Friday 5Th & Saturday 6Th March 2021
FINE & DECORATIVE ARTS Friday 5th & Saturday 6th March 2021
FINE AND DECORATIVE ARTS
To be held at: Davies House, Davies Road, Evesham, Worcestershire WR11 1YZ
FRIDAY 5TH MARCH SATURDAY 6TH MARCH
Day of the Sale Auction scheduled to start at 10am with live bidding on internet bidding platforms; telephone bids and commission bids will also be accepted. You will need to be registered before the sale.
SPECIALISTS
George Kingham John Keightley Allison White David Pregun Director Senior Specialist and Cataloguer Auctioneer, Valuer and Photographer Jewellery and Watches
Mark Oliver Geoff Shepherd Steven Bruce Consultant Decorative Arts Specialist Office Manager Consultant
Live internet bidding is available on www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com, www.liveauctioneers.com and www.drouot.com together with fully illustrated catalogue.
Catalogue £10.00 (£12.00 by post)
Kingham & Orme Auctioneers Ltd (Collection Address) Davies House, Davies Road, Evesham, Worcestershire, WR11 1YZ NB. Please telephone to arrange collection.
Telephone: 01386 244224 Mobile: 07976 919836 Email: [email protected] Website: www.kinghamandorme.com 2
MAP AND DIRECTIONS
Our auction site is based in the market town of Evesham just north of the Cotswolds.
By Car We are centrally located in reach of motorways the M5, M4, M40, M42, a short way from the A44
By Rail Evesham’s train station is less than two miles from the auction site
By Plane The nearest International Airports are Birmingham, 45 miles and Heathrow, 90 miles
DELIVERY SERVICES FOR BUYERS
We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email [email protected] for a quote or call01386 244224 for a quotation.
For Furniture: Stephen Morris Shipping PLC, 9 Ockham Drive Greenford, London, UB6 0FD Tel: 02088 322222
For Small Items: Mailboxes, Cheltenham Branch Tel: 01242 530130 Email: [email protected] 3
USEFUL INFORMATION FOR BUYERS Please see full Terms and Conditions at the back of this catalogue.
Buying at Kingham & Orme Auctioneers Ltd: Buyer’s Premium There are several ways you can bid at our auctions; in There is a buyer’s premium of 23% plus VAT on the first person, by leaving a commission bid, on the telephone and £200,000 of the hammer price of each lot. 15% plus VAT live via the internet. on the excess of £200,001 and up to £1,000,000 of the hammer price of each lot, and 12% plus VAT on the excess of £1,000,001 of the hammer price of each lot. Bidding in Person It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in Payment order for a bidding number to be allocated which can then Must be made in full before items can be removed from the be used when bidding for an item. premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared. Payment Methods - We accept payment by: Commission Bids • Cash - up to £9,000 (subject to money laundering regulations). Kingham & Orme will execute bids if you are unable to attend the sale. Bids can be left with our staff afterer/during • Cheques - following 5 working days clearance. viewing, or in advance by telephone or e-mail: • Debit/Credit Cards - American Express or Diners Club [email protected] not accepted. We accept maxiumum payments of £500 on credit card. Telephone Bids • Bank transfer to: Lines should be booked by 5pm the day before the auction HSBC Bank, 32 Bridge St., Evesham, WR11 4RU begins. Lines are booked on a first come first served Account No.: 51655345 basis. Full name, address and telephone numbers will be Account Name: Kingham & Orme Auctioneers Ltd required together with proof of identity. Banl and/or Sort Code: 40-20-27 credit/debit card details are necessary to secure the line. IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22
Please note that a fee of £15 will be added for Live Internet Bidding international bank payments. Register online via the saleroom.com, invaluable.com and easyliveauctions.com. Various charges apply, please check with your bidding platform.
Condition Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale). 4
CONTENTS
DAY 1 Silver 1 – 241 Jewellery and Watches 242 – 299 Pictures 300 – 369 Furniture and Clocks 370 – 397
DAY 2 Oriental 398 – 451 Works of Arts and Metalware 452 – 530 Glass 531 – 577 Continental Ceramics 578 – 606 Moorcroft 607 – 649 Art Pottery 650 – 702 British Ceramics 703 – 801
DAY ONE 6
SILVER
1. A Japanese silver novelty salt cellar, Asahi Shoten, Tokyo, in the form of a double gourd, applied with a training vine, 7cm long, 0.70ozt £30 - £50
2. A Japanese Meiji silver twin handled bowl and cover, Chiyodaya, circa 1900, hexagonal conical form, planished and embossed with bamboo, the finial cast as a leafy bamboo stork, loop handles, 10cm high, 4.50ozt £120 - £180
3. A Japanese silver and mixed metal cigarette case, circa 1930s, incised with a landscape of mountains, bridge and temple, sterling with copper overlay, 12.5cm x 8cm, 4.66ozt £150 - £200
4. A Chinese silver box, Luen Wo, Shanghai circa 1900, cuboid form, embossed and chased with flowering prunus and birds, hinged lid, 8cm wide, 4.5cm high, 5cm deep, 4.48ozt £200 - £250
5. A Chinese silver card case, circa 1900, embossed in relief 2 with a dragon amongst clouds, the reverse with leafy bamboo, 7.5cm x 5.5cm, 1.38ozt £200 - £250
6. An 18th century or earlier Indian Mughal silver and niello enamel ewer or chuski, bulbous form with conical neck and domed lid, the zoomorphic spout with cabochon recesses, engraved with Persian style floral and ogee arcades, between scrolling vine and lappet bands, 20cm high, 9.30ozt £1000 - £1200
7. An Indian white metal cigar case, circa 1910, repousse embossed and chased with Hindu figures and cows, the reverse with Ganga and figures on the banks of the Ganges, 4.80ozt £280 - £300
8. An Indian white metal mug, late 19th century, cylindrical form, repousse embossed and chased with trees and buildings, scroll handle, 7cm high, 2.78ozt £120 - £180
9. Mozafarian, a large Persian silver and enamelled box, Tehran circa 1900, circular drum form with domed lid, etched and chased with alternating lotus flowers and birds, below foliate scroll and floral borders, the central image of a mosque, within bands of floral and foliate decoration, 21cm diameter, 29.99ozt £800 - £1000
10. A Chinese silver cocktail shaker, circa 1920, the body 6 applied with a cast dragon in relief amongst clouds, the lid similarly decorated, each dragon with wire whiskers, 20cm high, 11.34ozt £1000 - £1200
11 . A Chinese export miniature silver teapot, Wing Fat, circa 1900, cuboid form, embossed and chased with prunus and bamboo to alternating sides, the handle cast as a branch, 7cm long, 1.36ozt £200 - £250
12. A Chinese export silver waiter or tray, Zeewo, Shanghai circa 1900, circular, planished with bamboo moulded rim, on three hemispherical feet, 18.5cm diameter, 8.70ozt £220 - £280
13. A Chinese silver three piece brush and shoe horn set, Tuck Chang, Shanghai circa 1910, embossed with flowering prunus and birds, including hand brush, clothes brush and horn, 28cm long (3) £100 - £200
9
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 7
14. A miniature Chinese silver vase, Cumwo, Hong Kong circa 1890, shouldered form, embossed and chased in the round with a flowering chrysanthemum, 5cm high, 0.50ozt £60 - £100
15. A Chinese silver gilt, filigree, enamelled and stone set tea caddy, cylindrical, mesh ground, overlaid with foliate scroll and floral decoration, Persian style cartouches, set with turquoise and coral cabochons and cloisonne floral sprays, the central band between ruyi head and floral rosette borders, 10.5cm high, 8.94ozt £700 - £800
10
16 16. A Chinese export silver bowl, Wang Hing, circa 1900, rounded and footed, embossed and chased in relief with alternating bamboo and prunus, 21cm diameter, 20.83ozt £1000 - £1200
17. A Chinese export silver pepper pot, circa 1900, shouldered ginger jar form, embossed and chased with figures in an orchard, 5cm high, 0.82ozt £60 - £100
18. A Chinese export silver snuff box, MK, Canton circa 1870, waisted cuboid form with chased floral garland lid, gilt interior, 4cm long, 1.03ozt £40 - £60
11
19 19. A Chinese export silver box and cover, Tuck Chang, Shanghai circa 1900, circular drum form, embossed in relief with dragons to the body and lid, on a textured ground, 9.5cm diameter, 7cm high, 7.23ozt £400 - £500 15
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 8
22 22. An 18th century German silver beaker, IW, circa 1720, rounded tumbler cup form, plain with gilt interior, 6.5cm diameter, 1.84ozt £400 - £500
23. An 18th century Swiss silver dish, Zofingen circa 1760, ogee petal rim, 25cm diameter, 15.92ozt £500 - £600
20
20. A Chinese silver five light candelabrum, Wang Hing, Hong 24 Kong circa 1900, the lobed circular base embossed with panels of flora and fauna, including prunus, chrysanthemums, ducks, storks 24. A Russian silver, niello and horn flask or beaker, the terminal and dragon, the central prunus decorated and ball knopped column in the form of a duck’s head, chased and enamelled with flowers and with three cast and chased dragons supporting four further branched foliate scrolls, supported on a chain, 35cm long £100 - £150 dragons with torch sconces, all on three cast demon mask bracket feet, 46cm high, 65.42ozt £3000 - £4000 25. A Continental silver dish, shallow lobed form, embossed with Rococo scrolls and feathered shell border, open griffon headed handle, on four acanthus feet, stamped mark 900, 19cm long, 3.95ozt £30 - £50
26. A pair of French silver and enamelled miniature vases, circa 1880, globe and shaft form, blue ground with raised white and gilt foliate scroll decoration, 9.5cm high (2) £60 - £80
21 27 21. An 18th century Baltic silver sugar box, WM, probably 27. A Portuguese silver chamberstick, Porto 19th Century, of Tallinn circa 1750, oval ogee bombe form, embossed and chased Neoclassical form, lozenge form with reticulated and beaded gallery, with foliate scroll cartouches and floral sprigs, cast bud finial, 13cm on four bun feet, the knopped and reeded Campana sconce with broad high £1000 - £1200 rim, foliate teardrop and open C scroll handle, 10.5cm high, 7.12ozt £50 - £100
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 9
28. A German silver card tray, Gebruder Deyhle, circa 1910, 39. A Louis XV French silver sealing wax case, GV, Paris 1738, circular ogee fluted border, salver form, 19.5cm diameter, 5.41ozt channelled oval form, etched with Rococo floral sprigs and shells, the £40 - £70 lid with a windmill vignette, incuse seal to base, 11cm long, 1.30ozt £250 - £350 29. A Swedish silver handled walking cane, circa 1910, the planished crook top with plain band, on an ebonised tapered stick, 91cm high £120 - £180
30. A Christofle silver plated figural candlestick, modelled as Bacchus, on circular base, stamped marks, 23cm high £120 - £180
31. A German silver card tray, Franz Mosgau, Berlin circa 1890, Rococo cartouche form, embossed and chased with foliate shell scrolls and floral sprigs, on four ball feet, 27.5cm long, 9.86ozt £200 - £300
32. A Dutch Biedermeier silver tea caddy, VG, Netherlands 1825, rounded rectangular section, the ogee ovoid body with reeded banding, on four ball feet, the lockable domed lid with knop finial, 13.5cm high, 10.10ozt £350 - £450
33. A Continental silver and glass swan bowl, E Ltd., London import marks 1981, cut glass body and pierced embossed wings, hinged, 10.5cm high £40 - £60
40 40. A 19th century Dutch silver novelty longcase clock, import marks Lewis Lewis, London 1891, embossed Rococo scroll and figural decoration on an ogee bombe base and lions paw feet, the 2 inch white enamel dial with Roman numerals and Swiss Octo movement, 27cm high £500 - £600
41. An 18th century German silver gilt spice box, Augsburg circa 1720, cylindrical drum form with removable cruciform divider, 4cm diameter, 1.25ozt £500 - £600
34 34. A pair of Continental cast silver novelty salt and pepper pots, probably German, modelled as Kate Greenaway style figures of a boy and girl, with removable heads, 10cm high, 11.60ozt (2) £750 - £850
35. An Imperial Russian silver match box case, together with a Continental silver napkin ring, Russian import marks, the napkin ring embossed with Secessionist style foliate bands, 6cm long, 2.42ozt (2) £20 - £30
36. A set of six German silver teaspoons, D Tho Aspern, circa 1910, together with an Estonian silver spoon, Fiddle pattern, 14.5cm long, 2.70ozt £20 - £30
37. A pair of Italian silver gilt cockerel figures, ML, cast and chased realistically, modelled fighting, stamped marks, 800 AF, 23cm 42 high, 49.64ozt £300 - £500 42. A pair of cast Continental silver candlesticks, 18th century, 38. A French silver and horn ladle, Paris circa 1797, the boat the stepped petal bases with moulded foliate lappets and fluted bands, shaped bowl with stamped gadrooning to the rim, 27cm long supporting knopped acanthus baluster stems with chased denticulated sconces, indistinct marks, 25.5cm high, 47.73ozt (2) £40 - £70 £1000 - £1200
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 10
43. A Louis XV French silver wine taster, IF, Orleans 1774, the 46. A set of nine 18th century Dutch silver dessert spoons, IS, incised reeded body with beaded border, fluted scroll handle, incised Amsterdam 1743 and 1744, Hanoverian pattern with drop heels, Pierre Cribier 1780, 10.5cm long, 3.27ozt £200 - £250 18cm long, 12.92ozt £900 - £1200
44. An 18th century French Provincial silver wine taster, Jean 47. An Imperial Russian silver bowl, St Petersburg 1873, twin Roffay, Angers 1783, discharge marks for Tours, plain planished form handled, lobed squat baluster form, on four cast leaf and scroll feet, with coiled serpent handle, inscribed Esprjt Boussjon, 9.5cm long, 17.5cm long, 9.78ozt £300 - £400 1.68ozt £120 - £180 48. An Imperial Russian silver coaster, Moscow 1891, circular, engraved with monastic buildings within stippled bands, 10.5cm diameter, 1.42ozt £70 - £90
49 49. A Renaissance silver handled figural fork, late 16th or early 17th century, Continental, circa 1590-1620, the handle modelled in relief with a Classical nude torso and bust above a flowering urn vase pilaster and ribboned lions mask, twin pronged steel fork, 16.5cm long £250 - £350
45 45. A 17th century German silver gilt chalice cup, H.D.S., Augsburg circa 1620, the ogee bowl embossed in relief with two bands of beads, between chased trefoil fronds, the rim lobed, on a cruciform knopped and foliate lappet baluster stem, on rounded foot, 16.5cm high, 5.64ozt £4000 - £5000
50 50. A 16th century Swiss silver and parcel gilt beaker, Leonhard Bram, Zurich circa 1550, footed cylindrical tumbler form, incised with a band of foliate scrolls and roundels, the foot feathered, 6.5cm high, 2.48ozt Note: see Losel, E.M. 1983, Zürcher Goldschmiedekunst vom 13 bis 19 Jahrhundert, Zurich, p.164, no. 68(a) and p.360, no.44 for examples of the maker £4000 - £5000 46
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 11
51. A 16th or early 17th century 57. An Imperial Russian silver Norwegian silver gilt spoon, AA, Bergen combination tobacco and vesta case, circa 1600, the terminal cast with putti Vaillant, St Petersburg 1876, plain cuboid masks to each side, within scroll cartouche, form, the front with gilt lined snuff or on a chamfered and knopped stem with tobacco compartment, the lid with steel fluted lappets, the bowl engraved with a striking grate, tinder wick tube to the length foliate scroll motif, stamped marks, 16cm of the body, engraved with the coronet and long, 1.23ozt £500 - £600 monogram of a Russian Baron, 9.5cm x 5.5cm, 5.07ozt £500 - £600 64 58. A Dutch silver sifter spoon, the pierced bowl on a cast zoomorphic foliate 64. An American silver porringer, Reed griffin stem, 14cm long, 1.62ozt and Barton, MA designed circa 1906, £120 - £150 Francis I pattern, rounded with folded rim and cast and chased foliate scroll and fruiting cartouche handle, marked sterling X569, 16cm long, 4.04ozt £40 - £60
65. A Scottish silver bowling club medal, Alexander McDonald, Glasgow circa 1859, inscribed for the Wellcroft Bowling Club, Peter Stewart Champion 1859, within acanthus and bead drop 52 borders, stamped makers mark only, 8cm diameter, 2.84ozt £150 - £200 52. An 18th century Swedish silver and parcel gilt beaker, Stockholm 1705, conical form of three ball feet, stipple 66. A George III Provincial silver meat engraved with open tulips, 7cm high, skewer, possibly William Napier, Glasgow 2.79ozt £450 - £500 59 circa 1760, plain with ring terminal, WN (or NM) struck three times, 31cm long, 2.45ozt 59. An 18th century German silver £40 - £70 53. A Dutch silver miniature novelty snuffer tray, Augsburg circa 1762, lobed corner cabinet, 19th century, bow fronted, spear head form, fret cut floral thumb piece, embossed with Rococo scrolls and putti in on three splayed peg feet, 22cm long, 67. A Provincial silver toddy ladle, IPM, Fiddle Pattern, with circular bowl, pastoral landscape, on open foliate legs 3.58ozt £500 - £600 with reticulated pediment, opening to reveal 14cm long, 0.61ozt £30 - £50 a shelved interior, 12.5cm high, 3.06ozt 60. A French Napoleonic silver and 68. Two George III Irish Provincial £240 - £280 parcel gilt paten, QB, circa 1810, the top of plain broad rimmed form, the reverse silver forks, probably Thomas Cooksey, 54. A Dutch silver snuff box, 1854, the cast and chased in relief within the foot rim, circa 1800, King’s Hourglass Pattern, lid engraved with foliate scrolls, reeded with Virgin, Child and St John the Baptist, including dinner fork and dessert fork, T.C banding to the edge, 7cm x 4cm, 1.26ozt surrounded by clouds and putti, beaded struck four times, 20.5cm long, 4.90ozt (2) £100 - £150 border, 18.5cm diameter, 9.40ozt £50 - £80 £250 - £300 55. A Napoleonic French Provincial silver snuff box, AM, Strasbourg circa 61. A Spanish Colonial silver miniature 1810, oval form, bright cut decorated with goblet or chalice, Andean style, the twin knotted bands and floral sprigs, gilt interior, handled cauldron bowl incised with 7cm long, 1.66ozt £200 - £250 swagged banding, cast bird and foliate handles, on a feather and hexagonal baluster knopped stem, incised domed foot, 10.5cm high, 2.41ozt £100 - £150
62. A silver tennis ball tube, Tiffany and Co., import marks London 1997, cylindrical form etched with crossed rackets, 20.5cm long, 10.46ozt £500 - £600 69 63. Gorham for the Metropolitan Museum of Art, a set of four American 69. An early Victorian Scottish silver Adam Burgess, Edinburgh silver facsimile miniature tumblers, after the basting spoon, original made in London 1688, rounded tot 1838, Fiddle Pattern, 30cm long, 3.84ozt 56 form, planished, 4.5cm diameter, 3.80ozt £110 - £140 56. An Imperial Russian silver and (4) £180 - £220 niello combination vesta case tinder 70. A George III Scottish Provincial box, FK, St Petersburg circa 1890, rounded silver snuff mull, circa 1810, straight sided form with flat hinged lid, engraved cyrillic oval form with spring loaded push button monogram and knotted foliate scroll design, lid, indistinct makers marks, 5.5cm high, 5.5cm long, 0.86ozt £60 - £100 2.76ozt £200 - £250
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 12
74 74. A George IV silver soup ladle, Thomas Wilkes Barker, London 1825, Fiddle and Thread Pattern, 33.5cm long, 8.38ozt 71 £180 - £220 71. A George III Provincial silver twin handled cup, John Langlands, Newcastle circa 1760s, footed urn form, with everted rim 75. A collection of George III and later silver condiment and a central ribbed band, hollow S handles, 13cm high, 9.86ozt spoons, various makers and dates, Bright Cut, including salt and £500 - £600 mustard, one with shell moulded bowl, 2.92ozt (9) £30 - £50
76. George III and later silver flatware, various makers and dates, including Exeter, Fiddle Pattern table and dessert forks, a pair of Old English Pattern dessert spoons, 20.5cm long, 13.47ozt (8) £120 - £180
77 77. A pair of Victorian silver salad servers, Fenton Brothers, Sheffield 1901, egg shaped bowls on naturalistic looped and bisected tendril handles, 24cm long, 4.71ozt (2) £100 - £150 72 72. A William and Mary Provincial silver beaker, Scottish or Yorkshire circa 1690, plain cylindrical form with everted rim, on a concentric moulded foot, marks of thistle, Catherine wheel, h and thistle, 9.5cm high, 5.11ozt Note: Jackson records this identical mark without the thistle as unascribed Yorkshire circa 1690; see How, G E P, 1935, Early Scottish Spoons, Proceedings of the Society of Antiquaries of Scotland, vol.69, January 14th, p.152, for the same marks on a trefid spoon with the thistle and a possibility of a Scottish origin, the thistle being the earliest recorded example of its use. £3000 - £4000
73. Six Victorian silver egg spoons, George Adams, London various dates, including Fiddle pattern, 1848, Fiddle and Thread, 1842, Fiddle Thread and Shell, 1870, Old English Beaded, 1862, 78 Old English Thread, 1856 and King’s Husk with Husk Heel, 1841, 12cm long, 4.65ozt (6) £20 - £30 78. A Victorian silver and ivory pickle fork, TH, Birmingham 1858, the three pronged arrow head trident cage, with ball knopped pushing rod, 22cm long £50 - £80
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 13
86. Two George III silver spoons, Mary and Elizabeth Sumner, London 1811 and William Chawner, London 1816, Old English Thread and Shell pattern, including salt spoon and egg spoon, 12cm long, 1.15ozt (2) £30 - £50
87. A set of four Victorian silver egg spoons and a pair of George VI examples, John Aldwinckle and Thomas
Slater, London 1886 and Goldsmiths and 79 Silversmiths, London 1936, Old English 79. Five Victorian and later silver Bright Cut Edge and Beverley Pattern, condiment spoons, various makers and 11.5cm long, 2.91ozt (6) £30 - £50 dates, Onslow Pattern, including mustard 97 and salt, some gilded, 11cm long, 1.54ozt 88. A George II silver mote spoon, (5) £30 - £50 Richard Pargeter, London circa 1740, the 97. A pair of George III Old Sheffield honeysuckle back bowl pierced with Plate goblets, circa 1790, pedestal ovoid crosshatch and foliate decoration, 12.5cm form, on waisted and splayed feet, gilt long, 0.25ozt £110 - £150 interiors, 17cm high (2) £120 - £180
89. A Victorian silver poultry skewer, William Comyns, London 1872, of tradition diamond section with open loop handle, 10cm long, 0.21ozt £60 - £80
