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CAST MEMBERS

  • 1.GERRIE
  • 38.COMMENTATOR #2.

39.COMMENTATOR #3 40.COMMENTATOR #4 42.DOKE'S TRAINER 43.DRIVER
80.MOUSIE REPORTER 81.NBC JOURNALIST 82.NURSE
2.RINA 3.FLIP 4.UNCLE FIELIE 5.MEISIE
83.OFFICER #1 84.OFFICER #2

  • 6.HAL
  • 45.FEMALE GUEST

46.GEORGE
85.PASSENGER

  • 86.PASTOR
  • 7.KALLIE

  • 8.RANDY
  • 47.GIRL #1
  • 87.PERCIFIELD

  • 9.DON KING
  • 48.GUARD #1
  • 88.POLICE VAN DRIVER

  • 89.POLICEMAN
  • 10.DON
  • 49.GUARD #2

11.FAROUK KHAN 12.BEVERLY

  • 50.GUEST #3
  • 90.REFEREE

  • 51.HANNAH
  • 91.REPORTER

13.ANNOUNCER 14.BERTIE
52.HOTEL STAFF MEMBER 53.JOCK LEWIN 54.JOHN TATE
92.REPORTER #1 93.REPORTER #2 94.REPORTER #3 95.REPORTER #4 96.REVERENT BESTER 97.RING ANNOUNCER 98.SAMMY
15.BOB ARUM

  • 16.BRIGGS
  • 55.JOURNALIST

56.JOURNALIST #1 57.JOURNALIST #2 58.JOURNALIST #3 59.JOURNALIST #4 60.JOURNALIST #5 61.JOURNO
17.CEDRIC 18.CONNIE 19.CURTIS COKES

  • 20.CUT MAN
  • 99.SNIPES

  • 21.DI
  • 100.SOL KERZNER

101.SOWETO BULL 102.SPECTATOR #1 103.SPECTATOR #2 104.STRANGER
22.DOCTOR 23.DR BOONZAAIER 24.ELLA
62.KALLIE FAN #1 63.KALLIE FAN #2

  • 64.KLOPPER
  • 25.KUSHNER

26.TONY WOLF 27.A GERRIE SUPPORTER 28.ALL OTHER JOURNOS 29.ANDREW
65.LEON SPINKS 66.LINCOLN
105.TV CAMERAMAN 106.TV JOURNALIST 107.TV JOURNALIST #1 108.TV JOURNALIST #2 109.VISITOR
67.MANDELA 68.MCCOY
30.ASSISTANT HOTEL MANAGER 31.AUDIENCE MEMBER 32.BLACK JOURNALIST. 33.BOARD OF CONTROL. 34.BRAND MANAGER 35.COMMENTATOR #1 36.COMMENTATOR #1. 37.COMMENTATOR #2
69.MELANIE 70.MEMBER IN CROWD 71.MIKE WEAVER 72.MILLER
110.WAITRESS 111.WEAVER'S COACH 112.WHITE BOXING FAN.

  • 113.WINSTON
  • 73.MINI SKIRTED GIRL

  • 74.MINISTER
  • 114.YOUTH #1

78.MOHAMED ALI 79.MOUSIE JOURNO
115.YOUTH #2

Sheet #: 2

2 2/8 pgs

Sheet #: 26

4/8 pgs
Scenes:

3, 4, 20, 35, 37 1, 35, 37, 112 1, 4, 12, 26

Est. Time Est. Time Est. Time
INT

ROODEPOORT-RAND STADIUM-BOXING RING ROODEPOORT-RAND STADIUM-BOXING AREN ROODEPOORT-RAND STADIUM-BOXING AREN

1

Night
Scenes:
INT

25

Day

Sheet #: 28

7/8 pgs
Scenes:
INT

27

Day

End of Shooting Day 1 -- Monday, 2 March 2020 -- 3 5/8 Pages -- Time Estimate: 0:00

Sheet #: 52

3 5/8 pgs

Sheet #: 53

3/8 pgs
Scenes:

1, 2, 3, 4, 6, 19, 87

  • Est. Time
  • INT

ROODEPOORT-RAND STADIUM-BOXING AREN

51

Night
Scenes:

1, 35, 37

Est. Time
INT

ROODEPOORT-RAND STADIUM-BOXING AREN

52

Night

End of Shooting Day 2 -- Tuesday, 3 March 2020 -- 4 Pages -- Time Estimate: 0:00

Sheet #: 39

1 3/8 pgs

Sheet #: 41

4/8 pgs
Scenes:

