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DOSVC Weblist 8: Erato Box 51

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DOSVC Weblist 8: Erato Box 51

  • Label Serial No
  • Composer, Work or Title
  • Artists
  • Record Condition
  • notes

Erato EPR 15554 Honegger Symphonie, Roussel Suite Erato NUM 75106 Berlioz Symphonie Fantastique Erato NUM 75126 Schumann: Cello Concerto/Four Horns
Munch, L'ORTF, Lamoreux Near Mint Conlon, Orch Nat de France Near Mint cutout notch UR Gatefold album

  • Lodeon/Devoyon/Guschlbauer
  • Factory Sealed
  • Cut Out notch

  • Erato NUM 75146 Mahler/Strauss: Quartets for strings & piano Quatuor Ivaldi
  • Near Mint

Factory Sealed
Cut Out notch

  • Gatefold album
  • Erato NUM 75166 Corelli: Christmas Concerto
  • Scimone, Solisti Veneti

  • Erato NUM 75167 Mozart: Sonata in D Major/C Minor/FantasyPires
  • Factory Sealed

Factory Sealed

Gardiner, English Baroque Factory Sealed Gatefold album, CO notch 2 copies

Erato NUM 75168 Chopin Sonata 2 and 3 Erato NUM 75169 Handel: Alcina

  • Duchable
  • Gatefold album, CO notch

  • Erato NUM 75170 Offenbach/Cherubini/Saint-Saens/Godard Horne/Foster
  • Factory Sealed
  • Gatefold album, CO notch

Erato NUM 75171 vocal by: Tosti/Rotoli/Brogi/Denza Erato NUM 75174 Delalande: Simphonies pour les Soupers du Roy Paillard Chamb Orch Factory Sealed

  • Raimondi/Scimone Factory Sealed
  • Gatefold album, CO notch

Gatefold album, CO notch
Erato NUM 75177 Liszt: Sonata in B Minor/Two Legends Erato NUM 75178 Schumann: Scenes from Childhood/Forest Pires

  • Duchable
  • Factory Sealed

  • Factory Sealed
  • Gatefold album, CO notch

Cut Out notch Cut Out notch Cut Out notch Cut Out notch
Erato NUM 75180 Mozart: Symphonies 38 & 39 Erato NUM 75181 Motets of Vivaldi Erato NUM 75182 Tartini: Violin Concertos Erato NUM 75183 vocal works of Monteverdi & Cavalli
Conlon, Scottish Chamber Near Mint Scimone, Solisti Veneti Near Mint Ughi / Scimone Factory Sealed Von Stade, Leppard Factory Sealed

1

  • Label Serial No
  • Composer, Work or Title
  • Artists

Conlon, Rotterdam Factory Sealed Veneti/Scimone Factory Sealed
Factory Sealed
Factory Sealed

  • Record Condition
  • notes

Erato NUM 75191 Janacek: Lachian Dances/Idylle Erato NUM 75192 works of Pergolesi/Porpora/Durante Erato NUM 75198 Berio: Symphony for 8 voices & orchestra Pasquier/Swingle/Boulez
Gatefold album, CO notch Cut Out notch
Cut Out notch
Cut Out notch Gatefold album, CO notch Boxed set 2 rec CO notch Boxed set 2 rec CO notch

  • Erato NUM 75200 Durufle: Requiem
  • Corboz /Sourisse

Jordan, Romande Veneti/Scimone Rostropovich
Erato NUM 75201 Ravel Bolero, Alborada, Valse, Ma Mere Erato NUM 75204 Vivaldi: Il Catone in Utica Erato NUM 75207 Tchaikovsky: Yolanta
Factory Sealed Factory Sealed Factory Sealed
Erato NUM 75215 Charpentier: Neuf Lecons de Tenebres Erato NUM 75219 Bach Sonatas Erato NUM 75223 Handel: Organ Concertos Erato NUM 75245 Liszt: Dante Symphony

Erato NUM 75247 Rachmaninoff: Piano Concerto 2/Grieg: P.C.