90. A George II silver mote spoon, Edward Bennett, London circa 1745, the tonge and incised back bowl pierced with crosshatch tile and foliate decoration, 13cm 80 long, 0.30ozt £110 - £150 80. A pair of Victorian silver berry spoons, William Hutton, London 91. A pair of George III sugar tongs, 1899/1900, Venetian Pattern, embossed, Hester Bateman, London circa 1780, Bright chased and crimped to the bowls, gilded, cut design with circular pads, 14cm long, 98 22cm long, 5.07ozt £110 - £140 1.05ozt £50 - £80 98. A George III Old Sheffield Plate 81. A pair of Edwardian novelty silver 92. A collection of George III and sauceboat, Richard Morton (Morton and sugar tongs, Sampson Mordan and Co., Victorian silver condiment spoons, Clayton), Sheffield circa 1760, helmet form Chester 1910, in the form of wishbones, various makers and dates, Old English with punched beaded rim, on three shell with sprung arms, 8.5cm long, 0.98ozt (2) Beaded pattern, including egg spoon, salt and gadroon toes feet, open acanthus S £60 - £100 and mustard, 13cm long, 3.07ozt (6) scroll handle with scrolled tongue end, £30 - £50 17cm long £70 - £100 82. A set of seven George IV and later silver salt spoons, various makers and 93. A George III silver and horn ladle, dates, Fiddle Thread and Shell pattern, Josiah Snatt, London 1807, the boat some with shell backs, one of ladle form, shaped bowl with single lip, 36cm long 12cm long, 5.54ozt (7) £40 - £70 £60 - £100
83. A pair of Victorian silver novelty 94. Four George III and Victorian sugar tongs, Henry Stuart Brown, London silver condiment spoon, various makers 1901, in the form of a wishbone, sprung to and dates, Fiddle and Shell Pattern, the hinge, 10.5cm long, 074ozt including salt and mustard, 14cm long, £50 - £80 2.34ozt (4) £30 - £50
84. A George III silver picture back 95. A George III novelty Old Sheffield and front teaspoon, George Smith III, Plate double beaker, circa 1780, in the London circa 1770, the bowl cast with a form of a barrel, with reeded banding, gilt hen in farmyard, the terminal cast with interior, 12.5cm high £250 - £300 99 spread eagle and foliage, 11.5cm long, 99. A George II Old Sheffield Plate 0.50ozt £60 - £80 96. A George II silver mug, William tankard, circa 1750, banded conical form, Shaw and William Preist, London 1750, turned wooden base and hollow S scroll 85. A set of six Victorian silver baluster form on ogee stepped foot, handle with spade tail, 16.5cm high reticulated picture front and scroll back acanthus ear scroll handle, 10cm high, £40 - £70 teaspoons, Francis Higgins, London 1882, 7.14ozt £400 - £500 each terminal pierced and cast with a putto holding a cornucopia, 11cm long, 2.82ozt (6) £100 - £120
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 14
104. A pair of Victorian silver salt cellars, Samuel Smith and Son, London 1880, squat ogee boat form with everted cast foliate rim, on four floral kneed lions paw feet, 10cm long, 11.91ozt £80 - £100
105. A George V silver plated three piece tea set, James Dixon and Sons, circa 1920, squat ovoid shouldered form with everted rim, gadrooned and cast with shell corners, each on four stepped pad feet, teapot 28.5cm long (3) £50 - £80
106. Charles Stuart Harris, London 1902, an Edwardian silver mustard pot, double ogee ovoid form, on four spherical feet, beaded and gadrooned rim and chamfered angular handle, 8.5cm high, 5.10ozt £30 - £50
107. Nathan and Hayes, Chester 1905, an Edwardian silver mustard pot, ogee moulded oval form, bright cut engraved, with reeded loop handle, urn finial, glass liner, 9cm high, 4.11ozt £20 - £30
108. Charles Perry and Co., Chester 1930, a George V silver mustard pot, straight sided ogee fluted rectangular section, with flat lid and acanthus finial, 6cm high, 4.91ozt £30 - £50
109. Zachariah Barraclough and Sons, Chester 1919, a
George V silver mustard pot, straight sided oval form, reeded strap 100 handle and ogee lid with urn finial, glass liner, 8cm high, 3.16ozt 100. A George III silver reticulated sugar basket, Hester £20 - £30 Bateman, London 1787, bright cut pedestal boat form, two bands of foliate scrolls, reeded swing handle and blue glass liner, 18cm high, 6.34ozt £450 - £550
101 110 101. A pair of George III Old Sheffield Plate sauce tureens, 110 . A Victorian silver bottle coaster, James Woods and Sons, circa 1780, Neoclassical twin handled boat form, on oval pedestal Birmingham 1899, reticulated with fluted gallery and chased festoons feet, with beaded borders, ogee domed lids and urn finials, 26cm and Neoclassical quatrefoil roundels, below a gadrooned border, long (2) £180 - £220 turned wooden base, 9.5cm diameter £70 - £100
102. A Victorian silver plated and carved ivory handled butter 111 . A pair of Elizabeth II silver grape scissors, A Marston and trowel, circa 1880, the blade engraved with foliate scrolls, lappet Co., Birmingham 1993, cast as fruiting vines, 16cm long, 3.35ozt carved handle, in fitted velvet lined leather box, 19.5cm long £150 - £200 £30 - £50 112 . A pair of William IV silver fruit eaters, William Sansom, 103. A George V silver and tortoiseshell manicure set in case, Sheffield circa 1835, Trailing Vine pattern, the knife and fork with HA and Co., London 1925/26, the oval box with gilt hinged lid, hollow handles, silver blades and tines, 20.5cm long (2) £50 - £80 containing a fitted velvet interior with various tools and a box, 16cm £100 - £200 113 . A George III silver wine funnel, James Mince, London 1804, ogee strainer with reeded rim, 14.5cm high, 3.04ozt £300 - £350
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 15
114 117 114 . A George III silver wine label for 117 . A Victorian silver wine label for Madeira, Hester Bateman, London circa Manzanilla, Yapp and Woodward, 1780, crescent form, bright cut borders, Birmingham 1851, shaped rectangular suspended on a rolo chain, 4cm wide, form, engraved with the sherry variety, within 0.28ozt £180 - £200 an incised hobnail or rattan border, on chain, 4.5cm wide, 0.22ozt £80 - £120
118 . A George III silver wine funnel, Thomas Meriton, London 1800, plain form 120 with fluted banding, detachable strainer and spout, 14cm high, 3.36ozt £280 - £320 120. A George V silver mounted cut glass claret jug, Robert Pringle, London 1914, the globe body with hobnail cutting and loop handle, flat topped hinged lid, 21cm high £250 - £300
115 115 . A George III Scottish Provincial silver wine label for Port, Robert Keay, Perth circa 1790, cartouche escutcheon form, chased with foliate scroll border, stamped twice, suspended on a rolo chain, 5.5cm wide, 0.37ozt £200 - £300
119 121 119 . A Victorian silver mounted glass 121. An Elizabeth II silver mounted cut claret jug, Atkin Brothers, Sheffield 1869, glass claret jug, F G Flavell, Birmingham tapered and angled baluster form, cut and 1979, the bulbous body with thistle cutting, etched with alternating bands of hobnail silver S scroll handle and gadrooned rim, 116 and egg and dart strips, the handle and 23cm high £300 - £350 neck chased with trailing vine motifs, hinged 116 . A George III silver wine label for cushion lid, 28.5cm £280 - £320 White Wine, John Rich, London circa 1790, crescent form, bright cut and engraved, on rolo chain, 5cm wide, 0.31ozt £150 - £200
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 16
122
122. Paul Storr, a George III silver gilt wine cooler and cover, Rundell Bridge and Rundell, London 1809, twin handled Campana urn form, cast and embossed with a central group of horses in low relief, between beaded guilloche and egg and dart borders, the handles fluted and modelled as bearded masks, the beaded and petal moulded socle above a splayed foot with berry and ribbon laurel wreath to the border, the reverse with cast roundel and inscription for Newcastle Upon Tyne Stewards 1817, the shallow ogee lid with central rosette chased with honeysuckle and lapped ring, the finial in the form of a wrythen fluted flower seed with everted petals, 38cm high, 119.6ozt £20,000 - £30,000 122 (detail)
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 17
124. A Queen Anne miniature silver porringer, Benjamin Bentley, London circa 1705, twin handled ogee form, reeded to the lower section below stamped rosette and dimple bands, strap S scroll handles, double makers mark, 7cm wide, 0.45ozt £350 - £400
125. A pair of Edwardian silver menu holders, Elkington and Co., Birmingham 1908, laurel wreath plates with vacant cartouches, on ogee domed bases, weighted, 5.5cm high (2) £120 - £180
126. A Victorian silver plated electrotype photo frame, probably Elkington and Co., circa 1890, modelled in relief with playing children, foliate scrolls and floral garlands, within a tongued lappet border, easel back, opening 14cm x 10cm, overall 29.5cm x 23cm
£100 - £150 123 127. A pair of George V silver menu holders, A Wilcox, 123. A George III silver brandy pan, Philip Batchelor, London Birmingham 1932, each with a pierced and etched hunting dog with 1802, waisted cylindrical form with turned fruitwood handle, 23cm duck, 3cm high, 1.28ozt (2) £180 - £220 long, 6.45ozt £300 - £400 128. A George V silver four piece tea set, Cooper Brothers and Sons, Sheffield 1920/21, stepped boat form with cast floral ogee rims, ebonised handles, on four foliate horn feet, including teapot, jugs and sugar bowl, teapot 33cm long, 75.91 (4) £600 - £800
129. A George I silver lidded tankard, Alice Sheene, London 1717, banded cylindrical form on stepped foot, ogee domed lid with reeded scroll thumb piece and hollow S scroll handle, 29cm high, 25.76ozt £1800 - £2200
130. A George II silver mug, Richard Gosling, London 1735, baluster form, on stepped foot, with S scroll handle, 9cm high, 5.49ozt £320 - £380
124
128 130
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 18
136 136. A Victorian silver heart shaped box, Saunders and Shepherd, Birmingham 1900/1901, set with a 1901 Farthing, gadrooned band to the hinged lid, the interior gilded, 5cm, 0.90ozt £40 - £70
137. A Victorian silver chatelaine, Goldsmiths and Silversmiths Company, London 1900, the open foliate scroll and trellis double cartouche with five chain suspensions and various tools, including scent bottle, envelope stamp case, silver covered 1903 calendar with turquoise set pencil, pin cushion, scissors and chased four arm penknife, hinged belt hook to the back, 32.5cm long, 7.14ozt £300 - £500
138. A Victorian silver inkwell, Nathan and Hayes, Chester 1901, in the 18th century style, the twin handled rounded and 134 lidded pot with reeded banding and acanthus C S scroll handles, on an integrated circular dish, glass liner, 17cm diameter, 7.62ozt £300 - £350 133. A Victorian silver beaker, Walter and John Barnard, London 1890, conical 139. A Victorian silver dish, Sheffield form, chased and engraved with ferns and 1886, oval form with embossed foliate wreaths, 9cm high, 2.74ozt £150 - £200 scroll and floral rim and reeded band, vacant cartouches, 23cm long, 5.00ozt 134. A large Victorian silver £30 - £50 centrepiece epergne, Horace Woodward, London 1877, the fluted column with 140. An Edwardian novelty silver spherical lions mask and ring knop, cigarette case, Henry Griffith and Son, supporting a central reeded sconce and Birmingham 1905, embossed and textured etched glass dish, emanating from a reeded as crocodile leather, hip forming to one ovoid knop, three cast open foliate scroll side, gilt interior, 8cm x 6cm, 1.54ozt and zoomorphic branches, on a domed £20 - £40 reeded base, cast lions paw bracket feet, all 131 on a mirrored stand, with a fitted oak case, 141. An Elizabeth II silver photo frame, 131. A Victorian silver eight piece butt 53cm high, weight excluding base and glass Carrs of Sheffield, Sheffield 1996, plain 63.25ozt £3000 - £4000 marker, Wright and Davies, London 1897, rectangular with beaded border, velvet easel plain cushioned cuboid form, with back, opening 17.5cm x 12.5cm, overall numbered bone markers, the interior gilded, 135. A pair of George V silver salt 20.5cm x 15cm £30 - £50 4.4cm long £550 - £600 cellars, Edward Barnard and Sons, London 1934, in the George II style, cauldron form 132. A Victorian silver sovereign tube, on three stepped hoof feet, gadrooned Frederic Purnell, London 1885, plain serpentine rims, gilt interiors with blue glass cylindrical form, screw cap and gilt sprung liners, 7cm diameter, 2.99ozt (2) feeder, 40 coin capacity, 9cm long, 2.71ozt £40 - £80 £500 - £600
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 19
142. A George V silver photo frame, W I Broadway and Co., Birmingham 1919, rectangular with relief moulded husk, laurel and ribbon borders, oak backed with easel support, opening 20.5cm x 15cm, overall 26cm x 20cm £40 - £60
151 151. A Victorian novelty silver mounted glass double cruet bottle, Hukin and Heath, Birmingham 1894, modelled as a 143 double headed eagle, the spouts with hinged heads set with glass eyes, twin compartments 143. A George II silver jug, London for oil and vinegar, the handles as wings, 1750, baluster form with ogee rim and S C 19.5cm high £300 - £500 scroll handle, on three trefoil footed legs, 9.5cm high, 2.35ozt £150 - £180 147 147. An Elizabeth II cast silver figure, 144. An Edwardian silver tray, Mappin TSH, London circa 1990, in the Art and Webb, London 1908, circular with Nouveau style, modelled as a maiden ogee rounded and fluted border, 37cm holding a flower, on black marble base, diameter, 34.15ozt £300 - £500 23cm high, silver weight excluding base 26.66ozt £500 - £800
148. An Edwardian silver sovereign case, Birmingham 1907, together with an Indian white metal example, each of fob watch form with chased foliate decoration, 1.39ozt (2) £30 - £50
149. An Edwardian silver soap box, 152 Goldsmiths and Silversmiths Company, London 1907, planished cuboid cushion 152. An Edwardian novelty silver plated form, with vacant cartouche, 10cm wide, and glass sardine pot or ice bucket, 7.5cm deep, 4.5cm high, 5.25ozt Walker and Hall, circa 1910, the cylindrical £180 - £220 drum body within a cast icicle and coral moulded basket, the flat lid with a polar bear 150. A large Victorian silver trophy cup, and ice sheet finial, 16cm high £60 - £100 145 Thomas Bradbury and Sons, London 1880, 145. A George II silver mug, Richard Neoclassical twin handled urn form, cast Burcombe, London 1731, plain cylindrical and chased with acanthus lappets to the baluster form, on stepped ogee foot, hollow lower body and pedestal foot, the angled S scroll handle, 9cm high, 7.03ozt handles with Greek guilloche and bead £500 - £550 bands, later inscribed for the County of Oxford Army Cadet Force Challenge Cup and Athletic Cup, 6th Oxford Battalion 146. A pair of Victorian silver salt 1947, 39.5cm high, 75.87ozt cellars, Martin Hall and Co., London 1875, cauldron form, on three shell and stepped Note: 6th Oxford Battalion was the Home pad feet, beaded borders, 6cm diameter, Guard battalion of the OBLE (Oxford & 2.96ozt (2) £80 - £120 Buckinghamshire Light Infantry) £1200 - £1500 153 153. A pair of Edwardian silver novelty menu holders, Sampson Mordan, London 1903, modelled as owls, set with glass eyes, on circular bases, 3.5cm high, 1.31ozt (2) £150 - £200
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 20
160 160. A George V silver and alligator hip flask, Frederick Asman and Co., Sheffield 1930 to 1934, the glass body half 154 sleeved in leather, removable gilt lined beaker and bayonet cap, 15.5cm long £180 - £220 154. A Victorian silver novelty table lighter, William Graeme, London 1883, 161. A George V silver penknife, Asprey realistically modelled as a lizard, the body and Co., Sheffield 1931, together with an embossed and chased, with a flame wick Edwardian cigar cutter and a Victorian silver tongue, the Antelope antler tail with silver vesta case, Birmingham 1899, 9.5cm long tip, 46cm long £1200 - £1800 (3) £30 - £50
155 158 162 155. A George V novelty silver cigar 158. A George V silver Havdalah spice 162. A Victorian silver miniature chair, table lighter, Birmingham 1911, modelled tower, Moshe Rubin, London 1926, the John Smith, London 1898, modelled as as a Toby jug with handle, weighted, 7cm high double gourd body with four bells and four Shakespeare’s armchair, German marks, £300 - £400 cast eagles, on a knopped baluster stem 6cm high, 1.37ozt £80 - £120 and stepped foot, surmounted by a conical 156. A George V silver, rose gold and steeple with ball and articulated flag, 163. A Victorian silver mug, George enamelled cigarette case, John Collard 28.5cm high, 5.04ozt £500 - £600 Unite, Birmingham 1859, footed ribbed Vickery, London 1911, plain form with baluster form, circular medallions embossed painted champleve enamel horse and rider, 159. A Victorian silver snuff box, to each side, chased foliate scroll and floral Intrigue II, flush set button and hinge, gilt Charles Rawlings and William Summers, decoration, S C scroll handle, 11.5cm high, interior, 10.5cm x 8.5cm, 5.42ozt London 1845, waisted cuboid form, etched 5.05ozt £220 - £250 £400 - £450 and engraved with landscape vignettes within Mannerist scroll cartouches, the lid 164. A William IV silver mug, Charles 157. An Elizabeth II silver tooth box, Ari cast in relief with a border of flowering Fox, London 1831, footed Campana form, Norman, London 2000, circular with hinged foliage, gilt interior, 9cm long, 7.12ozt embossed and chased with leaves to the lid and cast figure of a pig, within chased £600 - £700 body and foot, cast acanthus and bud S border, 3.5cm diameter, 0.63ozt scroll handle, gilt interior, 10cm high, £40 - £60 4.18ozt £260 - £280
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 21
165. A Victorian silver goblet, Thomas Smily, London 1868, the rounded bowl etched and chased with Greek key band, on a bead knopped stem and splayed foot, 16cm high, 4.31ozt £200 - £250
166 166. A Victorian silver novelty pin cushion, Birmingham 1890, in the form of a shoe, with ribbon bow, purple velvet fabric, 11cm long £160 - £180
167. A George III silver kettle on stand, John Emes, London 1806, the half reeded ovoid body with fluted spout and tap, on a four legged base of fluted pilaster and lions paw feet with rings, the reeded burner within a gadrooned support suspended on scrolled bracket arms, the handle cast in the form of entwined serpents with turned wooden midsection, 38cm high, 100.31ozt £2500 - £3000
168. A George III silver teapot on stand, J E Terrey and Co., London 1817, squat 167 ovoid form, half reeded, with everted rim, cast foliate and gadrooned rim, fruitwood handle and finial, the oval stand similarly decorated, on four winged lions paw bracket feet, 31cm long, 35.61ozt £850 - £950
169. A pair of Iona style silver candlesticks, Hardy Brothers, Birmingham 1965, the stepped conical bases with Celtic knot and zoomorphic cast baluster knops, supporting rounded bowl sconces, 9.5cm high, 7.60ozt (2) £180 - £220
170. A George V silver photo frame, Mappin and Webb, London 1920, rectangular with engine turned pinstripe design, opening 17.5cm x 11.5cm, overall 21cm x 15cm £40 - £70
171. Three small Elizabeth II silver photo frames, various makers and dates, plain oval and circular, opening 9cm x 6.5cm, 5.5cm diameter and 6cm x 4cm, overall 11.5cm x 9cm (3) £40 - £70 168
172. A Victorian silver photo frame, Deakin and Francis, Birmingham 1898, embossed and reticulated floral and foliate scroll design backed in leather, easel back, opening 14cm x 10cm, overall 18cm x 13cm £40 - £70
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 22
182 182. A George III silver bowl, William Elliott, London 1817, squat Campana form, reeded, with a wide everted rim, cast in relief and pierced with fruiting grape vine, within an egg and dart border, 25.5cm diameter, 29.83ozt £800 - £900
173 173. A pair of Elizabeth II large cast silver candlesticks, C J Vander, Sheffield 1996, in the Queen Anne style, square section inverse baluster form, on stepped square chamfered bases, 28.5cm high, 97.00ozt (2) £2000 - £2200
174. A pair of Victorian silver salt cellars, Charles Stuart Harris, London 1881, Neoclassical oval section pedestal urn form, on rectangular bases, reeded band with egg and dart borders, retailed by Lambert, 6cm high, 10cm long, 7.76ozt (2) £220 - £250
175. A Victorian silver vesta case, Sampson Mordan, London 183 1885, plain form with flat hinged lid and rounded sides, gilt interior, 4cm high, 0.44ozt £50 - £80 183. A Queen Anne or George I silver snuff box, John Swann, London circa 1714, rectangular section with ogee moulded borders, 176. A Victorian silver and porcelain handled butter trowel, gilt interior, single makers mark, 5cm x 3.5cm, 1.22ozt £200 - £300 Saunders and Shepherd, London 1886, Crown Derby Imari handle, 15.5cm long £120 - £150
177. A Victorian silver Bosun’s whistle, George Unite, Birmingham 1873, embossed Royal Navy emblems, tooled bright cut geometric panels, 9cm long, 0.42ozt £240 - £280
178. A pair of Victorian silver salt cellars, George John Richards and Edward Charles Brown, London 1858, squat ovoid form on three stepped pad feet, 8cm diameter, 4.55o £120 - £180
179. A Victorian silver goblet, Frederick Elkington and Co., London 1864, Neoclassical form, the rim modelled in relief with scenes from the Elgin Marbles frieze, above reed and dart border, on bead knopped and stepped stem and foot, gilt interior, 17.5cm high, 5.77ozt £290 - £320
180. A Victorian silver and Scottish hardstone set novelty pin cushion, apparently unmarked, in the form of a shoe, chased and engraved foliate decoration, 8.5cm long £250 - £280
181. Ancient Order of Foresters, a Victorian silver sash badge, Hilliard and Thomason, Birmingham 1858, eight pointed, embossed with the stag’s head shield and bugle crest, with oak leaf wreath and 184 acanthus points, 9cm diameter, 0.75ozt £100 - £120 184. A George II silver gilt sugar box, Samuel Taylor, London 1751, pedestal ogee form, embossed and chased with Rococo scrolls, flowers and feathered bands, the finial in the form of a closed bud, 16cm high, 13.23ozt £650 - £800
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 23
185. A George V novelty silver pin 189. A pair of Victorian silver salt cellars, cushion, Adie and Lovekin Ltd., Birmingham Beare Falcke, London 1866, cauldron form, 1914, modelled as a frog, 6cm long embossed with floral garlands and scroll £300 - £400 cartouches, on stepped knee and pad feet, beaded rims, blue glass liners, 5.5cm 186. An Edwardian novelty silver pepper diameter, 2.42ozt (2) £100 - £150 pot, Johnson, Walker and Tolhurst, London 1908, modelled as a goats head family crest 190. Paul Storr, a William IV silver Storr and Mortimer, London 1831, on wreath base, 6.5cm high, 1.69ozt teapot, £400 - £500 melon form, realistically moulded and cast 185 with oak branch and leaf spout, lobed 187. A George V silver letter opener spherical form, on a leafy vine base, the lid as a foliate pad with bud finial, 23cm long, ruler, Drew and Sons, London 1919, tapered point and edge, engraved with 12 inch 18.19ozt £3000 - £3500 markers, 30.5cm long, 2.48ozt £150 - £200 191. A George II silver waiter or small salver, Thomas Nash I, London 1759, plain 188. A George V silver cigar box, circular form, banded border, on three fluted Goldsmiths and Silversmiths Company, bracket feet, 18cm diameter, 7.90ozt London 1918, cushioned cuboid form, the lid £220 - £250 engine turned barley stripe and bordered design, 17.5cm long, 12.5cm deep, 6cm high £180 - £250