1, 5, 6, 7, 26, 35, 62, 63, 97

Est. Time Est. Time Est. Time Est. Time Est. Time Est. Time Est. Time
INT

ROODEPOORT-RAND STADIUM-WALKWAY ROODEPOORT-RAND STADIUM-BOXING AREA ROODEPOORT-RAND STADIUM-BOXING AREA ROODEPOORT-RAND STADIUM-PARKING ARE ROODEPOORT-RAND STADIUM-BOXING AREA ROODEPOORT-RAND STADIUM-BOXING AREN ROODEPOORT-RAND STADIUM-BOXING AREN

38

Night
Scenes:

1, 7

INT

40

Night

Sheet #: 44

2/8 pgs
Scenes:

1, 7

INT

43

Night

Sheet #: 45

2/8 pgs
Scenes:

4, 12, 89

EXT

44

Night

Sheet #: 46

pgs
Scenes:

3, 4, 7, 12, 13, 97

INT

45

Night

Sheet #: 62

2/8 pgs
Scenes:

7, 54 7

INT

61

Night

Sheet #: 64

3/8 pgs
Scenes:
INT

63

Night

End of Shooting Day 3 -- Wednesday, 4 March 2020 -- 3 Pages -- Time Estimate: 0:00

Sheet #: 17

2 2/8 pgs

Sheet #: 18

1 3/8 pgs
Scenes:

1, 3, 4, 5, 20, 35, 37

Est. Time
INT

BOKSBURG-BOXING RING-1976

16

Night
Scenes:

1, 3, 4, 5, 7, 26, 35, 37, 97

Est. Time
INT

BOKSBURG-BOXING RING-1976

17

Night

End of Shooting Day 4 -- Thursday, 5 March 2020 -- 3 5/8 Pages -- Time Estimate: 0:00

Sheet #: 93

2 pgs
Scenes:

1, 2, 3, 4, 20, 39, 40, 71, 111

Est. Time
INT

SUN CITY-BOXING ARENA

92

Night

End of Shooting Day 5 -- Friday, 6 March 2020 -- 2 Pages -- Time Estimate: 0:00

Sheet #: 3

1 4/8 pgs
Scenes:

1, 3, 4, 5

Est. Time
INT

BOKSBURG PRIMARY SCHOOL-HALL-1964

2

Night

Sheet #: 4

1 1/8 pgs
Scenes:

3, 4, 18

Est. Time
EXT

BOKSBURG PRIMARY SCHOOL-HALL-1964

3

Night

End of Shooting Day 6 -- Saturday, 7 March 2020 -- 2 5/8 Pages -- Time Estimate: 0:00

Sheet #: 11

1/8 pgs
Scenes:

1, 5, 17

Est. Time Est. Time Est. Time Est. Time Est. Time
EXT

BOKSBURG-THE COETZEE HOUSE-BACKYARD BOKSBURG-THE COETZEE'S HOUSE-BACKYA BOKSBURG-THE COETZEE HOUSE-LIVING RO BOKSBURG-THE COETZEE HOUSE-GYM-1964 BOKSBURG-THE COETZEE HOUSE-GYM-1964

10

Night

Sheet #: 14

2/8 pgs
Scenes:

4, 5

EXT Day

13

Sheet #: 12

1 1/8 pgs

Sheet #: 13

2/8 pgs
Scenes:

1, 3, 17 1, 3, 4, 17 1, 17

INT

11

Day
Scenes:
INT

12

Day

Sheet #: 10

5/8 pgs
Scenes:
INT

9

Day

End of Shooting Day 7 -- Monday, 9 March 2020 -- 2 3/8 Pages -- Time Estimate: 0:00

Sheet #: 15

2 6/8 pgs
Scenes:

1, 3, 4, 5, 17

BOKSBURG-THE COETZEE HOUSE-GYM-1964

Est. Time
INT

14

Day

End of Shooting Day 8 -- Tuesday, 10 March 2020 -- 2 6/8 Pages -- Time Estimate: 0:00

Sheet #: 29

1 4/8 pgs

Sheet #: 30

1 3/8 pgs
Scenes:

1, 2, 24, 98

Est. Time
INT

GERMISTON-BOXING CLUB

28

Day
Scenes:

1, 2, 24

Est. Time
EXT

Day

GERMISTON-BOXING CLUB

29

End of Shooting Day 9 -- Wednesday, 11 March 2020 -- 2 7/8 Pages -- Time Estimate: 0:00

Sheet #: 19

7/8 pgs
Scenes:

3, 5, 22

Est. Time
INT

BOKSBURG-PARK LANE HOSPITAL-1976

18

End of Shooting Day 10 -- Thursday, 12 March 2020 -- 7/8 Pages -- Time Estimate: 0:00

Sheet #: 25

5/8 pgs
Scenes:

1, 3

Est. Time Est. Time Est. Time Est. Time Est. Time
EXT Day

BOKSBURG-STREET

24

Sheet #: 27

2/8 pgs
Scenes:
EXT

Day

ROODEPOORT-CITY STREET BOKSBURG-STREET

26

Sheet #: 33

1/8 pgs
Scenes:
EXT

32

Night

Sheet #: 35

6/8 pgs
Scenes:

1, 2 1, 2

EXT

BOKSBURG-STREET

34

Night

Sheet #: 34

1 3/8 pgs
Scenes:

INT/EX BOKSBURG-GERRIE CAR-STREET

Night

33

End of Shooting Day 11 -- Friday, 13 March 2020 -- 3 1/8 Pages -- Time Estimate: 0:00

Sheet #: 20

1 3/8 pgs
Scenes:

1, 4, 82

BOKSBURG-PARKLANE HOSPITAL-GERRIE RO

Est. Time
INT

19

End of Shooting Day 12 -- Monday, 16 March 2020 -- 1 3/8 Pages -- Time Estimate: 0:00

Sheet #: 59

pgs
Scenes:

1, 3, 4, 6, 53, 101

Est. Time Est. Time Est. Time Est. Time Est. Time
INT

BOKSBURG-GERRIE'S GYM

58

Day

Sheet #: 63

3/8 pgs
Scenes:

1, 5, 8

INT

BOKSBURG-GERRIE'S HOUSE-LOUNGE BOKSBURG-GERRIE'S HOUSE-LOUNGE BOKSBURG-GERRIE HOUSE-BEDROOM BOKSBURG-GERRIE HOUSE-LIVINGROOM

62

Night

Sheet #: 65

2/8 pgs
Scenes:

1

INT

64

Night

Sheet #: 50

1 3/8 pgs

Sheet #: 51

7/8 pgs
Scenes:

1, 2 1, 2

INT

49

Day
Scenes:
INT

50

Day

End of Shooting Day 13 -- Tuesday, 17 March 2020 -- 2 7/8 Pages -- Time Estimate: 0:00

Sheet #: 21

3 pgs
Scenes:

7, 11, 28, 29, 61, 79, 113

Est. Time
INT

BOKSBURG-RESTAURANT-1976

20

Day

End of Shooting Day 14 -- Wednesday, 18 March 2020 -- 3 Pages -- Time Estimate: 0:00

Sheet #: 57

2 1/8 pgs

Sheet #: 61

pgs
Scenes:

7, 80, 92, 93, 94, 95

Est. Time
INT

BOKSBURG-KALLIE KNOETZE HOUSE-LIVING

56

Day
Scenes:

7, 10, 56, 109

Est. Time
INT

BOKSBURG-KALLIE'S TRAINING GYM

60

Day

End of Shooting Day 15 -- Thursday, 19 March 2020 -- 2 1/8 Pages -- Time Estimate: 0:00

Sheet #: 22

2/8 pgs
Scenes:

4

Est. Time
EXT

Day

THE COETZEE'S NEW HOME

21

Sheet #: 23

2 3/8 pgs
Scenes:

1, 3, 4, 5

  • Est. Time
  • INT

THE COETZEE'S-LIVING ROOM DINING AREA

22

Day

End of Shooting Day 16 -- Friday, 20 March 2020 -- 2 5/8 Pages -- Time Estimate: 0:00

Sheet #: 47

1 4/8 pgs

Sheet #: 31

1 4/8 pgs

Sheet #: 32

7/8 pgs
Scenes:

1, 2

Est. Time Est. Time Est. Time
EXT Day

BOKSBURG-RINA'S HOUSE

46

Scenes:

1, 2, 14, 24, 46 1, 2, 14, 24, 114, 115

EXT

BRAKPAN-BIRTHDAY PARTY VENUE BRAKPAN-BIRTHDAY PARTY VENUE

30

Night
Scenes:
INT

31

Night

End of Shooting Day 17 -- Saturday, 21 March 2020 -- 3 7/8 Pages -- Time Estimate: 0:00

Sheet #: 49

3/8 pgs
Scenes:

1, 2, 96

Est. Time
INT

BOKSBURG-CHURCH

48

Day

Sheet #: 78

1 pgs
Scenes:

1, 2, 3, 4, 8, 34, 69, 101

Est. Time Est. Time Est. Time Est. Time
INT

BOKSBURG-EVENT CENTRE SOUTH AFRICA-BOKSBURG BOKSBURG-STREETS-FIREWORKS BOKSBURG-MINEDUMP-1964

77

Day

Sheet #: 117

2/8 pgs
Scenes:

4

EXT

116

Night

Sheet #: 124

2/8 pgs
Scenes:

74

EXT

123

Night

Sheet #: 5

1/8 pgs
Scenes:
EXT

Day

4

End of Shooting Day 18 -- Monday, 23 March 2020 -- 2 Pages -- Time Estimate: 0:00

Sheet #: 6

1/8 pgs

  • Scenes:
  • Est. Time

Est. Time Est. Time Est. Time Est. Time
EXT Day

BOKSBURG-GOLD MINE-1964 BOKSBURG-MINE SHAFT-1964 BOKSBURG-MINE-1964

5

Sheet #: 7

1/8 pgs
Scenes:
EXT

Day

6

Sheet #: 8

1/8 pgs
Scenes:
INT

7

Day

Sheet #: 9

1/8 pgs
Scenes:
INT

BOKSBURG-GOLD SMELT-1964

8

Day

Sheet #: 16

2/8 pgs
Scenes:

1

INT/EX MONTAGE 1964 TO 1976

Day

15

End of Shooting Day 19 -- Tuesday, 24 March 2020 -- 6/8 Pages -- Time Estimate: 0:00

Sheet #: 36

2 5/8 pgs
Scenes:

1, 3, 4, 7, 11, 33, 48, 49, 80, 91

Est. Time
EXT

Day

BOXING BOARD OF CONTROL-OFFICE

35

End of Shooting Day 20 -- Wednesday, 25 March 2020 -- 2 5/8 Pages -- Time Estimate: 0:00

Sheet #: 37

3 4/8 pgs
Scenes:

3, 4, 31, 55, 64, 74

Est. Time
EXT

Day

BOXING BOARD OF CONTROL-CONFERENCE

36

End of Shooting Day 21 -- Thursday, 26 March 2020 -- 3 4/8 Pages -- Time Estimate: 0:00

Sheet #: 54

4 1/8 pgs
Scenes:

3, 4, 6, 53, 64, 83, 84

Est. Time
INT

BOXING BOARD OF CONTROL-OFFICE

53

Day

End of Shooting Day 22 -- Friday, 27 March 2020 -- 4 1/8 Pages -- Time Estimate: 0:00

Sheet #: 38

5/8 pgs

Sheet #: 40

pgs
Scenes:

4, 12

Est. Time Est. Time Est. Time Est. Time
EXT

ROODEPOORT-STREET

37

Night
Scenes:

4, 12, 88, 89 4, 89

EXT

ROODEPORRT-STREET

39

Night

Sheet #: 42

1/8 pgs
Scenes:

INT/EX ROODEPOORT-THE POLICE VAN

Night

41

Sheet #: 43

1/8 pgs
Scenes:

INT/EX ROODEPOORT-THE POLICE VAN

Night

42

Sheet #: 121

3/8 pgs
Scenes:

36, 89

Est. Time
INT

ROODEPOORT-POLICE VAN

120

Night

End of Shooting Day 23 -- Monday, 30 March 2020 -- 1 2/8 Pages -- Time Estimate: 0:00

Sheet #: 55

2 4/8 pgs

Sheet #: 56

2/8 pgs
Scenes:

1, 2, 23 1, 2, 82 1, 2, 23

Est. Time Est. Time Est. Time
INT

JOHANNESBURG-DR BOONZAAIER'S CONSUL JOHANNESBURG-HOSPITAL-RECOVERY ROO JOHANNESBURG-HOSPITAL-RECOVERY ROO

54

Day
Scenes:
INT

55

Day

Sheet #: 58

7/8 pgs

  • Scenes:
  • INT

57

Day

End of Shooting Day 24 -- Tuesday, 31 March 2020 -- 3 5/8 Pages -- Time Estimate: 0:00

Sheet #: 60

6/8 pgs
Scenes:

1, 2, 6, 8, 70, 101

Est. Time Est. Time Est. Time Est. Time Est. Time
INT

JOHANNESBURG-JAN SMUTS AIRPORT-ARRIV

59

Day

Sheet #: 94

pgs
Scenes:

43, 85

EXT

JOHANNESBURG-STREET

93

Night

Sheet #: 95

2/8 pgs
Scenes:

6, 43

INT

JOHANNESBURG-MERCEDES JOHANNESBURG-STREET

94

Night

Sheet #: 96

2/8 pgs

  • Scenes:
  • EXT

95

Night

Sheet #: 97

2 3/8 pgs
Scenes:

1, 2, 3, 4, 5, 10, 21, 51

EXT Day

JOHANNESBURG-GRAVEYARD

96

End of Shooting Day 25 -- Wednesday, 1 April 2020 -- 3 5/8 Pages -- Time Estimate: 0:00

Sheet #: 108

1 7/8 pgs

Sheet #: 119

3/8 pgs
Scenes:

1, 4, 47

Est. Time Est. Time Est. Time Est. Time
EXT Day

JHB HOSPITAL WARDAND NYC HOTEL

107

Scenes:

36, 38

EXT

SOUTH AFRICA-SOWETO

118

Night

Sheet #: 24

1/8 pgs

  • Scenes:
  • EXT

Day

SOWETO-UPRISING-1976

23

Sheet #: 122

3/8 pgs
Scenes:

39

EXT

JOHANNEBSURG-BUILDING SITE-NIGHT WATC

121

Night

End of Shooting Day 26 -- Thursday, 2 April 2020 -- 2 6/8 Pages -- Time Estimate: 0:00

Sheet #: 80

3 pgs
Scenes:

1, 4, 26, 27, 32, 54, 56, 57, 58, 60, 81, 105, 106

Est. Time
INT

PRETORIA-LOFTUS VERSVELD-WEIGH-INN HA

79

Day

End of Shooting Day 27 -- Friday, 3 April 2020 -- 3 Pages -- Time Estimate: 0:00

Sheet #: 81

7/8 pgs
Scenes:

26, 55, 91, 107, 108

  • Est. Time
  • EXT

Day

PRETORIA-LOFTUS VERSFELD-STADIUM GAT

80

Sheet #: 82

2 5/8 pgs
Scenes:

1, 2, 3, 4, 5, 13, 54, 72, 91, 97, 102, 103

Est. Time
EXT

Day

PRETORIA-LOFTUS VERSFELD-BOXING AREA

81

End of Shooting Day 28 -- Saturday, 4 April 2020 -- 3 4/8 Pages -- Time Estimate: 0:00

Sheet #: 85

1 6/8 pgs

Sheet #: 86

1 6/8 pgs

Sheet #: 84

1/8 pgs
Scenes:

6, 10

Est. Time Est. Time Est. Time Est. Time
INT

PRETORIA-UNION BUILDINGS-DON'S OFFICE PRETORIA-UNION BUILDINGS-DON'S OFFICE B PRETORIA-UNION BUILDINGS

84

Day
Scenes:

6, 10

EXT Day

85

Scenes:
EXT

Day

83

Sheet #: 83

2/8 pgs
Scenes:

26, 54

EXT

PRETORIA-STREET-DARK CORNER

82

Night

End of Shooting Day 29 -- Monday, 6 April 2020 -- 3 7/8 Pages -- Time Estimate: 0:00

Sheet #: 66

2/8 pgs

  • Scenes:
  • Est. Time

Est. Time Est. Time Est. Time Est. Time
EXT Day

MONTE CARLO

65

Sheet #: 72

1/8 pgs
Scenes:
EXT

MONTE CARLO-CITY

71

Sheet #: 69

pgs
Scenes:

6, 10

INT

MONTE CARLO-CASINO MONTE CARLO-CASINO MONTE CARLO-CASINO-COFEE SHOP

68

Night

Sheet #: 67

6/8 pgs
Scenes:

1, 3, 6, 8, 11 1, 8, 11

INT

66

Day

Sheet #: 68

1 7/8 pgs
Scenes:
INT

67

Day

End of Shooting Day 30 -- Tuesday, 7 April 2020 -- 3 Pages -- Time Estimate: 0:00

Sheet #: 70

2 1/8 pgs

Sheet #: 71

1 1/8 pgs
Scenes:

1, 11, 30, 52

Est. Time
INT

MONTE CARLO-FAROUK'S HOTEL ROOM

69

Day
Scenes:

1, 6, 7, 8

Est. Time
INT

MONTE CARLO-HOTEL CORRIDOR

70

Day

End of Shooting Day 31 -- Wednesday, 8 April 2020 -- 3 2/8 Pages -- Time Estimate: 0:00

Sheet #: 73

1 1/8 pgs

Sheet #: 74

2 6/8 pgs
Scenes:

1, 4

Est. Time
INT

MONTE CARLO AND GERRIE'S HOUSE

72

Day
Scenes:

1, 2, 3, 4, 5, 7, 12, 35, 37

Est. Time
INT

MONTE CARLO AND GERRIE'S HOUSE

73

Day

End of Shooting Day 32 -- Thursday, 9 April 2020 -- 3 7/8 Pages -- Time Estimate: 0:00

Sheet #: 75

3 3/8 pgs

Sheet #: 76

7/8 pgs
Scenes:

1, 2, 3, 6, 8, 10, 11, 23, 69, 73

Est. Time
INT

MONTE CARLO-HOTEL-LOUNGE

74

Night
Scenes:

1, 6, 8, 54, 65

  • Est. Time
  • INT

MONTE CARLO-HOTEL-SMALL LOUNGE

75

Night

End of Shooting Day 33 -- Friday, 10 April 2020 -- 4 2/8 Pages -- Time Estimate: 0:00