Erato NUM 75248 Paisiello/Lecce/Giuliani: Concertos Erato NUM 75249 Verdi: Quattro Pezzi Sacri
Devos Alain, Organ St Hilaire Factory Sealed Koopman Factory Sealed Conlon, Rotterdam Factory Sealed Duchable/Guschlbauer Factory Sealed
Factory Sealed Boxed set 2 rec CO notch 2 copies
Gatefold album, CO notch Boxed set 4 rec CO notch Gatefold album, CO notch Gatefold album, CO notch

  • Factory Sealed Cut Out notch
  • Scimone, Solisti Veneti

  • Gasdia/Scimone Factory Sealed
  • Cut Out notch

  • Erato NUM 75251 Franck: Psyche/Breezes/Accursed Hunter Jordan, Basler Sym Orch
  • Near Mint

Factory Sealed Near Mint Factory Sealed Factory Sealed
Cut Out notch Cut Out notch Cut Out notch Cut Out notch Cut Out notch

  • Erato NUM 75252 Monteverdi/Schutz/Byrd/Gabrieli
  • Cohen, Boston Camerata

  • Dutoit, Bavarian Radio
  • Erato NUM 75254 Honegger: Symphony 1 / Movement 3

Erato NUM 75257 A. Salieri: Concertos/F. Salieri: Sea Tempest Erato NUM 75258 Franck & Grieg: Sonatas for Piano and Violin
Scimone, Solisti Veneti Amoyal / Rudy

2

  • Label Serial No
  • Composer, Work or Title
  • Artists
  • Record Condition
  • notes

Erato NUM 75259 Honegger: Symphonies 2 & 4 Erato NUM 75260 Gloriae vocal works of Vivaldi Erato NUM 75262 Schubert: Sonata 11/Impromtus 3 & 4 Erato NUM 75278 Handel: Tamerlano Erato NUM 75282 Dvorak: Cello Concerto/Tchaikovsky:Rococo Rostropovich/Ozawa Factory Sealed Erato NUM 75282 Dvorak: Cello Concerto/Tchaikovsky:Rococo Rostropovich/Ozawa Factory Sealed
Dutoit, Bavarian Radio Scimone, Solisti Veneti
Factory Sealed Factory Sealed
Cut Out notch Cut Out notch
Pires Gardiner
Factory Sealed Factory Sealed
Cut Out notch Boxed set 3 rec CO notch Gatefold album, CO notch Gatefold album, CO notch
Erato NUM 75283 Roussel: Symphonies 1 & 3 Erato NUM 75294 Bach Toccatas Preludes Erato NUM 75303 Tchaikovsky: Symphony 6 Erato NUM 751342 Bach: The Brandenberg Concertos Erato STU 70771 Lalo Sym Espagnoe, Norwegian Rhapsody Paray, Monte Carlo Erato STU 71054 R. Strauss: Don Juan/Four Last Songs Erato STU 71420 Chants de L'Exil 1200-1600 Erato STU 71544 works of Dufort/Harvey/Grisey Erato STU 71544 La Primavera
Dutoit Orch Nat France Alain, Organ St Hilaire Ozawa, Boston SO Factory Sealed Koopman Factory Sealed
Near Mint

Caballe, Lombard, Strasbourg Near Mint

Factory Sealed
Factory Sealed
Cut Out notch
Cut Out notch Boxed set 2 rec CO notch Gatefold, appears unplayed gatefold, appears unplayed

  • Cohen, Boston Camerata
  • Factory Sealed Gatefold album, CO notch

  • Boulez
  • Factory Sealed Cutout notch

  • Cohen, Boston Camerata
  • Factory Sealed Gatefold album, CO notch

Factory Sealed: Near Mint:

missing or damaged jacket discount: $1

$10 $8

6 Bargain Grade low market demand. Many of these are available

for five dollars or less. Since the objective is to support the NSO, they are, to be honest, overpriced. Audio quality is superior.