186
190
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 24
198 199
192 194 192. A pair of Victorian silver menu 194. A Victorian silver novelty scent holders, Samuel Jacob, London 1899, cast bottle, Saunders and Shepherd, Chester in relief with figures and dogs hunting a bear, 1890, in the form of a lifebuoy, with applied 7.5cm long, 1.65ozt (2) £200 - £250 ropetwist straps, suspended on a double chain, with screw cap, 6cm, 0.72ozt 197 £320 - £380 197. A George V silver and leather dog collar, Horton and Allday, Birmingham 195. A William IV silver students lamp, 1912, modelled as a belt with embossed Creswick and Co., Sheffield 1837, the bead studs, crimped edges, with lead circular ogee stepped base with floral attachment, five adjustable notches, 7.5cm ribbon and reed borders, supporting a to 9.5cm diameter, 2cm wide square section stem with adjustable arm £500 - £600 supports, one with two S shaped reeded branches, surmounted by a ring handle, weighted, 62cm high 198. An 18th century high carat gold baby’s teether rattle, circa 1730, with Note: engraved with the crest of Thomas tapered octagonal section whistle, engraved
Cholmondeley, 1st Baron Delamere with geometric foliate bands, four pierced 193 £1000 - £1200 open S scroll brackets supporting spherical 193. A cased pair of Victorian silver bells, mounted on a mother of pearl 196. A pair of George III silver salvers, teething handle, 14.5cm long, gold weight and mother of pearl handled folding Thomas Hannam, London 1765, circular excluding handle 23.2g £2000 - £2500 fruit eaters, Martin Hall and Co. and with ogee gadrooned and fluted borders, Hillard and Thomason, Sheffield 1859 and each on three acanthus scroll feet, 41cm 1871, the shaped handled carved with 199. Van Cleef and Arpels, New York, diameter, 112.52ozt (2) £3200 - £3500 foliated tendrils, the tines and blade of the an 18 carat gold pill box, cuboid form, fork and knife chased and engraved with embossed rattan effect, hinged lid, signed foliate scrolls, 16.5cm long open, 9.5cm and number 14111, 4cm wide, 3cm deep, closed, in fitted velvet lined Moroccan 1cm high, 35.2g £2000 - £2200 leather case £350 - £380
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 25
200. George V silver and enamelled dressing table items, Adie Brothers, Birmingham 1932, including cuboid cigarette box, Webb Corbett cut glass jar with hinged lid and a hand mirror, all with blue guilloche enamel, mirror 28cm long, box 11cm x 9cm x 4cm, box weight 7.87ozt (3) £100 - £200
204 208 204. A George V silver gilt and enamelled box, Adolph Philip Krieger, 208. An American Japonesque silver London import 1913, circular form, pale and mixed metal pin dish, Whiting blue guilloche enamel with white concentric Manufacturing Company, New York circa bands, the base engine turned, 8.5cm 1880, planished circular form with applied diameter, 6.48ozt £850 - £950 aquatic animals in an etched foliate ground, including fish, crab and eel, 7.5cm diameter, 1.08ozt £60 - £100
209. An American Aesthetic Movement 201 silver plated tea set, Reed and Barton circa 201. A Victorian silver gilt and 1880, baluster form, embossed and incised enamelled double scent bottle vinaigrette, in the Japonesque style with poppies and Henry William Dee, London 1870, retailed daisies on an acid etched millefleur ground, by W J Thomas, Old Bond Street, reticulated including teapot, coffee pot and twin handled and chased foliate trellis and scroll designs sugar pot, 19cm high (3) £30 - £50 over blue guilloche enamel, between chased Gothic trefoil and Japonesque bands, in the Aesthetic Revivalist style, the central hinged section opening to reveal a further hinged vinaigrette, each main vessel 205 with a spherical cap, on sprung hinged, the other screw fitting, 13cm long 205. An Austrian silver gilt and £600 - £800 enamelled pill box, probably Rudolf Steiner, import marks P H Vogel, London 1929, circular form with blue guilloche 202. A George VI silver and enamelled enamel to the hinged lid and sides, 3cm cigarette case, Birmingham 1936, diameter, 0.43ozt £50 - £80 rectangular cushioned with green guilloche enamel fan and barley turned decoration, basse taille foliate scrolls to the corners, gilt 206. An Austrian silver and enamelled snuff box, import marks Saunders and interior, 8cm x 7.5cm, 3.63ozt £200 - £250 Shepherd, London 1911, oval form, the lid with painted and guilloche enamel, the 210 cream centre with rose garland scroll, within . a gilt overlaid lilac border, 5.5cm long, 210 An Aesthetic Movement silver plated pint mug, circa 1870, cylindrical on 1.34ozt £380 - £420 stepped foot, hand chased and engraved with Japonesque geometric bands, a paddle fan and bamboo sprigs, 13cm high £100 - £120
203 203. An Art Deco silver and enamelled page turner handle or sleeve pouch, Cohen and Charles, London 1925, 207 rectangular with pale blue guilloche 207. David Andersen, a Norwegian silver 211 enamel, 10.5cm long, 1.58ozt gilt and enamelled ladle, circa 1900, the 211. W A S Benson, an Arts and Crafts £150 - £200 handle with foliate scroll beaded cloisonne circa 1900, rectangular, enamel in turquoise, with ropetwist and silver plated tray, milled detailing, 14.5cm long, 0.84ozt planished with undulated handles and everted rim, stamped marks, 36cm x 60cm £80 - £120 £40 - £70
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 26
213
213. Archibald Knox for Liberty and Co., an Arts and Crafts Cymric silver bowl, Birmingham 1902, squat amphora form on three C loop feet, embossed to the rim with Celtic knot motifs, 18cm diameter, 10cm high, 14.90ozt £2000 - £2200
212 214 212. Kate Harris for William Hutton, an Arts and Crafts silver 214. A French Art Nouveau silver and gilt tea strainer, Charles and glass vase, Goldsmiths and Silversmiths Company, London Forgelot, Paris circa 1905, the circular ogee body embossed and 1901, the green shouldered conical body by James Powell and Sons, chased with sinuous tendril and leafy berried fronds, pierced with a mounted with Art Nouveau style foliate tendril handles and lobed central flower within a ring of crosshatch stars, realistically cast trefoil denticulated collar and sconce, on splayed foot, 15.5cm high rest and turned fruitwood handle, 15cm long, 1.24ozt £700 - £1000 £60 - £100
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 27
217 217. Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled caddy spoon, Birmingham 1913, planished 215 with egg form bowl, the serpentine edged handle with a Celtic knot band in blue and green champleve enamel, 9.5cm long, 0.87ozt 215. Arthur Stanfield Dixon for Birmingham Guild of £800 - £1000 Handicraft, an Arts and Crafts silver inkwell, Birmingham 1900, splayed cuboid form, planished with ogee domed and ball knopped finial, glass liner, double hook pen rest, 7.5cm square, 7cm high, 5.82ozt £700 - £1000
218 218. A Jugendstil silver plated cigar box, circa 1900, cuboid form, embossed with stylised trees and sinuous foliate tendrils around a central scroll boss, cedar lined, 15.5cm wide, 7cm high, 9.5cm deep £120 - £180
219. An Arts and Crafts silver and walnut clock case, W J Myatt and Co., Chester 1908, the stylised ogee tulip form case embossed in the Art Nouveau style with sinuous tendrils and lily of the valley, 35.5cm high £80 - £120
220
216 220. A Secessionist silver plate, tortoiseshell and lacquer jewel box, circa 1910, cylindrical drum form, the domed lid with central 216. Archibald Knox for Liberty and Co., an Arts and Crafts embossed Glasgow style rose within black lacquer and a border of silver egg stand or cruet, Birmingham 1900, the circular planished tortoiseshell, the body relief moulded with geometric stepped fluting, body on four stepped pad feet, the central stem with four tendril loop the interior lined in velvet, 8.5cm diameter, 4.5cm high supports and an open Celtic knot handle, 18.5cm high, 9.21ozt Note: reminiscent of the designs of Charles Rennie Mackintosh, £400 - £600 Hoffmann and Hans Christiansen, the geometric rose motif was one of the most popular symbols of the Secessionist and Glasgow School movements in Austria and Britain at the turn of the 20th century. £80 - £120
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 28
224. Edward Spencer for the Artificers Guild, an Arts and Crafts silver plated tea caddy, circa 1915, planished, twin handled barrel form, with stylised laurel and bead borders, the handles and finial cast and reticulated with grape vine and rose tree motifs, stamped marks 2022, 18.5cm high £350 - £450
221 221. An Arts and Crafts silver pedestal bowl, Joseph Rodgers, Sheffield 1907, the ogee rimmed bowl with three sinuous tendril and whiplash handles, bisected and terminating in trefoil pads to the splayed and stepped base, 18cm high, 25cm diameter, 30.18ozt £500 - £800 225 . Carrington 222 An Arts and Crafts silver twin handled bowl, 225. Edward Spencer for the Artificers Guild, an Arts and and Co., London 1910, footed ovoid form, with angled handles, Crafts silver plated bowl, circa 1915, the planished hemispherical etched with stylised foliate scroll tendrils, 26.5cm long, 18.64ozt body with two bands of punched ring decoration, on a splayed
£500 - £800 conical foot, with wire bordered panels and applied double chain link ring, stamped marks 3180, 21cm diameter £100 - £200
226. Bernard Instone, a matched set of six Arts and Crafts style silver and enamelled coffee spoons, Birmingham 1924 and 1957, step shouldered and pointed bowls, planished to the back, the terminals with champleve Celtic knot and floral enamel terminals, two sets of three, 10cm long, 2.89ozt (6) £100 - £200
223 223. Bernard Cuzner for Liberty and Co., an Arts and Crafts silver teapot, William Hair Haseler, Birmingham 1913, model 5859, pedestal cup form incised, planished and incised with stylised floral and crescent bands, 26cm long, 17.17ozt £500 - £800
227 227. Carl Gustaf Hjulstrom, an Art Deco Swedish silver vase, Stockholm 1926, footed trumpet form, planished and incised with stylised cloud and shell motifs to the foot and lower body, 18cm high, 14.53ozt £300 - £400
224
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 29
228 228. Johan Rohde for Georg Jensen, a Danish Secessionist silver and enamelled Konge or Acorn salt cellar, model 62, designed circa 1915, of shouldered porringer form, blue enamel to the interior, 6cm long, 0.75ozt £80 - £120
229. Christian Fjerdingstad for Christofle, an Art Deco Gallia silver plated Swan sauce boat, circa 1930, model 0422, footed oval form with flat angular handle and wave foot rim, stamped marks, 20cm long £50 - £80
231
230 232 233 230. An Art Deco silver plated Tells You 232. Keith Murray for Mappin and 233. Erik Herlow for Anton Michelsen, How, recipe cocktail shaker, Napier, circa Webb, an Art Deco style silver mustard a pair of Danish Modernist silver dishes, 1930s, the double cased conical body with pot, designed circa 1933, hallmarks for circa 1950s, Paisley or comma form, 14cm 15 recipes in red enamel, six stepped Sheffield 1959, conical form with stepped long, 7.85ozt (2) £250 - £300 window to the outer body, 28cm high lid and incised concentric rings, angled £500 - £600 handle, 6.5cm high, 8.5cm long, 3.62ozt Note: a well known Murray design, most 231. J A Henckels, Zwilling, Solingen, commonly produced in silver plate, the an Art Deco silver plated novelty design continued to be manufactured by the Zeppelin cocktail shaker, circa 1930s, the original company in solid silver through the torpedo form body with screw cap and 1940s and 50s. £60 - £100 base, containing flask, beakers and strainer, four spoons within the fin compartment, marked DRGM, 31.5cm high £1000 - £1500
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 30
234 234. Georg Nilsson for Gerofabriek, a Dutch Modernist silver plated bowl and jug, circa 1950, flared triangular form on cylindrical feet, stamped marks Gero, jug 235 10.5cm long (2) Note: Danish designer Georg Nilsson (1888-1975) studied with Georg Jensen in Copenhagen, before becoming chief designer at the Gero factory after 1925, first in Denmark and then in Zeist, Holland, where this design was produced. £30 - £50
235. David Mellor for Walker and Hall, a Modernist silver Pride pattern three piece tea set and sugar tongs, Sheffield 1959 to 1962, including teapot, sugar bowl, jug and a pair of sugar tongs, leather handle, 45.3ozt (4) £1000 - £1200
236. Eric Clements for Elkington and Co., a Modernist silver four piece tea set, Sheffield 1964, baluster form the teapot and water jug with ebonised open C scroll handles and ball finials, 20.5cm high, 236 59.40ozt (4) £1400 - £1600
237. Gerald Benney, a Modernist silver dish, London 1972, cuboid form, bark textured sides, with cushioned opening to the top, 11cm long, 8.5cm wide, 3.5cm high, 8.12ozt £400 - £500
238. Stuart Devlin, a matched set of twelve Modernist silver and parcel gilt champagne flutes, London 1977 to 1980, the plain conical bowls on rusticated slender stems and plain feet, 22.5cm high,
77.37ozt (12) £4000 - £5000 239 240 239. An Italian silver novelty table 240. Ola M Gorie, a Scottish Iona style lighter, Brandimarte di Guscelli, Florence, silver letter opener, Orkney, assay circa 1960s, in the form of a golf ball, 8cm Edinburgh 1985, the open terminal with diameter, weight excluding lighter 3.51ozt Pictish figure and zoomorphic Celtic scrolls, £100 - £150 rusticated and polished, below ropework frieze, 13.5cm long, 0.43ozt £80 - £120
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 31
238
241. Rod Kelly, a Modernist engraved silver beaker, London 1997, rounded tot form, planished and decorated with theatrical masks, feathers and curtains, gilt interior and original box, inscribed Barclays Theatre Awards, 8cm high, 4.54ozt £1500 - £1800
241
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 32
JEWELLERY AND WATCHES
242. A 9 carat gold and bloodstone 245. A Victorian gold and seed pearl 255. An 18ct gold diamond single-stone swivel fob, chased to the closed back, on ring, the 4cm diameter central pearl within ring, together with two 9ct gold signet rings rigid chain hoop fitting, 6.5cm long, 10.5g floral setting and pearl studded frame, £200 - £300 £60 - £100 approx size J 1/2, 6.4g £40 - £70
243. A 19th century gold and carved 246. Two Chinese silver gilt and coral brooch, together with a carved drop enamelled articulated fish pendants, pendant, 4cm long (2) £30 - £50 rope work cloisonne polychrome enamel fins and scales, 5cm long (2) £40 - £60
247. Two silver and gilt enamelled novelty Egyptian revival pendant lockets, circa 1920s, modelled as sarcophagi opening to reveal decorated interiors, one stamped sterling, 4cm long (2) £40 - £70
248. A set of three late Victorian gold 256 and old cut diamond shirt studs, with 256. A pair of early 20th century silver ropetwist and beaded bands in the Revivalist chalcedony earrings, together with a style, 7mm diameter, 2.9g £60 - £100 carnelian ring and an amethyst ring 244 £30 - £50 249. A 9 carat gold lock and heavy 244. A pair of late Victorian jet and chain link bracelet, 19cm long, 63g 257. Four pairs of silver, gem-set or conch shell cameo earrings, oval pink £300 - £400 and white opposing bust portraits, in foliate enamel cufflinks, to include a pair of black enamel Audi cufflinks, one with hallmarks drop surrounds and articulated links, 5cm 250. Two 9 carat gold and gem set long (2) £40 - £70 for silver, three stamped 925, 1.5cm to rings, including smoky quartz and pearl, 2.3cm, 60g £40 - £60 size K and M, 10.1g (2) £30 - £50 258. Daniel Vior, a silver blue topaz 251. Two 9 carat gold medal fobs or single-stone Pexia dress ring, stamped pendants, 4cm long, 15.1g £120 - £180 925, ring size P, 11.6g, with maker’s case £60 - £80 252. Two Chinese silver and hardstone necklaces, one with charm style pendants 259. A set of 18 carat gold, 9 carat and including lotus flowers and turquoise mother of pearl studs, buttons and peaches, russet jade ring and fish bell, cufflinks, in the form of shirt buttons, in 62cm long (2) £40 - £70 fitted leather case £50 - £80
253. Four pairs of 9ct gold gem-set 260. An 18ct gold diamond band ring, earrings and a cameo brooch with brilliant-cut diamond line accent, £100 - £150 estimated total diamond weight 0.20ct, hallmarks for Birmingham 2008, ring size 254. Four 9ct gold gem-set rings N, 6.6g £150 - £250 245 £150 - £200 261. A 9 carat gold nautical stick pin, the terminal in the form of a fouled anchor, in presentation box for the White Ensign Association dinner on HMS Invincible, 1990, 5.5cm long, 1.2g £30 - £50
262. A ruby and diamond cluster ring on 18 carat gold band, approx size K £70 - £100
263. A pair of topaz briolette cut and diamond drop earrings, on 18 carat gold (2) £60 - £100
264. Four Victorian and later yellow metal and gold brooches, including amethyst set and shell cameo examples, 252 6.5cm long (2) £50 - £80 33
265. Two pairs of gold earrings, 271. Charles Horner, a pair of Arts and 274. Charles Fleetwood Varley for including Edwardian seed pearl and Crafts silver hat pins, Chester 1909, each Liberty and Co., an Arts and Crafts turquoise drop earrings and sapphire and in the form of a spherical ended knotted silver and enamelled pin badge, diamond cluster, £40 - £60 open ribbon, the heads 4cm long (2) Birmingham 1911, the shield form plaque £50 - £80 with central roundel of a flower in in green 266. A platinum brilliant-cut diamond metallic and blue enamel, flanked by foliate single-stone ring, with tapered shoulders, tendrils and raised inscription Love Never estimated diamond weight 0.75ct, H-I Faileth, suspended on two chains on an colour, SI clarity, hallmarks for Birmingham, open scroll bar brooch, 6cm, 22.6g ring size N1/2, 4.5g £800 - £1200 £100 - £150
267. A 9 carat gold and cameo set 275. Kalo Shop, a pair of American ring, in the revivalist style, approx size K Arts and Crafts silver and amethyst £30 - £50 cufflinks, Chicago circa 1920, the cut teardrop stones within channelled shield cartouche with curved bar and oval bead ends, 2cm (2) £50 - £80
276. An Arts and Crafts silver mounted 272 Ruskin cabochon brooch, oval form with 272. Guild of Handicraft (attributed), bead and floral headed open strap frame, an Arts and Crafts silver and enamelled stamped mark, 6cm long £20 - £30 pendant, circa 1905, the circular plaque with three tulips, highlighted in gilt, on a 277. William Mark, an Arts and Crafts turquoise enamel ground, suspended from silver and enamelled brooch, Chipping two chains, 2.5cm diameter, 6cm long Campden, circa 1912, the fire opal enamel £50 - £80 cabochon within a pierced lappet border, stamped marks, 3.5cm diameter Note: Australian silversmith William Mark worked at the Guild of Handicraft from 1909, before setting up on his own and 268 remaining in the Cotswolds until his return to Australia in 1920. The influence of his 268. A Revivalist yellow metal and Australian heritage is seen in the simulation carved carnelian ring, in the style of of a black opal, emerging out of Australia Castellani, the central stone modelled in in the late 19th century. £100 - £200 relief as a Roman bust in profile, within an oval ropetwist setting with double rope 278. Sybil Dunlop (attributed), an Arts band, approx size J, 2.9g £60 - £100 and Crafts silver and amethyst chain
brooch, circa 1910, the two brooches with 273 oval stones flanked by open foliate scrolls 273. Archibald Knox for Liberty and and bead, united by a knotted rose and twist Co., an Arts and Crafts amethyst and link chain, each brooch 3cm long, 14.5cm gold brooch, the central cabochon within long, 7.4g £60 - £100 an open knotted tendril in the Celtic style, 3cm long, 2.1g £100 - £150 279. Theodor Fahrner, a Jugendstil silver and enamelled brooch, crimped oval form with central bouquet of roses in purple and green champleve enamel, within white and black borders, 4.5cm long, 7.7g £80 - £120
269 269. David Andersen, a Norwegian silver and parcel gilt buckle, Christiania, 1886, heart shaped filigree scroll and tooled rosette studded decoration with ropetwist bands, 10cm long, 29.7g £40 - £70
270. Charles Horner, an Arts and Crafts silver brooch, Chester 1909, open knotted ribbon with spherical terminal, 4cm long, 3.6g £20 - £40 278
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 34
280. A Jugendstil lapis lazuli and silver 287. Rotary, an automatic gents wrist brooch, the oval cabochon within an open watch, stainless steel with calendar week chased fruiting vine and ropetwist border, and date window, 4.3cm wide £30 - £50 stamped Germany Sterling, together with another within a heart claw setting, 4cm and 288. A 9 carat gold ladies wrist watch, 2cm (2) £20 - £40 circa 1920, white enamelled dial with Roman numerals, on leather rope strap, 281. An Edwardian silver and 3cm diameter £40 - £70 enamelled pendant, J and R Griffin, Chester 1904, six pointed star with alternating blue, red and white guilloche and champleve enamel points, around an open circular centre, 6.5cm long, 10.4g £20 - £40
284 284. Malcolm Gray for Ortak Silvercraft, a Scottish silver and pearl brooch, Edinburgh 1992, in the Art Nouveau style, open foliate tendril and poppy with single Baroque pearl drop, 6cm long, 7.6g £20 - £40
282
282. Hroar Prydz, a Norwegian silver 289 gilt and enamelled butterfly brooch, . basse taille engraved and realistically 289 Rotary, a 9 carat gold automatic decorated in blue, white and black enamel, wrist watch, silvered dial, date window, 21 stamped S925, 5cm long, 6.7g £40 - £70 jewel, on leather strap, 3.4cm diameter £50 - £100
290. Two 9 carat gold ladies wrist 285 watches, one with square chamfered case, 285. A Mexican Modernist silver and engine turned dials, each on metal straps, lapis lazuli brooch, Taxco, import marks 2.1cm square (2) £50 - £80 London1995, oval, textured and set with a cabochon stone, asymmetrical bead and 291. Trebex, a 9 carat gold wrist watch, wire overlay with pierced crescent, stamped square with chamfered corners, black dial marks TC-49, 5cm long, 7.6g £30 - £40 and arabic numerals with subsidiary seconds dial, nonmagnetic, manual wind, 286. A 9 carat gold watch on nurse’s 2.6cm wide £40 - £60 pin brooch, rectangular with silvered dial, on a black rope suspension, 6cm long 292. Waltham, a 9 carat gold manual £40 - £70 wind gents wrist watch, circa 1919, black dial with gilt Arabic numerals, subsidiary 283 seconds dial, 3.3cm diameter £40 - £60 283. A Secessionist style silver and enamelled necklace, the circular pendant, 293. Novoris, a stainless steel wrist planished and set with a central cabochon watch, 1930s, manual wind, shaped of textured enamels, supporting a further rectangular with subsidiary seconds dial and drop suspended on a single chain, stamped Arabic numerals, 2.4cm wide £20 - £40 WSG, chain 43cm long, pendant 5.5cm £30 - £50 294. Waltham, a 9 carat gold manual wind gents wrist watch, gilt dial with red arrow sweep second hand, 3.3cm diameter £40 - £60
