasionally, I may be raising a dissenting voice. Index [with page numbers] Malcolm ARNOLD Concerto for Organ and Orchestra – see Arthur BUTTERWORTH Johann Sebastian BACH Concertos for Harpsichord and Strings – Volume 1_BIS [2] Johann Sebastian BACH, Georg Philipp TELEMANN, Carl Philipp Emanuel BACH The Father, the Son and the Godfather_BIS [2] Sir Arnold BAX Morning Song ‘Maytime in Sussex’ – see RUBBRA Amy BEACH Piano Quintet (with ELGAR Piano Quintet)_Hyperion [9] Sir Arthur BLISS Piano Concerto in B-flat – see RUBBRA Benjamin BRITTEN Serenade for Tenor, Horn and Strings, etc._Alto_Regis [15, 16] Arthur BUTTERWORTH Symphony No.1 (with Ruth GIPPS Symphony No.2, Malcolm ARNOLD Concerto for Organ and Orchestra)_Musical Concepts [16] Paul CORFIELD GODFREY Beren and Lúthien: Epic Scenes from the Silmarillion - Part Two_Prima Facie [17] Sir Edward ELGAR Symphony No.2_Decca [7] - Sea Pictures; Falstaff_Decca [6] - Falstaff; Cockaigne_Sony [7] - Sea Pictures; Alassio_Sony [7] - Violin Sonata (with Ralph VAUGHAN WILLIAMS Violin Sonata; The Lark Ascending)_Chandos [9] - Piano Quintet – see Amy BEACH Gerald FINZI Concerto for Clarinet and Strings – see VAUGHAN WILLIAMS [10] Ruth GIPPS Symphony No.2 – see Arthur BUTTERWORTH Alan GRAY Magnificat and Nunc dimittis in f minor – see STANFORD Modest MUSSORGSKY Pictures from an Exhibition (orch.
    [Show full text]
  • Paul Dukas: Villanelle for Horn and Orchestra (1906)
    Paul Dukas: Villanelle for Horn and Orchestra (1906) Paul Dukas (1865-1935) was a French composer, critic, scholar and teacher. A studious man, of retiring personality, he was intensely self-critical, and as a perfectionist he abandoned and destroyed many of his compositions. His best known work is the orchestral piece The Sorcerer's Apprentice (L'apprenti sorcier), the fame of which became a matter of irritation to Dukas. In 2011, the Grove Dictionary of Music and Musicians observed, "The popularity of L'apprenti sorcier and the exhilarating film version of it in Disney's Fantasia possibly hindered a fuller understanding of Dukas, as that single work is far better known than its composer." Among his other surviving works are the opera Ariane et Barbe-bleue (Ariadne and Bluebeard, 1897, later championed by Toscanini and Beecham), a symphony (1896), two substantial works for solo piano (Sonata, 1901, and Variations, 1902) and a sumptuous oriental ballet La Péri (1912). Described by the composer as a "poème dansé" it depicts a young Persian prince who travels to the ends of the Earth in a quest to find the lotus flower of immortality, coming across its guardian, the Péri (fairy). Because of the very quiet opening pages of the ballet score, the composer added a brief "Fanfare pour précéder La Peri" which gave the typically noisy audiences of the day time to settle in their seats before the work proper began. Today the prelude is a favorite among orchestral brass sections. At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both.
    [Show full text]