Packing: Shipping:
$1

Prices are per disc. Box sets: discs 2, 3, and 4 are priced a dollar each.

Media mail: $5

With a few exceptions,these are all the Erato discs   This list is Box 51 of 96

Additional discs $1 each, uninsured Priority Mail: actual cost, usually between $7.95 and $14.95, includes

insurance and tracking

Images are “borrowed” from the Internet without permission, but are good if not exact likenesses.

Recording evaluations are from visual inspections; none have been played or tested; all are in mint condition. There is no way to determine accurately if the records have been played; if no fingerprints or spindle trails are evident, they are graded as Near Mint, [NM] meaning they are likely unplayed. Most of these were overstock cutouts from Phil Harris or Tower Records.

Ordering: On the DOSVC Order form or a separate sheet, list the serial number and title of the album(s) you wish, and send with check made to DOSVC, 4019 SE Boise St., Portland Oregon 97202. No credit card transactions can be made for these recordings at the present time. If you have questions, email Leland at [email protected]

The David Ogden Stiers Vinyl Collection is a volunteer effort, not an organized entity; its purpose is to fulfill David’s wish to support the NSO by selling his records for its benefit.

3

Recommended publications
  • Elgar, Cello Concerto in E Minor

    Elgar, Cello Concerto in E Minor

    Cello Concerto in E minor, Op. 85 i. Adagio; Moderato ii. Lento; Allegro molto iii. Adagio iv. Allegro; Moderato; Allegro, ma non troppo; Poco più lento; Adagio Edward Elgar enjoys a curious reputation in his own country. To many, he is the composer of overtly nationalistic music such as Pomp and Circumstance, the musical incarnation of Edwardian imperialism. Although early works such as the Enigma Variations and Imperial March garnered him praise and fame, it is his later works from 1918-1919 that are much more autobiographical in content – none more so than the Cello Concerto in E minor. The Concerto was mostly composed between 1918 and 1919 at Brinkwells, a cottage in the Sussex woods where he wrote three other chamber works – the Violin Sonata, String Quartet and Piano Quintet. Like these other Brinkwells compositions, the Cello Concerto is a deeply introspective work which reveals much about the composer’s state of mind: an aging artist concerned about his waning popularity, his wife’s failing health, and reflecting on the horrors of the First World War. Despite a grossly under-rehearsed première at the Queen’s Hall on 27 October 1919, it has since been established as perhaps the finest cello concerto in the repertoire, alongside Dvořák’s, and the only work of Elgar’s to enjoy regular performances outside the English-speaking world. The Cello Concerto is an emotionally draining work not only for the players but also the listener, its overwhelming mood one of melancholy and autumnal world-weariness. The first movement opens with a declamatory, grandiose statement by the soloist leading, in almost improvisatory style, into a lilting melody; there is a wistfully lyrical middle section before the opening melody returns.
  • String Quartet in E Minor, Op 83

    String Quartet in E Minor, Op 83

    String Quartet in E minor, op 83 A quartet in three movements for two violins, viola and cello: 1 - Allegro moderato; 2 - Piacevole (poco andante); 3 - Allegro molto. Approximate Length: 30 minutes First Performance: Date: 21 May 1919 Venue: Wigmore Hall, London Performed by: Albert Sammons, W H Reed - violins; Raymond Jeremy - viola; Felix Salmond - cello Dedicated to: The Brodsky Quartet Elgar composed two part-quartets in 1878 and a complete one in 1887 but these were set aside and/or destroyed. Years later, the violinist Adolf Brodsky had been urging Elgar to compose a string quartet since 1900 when, as leader of the Hallé Orchestra, he performed several of Elgar's works. Consequently, Elgar first set about composing a String Quartet in 1907 after enjoying a concert in Malvern by the Brodsky Quartet. However, he put it aside when he embarked with determination on his long-delayed First Symphony. It appears that the composer subsequently used themes intended for this earlier quartet in other works, including the symphony. When he eventually returned to the genre, it was to compose an entirely fresh work. It was after enjoying an evening of chamber music in London with Billy Reed’s quartet, just before entering hospital for a tonsillitis operation, that Elgar decided on writing the quartet, and he began it whilst convalescing, completing the first movement by the end of March 1918. He composed that first movement at his home, Severn House, in Hampstead, depressed by the war news and debilitated from his operation. By May, he could move to the peaceful surroundings of Brinkwells, the country cottage that Lady Elgar had found for them in the depth of the Sussex countryside.
  • Czech Portraits Friday, Mar