287
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 35
295. A silver and enamelled fob watch, the purple guilloche and 299. An Elizabeth II silver gilt and enamelled Masonic Founder gold painted enamel back with silver stars, engine turned dial with badge, London 1960, Nore Light Lodge No 35, painted with ship Arabic numerals, 3cm diameter £30 - £50 and Masonic emblems on a tiled floor, between cast columns, blue ribbon, 10cm long, 1.02ozt £30 - £50 296. Alfred Dunhill, a New Dunhill lift arm lighter, silver plated, circa 1930s, 5.5cm high £100 - £150 300. Quain, Jones (1796-1865) and William James Erasmus Wilson (1809-1884), A Series of Anatomical Plates volumes I and 297. Four gold plated and enamelled novelty Egyptian revival II, comprising: The Bones, Ligaments, Muscles, and Viscera of the propelling pencils, circa 1920s, modelled as sarcophagi with Human Body, and Containing The Vessels and Nerves of the Human retractable mechanisms, 5.5cm long (4) £80 - £120 Body, London: Taylor and Walton, 1836- 1837, containing over 200 lithographic plates, note: similar sold Christie’s 2007 $2,750
298. A collection of silver pencils and a yellow metal propelling £200 - £400 pencil, Victorian and later, including bloodstone and hardstone set, Art Deco Yard O Led style, together with a Schnellhobler Kloop lighter, 301. Jonathan Shaw (b.1959), Indigo Skies 1, limited edition print 12cm long (6) £20 - £40 13/15, 64cm x 48cm, framed £50 - £70
PICTURES
302 307 302. Hovsep Pushman (1877-1966), The Golden Scriptures, 307. Frank Brangwyn (1867-1956), The Retreat from Antwerp, published for Frost & Reed 1965, signed in pencil & blindstamped, lithograph, signed in pencil, 75cm x 72cm, framed £200 - £400 60cm x 62cm, framed £250 - £350 308. Helgar Thomson (20th century), Coral Sea, limited edition 303. Michael Ward (1929-2011), Photograph of Dirk Bogarde etching 76/86, signed in pencil, 20cm x 20cm, framed £40 - £60 and Olivia De Havilland, 1959, signed in pen with blind stamp, 24cm x 34cm, framed, note: taken during filming of Libel 309. Francis Kelly (1927-2012), Stretch, limited edition etching £40 - £60 26/50, signed, 38cm x 52cm, framed £100 - £150
304. Attributed to Eugene Atget (1857-1927), Photograph of the 310. Francis Kelly (1927-2012), Feline, limited edition etching Parc De Sceaux, Paris, 23cm x 17.5cm, framed £60 - £80 6/50, signed, 42cm x 52cm, framed £100 - £150
305. Gerald Kelly (1879-1972), Princess Saw Ohn Nyun, print 311. Andre Minaux (French, 1923-1986), Portrait de Femme, published for Frost & Reed 1960, signed in pencil, 64cm x 51cm, colour lithograph, signed and numbered artist’s proof 16 of 40, framed 70 - £90 82cm x 60cm, framed £80 - £120
306. Gerald Kelly (1879-1972), Saw Ohn Nyun, print published 312. Andre Minaux (French, 1923-1986), Portrait de Femme, for Frost & Reed 1960, signed in pencil, 64cm x 51cm, framed with tree, colour lithograph, signed and numbered artist’s proof 13 £70 - £90 of 20, 73cm x 51cm, framed £80 - £120
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 36
313
313. Indian School (19th century), Camel Study, watercolour, 21cm x 27cm, framed £2000 - £3000
314. English School (19th century), Hagia Sophia from the Bosphorus at Dusk, Constantinople Ottoman Empire, watercolour, signed, 20cm x 32cm, framed £80 - £120
315. David Bates (1840-1921), Village Life, watercolour, signed, 25cm x 48cm, framed £60 - £80
316. Bernard Foster (19th Century), Spring, and Autumn, two watercolours, a pair, signed, 18cm x 25cm, framed (2) £50 - £80 318 317. British School (early 20th century), Portrait of a Child Reading, possibly Elizabeth Bowes-Lyon (Queen Mother), pastel portrait, signed Elizabeth 1913, 75cm x 56cm, framed £80 - £120
318. George Bryant Campion (1795–1870), Symonds Yat, Wye Valley, watercolour, signed, 24cm x 39cm, framed £150 - £200
319. David Cox (1783-1859), Going to Hayfield, watercolour, signed and dated 1847, 20cm x 29cm, framed, note: label on verso from Timmins Collection £150 - £250
319
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 37
320. English School (19th century), Trent, Venice and Amalfi, 326. English School (early 19th century), Dover Castle, three Grand Tour studies, watercolour, largest 20cm x 28cm, framed watercolour, 7cm x 12cm, framed £30 - £50 (3) £300 - £500 327. James McBain (19th/20th century), Boat at Sunset, watercolour, 24cm x 34cm, framed £40 - £60
328. B. Trenlow (early 20th century), Seated Ballerina, pastel, signed and dated July 9th 1915, 33cm x 23cm, framed £20 - £30
329. Ronald Ossory Dunlop RA (1894-1973), Seated Group, pencil & crayon, signed, 11cm x 12cm, framed £50 - £70
330. Anthony Baynes (1921-2003), Shells, watercolour, signed, 20cm x 25cm, framed £40 - £60
331. African School (20th century), Mother & Child, watercolour, indistinctly signed, 49cm x 20cm, framed £40 - £60 321 332. Tom Pomfret (1920-1997), Sartène Corsica, mixed media, 321. Alfred Pollentine (1836-1890), Venice View, watercolour, signed and dated 1973, 47cm x 63cm, framed £100 - £150 signed and dated 80, 60cm x 95cm, framed £600 - £800 333. Jacqueline Turner (b.1959), Inner Harbour, St Peter Port 322. Attributed to Sir James Thornhill (1675-1734), Adoration Guernsey, mixed media, signed, 40cm x 50cm, framed of the Magi, ink drawing, 30cm x 17cm, unframed £50 - £100 £140 - £180
323. Attributed to Edwin Dalton Smith (1800-1866), Earl 334. Geoffrey Lee (20th century), The Gardens, Malvern, pastel, Nelson, miniature watercolour on ivorine, dated 1846 on verso, monogrammed, 23cm x 20cm, framed £20 - £30 10cm high, framed £50 - £70 335. Gunnar Berglund (1906-1992), Tree in Landscape, 324. Three French 19th century watercolours, depicting historical watercolour, signed, 14cm x 18cm, framed £20 - £30 women including Beatrice of Burgundy, Isabeau of Bavaria and another, 35cm x 28cm, framed (3) £100 - £150 336. Olga Davenport (1915-2008), Landscape, Crete, watercolour, 1967, label verso, 17cm x 25cm, framed Provenance: Piccadilly Gallery, London, 1969 £30 - £50
337 325 337. Dame Laura Knight RA (1877-1970), Circus Performers, 325. Attributed to Fred G Nash (19th century), Portrait of a pencil drawing, signed, 23cm x 29cm, framed £100 - £200 Gentleman, miniature watercolour/gouache, dated 1825 on verso, 11cm x 8cm, framed £50 - £70
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 38
338
338. Anglo Indian School (19th century), Portrait of a Maharaja, possibly by Benjamin Hudson, half-length, dressed in paisley shawl and white turban, oil on canvas, 73cm by 62cm, framed £6000 - £8000
339. English School (18th century), Farmhand with Livestock, together the Three Seated Figures, two oil on leather fragments, largest 42cm x 50cm, unframed (2) £40 - £60
340. English School (18th century), Farmyard Scene with Ducks and Poultry, two oil on leather fragments, each approx 45cm x 50cm, unframed (2) £40 - £60
341. English School (19th century), Portraits of a Lord and Lady, a pair of oils on canvas, signed F. Pratt and dated Oct 1857, 51cm 342 x 61cm, slip frame (2) £50 - £70 342. English School (19th century), Floundering Vessel, oil on board, 24cm x 36cm, framed £100 - £150
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 39
343. A 19th century Russian icon of Virgin and child, oil on 349. Continental School (late 19th century), La Alhambra board, 34cm x 30cm, framed £400 - £600 Grenada, Spain, oil on panel, signed, 52cm x 44cm, carved Arabic Quranic calligraphy frame £200 - £300 344. William Rayworth (1852-1908), Dahlias, oil on porcelain plaque, signed, 44cm x 19cm, framed £40 - £60 350. Orientalist School, (20th Century), An Elders Blessing, oil on canvas, unsigned, 44cm x 73cm, framed £1000 - £1500
345 345. John Alfred Wheeler (1821–1903), The Old Gray Pony, oil on panel, monogrammed, 30cm x 46cm, framed £350 - £450
346. English School (19th century), The Devoted Listener, oil on board, 62cm x 45cm, unframed £100 - £200 351
347. English School (19th century), Pipe Smoker on Horseback, 351. Alfred Junge (1886-1964), Berlin Scene, oil on board, oil on canvas, indistinctly signed, 24cm x 33cm, framed signed, 48cm x 55cm, framed, note: artist was a production designer £200 - £300 who worked in the British film industry; a companion piece was sold at Kingham and Orme on 4th December 2020 £200 - £300 348. English School (19th century), Three Country Landscapes scenes, three oils on board, all monogrammed HTB, 11cm x 15cm, 352. Anthony Baynes (1921-2003), Guardian Angel, oil on framed (3) £120 - £160 canvas, label on verso, 40cm x 50cm, framed £60 - £80
353. Anthony Baynes (1921-2003), Landscape, oil on board, label on verso, 26cm x 34cm, framed £50 - £70
354. Continental School (20th century), The Vineyard, oil on canvas, indistinctly signed and dated 1938, 64cm x 76cm, framed £300 - £500
355. Alfred Brux (1921-1997), Glass Blower, oil on board, 66cm x 24cm, signed, framed £80 - £120
356. Anthony Baynes (1921-2003), Abstract Mythological Scene, oil on board, signed, 35cm x 60cm, framed £80 - £120
357. Olwen Tarrant FROI (b.1927), After the Fiesta, oil on canvas, signed on verso, 33cm x 41cm, framed £80 - £120
358. Anthony Baynes (1921-2003), Abstract Study, oil on canvas, signed, 40cm x 56cm, framed £80 - £120
359. Anthony Baynes (1921-2003), Windrush Valley, oil on board, label on verso, 30cm x 35cm, framed £50 - £70
349
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 40
FURNITURE AND CLOCKS
373. A Chinese hardwood armchair, carved and reticulated with foliate scroll brackets, panel seat, the back splat with relief carved figures and flowers, 100cm high £50 - £80
374. An 18th century or earlier oak drop leaf occasional table, the circular top on an open cage base, 83cm wide, 72cm high £150 - £250
375. A 19th century Louis XV style heart shaped vitrine, gilt metal mounted, bevelled glass top and sides, on three 360 cabriole legs, 51cm diameter, 79cm high £600 - £800 360. Anthony Baynes (1921-2003), The Hour of the Wolf, oil on board, label on 376. An alabaster pedestal occasional verso, 54cm x 44cm, framed £80 - £120 370 table or stand, turned baluster and blade 370. A Chinese carved hardwood knopped support, 40cm diameter, 70cm high 361. Olwen Tarrant FROI (b.1927), Still armchair, circa 1851, modelled in relief £50 - £80 Life, oil on canvas board, signed on verso, with dragons and birds, pierced back and 55cm x 46cm, framed £80 - £120 frieze, cabriole carved legs, spread eagle 377. An Aesthetic Movement oak back £280 - £350 framed tubular bell harp or chimes, 362. Eric G Sewell (20th century), Near turned and jointed construction with angled Stamford, oil on board, label on verso, 371. A Chinese carved hardwood and spindle legs, 51cm wide, 168cm high 24cm x 34cm, framed £20 - £30 marble inset jardinière stand, relief £50 - £80 moulded and reticulated with foliate scroll 363. Anthony Baynes (1921-2003), apron, on four floral kneed cabriole legs 378. A pair of Arts and Crafts oak Adam, oil on canvas, label on verso, 46cm with ball and claw feet, the top beaded and armchairs, in the style of Shapland and x 35cm, framed £40 - £60 lobed, 51cm diameter, 40cm high Petter, the vertical slat backs with central fret £100 - £150 carved splat with stylised spear headed tree, 364. Greville Irwin (1893-1947), Portrait drop in seats (2) £50 - £80 of a Lady, oil on canvas board, signed on 372. A large Victorian walnut mirror verso, 40cm x 30cm, framed £30 - £50 backed sideboard, circa 1880, the base 379. An Arts and Crafts oak and with three bays, the central two drawers over copper overmantle mirror, the 365. Laurence Dingley (b.1959), double cupboard flanked by two carved rectangular bevelled glass below three Mediterranean Harbour Scene, oil on doors, each with relief foliate scroll panels repousse embossed butterflies, flanked by canvas, signed, 40cm x 50cm, framed between rattan borders, the bevelled glass fret carved open knotted tendril buttress £150 - £200 overmantle with canopy and side shelves brackets, the plank canopy or shelf raised supported on turned baluster and knopped on two stylised tulip carved supports, below 366. Jules Verstraeten (1903 - 1976), columns, with further rattan moulding to the a lobed ogee fret carved pediment, 123cm Dutch Landscape, oil on canvas, signed, frieze, 170cm wide, 215cm high, 56cm wide, 80cm high, 16cm deep 101cm x 120cm, unframed £30 - £50 deep £100 - £200 £100 - £150
367. Anthony Baynes (1921-2003), Abstract Study, oil on canvas, signed, 50cm x 60cm, framed £100 - £200
368. Brian Gardiner (20th century), Northern Village Scene, oil on canvas, label on verso, 30cm x 26cm, framed£50 - £70
369. Ross Mullane (b.1949), Abstract Study, oil on paper, signed and dated 90, 38cm x 55cm, framed £30 - £50
379
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 41
380. Walter Charles Edward for Guild of Handicraft, an Arts and Crafts repousse copper and oak panelled chest, circa 1910, the pine carcass applied with rectangular planished panels, the lid with embossed roses to each corner, with oak straps, barley twist columns to the corners, on four squat bun feet, 83cm wide, 40cm high, 48cm deep £500 - £800 380
381. Adolf Loos and Heinrich Kulka for Thonet, an Arts and Crafts oak fireside or chimney armchair, circa 1931, with leather lattice back and leatherette bowed seat, studded with bronzed mails, the hobnail carved front stretcher uniting skate square section legs with ogee tongue feet, supporting shaped plank arms, pointed arch finials, 65cm high, the seat 33cm high Note: Austrian architect and designer Adolf Loos (1870-1933) was one of the great pioneers of modernism in Continental Europe, influencing generations of post World War One architects the world over, including the Bauhaus in Germany. His apprentice and collaborator Heinrich Kulka, studied in Vienna and worked under Loos including in the development of the famous Raumplan analysis of spatial design. Designed for the Melena and Hugo Semmler apartment in Pilsen in 1931 and used in the Werkbund housing estate in Vienna in 1932 (where Kulka was Loos’ assistant and collaborative furnisher for houses 49 to 52), the chimney chair combined the craftsmanship and functionality of the Arts and Crafts movement; which Loos pioneered over the Austrian Secessionist movement decades earlier. For examples of this chair see: Loos-Pilsen Connections, Gallery of West Bohemia, Pilsen 201, p.154 (illustrated); Werkbundsiedlung Wien 1932, 381 exhibition catalogue Wien Museum, p.207, fig.215; Apartment Semler: Rukschcio, Schachel, Adolf Loos, p. 637 and 646 as well as Adolf Loos, apartments, p.101 £200 - £400
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 42
389. A French Charles X ormolu and flame mahogany portico clock, Empire style, signed Guyerdet, the 6 inch silvered dial engine turned and enamelled with Roman numerals, with cast acanthus border suspended within a four column arcade, supporting a gridiron and foliate rosette pendulum, 50cm high £500 - £700
382 390 382. Marcel Breuer, a cane and beech Cesca bar stool, 390. A French gilt brass and silver plated carriage clock, the 2 designed 1928, tubular chromed steel construction with cane lattice inch white enamelled dial and subsidiary seconds dial within a silvered back and seat, 105cm high £40 - £60 slip, flanked by Roman Doric columns and fluted frieze, bevelled glass to five sides, swing handle, 20.5cm high £200 - £400 383. An Art Deco three piece suite, upholstered with carved oak panels to the feet (3) £80 - £120
384. A contemporary Glassdomain glass coffee table, open cuboid form with low shelf, on four adjustable brushed aluminium cylindrical feet, 80cm square, 40cm high £100 - £120
385. A contemporary Glassdomain glass coffee table, open cuboid form with low shelf, on four adjustable brushed aluminium cylindrical feet, 80cm square, 40cm high £100 - £120
386. A 17th century style brass lantern clock timepiece, with French carriage movement, 25cm high £80 - £120
387. A Victorian walnut and ormolu mounted quarter striking bracket clock, Payne and Co., London circa 1880, the eight inch silvered dial with Roman numerals, flanked by gilt capital Corinthian columns, supporting a blind fret carved foliate frieze and curved pediment, embossed in relief with floral garland, surmounted by a flared pedestal dome with flaming urn finial, each corner with a similar finial, all on a stepped base with cast scrolling bracket feet, gilt side handles, the dial signed and numbered 4245, also to the movement, 45cm wide, 72cm high, 30cm deep £1000 - £1500 391 388. A 19th century Black Forest carved Swiss cuckoo clock, the 5.5 inch dial with bone hands, within a pierced and relief carved 391. James McCabe, Royal Exchange, London, 19th century oak branch and leaf case, the galleried base with foliate trellis fence clock movement and dial, the 6 inch brass dial with black and squirrel, the angled roof with reticulated branch and bird, the enamelled Roman numerals, inscribed and numbered 1917, with central door with mechanical articulated bird, 55cm high pendulum and central key hole, signed to the back plate and dial, £150 - £250 mounted on a later mantle base, 26cm high £200 - £400
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 43
387
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 44
396. An Art Deco onyx and bronze clock, Garrard and Co., shaped rectangular slab form with fretted gilt chapter ring and convex glass, on fluted bracket and tile feet, 31cm long, 16cm high £60 - £100
392 392. A French gilt brass carriage timepiece, the 1.5 inch cream enamelled dial within an etched fleur de lys slip, bordered with applied chainlinks, 13.5cm high £150 - £250
393. A gilt brass swiss carriage clock, the white enamelled chapter ring and subsidiary dial with Roman numerals, fluted columns and blind fret friezes, bobbin turned folding carrying handle, signed, 14.5cm high £100 - £150
394. Four Chinese export blue and white plates, 18th century, variously painted with temple landscapes and scholars table, in the 397 Kangxi style, 24.5cm diameter (4) £40 - £70 397. David Veasey for Liberty and Co., an Arts and Crafts 395. An Arts and Crafts oak and marquetry clock, tapered form Tudric pewter and enamelled dial mantle timepiece, circa 1900, with fret carved ogee domed bracket feet, and two flat topped domed with spreading base, three planished panels below a 3.5 inch cornices, inlaid with a heart and stylised leaves, 26cm high enamel and copper clock face with Roman numerals, stamped marks £80 - £120 01269, 22cm high £800 - £1200
END OF DAY ONE
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. DAY TWO 46
ORIENTAL
398. A large Japanese Imari charger, 403. A Chinese blue and white bowl, Meiji, painted with a central blue and white Qianlong, circa 1750, footed form painted peony and foliate scroll roundel, within a with bridge and landscape, Nanking Cargo border of ruyi head cartouches and gilt label and number 3184, 15cm diameter monkeys, four character mark to the £100 - £150 underside, 41cm diameter £60 - £80 404. An 18th century Chinese famille 399. A Chinese Republican porcelain rose punch bowl, Qianlong, painted with figure group of Chairman Mao with trellis cartouches and husk and floral swag comrades, circa 1950s, modelled in a garlands, Greek key foot and inner border, heroic pose, wearing green suits with red the central bouquet with insects, 28.5cm books and flag, 42.5cm high £200 - £300 diameter £150 - £250
405. Three Chinese jade and hardstone carvings, including rats, man and boy and 411 man with lotus flower, 6.5cm (3) £30 - £50 411. Four Chinese jade carvings and 406. Three Chinese jade carvings, pendants, including fish, dog and peaches, including man with a stick, man with pierced and incised, 8.5cm (4) £40 - £60 monkey and a duck, pierced and engraved, 6.5cm (3) £30 - £50 412. Four Chinese carved jade pendants, some reticulated, including an 407. A set of Chinese carved jade incised ring medallion, figures and animals, beads, uniform spherical form, eleven 5.5cm (4) £30 - £50 beads approx 2cm diameter (11) £30 - £50 413. Four Chinese reticulated carved jade pendants, including circular coiled 408. A collection of Chinese jade and dragon, goose and foliate scroll designs, hardstone carvings, including archers 7.5cm (4) £30 - £50 ring, bangles, seals etc., bangles 8cm diameter (7) £40 - £60 414. Five Chinese reticulated carved jade pendants, including knotted serpent 409. A Chinese reticulated carved jade and foliate designs, 7cm (5) £30 - £50 sectional rosette, the central disc with peacocks and flowers, the eight segmented 415. Two Chinese jade type carved petals similarly decorated with birds and stone bangles and a ring, internal foliage, 17cm diameter (9) £40 - £70 diameter 6cm (3) £30 - £50
416. Two Chinese carved jade seals, both with lions to the finials, one white, 4.5cm high (2) £10 - £20
400 417. Five Chinese carved pendants, 400. A Chinese blue and white vase including reticulated jade, fish, birds and and cover, Kangxi mark, inverse baluster figures, one with incised verses to each side, form with dog finial lid, painted with two 6cm (5) £40 - £60 quatrefoil cartouches of scholars interiors, within a prunus and cracked ice ground, 418. Two Chinese jade and hardstone 27cm high £60 - £100 carvings, including man with peach branch, entwined dogs with insect, 6.5cm . (2) £30 - £50 401 A Chinese blue and white bottle vase, ovoid shouldered form with shaft 410 neck, painted with alternating roundels of 419. Six Chinese carved jade pendants, scrolling dragons and exotic birds, between 410. Two Chinese carved jade some reticulated, including dragon, insect lappet and ruyi head borders, 46cm high pendants, one as a group of peaches, the and floral designs, 6.5cm (6) £40 - £60 £100 - £150 other of a man and boy with ruyi sceptre, 5cm (2) £40 - £60 420. A Chinese jade carving, in the form 402. A Japanese Kutani charger, of a supine horse with monkey, 9cm painted with a bird in prunus with £300 - £500 chrysanthemums, within a panelled border of alternating floral specimens and rosettes, 421. Four Chinese reticulated jade 36.5cm diameter £60 - £100 pendants, including knotted serpents, dragon and birds, 7.5cm (4) £40 - £60
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 47