Sheet #: 87

1/8 pgs

  • Scenes:
  • Est. Time

Est. Time Est. Time Est. Time Est. Time
EXT Day

LAS VEGAS-EVENT CENTRE LAS VEGAS-STRIP

86

Sheet #: 91

2/8 pgs
Scenes:
EXT

90

Night

Sheet #: 88

2/8 pgs
Scenes:

1, 4, 8, 69

INT

LAS VEGAS-EVENT CENTRE-BOXING RING LAS VEGAS-EVENT CENTRE-RECEPTION ARE LAS VEGAS-GYM

87

Day

Sheet #: 89

1 2/8 pgs

Sheet #: 92

6/8 pgs
Scenes:

1, 2, 8, 9, 45, 69, 78

INT

88

Day
Scenes:

1, 2

INT

91

Night

End of Shooting Day 34 -- Monday, 13 April 2020 -- 2 5/8 Pages -- Time Estimate: 0:00

Sheet #: 90

3 4/8 pgs
Scenes:

1, 2, 4, 7, 8, 9, 50, 55, 59, 69

Est. Time
INT

LAS VEGAS-EVENT CENTRE-LOUNGE AREA

89

Day

End of Shooting Day 35 -- Tuesday, 14 April 2020 -- 3 4/8 Pages -- Time Estimate: 0:00

Sheet #: 77

2 5/8 pgs

Sheet #: 79

1 6/8 pgs
Scenes:

10, 15, 74, 100

Est. Time
EXT

Day

SPORTS CLUB-GOLF COURSE

76

Scenes:

10, 15, 74, 100

  • Est. Time
  • EXT

Day

SPORTS CLUB-GOLF COURSE-CLUB HOUSE

78

End of Shooting Day 36 -- Wednesday, 15 April 2020 -- 4 3/8 Pages -- Time Estimate: 0:00

Sheet #: 98

2/8 pgs

  • Scenes:
  • Est. Time

Est. Time Est. Time
EXT Day

NYC-TARRY TOWN-WESTCHESTER THEATRE NYC-TARRY TOWN-JOHNNY'S SEA FOOD TRU NYC-TARRY TOEN-WESTCHESTER THEATER

97

Sheet #: 99

3/8 pgs
Scenes:

1, 2, 16

INT

98

Day

Sheet #: 100

3 3/8 pgs
Scenes:

1, 2, 13, 16, 25, 60, 90, 91, 99

INT

99

Day

End of Shooting Day 37 -- Thursday, 16 April 2020 -- 4 Pages -- Time Estimate: 0:00

Sheet #: 109

1/8 pgs

  • Scenes:
  • Est. Time

Est. Time Est. Time Est. Time Est. Time
EXT Day

NYC-SKYSCRAPER

108

Sheet #: 102

1/8 pgs
Scenes:
EXT

Day

NYC-JFK INT AIRPORT

101

Sheet #: 103

5/8 pgs
Scenes:

4, 66 4, 66 1, 9

INT

NYC-JFK INT AIRPORT-ARRIVAL HALL NYC-LIMOUSINE

102

Day

Sheet #: 104

7/8 pgs
Scenes:
INT

103

Day

Sheet #: 106

4/8 pgs

  • Scenes:
  • INT

NYC LIMOUSINE AND GERRIES HOUSE

105

Day

End of Shooting Day 38 -- Friday, 17 April 2020 -- 2 2/8 Pages -- Time Estimate: 0:00

Sheet #: 111

1/8 pgs

  • Scenes:
  • Est. Time

Est. Time Est. Time Est. Time Est. Time
EXT Day

NYC-CENTRAL PARK NYC-CENTRAL PARK NYC-CASINO

110

Sheet #: 112

1/8 pgs
Scenes:

1, 2 4

EXT Day

111

Sheet #: 105

1/8 pgs
Scenes:
INT

104

Night

Sheet #: 110

pgs
Scenes:

1, 9 9, 25

INT

NYC-DON KING'S OFFICE NYC-DON KING'S OFFICE

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    UNITED NATIONS UNITED NATIONS CENTRE AGAINST APARTHEID co NOTES ANQ J0DMM. NTS* i%, FEB 1I 1986 September 1985 REGISTER OF SPORTS CONTACT WITH SOUTH AFRICA 1 July - 31 December 1984 rote: Pursuant to a decision Anartheid has been publishing with South Africa. in 1980, the Special Committee against semi-annual registers of sports contacts The present register, as the previous ones, contains: A list of sports exchanges with South Africa arranged by the code of sports; A list of sportmen and sportswomen who participated in sport events in South Africa, arranged by country. Names of persons who undertake not to engage in further sports events in South Africa will be deleted from the register.7 *All materiai in these Notes and Documents may be freely reprinted. Acknowledgement, together with a copy of the publication containing the reprint, would be appreciated. United Nations. New York 10017 7/85 85-24614 CONTENTS Page INTRODUCTION ............. ............................ 1 South African propaganda .......... .................... 1 I. THE REALITY IN SOUTH AFRICA .... ................ ..... 2 A. Media reporting ........... ........................ 2 B. Laws and regulations ............ C. Co-operation with apartheid sport ............... 3 D. Sports in schools ........... ....................... 4 E. Cricket ............ ............................ 4 F. Football ................ ...........5 G. Golf ........ ....... .............5 H. Sailing ............. ............................ 5 I. Tennis . .......... ...... ...........5 II. SOUTH AFRICA AND THE OLYMPIC MOVEMENT ..... ............ 6 III. INTERNATIONAL COMPETITION BY DECEPTION ..... ........... 7 IV. THE COMMONWEALTH GAMES FEDERATION ...... .............. 8 V. INTERNATIONAL ACTION AGAINST APARTHEID SPORT .... ........ 8 VI. DELETIONS FROM THE REGISTER .......................... 10 A. The case of Mr. Walter Hadlee .................... .11 13. Clarification ......... ...................... .11 Annexes I. List of sports exchanges with South Africa from 1 July to 31 Jecember 1984 II.
  • Status of NASA's Earth Science Enterprise

    Status of NASA's Earth Science Enterprise

    rvin bse g S O ys th t r e a m E THE EARTH OBSERVER A Bimonthly EOS Publication July/August 1999 Vol. 11 No. 4 In this issue EDITOR’S CORNER Michael King SCIENCE TEAM MEETINGS EOS Senior Project Scientist Minutes of The Fifteenth Earth Science Enterprise/Earth Observing System (ESE/EOS) Investigators Working In the past month, the 1999 EOS Reference Handbook was completed and is now Group (IWG) Meeting ......................... 6 being printed. The purpose of this Reference Handbook is to provide a broad overview of the Earth Observing System (EOS) program to both the science SOlar Radiation and Climate Experiment community and others interested in NASA’s Earth Science Enterprise (ESE). (SORCE) Science Team Meeting..... 18 This edition includes a brief history of EOS from its inception, science CEOS Working Group on Calibration objectives, mission elements, planned launch schedules, descriptions of each and Validation Meeting on Digital instrument and interdisciplinary science investigation, background informa- Elevation Models and Terrain tion on team members and investigators, international and interagency Parameters ....................................... 19 cooperative efforts, and information on the EOS Data and Information System SCIENCE ARTICLES (EOSDIS). A number of figures and tables are included to enhance the Status of NASA’s Earth Science Enter- reader’s understanding of the EOS and ESE programs. It is available electroni- prise: A Presentation by Dr. Ghassem cally from http://eospso.gsfc.nasa.gov/ eos_homepage/misc_html/ Asrar, Associate Administrator for Earth refbook.html, and will be available in hard copy by September 30. Copies may Science, NASA Headquarters ............ 3 be obtained by sending e-mail to Lee McGrier at [email protected].
  • Strauss Catalogue Nov 2018

    Strauss Catalogue Nov 2018

    The Wanderers Club, Illovo, Johannesburg 12 November 2018 – 6 pm An Unsung History Session 2 Lots 161–270 Lot 265 Moses Tladi Mountain Landscape (Mont -aux-Sources) (detail) 161 Louis Maqhubela SOUTH AFRICAN 1939– Abstract with Bird and Leaves signed and dated 75 mixed media 74 by 54 cm R30 000 – 40 000 100 162 163 Phillip Rikhotso Cyprian Shilakoe SOUTH AFRICAN 1945– SOUTH AFRICAN 1946–1972 Mr Baboon (N’Wanfenhe A Figure with Clasped Hands Xisa Vanghana va Yena) LITERATURE signed Gallery Momo (2005). Phillip carved and painted wood carved wood Rikhotso: Timpuku (Wings), height: 56 cm height: 48 cm Johannesburg, illustrated in colour R10 000 – 15 000 on page 9. R150 000 – 200 000 101 © The Estate of Durant Sihlali | DALRO In 1935, Le Roux Smith Le Roux, a Michaelis art student, was selected 165 164 alongside Eleanor Esmonde-White to produce a large-scale mural, in pure Le Roux Smith Le Roux egg tempera, on the upper floor of South Africa House in London. After Durant Sihlali SOUTH AFRICAN 1914–1963 training in the technique under William Rothenstein at the Royal College SOUTH AFRICAN 1935–2004 Four Ndebele Women of Art, and making scouting trips to study quattrocento examples, the two Man and Girl Walking completed the so-called Zulu Room, a panoramic, stylised and ambitious signed and dated 71 signed interpretation of the tribe’s ceremony, landscape, tradition and mythology. oil on board oil on canvas Le Roux’s linear style, with its flat, strong colour combinations – all on show 56 by 45 cm 125,5 by 100 cm in the present lot – was well-suited to mural decoration, and certainly R40 000 – 60 000 conjured the work of his more famous contemporary, Diego Riviera.
  • Ring Magazine