    Czech Portraits Friday, Mar

    Czech Portraits Friday, Mar. 4 10:30am Vítězslav NovákNovák, Czech composer (1870-1949) Vítězslav Novák held an almost “cult status” popu- larity among his native Czech people. Like his mentor Antonín Dvořák, he used thematic mate- rial from Czech folk melodies in his music and was inspired by the landscape of his native country in South Bohemia. In 1908 he succeeded Dvořák as professor of composition at the Prague Conserva- tory and helped lead the next generation of Czech composers into the new age. Lady Godiva Overture Composed in 1907, duration is 15 minutes This piece was commissioned to open a Czech play of the same name and is taken from a 13th century story about the noble-hearted and beautiful Lady REPERTOIRE Godiva. It tells the story of the Lady’s efforts to end the suffering and oppression of the people in Coventry under her husband’s rule, Count Leofric. After multiple pleas to ask the Count to lower the • NOVÁK taxes, Leofric finally offers her a deal. Lady Godiva Overture The terms, which she ultimately ac- cepts, require her to ride through • ELGAR town naked in exchange for an end to Concerto in E Minor for the heavy taxation. The piece portrays Cello and Orchestra the characters, Count Leofric and • NOVÁK Lady Godiva through contrasting Eternal Longing Op. 33 melodies. Count Leofric has a very fierce motif in C minor while Lady • SMETANA Godiva is delicately portrayed in Eb Moldau from Má Vlast major. The music moves back in forth Coventry painted by Herbert Edward Cox, United Kingdom between the two as if in argument.
  • Tertis's Viola Version of Elgar's Cello Concerto by Anthony Addison Special to Clevelandclassical

    Tertis's Viola Version of Elgar's Cello Concerto by Anthony Addison Special to Clevelandclassical

    Preview Heights Chamber Orchestra conductor's notes: Tertis's viola version of Elgar's Cello Concerto by Anthony Addison Special to ClevelandClassical An old adage suggested that violists were merely vio- linists-in-decline. That was before Lionel Tertis! He was born in 1876 of musical parents who had come to England from Poland and Russia and, at three years old, he started playing the piano. At six he performed in public, but had to be locked in a room to make him practice, a procedure that has actually fostered many an international virtuoso. At thirteen, with the agree- ment of his parents, he left home to earn his living in music playing in pickup groups at summer resorts, accompanying a violinist, and acting as music attendant at a lunatic asylum. +41:J:-:/1?<1>95@@1041?@A0510-@(>5:5@E;88131;2!A?5/@-75:3B5;85:-?45? "second study," but concentrating on the piano and playing concertos with the school or- chestra. As sometime happens, his violin teacher showed little interest in a second study <A<58-:01B1:@;8045?2-@41>@4-@41C-?.1@@1>J@@102;>@413>;/1>E@>-01 +5@4?A/4 encouragement, Tertis decided he had to teach himself. Fate intervened when fellow stu- dents wanted to form a string quartet. Tertis volunteered to play viola, borrowed an in- strument, loved the rich quality of its lowest string and thereafter turned the old adage up- side down: a not very obviously gifted violinist becoming a world class violist. But, until the viola attained respectability in Tertis’s hands, composers were reluctant to write for the instrument.
  • Focus 2020 Pioneering Women Composers of the 20Th Century