422. Three Chinese carved jade pendants, together with a silver and marcasite jade ring and a carved ring, two pendants in the form of peaches, 5.5cm long (5) £50 - £80
429 423 423. A 19th century Chinese carved 431. A pair of Chinese ancestor 439. An Islamic Ottoman embroidered coral figure group, modelled as two portraits, Qing, painted on silk, 83cm x satin tomb cover, 19th century, inscribed courtly women, one with a fan, beside a 49cm, framed (2) £300 - £500 roundels surrounded by a cartouche and prunus tree, 10cm high £100 - £200 roset inscriptions, embroidered tughra, 432. An Indian carved stone elephant, richly embroidered with silver gilt thread, 424. A 19th century Japanese carved 36cm high £400 - £600 173cm x 117cm £1500 - £2000 ivory netsuke, Meiji, modelled as two rats, signed, 5cm £40 - £70 433. A Chinese carved tortoiseshell 440. Anglo Indian interest photograph snuff box, 19th century, modelled in relief album, early 20th century / British Raj, 425. A Japanese carved bamboo cane, with populated garden landscape scenes photographs include the Taj Mahal, British Meiji, decorated in the round with battling within floral borders to the lid, 7cm wide, soldiers, Delhi Fort, Sikh temple in Amritsar, Samurai, signed, 89cm long £40 - £60 5cm deep, 2cm high £120 - £180 Shalimar Gardens and Lahore Fort, approx 85 photographs £400 - £600 426. A Japanese lacquer and 434. An Islamic marble tile panel, 18th shibayama box, chamfered cuboid form, century or earlier, geometric star design with 441. China (19th century), a woman the lid decorated with a vase and Arabic script, 36cm x 31cm £400 - £500 seated on a mythical beast, gouache on chrysanthemums on a green ground, the paper with gilt highlights, Chinese character marks bottom centre, 30cm x 25cm, framed frame painted with gilt and russet leaves, 435. λ A 19th century carved and £500 - £800 22cm wide, 7cm high, 16cm deep painted ivory figure group, modelled as £50 - £80 a lion attacking an elephant gilded, on a 442. Indian School (19th century), wooden base, 11.5cm high £200 - £300 427. A pair of Indian erotic strip panels, Miniature of a Rajah within a red border, gouache on paper with gilt highlights, 22cm gouache, depicting Kama Sutra illustrations, . λ 明治 436 A Japanese Meiji period x 17cm, framed £500 - £700 62cm x 12cm, framed (2) £40 - £60 ivory and Shibayama page turner, inlaid on both sides with semi precious stones, 443. Indian Mughal/Persian School 428. Chinese School (19th century), coral, mother-of-pearl and abalone, the Chefs Preparing Ducks and Poultry by the Lake, watercolour, front depicts a humorous scene of frog (18th/19th century), 18cm x 13cm, framed £40 - £60 musicians performing a balancing act in Food, pen and ink drawing, 21.5cm x order to catch butterflies, the other side 17.5cm, framed £800 - £1200 429. A pair of Chinese enamelled depicts a bird above a profusely inlaid floral vases, baluster form, painted with blue pattern, 39.5cm long £500 - £700 444. China (18th/19th century), Falcon, dragons and foliate scroll on a yellow ink and watercolour, seal stamped / Chinese character marks, 77cm x 62cm, ground, 10.5cm high (2) £20 - £30 437. China, an unusual album of 89 framed black and white postcards of antique £800 - £1200 430. A Chinese bronze Fan Ding censer, Chinese art £200 - £300 Ming period, cast in relief with symbols and painted, 64cm high, 38cm wide 438. China (19th century), A Group of £500 - £800 Chinese Women, mixed media on silk, 25cm x 21cm, framed £80 - £120
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 48
445
445. λ A pair of Chinese Qing dynasty ‘Pien Mien’ ivory, 446. A collection of Oriental Jade reference books and kingfisher feather and silk embroidered circular hand screens / catalogues £30 - £50 fans, circa 1840, of a type used by the ladies of the Imperial Court during the summer time, each is brightly and boldly applied to one 447. A large collection of Japanese and Korean art reference side with raised birds of paradise on branches, butterflies and flowers books, including pottery, porcelain, works of art and fine art, auction made using principally turquoise Kingfisher feathers all applied to a catalogues etc. £80 - £120 gold foil ground, verso with delicately embroidered floral designs, all set within an embroidered circular frame with carved ivory handles, 448. A large collection of Asian contemporary and 20th the terminals shaped and carved as stylised bats, 17cm wide (2) century art auction catalogues, Chinese art, Christies Hong Kong Note: a group of comparable fans are in the Imperial Palace, Beijing, and Sothebys £80 - £120 illustrated in Classics of Forbidden City ‘Life in the Forbidden City of Qing Dynasty’ ISBN 978-7-80047-655-6 by the Forbidden City 449. Krahl, R. 1986, Chinese Ceramics in the Topkapi Saray publishing house, edited by Wang Shuqing and Lu Yanzhen, Beijing Museum, Istanbul, Volume II, Yuan and Ming Dynasty Porcelains, 2007, pl.212, see also N.J.Irons, Fans of Imperial China, Hong London: Sotheby's Kong, 1982, p.227, for a kingfisher-decorated fan of similar type, £80 - £120 where he describes them as Pien-mien fans, a similar silk screen fan with applied designs of feather inlay, dated circa 1850 is illustrated 450. Books including Far Eastern Ceramics in the Victoria and Albert by C.L.Crossman, The Decorative Arts of the China Trade, Suffolk, Museum, Bronze Mirrors from Ancient China, etc. £40 - £70 1997, pl.202 (ex collection of the Peabody Museum of Salem) £4000 - £5000 451. A large collection of Asian art catalogues and reference books, including Oriental ceramics and works of art auction catalogues, Chines and Japanese art, Sotheby's, Bonhams and Christie's catalogues etc. £80 - £120
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 49
WORKS OF ART AND METALWARE
452 454
452. Two Shona stone carvings of 460. An American Mule and Barn cast Zimbabwean birds, 18cm high and 14cm iron mechanical money bank or box, high (2) £50 - £80 J and E Stevens Co., circa 1880, spring action with dog and flipping donkey, 22cm 453. A 19th century Anglo Indian long £80 - £120 carved rosewood book slide, reticulated foliate carved ends with paisley leaf vine and 461. A Neolithic Adze blade, carved trailing trefoil tendril borders, 33cm long and polished stone, circa 3000 BC, tapered £40 - £70 form with rounded end and angled edges, 17cm long £50 - £70 454. Franz Bergmann (attributed), an Austrian cold painted bronze figure 462. A Bilston or Liverpool enamelled group, modelled as two blue tits on a double sided badge, Society of Bucks, flower pot, with bird’s nest and spade, circa 1770, two oval plaques, printed with 459 stamped numbers, 14cm long £60 - £100 arms and supporters Industry Produceth Wealth, Freedom with Innocence, the reverse with unanimity is the Strength of 455. Spencer Browning & Rust London, Society, 6.5cm x 5cm (2) £70 - £100 an early 19th century Day or Night single-draw brass telescope, signed, 463. A pair of 19th century French 93cm long extended £40 - £60 portrait miniatures, of aristocratic women, signed, 5cm diameter, framed (2) 456. J P Cutts Sutton and Sons, a £60 - £80 Victorian gilt brass microscope, with six removable lenses, various slides, in fitted 464. An American Columbus Worlds walnut case, 25cm long £100 - £200 464 Fair Bank, cast iron money box, designed circa 1893 by Charles Bailey for J and E 457. A George II strip sampler, dated Stevens Co., gold painted, mechanical 1730, framed £200 - £300 spring action, 21cm long £50 - £80
458. A Victorian walnut stationery 465. A Victorian cast iron Trick Pony cabinet, together with a parquetry work or Bank mechanical money box, circa 1885, jewel box (2) £60 - £100 cold painted, modelled as a horse feeding from a trough, 20cm high £100 - £200 459. A Victorian cast iron Speaking circa Dog Bank mechanical money box, 466. An early 19th century needlework 1885, cold painted, with lever sprung picture of a Classical Claudian Romantic mechanism, modelled as a girl and dog, landscape and Allegorical figures of cast patent marks, 19cm high £40 - £70 shepherd and shepherdess, stitched and painted, 38cm x 47cm oval, framed
£80 - £120 465
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 50
470. A gilt brass figural letter holder, 477. A Schuco Express Boy clockwork 19th century, modelled as a bird with beak tin toy, modelled as a porter with luggage, full of letters, on a pin cushion and stepped 8.5cm long £30 - £50 oval base, 14.5cm high £70 - £100
471. Two pewter plates, 18th century style, embossed in relief with the porcupine and salamander emblems of Louis XII and Francis I, Kings of France, within fluted ogee borders, London touchmarks, 23cm diameter (2) £40 - £60
472. A Victorian Gothic Revival pewter flagon, James Dixons & Sons, slender 478 tapering form raised on spreading foot, ornate scrolled handle with a heart shaped 478. A Victorian steel and tortoiseshell terminal and hinged lid, 41cm high combination penknife, Sheffield circa 467 £20 - £30 1880, including two knives, scissors and nail file, 7cm long £50 - £80 467. A George III celestial twelve inch globe, by William Bardin, 1800, on 479. Manifattura di Signa, Florence, a mahogany desk stand with brass fitting and ball bearing balanced interior, labelled Renaissance revivalist terracotta box, circa 1900, circular form, modelled in relief £300 - £500 with peacocks and vine scroll bands, 11.5cm diameter £40 - £70 468. Georg Simon Plossl, a 19th century Austrian ivory and gilt brass two 480. A micro mosaic plaque of the draw telescope, turned conical form, Temple of the Dioscuri, Rome, inlaid in signed Plossl in Wien, in fitted leather case, red hardstone, 2.5cm x 2cm £30 - £50 6.5cm diameter, 8.5cm long £80 - £120
473 481. A large giltwood carved eagle, 19th century, modelled with wings spread, 473. A George III Bilston enamelled 80cm high, 90cm wide £1000 - £1500 patch or snuff box, oval pink with raised floral sprays and foliate scroll border, 6.5cm long £80 - £120
474. A Victorian mahogany and parquetry inlaid mirror £150 - £200
475. A George III Bilston enamelled patch box, oval blue with applied silver rosettes and central panel, internal mirror to the lid, 4.5cm long £50 - £80
476. A novelty travel beaker set in the 469 form of a cricket ball, circa 1950s, enamelled and gilded to the interior with 469. A Black Forest carved wooden four small tumblers, 7.5cm diameter inkwell, 19th century, modelled as a cat, set £30 - £50 with glass eyes, 18cm high £100 - £200
482 482. Juan Clara (1857-1958), a bronze and gilt sculpture, modelled as a child climbing on a chair, signed in the cast, 17cm high £350 - £450
470 477
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 51
483. Sarah Bernhardt, Figure of Shylock, carved marble, on red plinth base, signed and monogrammed, 42.5cm high Note: although best known as an actress, Bernhardt was also an accomplished sculptor, exhibiting widely including at the Exposition Universelle, Paris 1900 and Columbia Exposition, Chicago £1500 - £2500
484. An Arts and Crafts illuminated manuscript verse, in the Celtic style, Value of a Friend by Robert Louis Stevenson, gilt ground, 14cm x 19cm, framed £40 - £70
485. Ashbee, C R, 1909, Modern English Silverwork, signed limited first edition 148 of 200, Broad Campden: Essex House Press and B T Batsford, cloth binding £500 - £800
486. An Arts and Crafts stained glass design, probably John Hardman Powell, watercolour, in three lancet arches, framed £100 - £150
487. Liberty and Co., an Arts and Crafts oak and enamelled plaque mirror, jointed construction with galleon roundel to the top, 63cm x 52cm £100 - £200
483
488 488. Dagobert Peche, an Art Deco gilt metal box, circa 1920s, rectangular section, fluted and embossed to the sides with stylised floral sprigs, the serpentine stepped lid with ball finial, on four spherical feet, 12cm wide, 7cm high, 9cm deep £100 - £150
489. Adelina Wilkins, two Arts and Crafts enamelled copper plaques, each painted with a maiden in forest glade with a pot plant, framed, 7.5cm and 6cm diameter (2) Note: produced while a student at Camberwell College of Art, labelled verso £80 - £120
490. An Italian Art Deco silver overlay walnut cigarette box, circa 1930s, the lid with an engraved plaque of a sailor smoking beside the sea with a ship behind, opening to reveal a stepped mechanical four tier interior, 19cm wide, 8cm high, 14cm deep £40 - £70
491. A 19th century oak firescreen with needlework panel and barley-twist supports, panel depicts kingdom of Torelore, monogrammed ANP, 95cm high £30 - £50
492. An Arts and Crafts embroidered panel of an angel playing an instrument, 63cm x 26cm, framed £30 - £50
485
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 52
493. N Vidal, an Art Nouveau bronzed inkwell, cast in relief with foliate scrolls and shells, faceted glass vessel with hinged floral lid, signed in the cast, 15cm wide £30 - £50
494
494. Robert Mouseman Thompson of Kilburn, an Arts and Crafts oak bread board, chamfered rectangular form with carved 499 mouse, 43cm x 30cm £150 - £200 499. An Arts and Crafts enamelled copper plaque, in the Pre 495. A Rowley Gallery Arts and Crafts specimen marquetry Raphaelite style, depicting a seated woman with vase, 11cm square mirror, rectangular, with a panel of cottages, within a gilt ribbed £100 - £150 frame, the glass 35cm x 24cm, overall 62cm x 32cm £100 - £200 500. An Arts and Crafts enamelled copper plaque, painted with 496. A Rowley Gallery Arts and Crafts carved wood mirror, a dog sitting on a chair, highlighted in gilt, 9.5cm square, framed rectangular, modelled in relief with a vase of flowers above a plain £100 - £150 glass, 29.5cm x 14cm, overall 50cm x 18cm £80 - £120 501. A Gothic Revival brass and enamel lectern plate, in the style of William Butterfield, champleve enamelled with the Holy Lamb of St John the Baptist, on foliate scroll ground, within a Romanesque Gothick arcade, 47cm wide, 27.5cm high £100 - £200
497 497. A pair of Art Deco carved wooden bookends, in the style of Laszlo Hoenig, beech on ebonised bases, modelled as horses heads, 23cm high (2) £200 - £300 502 498. An Art Deco style box, mother of pearl, horn and marbled veneers, cedar lined, 28cm wide, 23cm deep, 8cm high £40 - £70 502. Christopher Dresser for Coalbrookdale or Kenrick and Sons, an Aesthetic Movement cast iron door stop, circa 1865, the chamfered plinth base below an open and incised ogee scroll and foliate paisley drop and stylised acanthus moulded handle, cast number 43, 28cm high Note: see the John Scott collection, Fine Art Society 2014, for similar examples of iron doorstops by Dresser £100 - £200
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 53
503. WMF, a Jugendstil silver plated and green glass pickle jar, the cylindrical body cut with floral rosette and concentric bands, within a reticulated basket of interlocking tulips, twisted handle with twin pronged fork, 24.5cm high £100 - £150
504 506 504. Imperial Zinn, a Jugendstil silver plated five light 506. AK and Cie for WMF, a Jugendstil silver plated toilet candelabrum, the square section fluted column terminating in a four mirror, cast in the Art Nouveau style with reclining maiden to the foliate and whiplash branches, each with an oak leaf and berry cast base, open foliate tendrils and leaves surrounding a double arcaded sconce, on a lobed petal base, 39cm high £200 - £300 etched and bevelled glass, easel back 52cm x 31cm £1000 - £1200
507 507. WMF, a Jugendstil silver plated twin handled bowl, circular with embossed reeded serpentine border and diamond shield motifs, stamped marks, 27cm long £20 - £40
508. Hugo Leven for Kayserzinn, a Jugendstil pewter chamberstick, model 4406, circa 1900, naturalistic form, relief moulded with budding sinuous tendrils, 20cm long £60 - £100
509. A Jugendstil silver plated dish or card tray, in the style of WMF, modelled as a maiden beside a pond, with grasshopper, 26cm long £100 - £150 505 505. A Jugendstil gilt metal three light candelabrum, Art Nouveau style, cast foliate and open tendril design with central maiden bust arcaded by three whiplash and fruiting leaf branches, cast berry sconces, on four bracket feet, 60cm high £100 - £200
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 54
510 510. Archibald Knox for Liberty and Co., a pair of Arts and Crafts Tudric pewter candlesticks, model 08, the flat disc bases cast with triangular Celtic knot wreaths, plain slightly bowed stems with flat sconces, similarly decorated with entwined and knotted panels to the rim, 16cm high, 16cm diameter (2) £600 - £800
513 513. David Veasey for Liberty and Co., an Arts and Crafts Tudric pewter vase, model 0212, twin handled, footed rounded conical form with everted rim, the bisected sinuous tendril handles knotted around the base and terminating in relief moulded seed heads, 37.5cm high £600 - £700
514. An Arts and Crafts copper box, cuboid form, planished with riveted strap legs, 17.5cm wide, 8cm high, 10cm deep £40 - £70
515. An Arts and Crafts copper and brass wall sconce, circular tray form repousse embossed with scallop shell within acanthus lappet border, two S scroll branches, 35cm diameter £120 - £180
516. An Arts and Crafts copper plaque, repousse embossed with stylised tulips and Voysey type trees, 27cm x 22cm, framed 511 £80 - £120
511. C V A Voysey (attributed) for Liberty and Co., an Arts and 517. An Arts and Crafts brass mirror, in the Glasgow style, Celtic Crafts Tudric pewter charger, model 0114, embossed with a knot within ropetwist borders, bevelled glass, 44cm x 30cm central peacock, within a border of stylised roundels, 32.5cm £100 - £150 diameter £300 - £400 518. W H Mawson for Keswick School of Industrial Arts, an 512. Liberty and Co., a Tudric pewter and enamelled box, the Arts and Crafts copper tray, rectangular form with rounded rim, lid with a plaque of a Pre-Raphaelite woman, flanked by Glasgow repousse decorated with a frame of foliate vine and rose heads, School pendant motifs, 14cm x 11cm £80 - £120 stamped mark, 52cm x 31.5cm £100 - £150
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 55
522. An Arts and Crafts pewter and Ruskin cabochon set mirror, rectangular, repousse embossed with yachts on water, roundels to the top corners, bevelled glass, 60cm x 40cm £200 - £400
523. Glasgow School, an Arts and Crafts chrome casket, cuboid form, embossed in the Iona style with Celtic knot motifs to the hinged lid, 18cm wide, 10cm high, 13cm deep £180 - £200
519 519. W H Mawson for Keswick School of Industrial Arts (attributed), an Arts and Crafts brass tray, repousse decorated with stylised pomegranate and foliate tendril design, on a textured ground, crimped corners, 14.5cm x 18.5cm £40 - £70
520. J F Pool, Hayle, an Arts and Crafts copper tray, kidney form, embossed planished ground within an Art Nouveau style whiplash tendril and lily flower border, crimped rim, 57.5cm long
£50 - £80 524 524. A E Jones, an Arts and Crafts copper and Ruskin cabochon cigar box, cuboid form with riveted strap hinges and corner bracket legs, turquoise ceramic roundels, 20cm wide, 6cm high, 11cm deep £120 - £180
525. An Arts and Crafts copper and silvered brass mirror, planished and riveted with applied festoon to the top, bevelled glass, 52cm x 41cm £170 - £220
521 521. An Arts and Crafts copper jardiniere, ogee form, repousse embossed with stylised leaf and foliate stumps, 19.5cm high £80 - £120
526 526. Raymond Subes (attributed), an Art Deco wrought iron mirror, circa 1920s, the circular glass within a four strap scrolled frame, suspended from two chains united by a ring, 68cm long, 51.5cm wide £1000 - £1500 522
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 56
527 527. Robert Welch for Old Hall, a stainless steel Campden cafe au lait set, including side handles coffee pot, milk pot and sugar bowl, with teak handles and finials, 18cm high (3) £20 - £40
528. A pair of Victorian gilt brass and cut glass wall lights, circa 1900, the hobnail cut shades with spherical reservoir and scrolled hooks, suspended from fluted C scroll arms with acanthus leaf fronds, on oval beaded rosettes with honeysuckle and husk detailing, 39cm 536 long (2) £80 - £120 536. Two Imperial Russian blue glass Smirnov vodka bottles, circa 1886, relief moulded with Imperial coats of arms and inscribed 529. A pair of 20th century French green veined marble urn in Cyrillic ‘Supplier to the Highest Court Petr Arsentevich Smirnov at shaped table lamps, each decorated with rams head handles, the Iron Bridge in Moscow’, 35.5cm high (2) £400 - £500 height including fitting 45cm (2) £300 - £500
530. A bronze and stained glass table lamp, in the style of Tiffany, the reticulated foliate and fish scale base on four bracket feet, with telescopic height adjustable stem and three bulb fitting, supporting a leaded shade of wisteria below an orange ground band, 47cm diameter shade, 71cm high £300 - £500
GLASS
531. Clichy, concentric millefiori paperw eight, six garland rings surrounding a central green and pink cane, edged by blue and white alternating staves, circa 1850, polished base, 5.5cm diameter £80 - £120
532. Baccarat, concentric millefiori paperweight, central complex millefiori, surrounded by a circle of white stardust, surrounded by circle of red and white cog canes, unsigned, 4.5cm diameter £60 - £80
533. Baccarat, spaced millefiori paperweight set with seven individual canes, including three Gridel silhouettes of a deer, a 537 horse and an elephant on a muslin ground, dated 1848, polished base, signature cane B 1848, 5cm diameter £80 - £120 537. Two 19th century Bohemian enamelled glass boxes, circular form, floral and beaded border designs, one colourless, the 534. Clichy, three sulphide portrait paperweights, each with other ruby, 5.5cm diameter (2) £50 - £80 historical figures, clear ground, circa 1850, 6.5cm diameter (3) £100 - £200 538. A 19th century Clichy cane stripe glass vase, circa 1860, white, blue and colourless wrythen ribbon design, shouldered with 535. Two 18th century Continental opaque twist wine glasses, elongated flared neck, polished pontil, 12.5cm high £100 - £200 circa 1770, the bell shaped bowls on multi strand corkscrew lattice and double helix stems and conical feet, rough snapped pontil bases, 17cm high, 7cm rim, 7.7cm foot; 16cm high, 6.5cm rim, 7.2cm foot (2) £60 - £100
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 57
543. Salviatti (attributed), a Venetian facon de Venise glass pedestal vase, the scallop shell moulded pink opaque and aventurine bowl with four pulled lips, on a milled and rigaree applied S scroll serpentine stem and wrythen folded foot, 24.5cm high £70 - £100
544. Three Arts and Crafts frosted straw opal glass light shades, probably John Walsh Walsh, ovoid form with crimped everted rims, opaque moulded lattice design, fitting 3.5cm diameter, opening 8cm diameter, 15cm high (3) £100 - £200
541 545 539 541. Salviatti (attributed), a Venetian 545. Harry Powell for James Powell and facon de Venise glass pedestal vase, the 539. Baccarat (attributed), a French Sons, a pair of Arts and Crafts straw blue and aventurine rounded wrythen opal glass light shades, circa 1890, white opaline glass vase, 19th century, moulded bowl with twin dragon handles, footed elongated baluster form, with gild closed tulip form with everted crimped rims, supported on an open ribbon and twisted vertical opaque stripes, 14.5cm high, 3cm bands, snow jade opaque texture, 21cm bracket cage, on hollow baluster and blade fixing, 11cm diameter (2) £100 - £200 high £20 - £40 knopped stem, terminating in a wrythen folded foot, 28cm high £70 - £100 546. A pair of Arts and Crafts opal glass light shades, probably John Walsh 542. A Victorian mother of pearl Walsh, closed tulip form with inverted diamond quilted glass fairy lamp on crimped rims, vertical opaque stripes, metal Clarke’s Pyramid base, cranberry fittings 3cm diameter, 14cm high, opening pearlescent cased domed shade, 10cm high 9.5cm diameter (2) £100 - £200 £20 - £30
547 547. Harry Powell for James Powell and Sons, Whitefriars, a pair of Arts and Crafts liqueur glasses, circa 1900, 540 colourless flint glass, the bell shaped bowls on knopped inverse baluster stems, 9cm 540. A Victorian Stourbridge intaglio high (2) £20 - £40 cut glass decanter, circa 1885, probably Thomas Webb, spherical form with plain 548. Kralik, a Secessionist iridescent conical foot, decorated with cornflowers glass biscuit barrel, circa 1900 waisted and flying insects, the hollow stopper form with applied webbed trail mesh, metal similarly engraved, 25.5cm high mounts, 16cm high £40 - £70 £60 - £100 543
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 58
550 552
549. Kralik, a Secessionist glass Gloria 553. Karl Koepping for Friedrich vase, green and opaque iridescent with Zitzmann, a Jugendstil lampworked pulled and crimped three petal rim, applied glass goblet, circa 1900, the open twisted overlaid with trailed netting, 9cm high naturalistic tendril stem supporting a squat £40 - £70 ovoid bowl with everted rim, on a splayed foot, in marbled purple and brown glass, 550. An Austrian Secessionist iridescent 20.5cm high £100 - £200 glass vase, possibly Kralik, circa 1900, ovoid form with flared irregular rim, green lustre with veined web and multicoloured cane spots to stylised flower heads, 10cm high £30 - £50
551. Loetz, a Secessionist Creta optic 556 wave moulded glass vase, green lustre with ribbed design, waisted form, 26.5cm high 556. Walther and Sohn, an Art Deco £40 - £70 pink glass tray, quatrelobed form, intaglio moulded with three Classical figures in a desert landscape, 23.5cm x 27.5cm 552. Loetz for Friedrich van Hauten and £20 - £40 Sohn, a Secessionist iridescent glass and pewter mounted vase, circa 1900, squat ovoid form with crimped rim and dimpled shoulder, combed metallic thread over pink papillon ground, the Art Nouveau style three handled cage mount with open tendril and foliate motifs, 27cm diameter £600 - £800
554 554. Koloman Moser for E Bakalowits, a Secessionist liqueur glass, circa 1900, the optic ribbed ogee bell shaped bowl, on a slender tapered stem and flat conical foot, produced by Meyr’s Neff, 15cm high 557 £30 - £50 557. An Art Deco moulded glass, 555. Emile Galle, a cameo glass chrome and macassar vase, circa 1930, the landscape vase, circa 1905, purple over trumpet shaped leather textured body with yellow and pink, flattened baluster form, two flared handles, mounted in chrome, on decorated with orchids and moths before of a circular ebonised base, 25cm high a mountain lakeside scene, signed in £100 - £150 cameo, 13cm high £200 - £300
553
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 59
561
561. Ludwig Kny for Stuart and Sons, an Art Deco cut glass 558 bowl, circa 1930s, shallow conical form on rounded foot, decorated with a band of lens cut ovals between chevron borders, the rim 558. A Monart style twin handled Art Deco glass bowl, flared notched and banded, acid marks, 26cm diameter, 9cm high form with applied loop handles, cloudy spirals from blue to yellow £30 - £50 with aventurine inclusions, 28cm diameter £40 - £70
559 562 559. Ludwig Kny and Geoffrey Stuart for Stuart and Sons, an 562. John Luxton for Stuart and Sons, a cut glass bowl, circa Art Deco cut glass posy bowl or vase, pattern 27374, circa 1935, 1950s, footed conical form, decorated with a band of stylised stars the flat circular broad rim cut with concentric rings and a band of over vertical lines, acid mark, 23cm diameter, 13cm high chevrons and zig zags, the plain spherical body on splayed foot, acid £30 - £50 marks, 15.5cm diameter, 5.5cm high £30 - £50 563. A large Murano glass bowl, late 20th century, marbled lattice brown over green with aventurine inclusions, irregular broad flared rim, 49cm diameter £40 - £60
560 560. Ludwig Kny for Stuart and Sons, an Art Deco Waterford pattern cut glass bowl, circa 1930s, pinched conical form on rounded foot, mitre and lens cut bands with geometric decorated 564 foot, acid mark, 28.5cm long, 13cm high £30 - £50 564. A Murano glass Sommerso vase, imported by Hans Geismar, circa 1950s, pulled elliptical form with multicoloured cased stripes, foil label Venetian Art Glass, 29.5cm long £40 - £70
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 60
570 570. Rene Lalique, a Deux Chevres glass hand mirror, model 678, designed circa 1919, frosted and green stained, moulded mark R Lalique, 16cm diameter £300 - £400
565 565. Jasper Conran for Stuart, a Bar glass vase, conical form, cut with concentric bands, acid mark, 20.5cm high £20 - £40
571 571. Rene Lalique, a Sauge green glass vase, model 935, designed circa 1923, frosted and white stained, incised mark R Lalique France No 935, 25cm high £300 - £500
572. Rene Lalique, a Pissenlit glass lamp stopper, model 2551, 566 designed circa 1914, incuse frosted, incised mark R Lalique France, 16cm wide £200 - £300 566. Jasper Conran for Waterford, an Aura glass bowl or conical ice bucket form, cut with circular votive candleholder, 573. Rene Lalique, a Pigeon Verviers glass decoration, model bands, acid marks, 10.5cm high, 14.5cm diameter £20 - £40 1206, designed circa 1932, part frosted, acid mark R Lalique France, 29cm long £300 - £500 567. A Lalique Helene glass perfume bottle, model 634, designed circa 1942, frosted panels, acid mark Lalique France, 14cm 574. Rene Lalique, a Groupe de Six Moineaux glass high 150 - £250 decoration, model 1218, designed circa 1933, frosted, acid mark R Lalique, France, 30cm long £800 - £1200 568. A Lalique Helene glass perfume bottle, model 633, designed circa 1942, frosted with ochre stained panels, engraved 575. Rene Lalique, a Calypso glass bowl, model 413, designed mark Lalique, 23cm high £200 - £300 circa 1932, coupe ouverte form, blue opalescent, acid mark R Lalique, France, 35.5cm diameter £800 - £1200 569. Rene Lalique, a Chiens glass bowl, model 3214, designed circa 1921, blue opalescent, moulded R Lalique, engraved France 576. Rene Lalique, a Druide glass vase, model 937, designed No3214, 24cm diameter £200 - £300 circa 1924, blue opaque opalescent glass with staining, engraved mark R Lalique France, 17.5cm high £400 - £600
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 61
567 568 569
573 574
575 576
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 62
577
577. Rene Lalique, a Ronces red amber glass vase, model 946, designed circa 1921, frosted staining, incuse moulding R Lalique, engraved R Lalique France, 24cm high £2000 - £3000
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 63
CONTINENTAL CERAMICS
578. A Delft probably French Nevers 587. A Dresden porcelain pot and blue and white manganese cistern or cover, in the Meissen style, conical bucket wine cooler, of oval bombe form, painted form with relief moulded rams heads, on one side with Oriental figures, one painted with alternating panels of entwined holding a parasol in a Chinoiserie scene, ribbon and laurel and floral sprays on gilt the other side with three horseman and a rusticated ground, 9.5cm high £30 - £50 horse in a riverside landscape, within a border of scrolls and foliage, applied rope 588. A Royal Copenhagen Flora twist handles and lions paw feet, circa late Danica floral specimen painted dish, 18th or early 19th century, 49cm long circa 1970, stepped spade form with angled £250 - £300 handle and saw tooth rim, decorated with Primula integrifolia Oed, 18cm long 579. A Continental faience wall £40 - £70 hanging syphon, circa 1790, twin handled half urn form with metal tap, painted with a 589. A pair of Continental porcelain band of acanthus lappets and daisies, figures, in the Meissen style, shepherd and 32.5cm high £40 - £60 shepherdess, impressed and crossed sword marks, 14cm high (2) £30 - £50 580. An Attic style janiform kantharos, twin handled Classical urn vase form, relief 590. A collection of Royal Bayreuth moulded with African heads to each side, porcelain, including pair of Dutch Boy and after ancient Greek examples, 26.5cm high Girl candlesticks, two pairs of vases, £40 - £70 584 Huntsman and Children, Corinthian or Classic cup and saucer etc., printed marks, 584. A Continental porcelain figure 13.5cm high (9) £40 - £60 group, 18th century, modelled as a courting couple, on scroll bracket base, 591. A collection of Royal Bayreuth 27.5cm high £80 - £120 porcelain, patterns including Sand Babies, Girl and Dog, The Hunt and Dutch Boy and 585. M S Hudson, a painted porcelain Girl, vases, plates and covered pot (7) plaque, Psyche with a young cupid, in a £30 - £50 watery landscape, signed and dated 1891, 30cm x 19cm, framed £40 - £70 592. A collection of Gebruder Heubach bisque children figures, including various 586. A Sevres style pedestal vase and pairs, different sizes, 26cm high (12) cover, 19th century, ogee ovoid form, £50 - £80 reticulated foot and lid, painted with pastoral and landscape panels within tooled 581 gilt borders on a blue ground, square 581. Four Royal Vienna porcelain bust section gilt metal foot, 18.5cm high figures, 19th century, modelled as 18th £40 - £60 century children, on scrolling socle bases, impressed marks, 15cm high (4) £70 - £100
582. A Paris porcelain punch bowl, in the Sevres style, painted with a diaper trellis pattern of rose heads and leaves, internal gilt foliate sprigs, 32.5cm diameter £80 - £120
583. A Meissen style portrait plate, decorated with a 16th century woman with hat, within a raised gilt foliate scroll on blue ground border, underglaze blue AR mark, 593 24.5cm diameter £50 - £80 593. Joost Thooft and Labouchere, De Porceleyne Fles, a Delft lustre vase, circa 1900, ribbed bulbous form with ogee neck, iridescent red and speckled turquoise, incised marks, 15cm high £40 - £70
587
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 64
602 602. A Rosenthal figure of a leopard, modelled crouching, impressed and printed marks, 697, 16cm long £40 - £60
599 599. Theodor Karner for Rosenthal, a figure of a poodle, impressed and printed marks 1211, 20cm high £40 - £70
594 603 594. An Aesthetic Movement Limoges 603. M H Fritz for Rosenthal, a figure of enamel or slip decorated vase, in the a leopard, impressed and printed marks, style of Zsolnay, shouldered form, three Persian ogee cartouches with lotus flowers 965, 41cm long £50 - £80 in aquatic grounds, between pink foliate scrolls, 26cm high £30 - £50 604. Royal Dux, an Art Deco figure group, modelled as two dancers in Arabic 595. Two Gouda Paysage vases, ovoid dress, impressed marks and pink triangle, and cylindrical shouldered form, painted in model 2993, 31.5cm high, note: possibly Rudolph Valentio and Vilma Banky from The the round with impressionist landscapes and topographical scenes, 19.5cm high (2) Son of the Sheikh (1926) £80 - £120 600 £50 - £80 600. Erik Nielsen for Royal 596. Wilhelm Kage for Gustavsberg, an Copenhagen, Mouse on a Chestnut Argenta silver overlay bowl, rounded on figure, model 511, designed circa 1920, conical foot, decorated with a fish and incised monogram to body and painted bubbles, within a denticulated border, 15cm marks, 7cm high £20 - £40 diameter £50 - £80
597. Christian Lacroix, a Follement harlequin coffee set, the cans and saucers with gilt rims, in different pastel colours, in original hatbox container £80 - £120
598 598. Ferdinand Liebermann for 601 605 Rosenthal, a figure group of boy, 601. Gerhard Schliepstein for 605. A Bertrand for Goldscheider, a penguin and crab, model 34, designed Rosenthal, figure of a woman with deer, large figure Traumerei (Daydream), circa 1911, signed to the plinth, 10cm high designed circa 1931, impressed and printed model 2272, circa 1901, modelled as a £50 - £80 marks 1001, 29.5cm high £50 - £80 standing woman with amphora, impressed marks and signature, 80cm high £300 - £500
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 65
606. Josef Lorenzl for Goldscheider, Aida figure, model 5281, designed circa 1923, incised signature to the plinth, printed marks, 47.5cm high £1500 - £2500
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 66
MOORCROFT
607 610 607. Sally Tuffin for Dennis China Works, Rhinoceros vase, circa 610. Rachel Bishop for Moorcroft, Sweet Thief vase, 2001, 2000, shouldered cylindrical form, printed and painted marks, 18cm baluster form, impressed and painted marks, 16.5cm high; together high £40 - £60 with a Lamia vase, circa 1995, ovoid shouldered form, impressed and painted marks 9cm high (2) £40 - £60 608. Philip Gibson for Cobridge pottery, a stoneware Bottle Kiln vase, shouldered inverse baluster form, impressed and painted 611. Emma Bossons for Moorcroft, Queen’s Choice charger, marks, 25cm high £40 - £60 2003, impressed and painted marks, 36cm diameter £100 - £200
609 612 609. Emma Bossons for Moorcroft, Queen’s Choice vase, circa 612. Rachel Bishop for Moorcroft, Iris jug, circa 1990, tapered 2000, inverse baluster form, impressed and painted marks, 15.5cm handled form, impressed and painted marks, 14.5cm high; together high £100 - £200 with a Persephone vase, circa 2006, inverse baluster and flared form, impressed and painted marks, 21cm high (2) £50 - £80
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 67
615 615. Emma Bossons for Moorcroft, Queens Choice vase, 2003, squat baluster form, impressed and painted marks, 14cm high £40 - £60
616. Emma Bossons for Moorcroft, Foxglove vase, 1994, tapered ovoid form, impressed and painted marks, 18.5cm high; together with a Hartgring vase, 2002, ovoid form, impressed and painted marks 9.5cm high (2) £60 - £100
613 613. Kerry Goodwin for Moorcroft, daffodil vase, 2012, inverse baluster shouldered form, impressed and painted marks, 20cm high; together with a Moorcroft Collector’s Club vase, 1998, baluster form, impressed and painted marks, 23cm high £40 - £60
617 617. Emma Bossons for Moorcroft, Lily come home vase, circa 2005, shouldered bottle form, impressed and painted marks, 19cm high, together with a Hartgring jar, ovoid form, printed and painted marks, 14cm high (2) £40 - £60
614 614. Sally Tuffin for Moorcroft, Finch and Fruit vase, 1996, squat baluster form, impressed and painted marks, 10cm high; together with a Moorcroft vase decorated with blue flower and trailing leaves, 2004, ovoid form, impressed and painted marks, 9cm high, and a Panache pin dish, 12cm diameter (3) £50 - £80
618 618. Emily Bossons for Moorcroft, Dewdrop vase, circa 2006, waisted trumpet form, impressed and painted marks, 11cm high; together with a Hartgring pattern vase, 2002, ovoid form, impressed and painted marks, 10cm high (2) £40 - £60
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 68
619 623 619. Nicola Slaney for Moorcroft, Favrille pattern vase, circa 623. Rachel Bishop for Moorcroft Collector’s Club, snowdrop 1995, inverse baluster form, impressed and painted marks, 20.5cm vase, 1994, twin handled trumpet form, impressed and painted high £60 - £100 marks, 15cm high, together with a baluster form vase, 2008, decorated with blue trailing flowers, impressed and painted marks, 23cm high (2) £40 - £60
620 620. Sian Leeper for Moorcroft, a Kapok vase, circa 2000, cylindrical baluster form, printed and painted marks, 13.5cm high; together with Shirley Hayes for Moorcroft, Kaffir Lily vase, circa 2000, footed trumpet form, impressed and painted marks, 15.5cm high (2) £50 - £80
624 624. Vicky Lovatt for Moorcroft, a large Swallowtail vase, circa 2017, inverse baluster form, impressed marks and signed, 40cm high £700 - £900
625. Paul Hilditch for Moorcroft, a Flambe Triumph of Nature vase, circa 2016, squat ovoid form, impressed and stamped marks, 22cm high £800 - £1200
626. Philip Gibson for Moorcroft, English garden birds, circular charger, impressed and painted marks, 36cm diameter, second 621 quality £80 - £120 621. Nicola Slaney for Moorcroft, Anna Lily vase, 1998, shouldered ovoid baluster form, impressed and painted marks, 17cm 627. Emma Bossons for Moorcroft, a large Queens Choice high £60 - £80 vase, circa 2000, ovoid form, impressed marks and signature, 27cm high £800 - £1200 622. Moorcroft for Moorcroft Collector’s Club, Rapunzel vase, 1997, elongated baluster form, impressed and painted marks, 31cm 628. Philip Gibson for Moorcroft, a Trout vase, 1998, slender high, and a similar example (2) £50 - £100 shouldered and flared neck form, impressed marks, seconds, 42.5cm high £300 - £500
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 69
637. William Moorcroft, two small Pomegranate vases, circa 1918, ovoid and inverse baluster form, impressed marks, 8.5cm high (2) £60 - £100
638 638. William Moorcroft, a Pomegranate jar and cover, circa 1920, ovoid form, impressed marks and underglaze green monogram, 15.5cm high £50 - £80 629 639. William Moorcroft, a Pomegranate vase, circa 1920, bulbous bottle form, impressed marks and underglaze green 629. A boxed set of six Moorcroft 633. William Moorcroft, a Pomegranate monogram, 16cm high £80 - £120 miniature vases, various designs and on ochre dish and a jam pot, with plated shapes, circa 2005, including ginger jar, mounts, circa 1915, plain rounded and 5.5cm high (6) £60 - £80 cylindrical, the pot with swing handle, impressed Burslem marks, underglaze green 630. A Moorcroft Designer’s Medley monogram to one, 13cm diameter (2) plate, circa 2007, octagonal form, printed £50 - £80 and painted marks and signed by eight Moorcroft designers, 24.5cm diameter 634. William Moorcroft, a Pomegranate £50 - £80 pot and cover, circa 1920, ovoid form, impressed marks and underglaze blue 631. Walter Moorcroft, an African Lily signature, £50 - £80 bowl, circa 1953, rounded and footed, impressed marks and facsimile, 11cm 635. William Moorcroft, two small 640 diameter £20 - £30 Pomegranate vases, circa 1935, 640. William Moorcroft, a Pomegranate shouldered and baluster forms, impressed marks and facsimile, 9cm high (2) on ochre and blue tazza, circa 1918, 632. William Moorcroft, a Leaf and circular with everted rim on splayed and £50 - £80 Blackberry plate, circa 1930, circular with stepped pedestal base, impressed marks everted rim, impressed marks and facsimile and underglaze green signature, 19.5cm 636. William Moorcroft, two small signature, 26cm diameter £30 - £50 diameter, 12cm high £100 - £150 Pomegranate vases, circa 1918, shouldered and squat baluster forms, impressed marks and underglaze green monograms, 10.5cm high (2) £70 - £100
634 636
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 70
645. William Moorcroft, a red Dawn 649. William Moorcroft, an Orchid Landscape bowl, circa 1925, twin handled bowl and cover, circa 1935, squat form rounded form, impressed marks and with flat cover, spherical knop, impressed underglaze blue signature, 24cm wide marks and facsimile signature, 16.5cm £500 - £700 diameter £40 - £60
646. William Moorcroft, a pair of
Flambe Leaf and Berry candlesticks, ART POTTERY circa 1935, splayed form with ogee sconces, impressed marks and facsimile, 650. Shrigley and Hunt, a pair of underglaze green monograms, 8cm high PreRaphaelite tiles, circa 1880, Benedick Provenance: 1978 MacMillan and Perrin and Beatrice, in the style of Henry Stacy Moorcroft Exhibition £120 - £180 Marks, on Minton blanks, 15cm square, framed as one £80 - £120 641 647. William Moorcroft, a small Leaf and Berry vase and ashtray, circa 1935, 651. An Arts and Crafts relief moulded . 641 William Moorcroft, a Pomegranate together with Anemone spherical vase and plaque, modelled as an allegorical figure on ochre and blue jar with pewter cover, a later Flambe Blackberry vase, impressed of Spring, Classical woman with basket, circa 1920, ovoid form, the planished lid in marks and facsimile, 10cm high (4) 45cm diameter, framed £70 - £100 the Secessionist style, impressed marks and £40 - £70 underglaze blue monogram, 16cm high £70 - £100
652 652. Wemyss for Thomas Goode, an art pottery jardiniere, wrythen lobed ovoid form, painted with cockerels in a grassy field, impressed and printed marks, 648 22cm diameter £100 - £200 648. William Moorcroft, a Pomegranate 642 on ochre and blue jar and cover, circa 1920, ovoid shouldered form with silver 642. William Moorcroft, a Pomegranate plated mount, impressed marks and on ochre and blue vase, circa 1920, underglaze green monogram, 15.5cm high shouldered form, impressed marks and £50 - £80 underglaze blue signature, 16cm high £80 - £120
643. William Moorcroft, a Pomegranate and Blackberry Panel bowl, circa 1915, shallow rounded form, on celadon ground, impressed Burslem marks and underglaze green signature, 21cm diameter £150 - £200
644 644. William Moorcroft, a miniature orange lustre bowl and jug, circa 1914, footed rounded and conical form, impressed and printed marks, 5.5cm 650 diameter, jug 4.3cm high £20 - £40
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 71
656. Charles Cundall for Pilkington, a Royal Lancastrian lustre bowl, 1909, the exterior with a sang de boeuf and turquoise glaze, painted with a geometric band of waves and dots, the interior with a vine border and central floral rosette, within a streaky copper lustre ground, impressed marks, painted monogram, 17.5cm diameter £300 - £500