    Focus 2020 Pioneering Women Composers of the 20Th Century

    Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers.
  • Repertoire List

    Repertoire List

    APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op.
  • View List (.Pdf)

    View List (.Pdf)

    Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No.
  • BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar

    BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar

    BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973)
  • Cello Concerto in B Minor, Op. 104 ANTONÍN DVORÁK

    Cello Concerto in B Minor, Op. 104 ANTONÍN DVORÁK

    I believe Prokofiev is the most imaginative orchestrator of all time. He uses the percussion and the special effects of the strings in new and different ways; always tasteful, never too much of any one thing. His Symphony No. 5 is one of the best illustrations of all of that. JANET HALL, NCS VIOLIN Cello Concerto in B Minor, Op. 104 ANTONÍN DVORÁK BORN September 8, 1841, near Prague; died May 1, 1904, in Prague PREMIERE Composed 1894-1895; first performance March 19, 1896, in London, conducted by the composer with Leo Stern as soloist OVERVIEW During the three years that Dvořák was teaching at the National Conservatory of Music in New York City, he was subject to the same emotions as most other travelers away from home for a long time: invigoration and homesickness. America served to stir his creative energies, and during his stay, from 1892 to 1895, he composed some of his greatest scores: the “New World” Symphony, the Op. 96 Quartet (“American”), and the Cello Concerto. He was keenly aware of the new musical experiences to be discovered in the land far from his beloved Bohemia when he wrote, “The musician must prick up his ears for music. When he walks he should listen to every whistling boy, every street singer or organ grinder. I myself am often so fascinated by these people that I can scarcely tear myself away.” But he missed his home and, while he was composing the Cello Concerto, looked eagerly forward to returning. He opened his heart in a letter to a friend in Prague: “Now I am finishing the finale of the Cello Concerto.
  • Musicweb International August 2020 RETROSPECTIVE SUMMER 2020

    Musicweb International August 2020 RETROSPECTIVE SUMMER 2020

    RETROSPECTIVE SUMMER 2020 By Brian Wilson The decision to axe the ‘Second Thoughts and Short Reviews’ feature left me with a vast array of part- written reviews, left unfinished after a colleague had got their thoughts online first, with not enough hours in the day to recast a full review in each case. This is an attempt to catch up. Even if in almost every case I find myself largely in agreement with the original review, a brief reminder of something you may have missed, with a slightly different slant, may be useful – and, occasionally, I may be raising a dissenting voice. Index [with page numbers] Malcolm ARNOLD Concerto for Organ and Orchestra – see Arthur BUTTERWORTH Johann Sebastian BACH Concertos for Harpsichord and Strings – Volume 1_BIS [2] Johann Sebastian BACH, Georg Philipp TELEMANN, Carl Philipp Emanuel BACH The Father, the Son and the Godfather_BIS [2] Sir Arnold BAX Morning Song ‘Maytime in Sussex’ – see RUBBRA Amy BEACH Piano Quintet (with ELGAR Piano Quintet)_Hyperion [9] Sir Arthur BLISS Piano Concerto in B-flat – see RUBBRA Benjamin BRITTEN Serenade for Tenor, Horn and Strings, etc._Alto_Regis [15, 16] Arthur BUTTERWORTH Symphony No.1 (with Ruth GIPPS Symphony No.2, Malcolm ARNOLD Concerto for Organ and Orchestra)_Musical Concepts [16] Paul CORFIELD GODFREY Beren and Lúthien: Epic Scenes from the Silmarillion - Part Two_Prima Facie [17] Sir Edward ELGAR Symphony No.2_Decca [7] - Sea Pictures; Falstaff_Decca [6] - Falstaff; Cockaigne_Sony [7] - Sea Pictures; Alassio_Sony [7] - Violin Sonata (with Ralph VAUGHAN WILLIAMS Violin Sonata; The Lark Ascending)_Chandos [9] - Piano Quintet – see Amy BEACH Gerald FINZI Concerto for Clarinet and Strings – see VAUGHAN WILLIAMS [10] Ruth GIPPS Symphony No.2 – see Arthur BUTTERWORTH Alan GRAY Magnificat and Nunc dimittis in f minor – see STANFORD Modest MUSSORGSKY Pictures from an Exhibition (orch.
  • British Roots