657. A Doulton Lambeth stoneware 664 leather motto jug, circa 1892, silver 664. Harry Simeon for Doulton mounted and relief moulded as pig skin, Lambeth, two stoneware Toby jars, with raised verse Bitter must be the cup that modelled smoking pipes, one with red a smile will not sweeten, impressed marks, waistcoat, the other cream, 14cm high (2) Slaters Patent, 21cm high, £40 - £70 £50 - £100 653 658. A near pair of Doulton Lambeth 665. Harry Simeon, Doulton Lambeth 653. C H Brannam for Liberty and Co., stoneware vases, circa 1910, double for Phillips, Oxford Street, a salt glazed an art pottery motto jug, circa 1915, treacle gourd form with painted stylised foliate stoneware Toby XX vase, modelled with glazed conical form, incised with nautical decoration, 15cm high (2) £30 - £50 hands on knees, on footed barrel, 15.5cm verse ‘From rocks and sands and barren lands...’, and fleur de lys motifs, impressed high £70 - £100 659. A collection of Royal Doulton and Liberty mark, 18cm high £70 - £100 Lambeth stoneware sprigged ware, 666. Harry Simeon for Doulton including hunting jugs and mugs, salt cellars Lambeth, two graduated stoneware XX etc., 16.5cm high (12) £40 - £60 Toby jugs, modelled seated on barrels, brown waistcoats, 21cm high (2) 660. Frank Butler for Doulton Lambeth, £80 - £120 a stoneware pedestal vase, the ovoid bowl sgraffito decorated and applied with beaded rosettes, below a crimped rim, on an open foliate moulded tricorn stand, 20.5cm high £400 - £600
667 654 667. Harry Simeon for Doulton 654. A Wardle art pottery figural spill Lambeth, a stoneware Toby tobacco jar, with patent spring lid, cream waistcoat, vase, in the form of a frog, modelled sitting and singing with hands on chest, green 12cm high £40 - £70 glazed with slip highlights, impressed marks 3154, 12cm high £40 - £60 661 661. Harry Simeon for Doulton 655. John Wadsworth and Leon Solon Lambeth, two novelty stoneware for Minton, a Secessionist jardiniere character mugs, Marriage Day, After tapered column form, raised flower stand, Marriage, with invertible double face, heads on a stylised geometric foliate 9.5cm high (2) £40 - £70 ground, 73.5cm high £100 - £150 662. Harry Simeon for Doulton Lambeth, two stoneware Toby jugs, one modelled with bottle and wine glass, olive waistcoat, the other squat form with red waistcoat, 22cm high (2) £50 - £80
663. Harry Simeon for Doulton
Lambeth, two graduated stoneware Toby jugs, modelled with bottle and wine 668 glass, red waistcoats, 22cm high (2) 668. Harry Simeon for Doulton 656 £50 - £80 Lambeth, a graduated set of three Toby jugs, each modelled with bottle and wine glass, olive waistcoat, 22.5cm high (3) £70 - £100
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 72
673
669 672 669. Harry Simeon for Doulton 672. Harry Simeon for Doulton
Lambeth, two stoneware XX Toby jugs, Lambeth, a stoneware Toby candlestick, modelled seated on barrels, red and olive the stem modelled as a seated figure with 675 waistcoats, 18cm high (2) £70 - £100 jug and tankard, 7cm high £40 - £60 675. Harry Simeon for Doulton Lambeth, a graduated pair of stoneware 670. Harry Simeon for Doulton 673. Harry Simeon for Doulton ash pots, modelled as seated Toby in Lambeth, a stoneware Toby jar and Lambeth, four stoneware Toby jugs, armchair, 16cm high (2) £60 - £80 cover, cream waistcoat, printed with Ye squat form, each modelled with a different Olde Cock Tavern, 22 Fleet Street, coloured waistcoat, red, olive, blue and impressed marks, 14cm high £40 - £70 cream, two with smiling faces, two with sad faces, 10cm high (4) £100 - £150
676 676. Harry Simeon for Doulton Lambeth, a stoneware match striker, modelled as a seated Toby next to a barrel, the reverse with striking patch, 10cm high £50 - £80 671 674 671. Harry Simeon for Doulton 674. Harry Simeon for Doulton Lambeth, a stoneware Toby XX vase, Lambeth, a stoneware bibelot, modelled modelled in olive waistcoat with hands on as an owl on the edge of a pond, 10cm knees, 14cm high £40 - £70 high £40 - £70
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 73
680. Hannah Barlow for Doulton Lambeth, a stoneware beaker, 1876, sgraffito decorated with goats, silver rim, incised monogram, 12.5cm high £40 - £70
681. An Arts and Crafts four tile panel, circa 1920, painted with a boy fishing, within a wave and dot border, each tile 10cm square (4) £80 - £120
682. An Arts and Crafts four tile panel, circa 1920, painted with a girl and lamb crossing a stream, within a wave and dot
border, each tile 10cm square (4) 686 677 £80 - £120 686. Clarice Cliff for Newport Pottery, 677. Harry Simeon for Doulton a Kew preserve pot, designed circa 1932, Lambeth, a stoneware inkwell modelled in the form of an apple, printed Bizarre as a Toby, the lid in the form of his head, marks, 8cm high £40 - £60 7.5cm high £60 - £80 687. Clarice Cliff for Newport Pottery, 678. Mark V Marshall for Royal Doulton, a Gibraltar bowl, designed circa 1931, an Art Union of London stoneware bowl, ovoid form with inverted rim, concentric ring tubelined and dimpled with Art Nouveau decoration to the interior, printed Fantasque style foliate poppies, incised monogram, Bizarre and Honeyglaze marks, 20cm 21cm diameter £50 - £70 diameter £80 - £120
683 683. Charles Noke for Royal Doulton, two Flambe bird figures, Two Chicks and a Baby Penguin, 7.5cm high (2) £60 - £100
684. Charles Noke for Royal Doulton, a Flambe fox figure, modelled crouching, 22cm long £40 - £60
688 688. Clarice Cliff for Wilkinson, a Cafe au Lait Oranges bowl, designed circa 1931, ovoid octagonal section with everted rim, printed Bizarre marks, 9cm high £20 - £40
679 679. Mark V Marshall for Royal Doulton, a large stoneware vase, 1909, shouldered form, relief moulded with birds 685 in Art Nouveau style tulip leaved trees of 685. Clarice Cliff for Wilkinson, a Broth sinuating foliage, impressed marks and designed circa 1929, incised monogram, 38cm high preserve pot, cylindrical form with concentric banding, £200 - £300 printed Fantasque marks, 9cm high £40 - £60 689 689. Clarice Cliff for Wilkinson, a Swirls sugar pot, designed circa 1930, Stamford shape, printed Bizarre and Registration Applied for marks, 6.5cm high £40 - £60
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 74
695 695. Clarice Cliff for Wilkinson, a Taormina preserve pot, designed circa 1936, square section, shape 516, printed Clarice marks, 8cm high £50 - £80
692 696. Charlotte Rhead for Bursley Ware, a large TL76 charger, lustre glaze, printed marks, 41.5cm diameter £120 - £150
697. Carter, Stabler and Adams, a Poole pottery V pattern vase, shouldered ovoid form, painted with abstract flowers, impressed marks, 19.5cm high £30 - £50
693 693. Clarice Cliff for Newport Pottery, an Original Bizarre Conical bowl, designed circa 1929, green with orange and black buttress feet, 19.5cm diameter £40 - £60 698 690 698. Arthur Bradbury for Poole, a 690. Clarice Cliff for Wilkinson, a Pine Maritime plate, 1975, painted with a ship Grove Athens jug, designed circa 1935, in full sale, within concentric bands and printed Bizarre marks, 20.5cm high inscription, HM Sloop Viper, Built at Poole £40 - £70 by Tito Durell 1746, painted by Karen Hickisson, 26cm diameter £50 - £80 691. Clarice Cliff for Newport Pottery, a Ravel Conical teapot, designed circa 1929, printed Bizzare marks, 14.5cm high £50 - £80
692. Clarice Cliff for Newport Pottery, a Solomon’s Seal Stamford teapot and sugar pot, designed circa 1930, printed Bizarre marks, 12cm high (2) £60 - £100
694 699 694. Clarice Cliff for Newport Pottery, 699. Kenneth Clark for Denby, a slip an Original Bizarre vase, designed circa decorated stoneware jardiniere, circa 1928, bulbous waisted form, central band 1956, ovoid form with everted rim, panels of of diamonds, gilt Bizarre marks, 22cm high incised vertical stripes to the shoulder, £20 - £30 stamped marks, 16cm diameter £20 - £30
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 75
BRITISH CERAMICS
700 700. Catherine Bennett for Aldermaston, a studio pottery tankard, circa 1980, cylindrical mug form, tin glazed and painted with calligraphic abstract design in browns, monogram, 15cm high £20 - £30
701 701. Edgar Campden for Aldermaston Pottery, a studio pottery teapot, tin glazed and painted with turquoise calligraphic motifs, painted monogram, 24cm long £70 - £100
703
703. A large Coalport jewelled 704. P Simpson for Coalport, three Banquet lamp, Chicago Exhibition 1893, painted dessert plates, titled Mallard Duck, the removable reservoir with relief moulded Trout and Gold Carp, each within raised foliated gilt and green ground borders, 702 leaves and tooled gilt floral sprigs highlighted with jewels, on a knopped gadrooned to the rim, printed Thomas 702. David Lloyd Jones (1928-1994), a baluster and tricorn base, modelled with Goode retailer marks, 23cm diameter (3) studio pottery bowl, ogee conical form, raised foliate scroll cartouches, acanthus £150 - £250 oatmeal glazed, the interior painted with lappets and Rococo fish scale bands, in pink stylised bamboo in blue and oxidized and cream, highlighted in gilt, 61cm high glazes, potters seal mark, 20cm diameter, excluding fitting £2000 - £3000 12cm high £20 - £40
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 76
714. W Ricketts, for Royal Worcester, a vase, circa 1926, painted with fallen fruit on a mossy bank, signed, puce printed marks, 15cm high £200 - £300
715. H Stinton, for Royal Worcester, a vase, circa 1939, painted with Highland cattle, signed, puce printed marks, 8cm high £200 - £300
716. A Royal Worcester pepper pot, circa 1883, modelled as a pug dog climbing out of a gilt barrel, green printed marks, 7.5cm high £40 - £60
705 705. A Minton pot pourri basket, relief moulded with pierced and domed lid, painted with floral sprays and sprigs, the handle of platted ribbon form, 6cm high £20 - £40
706. A pair of graduated Royal Crown Derby Imari 1128 oval dishes, twin handles, on four pierced acorn and leaf bracket feet, 26cm long (2) £80 - £120
707. A Wedgwood Imari cabaret set, circa 1850s, including teapot, sugar box, jug, four cups and saucers and a tray, printed marks, teapot 24cm long £150 - £200 717 708. F Micklewright, a pair of painted porcelain plaques, one 717. Doris Lindner for Royal Worcester, two figures of dogs, after Turner’s Fighting Temeraire, the other of St Michael’s Mount, Golden retriever 3309 and Labrador Retriever 3233, 20cm long (2) signed, 12cm diameter, framed (2) £100 - £150 £40 - £70
709. Worcester Kerr & Binns, a matched pair of miniature 718. W Powell for Royal Worcester, three small bird painted chambersticks, seashell painted within gilt borders, impressed marks, plates, 1917, decorated and titled Gold Finch, Chaffinch and 5cm high (2) £250 - £350 Wagtail, within gilt edged ogee borders, signed, 13.5cm diameter (3) £70 - £100 710. John Hopewell (attributed) for Royal Worcester, a bird painted cabinet plate, within sky blue border, 1881, impressed and printed marks, 23cm diameter £50 - £70
711. John Hopewell (attributed) for Royal Worcester, a bird painted cabinet plate, within sky blue border, 1881, impressed and printed marks, 23cm diamete £50 - £70
712. H. Russik Marshall, Coloured Worcester Porcelain of the First Period (1751-1783), London 1977 £30 - £50
719 713 719. George Owen for Royal Worcester, a double walled blind reticulated vase, 1890, ovoid shouldered form, the outer shell 713. F G Doughty for Royal Worcester, four children figures pierced with a hexagonal honeycomb lattice and open quatrefoil including Joan, Michael, Mischief and Two Babies, together with cartouches, beaded in gilt, the inner body painted in gilt with a figure of June by Sybil Williams and Jessamine Bray, puce and landscapes, jewelled and tooled to the rim, puce mark, 9cm high painted marks, 11.5cm high (5) £40 - £70 £150 - £250
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 77
720 720. E Townsend for Royal Worcester, a fruit painted vase, 1926, globe and shaft form, together with a rose painted vase, of lobed ovoid form, 1910, green and puce marks, 14cm high (2) £60 - £80
721. H Martin for Royal Worcester, a fruit painted plaque set 728 silver mounted and cut glass preserve pot, circa 1912, shouldered conical form, the circular plaque decorated with grapes 728. James Alder for Royal Worcester, Rainbow Lorikeet on and cherries, signed, 10cm high £70 - £100 Eucalyptus, 1975, realistically modelled in bisque, 47.5cm high £150 - £250 722. A Royal Worcester black and white vase, baluster footed form, circa 1905, decorated with a timbered house ‘Wor’shire Chimey’, shape No.1866, 17.5cm high £60 - £80
723. A Royal Worcester relief moulded vase, 1867, modelled as an amphora supported on three birds feet encircled by a bracelet with oval cartouches, on a trefoil base, highlighted in gilt with Grecian wave scroll border, black printed mark, 17.5cm high £40 - £70
724. A Royal Worcester blanc de Chine pedestal comport, the relief moulded urchin shell bowl with denticulated rim, supported on three entwined dolphins on a tricorn plinth base with seaweed coral border, impressed marks, 16cm high £30 - £50
725. A Royal Worcester relief moulded floral hanging vase and a pair of vases, in the form of a lily, with green leaves and stem, the pair of spherical form with foliate moulding, green marks, 15cm long £30 - £50
726. A Royal Worcester Mandarin Man candle snuffer, undecorated, together with a bird painted coffee can, probably by 729 John Hopewell, 9.5cm high (2) £40 - £60 729. Bernard Winskill for Royal Worcester, an equestrian figure of the Duke of Marlborough, 1974, modelled on 727. A Royal Worcester twin handed pedestal vase, 1919, shouldered form, painted with Glasgow School roses, in the Art horseback, 47cm high £100 - £200 Nouveau style, highlighted in gilt, puce marks, 28.5cm high £100 - £150 730. Three Royal Worcester figures, Henry VIII, Queen Elizabeth and Anne Boleyn, 25.5cm high (3) £60 - £100
731. Bernard Winskill for Royal Worcester, an equestrian figure of Queen Elizabeth I, modelled on a horse, circa 1988, 36cm high £100 - £200
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 78
732. Ronald van Ruyckevelt for Royal 739. F Sutton for Doulton Burslem, a 742. Leslie Harradine for Royal Doulton, Worcester, a figure of Elizabeth I, circa raised gilt and enamelled vase, inverse a Polar Bear figure, HN121, modelled 1974, together with a smaller example baluster form with trumpet neck, the central sitting, printed Flambe mark, 9cm high Queen Elizabeth, 31cm high (2) roundel painted with water carrier, within a £30 - £50 £80 - £120 border of leaves, on a band of cornucopia and foliate scrolls, the neck decorated with 743. Four Royal Doulton Mallard duck 733. Four Royal Worcester historical Classical floral garlands and flaming torches, figures, including Drake on a Rock in two design plates and two dishes, early 20th signed, 29.5cm high £400 - £600 colourways HN132, HN150 and HN114, century, painted and gilded with various 15cm high (4) £40 - £70 floral and Imari designs, the later small dish circa 1970 after the Blind Earl service, 744. Charles Noke for Royal Doulton, a 23cm diameter (6) £80 - £120 figure group Two Chicks, black glazed, printed mark, 6.5cm high £30 - £50 734. A Royal Worcester painted cabinet plate, 1934, the central roundel decorated with a hunting dog and mallard in highland landscape, within cream and blue borders of gilt foliate and Neoclassical motifs, 26.5cm diameter £50 - £80
735. C Johnson and T Freeman for Royal Worcester, five exotic bird painted plates, Edwardian and later, after 18th century archive examples, including fish scale ground with gilt footrim, blue and 745 gilt bordered dessert dishes etc., signed, 745. Charles Noke for Royal Doulton, a 23cm diameter (5) £100 - £150 silver mounted pig dish, HN243, London 1934, 11.5cm long £30 - £50 736. Two Royal Worcester figures, Mary 740 Queen of Scots and Sir Walter Raleigh, 27cm high (2) £50 - £80 740. Charles Noke for Royal Doulton, a Golfing Series ware chamberstick, trumpet form with handle, printed marks, D3395, 19.5cm high £40 - £70
746 746. Royal Doulton for Louis Wearden
and Guy Lee Ltd., British Bulldog figure, 741 Marvel Drill Chuck, circa 1932, 7.5cm high 737 £50 - £80 741. Charles Noke for Royal Doulton, 737. H H Price for Royal Worcester, a Snoozing Pigs figure group in blue floral painted cabinet plate, decorated glaze, small version, 9.5cm long with a vase of flowers, within tooled gilt £40 - £60 ogee border, black mark, 27.5cm diameter £100 - £150
738. J Birbeck Senior for Royal Doulton, a pair of painted cabinet plates, each with Ptarmigans in mountainous winter landscapes, within tooled gilt borders, signed, gilt footrims, 23cm diameter (2) £120 - £180
747 747. Charles Noke for Royal Doulton, two elephant figures, one trunk raised, HN891, the other in matte red glaze, 12cm 742 high (2) £40 - £60
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 79
757. A Royal Doulton Tommy Bulldog figure, modelled in World War One army costume, khaki glazed, printed mark, 16.5cm high £100 - £200
758. Two Royal Doulton figures, Budgerigar HN2547 and Young Robins HN2553, printed and painted marks, 16.5cm high (2) £70 - £100
753 753. Charles Noke for Royal Doulton, three fox figures, HN147 and HN130, 748 two modelled sitting, in different colourways, the other stalking, 22cm long (3) 748. Joseph Ledger for Royal Doulton, £30 - £50 a Langur Monkey figure, HN2657, modelled sitting, 11.5cm high £30 - £50 754. Leslie Harradine for Royal Doulton, a Fox Terrier figure, HN997, 749. Charles Noke for Royal Doulton, a modelled sitting, 13.5cm high £40 - £60 resting ducks figure group and a figure of Drake Mallard HN2555, the first teal blue glazed, 15.5cm high (2) £40 - £70
750. Charles Noke for Royal Doulton, two dog figures, Cavalier King Charles Spaniel HN127 and Puppy HN128, in 759 natural colours, 11cm high (2) £40 - £60 759. Leslie Harradine for Royal Doulton, The Bather figure, HN687, circa 1930s, painted marks, 20cm high £80 - £120
760. A Beswick figure Huntsman on Rearing Horse, first version, with orange 755 jacket and yellow trousers, 24.5cm high £150 - £200 755. Charles Noke for Royal Doulton, Foxes Curled figure group, HN117, grey colourway, printed mark, 10cm high £40 - £70
756. Two Royal Doulton figures, Fan Tail Pigeons HN122 and seated cockerel, printed marks, 10cm high (2) £40 - £70
751 751. Leslie Harradine for Royal Doulton, Cockatoo on a Rock figure, HN185, and a blue glazed butterfly rim 761 ornament, 17cm high (2) £40 - £70 761. A Belleek novelty spill vase, modelled as a toad, second period mark, 752. Charles Noke for Royal Doulton, 12cm high £30 - £50 two fox figures, HN147C, in monochrome glazes, black and teal blue, 15cm high (2) £40 - £70
757
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 80
765. A Belleek first period Flying Fish vase, pearlescent glaze, modelled as a winged fish with conch shell, printed marks, 11.5cm high £30 - £50
762 762. A Belleek florally encrusted jug, second period mark, relief moulded baluster ewer form with foliate scroll handle, iridescent glaze, applied in high relief with roses, carnations and daisies, 24cm 766 high £40 - £70 766. A Belleek first period vase, amphora form, on three hoof feet and tricorn plinth base, relief moulded with acanthus and honeysuckle motifs, black mark, 18cm high £40 - £70
767. An 18th century Dublin Delft blue and white charger, circa 1770, octagonal form, painted with a central floral bouquet, within foliate borders, 37.5cm x 50cm £250 - £350
763 763. A Belleek first period bisque advertising figure, modelled as a Classical woman unveiling a vase, with harp beside, impressed 768 to the plinth Belleek Pottery, printed mark, 45.5cm high £300 - £500 768. A London Delft blue and white food warmer candlestick, circa 1760, the twin scroll handled cylindrical body with tealight opening and moulded masks, supporting a dish with foliate handles 764. A Belleek first period bisque and glazed porcelain figural and candle sconce cover, 26.5cm high spill vase, modelled as a boy holding a basket on his shoulder, printed marks, 21.5cm high £70 - £100 Provenance: Jonathan Horne labels to base £400 - £600
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 81
772. A pair of Wedgwood black basalt 776. A Copeland Spode parian candlesticks, circa 1820, fluted column paperweight figure of Jumbo, circa form, on square bases, the capitals applied 1876, realistically modelled as the with rosettes, impressed Wedgwood, elephant, cold painted in natural colours, 16.5cm high (2) £60 - £80 impressed marks and printed, 12.5cm high £80 - £120 773. A Wedgwood green and white Jasperware vase, twin handled squat 777. Two Wedgwood Jasperware pots, Kantharos form, circa 1820s, applied with circa 1850, one of jardiniere form, white a fruiting vine to the rim, on square base over blue, applied with scenes from Perseus, with honeysuckle and rosette motifs, below swagged grape vines and ringed impressed Wedgwood, 17cm high lions masks, the preserve pot with Classical £70 - £100 figures and plated metal lid, impressed Wedgwood marks, 9.5cm high (2)
£40 - £60 769 774. A Wedgwood black basalt vase, circa 1850s, footed conical form, with 769. A Delft blue and white plate, circa pierced grille, applied with Classical figures, 778. A Minton porcelain botanical 1760, central floral sprig within a double between fruiting vine and floral borders, painted ink stand, circa 1800, lobed concentric ring, bordered in floral and impressed Wedgwood, 17.5cm high bough pot form with handle, peach lidded rosette lappets, 22cm diameter £40 - £70 £50 - £80 covers, decorated with named specimens, including geranium, Jacobean Lotus and 770. A 19th century Prattware figure of Great Flowered Jasmine, with gilt rims, Cupid, modelled kneeling, on square base, interlaced S mark, 18cm wide £40 - £60 11cm high £30 - £50
775 775. Two Wedgwood Jasperware urn vases and covers, late 19th century, twin handled, one white on blue, ogee gourd 771 form with Classical roundels and laurel 779 771. A 19th century green glazed swags, the other, white on black with 779. A Spode beaded and chased gold earthenware jug, possibly Farnham, ovoid Classical maidens dancing, on square twin handled vase, Campana form, circa form, incised to the shoulder with concentric bases, impressed Wedgwood, Made in 1810, matte blue ground with tooled gilt rings, 27.5cm high £60 - £80 England, 23.5cm high (2) £70 - £100 basket of flowers, the handles with spaniel heads, between bands of bead and burnished gilt, 13.5cm high £40 - £60
780. A Davenport blue and white part dinner service, Chinoiserie Ruins, circa 1820, including dessert dishes, tureen, platters, pickle dish, plates, pedestal comport etc. (q) £200 - £400
781. A large pearlware dish, circa 1800, painted in Prattware colours with floral sprigs, moulded and blue tinted feather edge, 34cm diameter £60 - £100
782. A pair of Staffordshire pearlware figures, circa 1800, modelled as shepherd and shepherdess with musical instruments, 772 776 seated in front of bocage, on foliate scroll bracket bases, 19cm high (2) £150 - £250
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 82
789. A Staffordshire Prattware sponge decorated cow creamer, modelled standing, with calf below, on plinth base, 12cm high £70 - £100
790. A commemorative transfer printed jug, Champions of Reform, purple portraits of Earl Grey, Lord John Russell and Baron Brougham, 15cm high £30 - £50
791. A commemorative transfer printed porter mug, Sir Robert Peel, circa 1850, equestrian portraits to each side, with coat of arms and dates, 10.5cm high £20 - £40
792. A commemorative transfer printed bowl, for Albert Grant MP for Kidderminster, circa 1865, rounded form with blue rim, 16cm diameter £20 - £40
793. Two Wedgwood style portrait plaques, Nelson and Josiah Wedgwood, modelled in relief in brown basalt, bust form in profile, 9cm x 7cm £60 - £80
783 783. A lead glazed puzzle jug, 18th or 19th century, bulbous form with reticulated lattice neck and hoop handle, 25cm high £100 - £150
784. A Walton Staffordshire pearlware figure of a trumpet player and another figure of Dr Syntax, circa 1820s, 15.5cm high £80 - £120
785. Three pearlware figures, circa 1800, including ‘Frute Boy’, Shepherd and Shepherdess, modelled standing with bocage, on plinth bases, 14cm high (3) £80 - £120
786. Two ironstone dragon handled porter mugs or tankards, Masons and Davenport, decorated with Imari designs, 12.5cm high (2) £100 - £150 794
787. Prattware, two pot lids including The Wolf and the Lamb, 794. Six Staffordshire figures, including Eva and Uncle Tom, both with bases (2) £10 - £20 Horse spill vase, married couple, etc., 24cm high (6) £50 - £80
788 788. A Staffordshire Elephant of Siam spill vase, circa 1850, modelled after a scene from the play with Almansor escaping from a castle, encrusted with shredded clay, 16.5cm high £80 - £120 795
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 83
797 798
795. A salt glazed stoneware Reform flask, modelled as William 799. Three Worcester porcelain vessels, circa 1750s to 1770s, IV, impressed William IV the Reform Cordial, 21.5cm high including polychrome decorated leaf moulded dish with fish scale £100 - £150 blue ground and gilt edged floral cartouches, blue and white canon ball teapot, saucer and a cylinder mug, blue marks, 25cm long (4) 796. A Minton majolica game pie dish and cover, circa 1875, £80 - £120 the lid modelled as game resting on ferns and leaves, the basket moulded base interwoven with oak twigs, leaves and acorns, with 800. A pearlware relief moulded portrait plaque of a sailor, white glazed liner, impressed marks, 32cm wide, 17cm high modelled in profile, within integral frame, 20.5cm x 17.5cm £50 - £80 £40 - £70
797. Four ironstone dragon handled jugs, Masons and 801. A Victorian relief moulded lustre commemorative jug for Davenport, various sizes, Imari and cobalt blue decorated, impressed the Duke of Wellington, circa 1840, conical form with foliate and printed marks, 20cm high (4) £40 - £70 scrolls, mask spout and full length seated portrait cameos to each side, 21.5cm high £30 - £50 798. A Derby porcelain figure, the Welch Tailor’s Wife, circa 1770, modelled as a woman with children riding a goat, patch marks, 28cm high £200 - £300
END OF SALE
For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue. 84
Jewellery and Watches - 23rd April 2021 Entries Invited
Contact: [email protected] Telephone: 01386 244224 Mobile: 07976 919836 Email: [email protected] Website: www.kinghamandorme.com 85
Highlights From our Winter 2020 Auctions
Josef Lorenzl Goldscheider figure of Collection of 17th and 18th century 16th century Nuremburg silver Pierrette - £1,700 Delft - £65,950 (Total) goblet - £5,700
18th century school, country house Hans Coper, studio pottery vase Rene Lalique Archers glass vase landscape - £17,000 £30,000 £11,000
Daum, Nancy, cameo glass shade Paul Ysart, Monart glass paperweight Master Incolor bakelite cocktail shaker £7,500 £1,100 £1,400
Now Consigning for our May Fine & Decorative Art Auction
Telephone: 01386 244224 Mobile: 07976 919836 Email: [email protected] Website: www.kinghamandorme.com 86
TERMS & CONDITIONS OF SALE AND BUSINESS b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who These Conditions of Sale and Business constitute the contract between may themselves enforce them. Kingham & Orme Auctioneers limited and the seller, on the one hand, and Any notice to any buyer, seller, bidder or viewer may be given by first class the buyer on the other. By bidding at the auction, and/or consigning to mail or email in which case it shall be deemed to have been received by Kingham & Orme Auctioneers limited, you agree to be bound by the the addressee 48 hours after posting. following terms. Special terms may be used in catalogue descriptions of particular classes CONDITIONS OF SALE of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 1. DEFINITION Any indulgence extended to bidders, buyers or sellers by us notwithstanding In these terms of business: Kingham & Orme Auctioneers Ltd is referred to the strict terms of the Conditions or of the Terms of Consignment shall as ‘K & O.’ The K & O representative conducting the auction is referred to affect the position at the relevant time only and in respect of that particular as the ‘auctioneer’. concession only; in all other respects these Conditions shall be construed
as having full force and effect. 2. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility English law applies to the interpretation of these Conditions. for default by sellers or buyers if the transaction is not completed and paid for. TERMS OF CONSIGNMENT FOR SELLERS
3. TERMS OF SALE 1. INTERPRETATION The seller acknowledges that lots are sold subject to the stipulations of In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the these Conditions in their entirety and on the Terms of Consignment. consignment of goods to us is made by an agent we assume that the Seller
has authorised the consignment and that the consignor has the Seller’s 4. DESCRIPTIONS AND CONDITION OF LOTS authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kingham & Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of Orme Auctioneers Ltd. lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample 2. WARRANTY opportunity to view lots before any sale. When bidding, buyers The Seller warrants that possession in the lots can be transferred to the acknowledge that they are fully satisfied as to the description and condition Buyer with good and marketable title, free from any third party right and of the lot. encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, 5. ATTRIBUTION OF PICTURES attribution, authenticity, import or export history and of any concerns (a) If the forename(s) (or asterisks where not known) and surname of the expressed by third parties concerning the same. artist are given, this indicates that in the opinion of K & O the picture is a work by the named artist. 3. COMMISSION (b) If the initials of the forename(s) and the surname of the artist are given, Commission is charged to sellers at a flat rate of 15% plus VAT on each this indicates that in the opinion of K & O the picture is a work of the period lot. There is a lotting charge of £2.50 plus VAT per lot. of the named artist and may be wholly or in part his work. (c) If the surname of the artist is given, this indicates that in the opinion of 4. REMOVAL COSTS K & O the picture is a work of the same school of the named artist, or by Items for sale must be consigned to the saleroom by and stated deadline one of his followers, or in his style and of uncertain date. and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your (d) The term ‘Bears signature’ indicates that in the opinion of K & O this is not the signature of the artist. responsibility.
(e) All other terms are self-explanatory. 5. LOSS AND DAMAGE OF GOODS
a) Loss and Damage Warranty – K & O is not authorised by the FSA to 6. FORGERIES provide insurance to its clients and does not do so. However, K & O for its Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction own protection, assumes liability for property consigned to it at the lower provided it is in the same condition as when bought, and is accompanied pre-sale estimate until the hammer falls. To justify accepting liability, K & by particulars identifying it from the relevant catalogue description and a O makes a charge of 1.5% of the hammer price plus VAT. The liability written statement of defects. If we are satisfied from the evidence provided assumed by K & O shall be limited to the lower pre-sale estimate or the that the lot is a deliberate forgery we shall refund the money paid by you hammer price if the lot is sold. for the lot including any buyer’s premium. b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and 7. THIRD PARTY LIABILITY until the property in them passes to the Buyer or they are collected by or Every person on K & O premises before, during or after a sale shall be deemed on behalf of the owner, and clause 5(a) is inapplicable. to be there at their own risk and shall have no claim against K & O in respect of any injury they may sustain or any accident which may occur. 6. ILLUSTRATIONS
The cost of any illustrations is borne by you. If we consider that the lot 8. DISPUTES should be illustrated your permission will be asked first. The copyright in Any dispute not covered in these terms of business will be settled at the respect of such illustrations shall be the property of us, the auctioneers, as sole discretion of K & O. is the text of the catalogue. 9. GENERAL We shall have the right at our discretion, to refuse admission to our 7. MINIMUM BIDS AND OUR DISCRETION premises or attendance at our auctions by any person. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the a) Any right to compensation for losses liabilities and expenses incurred in reserve provided if we can account to you for the same sale proceeds as respect of and as a result of any breach of the Conditions and any you would have received had the reserve been the hammer price. If you exclusions provided by them shall be available to the seller and/or the specifically give us a “discretion” we may accept a bid of up to 10% below auctioneer as appropriate. the formal reserve.
Additional information can be found at www.kinghamandorme.com 87
8. RESERVES 18. SETTLEMENT a) You are entitled to place prior to the auction a reserve on any lot Subject to funds having cleared in our account we aim to pay you no later consigned, being the minimum hammer price at which that lot may be sold. than four weeks following the sale. If the buyer has not paid for the goods Reserves must be reasonable and we may decline to offer goods which in no settlement will be made but we will take your instructions in the light of our opinion would be subject to unreasonably high reserves {in which case our Conditions of Sale. You authorise any sums owed by you to us on other goods carry the storage (Condition 17) and loss damage warranty transactions to be deducted from the sale proceeds. Please note the liability (Condition 5(a) charges as stipulated in these Terms of Consignment}. to reimburse the proceeds of sale to us as under the circumstances b) A reserve once set cannot be changed except with our consent. provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale. c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid INFORMATION FOR BUYERS personally. d) Reserves are not usually accepted for lots expected to realise below £50. 1. INTRODUCTION The following notes are intended to assist buyers particularly those who 9. ELECTRICAL ITEMS may be inexperienced or new to our saleroom. All sales are conducted in These are subject to detailed statutory safety controls. Where such items accordance with our Conditions of Sale. Our staff will be happy to help are accepted for sale you accept responsibility for the cost of testing by you with anything you do not fully understand. external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your 2. AGENCY expense on your being notified. We reserve the right to dispose of unsafe As auctioneers we usually contract as agents for the seller whose identity, goods as refuse, at your expense. for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller. 10. SOFT FURNISHINGS The sale of soft furnishings is strictly regulated by statute law in the interests 3. THE BUYER of fire safety. Goods found to infringe safety regulations will not be offered The highest bidder acknowledged as such by the auctioneer will be the and must be removed at your expense. We reserve the right to dispose of buyer. If any dispute arises, the auctioneer has absolute discretion to settle unsafe goods as refuse, at your expense.The rights of disposal referred to the matter. The auctioneer rules the bidding and bids cannot be retracted. in clauses 9 and 10 are subject to the provisions of The Torts (Interference The auctioneer reserves the right to refuse any bid. with Goods) Act 1977, Schedule 1, a copy of which is available for The successful bidder, whether bidding for himself or for a third party, is inspection upon request. entirely responsible for paying for the lots they have bought in accordance with K & O’s Conditions of Sale and Business. The auctioneer reserves the 11. DESCRIPTIONS right to bid on behalf of the sellers for any lot and to withdraw, consolidate Please assist us with accurate information as to the provenance etc. of or divide any lot or lots. goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some 4. REGISTRATION circumstances responsibility lies with sellers if inaccuracies occur. We will Unless registered already on a bidding platform, it is essential that all assume that you have approved the catalogue description of your lots prospective buyers register with us, giving their full name, address, contact unless informed to the contrary. Where we are obliged to return the price telephone number(s) and email address. First time buyers will be required to to the buyer when the lot is a deliberate forgery under Condition 4 of the provide proof of identity (i.e. driving licence/passport), a valid debit or credit Conditions of Sale and we have accounted to you for the proceeds of sale card and a copy of a utility bill confirming their name and address. Upon you agree to reimburse us the sale proceeds. receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during 12. UNSOLD ITEMS the sale. If successful, the bidder must ensure that their number can be seen If an item is unsold it may at our discretion be re-offered at a future sale. by the Auctioneer and that it is their number that is called out. Should there Where in our opinion an item is unsaleable you must collect such items be any doubts as to price or buyer, please draw the Auctioneer’s attention from the saleroom promptly on being so informed. Otherwise, storage to it immediately. charges may be incurred. 5. BUYER’S PREMIUM - COMMISSION CHARGES 13. WITHDRAWN AND BOUGHT IN ITEMS There is a buyer’s premium of 23 per cent plus VAT on the hammer price These are liable to incur charges on being bought in or withdrawn after of each lot up to and including £200,000. The buyer’s premium is 18% being catalogued. plus VAT on the hammer price of each lot on the excess of £200,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on 14. CONDITIONS OF SALE the hammer price of each lot on the excess of £1,000,001. You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as 6. VALUE ADDED TAX owner or agent for the owner. You undertake to compensate us and any Lots on which the buyer may have to pay VAT on the ‘hammer price’ are buyer or third party for all losses, liabilities and expenses incurred in respect indicated in the catalogue with the following symbol *. The buyer must pay of and as a result of any breach of this undertaking. this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon. 15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST 7. AUCTIONEERS MARGIN SCHEME You authorise us to deduct commission at the stated rate and all expenses This scheme allows auctioneers to sell items without VAT on the hammer incurred from your account from the hammer price and consent to our price. The buyer then pays an amount equivalent to VAT. This amount right to retain beneficially the premium paid by the buyer in accordance cannot be refunded and is not shown separately on the invoice. with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate 8. PAYMENT a sale by private treaty not later than the close of business 48 hours after Buyers must pay in full before items can be removed from the premises the day of sale in the case of lots unsold at auction, in which case the same (please see “payment methods” below). charges will be payable as if such lots had been sold at auction and so far Invoices will be issued from the day of the sale. Buyers must pay their as appropriate these Terms apply. invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur 17. STORAGE interest at 5% above the base rate, charged from the date of the sale. If We disclaim all liability for goods delivered to our saleroom without buyers are unknown to us, we cannot hand over purchases unless we have sufficient sale instructions and reserve the right to make storage charges. adequate references or payment is cleared.
Additional information can be found at www.kinghamandorme.com 88
Payment Methods 14. STORAGE AND COLLECTION We accept payment by: Please note all items after the auction will be removed to store. Cash – up to £9,000 (subject to money laundering regulations). Arrangements for collection can be made with the office. Cheques – bankers draft, cashiers cheque, personal cheques and travellers cheques are all accepted. 15. ELECTRICAL GOODS AND SOFT FURNISHINGS Credit cards – Visa or Mastercard (American Express or Diners Club not These are sold as ‘antiques’ only and if bought for use must be checked accepted). over for compliance with safety regulations. Debit cards – Visa, Delta, Switch, Connect Please note that we are unable to accept any card payments where the 16. EXPORT OF GOODS cardholder is not present. Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing Bank transfer to: goods of that character because e.g. they may contain prohibited materials HSBC Bank, Bridge St, Evesham WR11 4RU such as ivory. Ask us if you need help. Account no.: 51655345 Account name: Kingham & Orme Auctioneers Ltd 17. PACKING AND DESPATCH Sort code: 40-20-27 We offer a packing and despatch service for smaller lots. We also use IBAN: GB91MIDL40202751655345 national and local carriers. Further details can be obtained from our office. SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payment. 18. DROIT DE SUITE ROYALTY CHARGES A work of art by a living artist, or those who have died within the last 70 9. LIVE INTERNET BIDDING years, which costs more than the UK sterling equivalent of €1,000 will Live online auctions are in conjunction with the-saleroom.com, incur a royalty charge. We pass this payment onto the Design and Artists invaluable.com and easyliveauction.com Copyright Society (DACS), and do not charge a handling fee. Buyers can We ask that you register for the sale a minimum of 24 hours before the calculate royalty charges on the DACS website. auction. Items marked with the † symbol in the catalogue will potentially incur When you have registered, you can watch the auction in real time; simply royalty payments. click the bid button to place a bid. We use the euro to UK sterling exchange rate which applies on the day of If your bid is successful we will notify you after the sale for payment. the sale. It is the buyer’s responsibility to check the relevant exchange rate. Charges will be made for internet bidding dependent on the auction The actual qualifying threshold is calculated by the Artist’s Resale Right platform. See their terms and conditions for details. Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on the DACS website. 10. TRANSFER OF RISK The royalty charge for pictures which achieve a hammer price of more than Each lot is the buyer’s sole responsibility from the fall of the hammer. the UK sterling equivalent of €1,000, but less that the UK sterling equivalent of €50,000 is 4%. On works of art that achieve a hammer price of more 11. COMMISSION BIDS than the UK sterling equivalent of €50,000 a sliding scale of royalty If instructed, K & O will execute bids and advise prospective buyers. charges applies. For a complete list of the royalty charges and threshold This service is free. levels please download more information from the DACS website. Buyers who cannot come to a sale may leave their bid with our staff The royalty charge is added to invoices, and must be paid before after/during viewing, or make their bid in advance by telephone or email purchases are removed. VAT is not paid on royalty charges. ([email protected]). Such bids are placed at the buyer’s own risk. 19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING Bids must be made at least one hour before the sale starts, but we advise AND NATURAL HISTORY buyers to make bids at the earliest possible opportunity. When making Clients intending to import/export any item derived from natural history bids, buyers must provide: specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Their full name Address Certain species (λ) are also subject to CITES regulations when exporting/ Email address importing these items out of the EU. CITES regulations are given on Contact telephone numbers www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife The number of the lot they wish to buy Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 Their maximum bid amount – excluding commission which will be added The Square, Bristol BS1 6EB. Those species that are covered by the US to the invoice afterwards Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Buyers must state what their maximum bid would be. We cannot accept Services) for trade/possession restrictions in the US prior to bidding. an instruction to ‘buy’ or unlimited bid.
We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis.
12. TELEPHONE BIDS Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line.
13. DATA PROTECTION K & O will use information provided by its clients or obtained by K & O relating to its clients for the provision of auction services or as required by law. K & O may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that K & O may use sensitive information that they supply to K & O. Unless permitted by law, K & O will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.
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KINGHAM AND ORME CALL ON 01386 244224 OR EMAIL [email protected]
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