    British Roots

    Thursday 12 December 2019 7.30–9.30pm Barbican LSO SEASON CONCERT BRITISH ROOTS Tippett Concerto for Double String Orchestra Elgar Sea Pictures Interval PAPPANO Vaughan Williams Symphony No 4 Sir Antonio Pappano conductor Karen Cargill mezzo-soprano Supported by LSO Friends Broadcast live on BBC Radio 3 6pm Barbican LSO Platforms: Guildhall Artists Vaughan Williams Phantasy Quintet Howells Rhapsodic Quintet Portorius Quartet Welcome News On Our Blog Thank you to our media partners: BBC Radio 3, LSO STRING EXPERIENCE SCHEME BELA BARTÓK AND who broadcast the performance live, and THE MIRACULOUS MANDARIN Classic FM, who have recommended the We are delighted to appoint 14 players to concert to their listeners. We also extend this year’s LSO String Experience cohort. Against a turbulent political background, sincere thanks to the LSO Friends for their Since 1992, the scheme has been enabling Bartók wrote his pantomime-ballet The important support of this concert; we are young string players from London’s music Miraculous Mandarin, which a German delighted to have so many Friends and conservatoires to gain experience playing in music journal reported caused ‘waves of supporters in the audience tonight. rehearsals and concerts with the LSO. They moral outrage’ to ‘engulf the city’ when it will join the Orchestra on stage for concerts premiered in Cologne. Ahead of tonight’s performance, the in the New Year. Guildhall School’s Portorius Quartet gave elcome to this evening’s LSO a recital of music by Vaughan Williams WHAT’S NEXT FOR OUR 2018/19 concert at the Barbican. It is a and Howells on the Barbican stage.
  • Season 2012-2013

    Season 2012-2013

    27 Season 2012-2013 Thursday, December 13, at 8:00 The Philadelphia Orchestra Friday, December 14, at 8:00 Saturday, December 15, Gianandrea Noseda Conductor at 8:00 Alisa Weilerstein Cello Borodin Overture to Prince Igor Elgar Cello Concerto in E minor, Op. 85 I. Adagio—Moderato— II. Lento—Allegro molto III. Adagio IV. Allegro—Moderato—[Cadenza]—Allegro, ma non troppo—Poco più lento—Adagio—Allegro molto Intermission Tchaikovsky Symphony No. 3 in D major, Op. 29 (“Polish”) I. Introduzione ed allegro: Moderato assai (tempo di marcia funebre)—Allegro brillante II. Alla tedesca: Allegro moderato e semplice III. Andante elegiaco IV. Scherzo: Allegro vivo V. Finale: Allegro con fuoco (tempo di polacca) This program runs approximately 1 hour, 55 minutes. The December 14 concert is sponsored by Medcomp. 228 Story Title The Philadelphia Orchestra Jessica Griffin Renowned for its distinctive vivid world of opera and Orchestra boasts a new sound, beloved for its choral music. partnership with the keen ability to capture the National Centre for the Philadelphia is home and hearts and imaginations Performing Arts in Beijing. the Orchestra nurtures of audiences, and admired The Orchestra annually an important relationship for an unrivaled legacy of performs at Carnegie Hall not only with patrons who “firsts” in music-making, and the Kennedy Center support the main season The Philadelphia Orchestra while also enjoying a at the Kimmel Center for is one of the preeminent three-week residency in the Performing Arts but orchestras in the world. Saratoga Springs, N.Y., and also those who enjoy the a strong partnership with The Philadelphia Orchestra’s other area the Bravo! Vail Valley Music Orchestra has cultivated performances at the Mann Festival.