    Ring Magazine

    The Boxing Collector’s Index Book By Mike DeLisa ●Boxing Magazine Checklist & Cover Guide ●Boxing Films ●Boxing Cards ●Record Books BOXING COLLECTOR'S INDEX BOOK INSERT INTRODUCTION Comments, Critiques, or Questions -- write to [email protected] 2 BOXING COLLECTOR'S INDEX BOOK INDEX MAGAZINES AND NEWSLETTERS Ring Magazine Boxing Illustrated-Wrestling News, Boxing Illustrated Ringside News; Boxing Illustrated; International Boxing Digest; Boxing Digest Boxing News (USA) The Arena The Ring Magazine Hank Kaplan’s Boxing Digest Fight game Flash Bang Marie Waxman’s Fight Facts Boxing Kayo Magazine World Boxing World Champion RECORD BOOKS Comments, Critiques, or Questions -- write to [email protected] 3 BOXING COLLECTOR'S INDEX BOOK RING MAGAZINE [ ] Nov Sammy Mandell [ ] Dec Frankie Jerome 1924 [ ] Jan Jack Bernstein [ ] Feb Joe Scoppotune [ ] Mar Carl Duane [ ] Apr Bobby Wolgast [ ] May Abe Goldstein [ ] Jun Jack Delaney [ ] Jul Sid Terris [ ] Aug Fistic Stars of J. Bronson & L.Brown [ ] Sep Tony Vaccarelli [ ] Oct Young Stribling & Parents [ ] Nov Ad Stone [ ] Dec Sid Barbarian 1925 [ ] Jan T. Gibbons and Sammy Mandell [ ] Feb Corp. Izzy Schwartz [ ] Mar Babe Herman [ ] Apr Harry Felix [ ] May Charley Phil Rosenberg [ ] Jun Tom Gibbons, Gene Tunney [ ] Jul Weinert, Wells, Walker, Greb [ ] Aug Jimmy Goodrich [ ] Sep Solly Seeman [ ] Oct Ruby Goldstein [ ] Nov Mayor Jimmy Walker 1922 [ ] Dec Tommy Milligan & Frank Moody [ ] Feb Vol. 1 #1 Tex Rickard & Lord Lonsdale [ ] Mar McAuliffe, Dempsey & Non Pareil 1926 Dempsey [ ] Jan
  • Finding the Brutal Aesthetic

    Finding the Brutal Aesthetic

    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2012 Finding the brutal aesthetic. Marcy R. Werner University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Werner, Marcy R., "Finding the brutal aesthetic." (2012). Electronic Theses and Dissertations. Paper 1549. https://doi.org/10.18297/etd/1549 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. FINDING THE BRUTAL AESTHETIC By: Marcy R. Werner B.A. University of Kentucky, 1992 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of Fine Arts University of Louisville Louisville, KY December 2012 FINDING THE BRUTAL AESTHETIC By Marcy R. Werner B.A., University of Kentucky, 1992 A Thesis Approved on November 26, 2012 By the following Thesis Committee: John P. Begley Thesis Director Elizabeth Reilly Mary Carothers ACKNOWLEDGMENTS I want to thank the people that made this project possible. Andrew Ranard, John's brother, aided my research, providing rare articles and quick answers, all from his home in Japan. Bill Carner, a close friend of John Ranard who, through his stories, gave insight into John's personality, background, and methods.
  • Music Cuisine

    Music Cuisine

    The culture of South Africa is known for its ethnic and cultural diversity. The South African black majority still has a substantial number of rural inhabitants who lead largely impoverished lives. It is among these people, however, that cultural traditions survive most strongly; as blacks have become increasingly urbanised and Westernised, aspects of traditional culture have declined. Urban blacks usually speak English or Afrikaans in addition to their native tongue. Music There is great diversity in music from South Africa. Many black musicians who sang in Afrikaans or English during apartheid have since begun to sing in traditional African languages, and have developed a unique style called Kwaito. Of note is Brenda Fassie, who launched to fame with her song "Weekend Special", which was sung in English. More famous traditional musicians include Ladysmith Black Mambazo, while the Soweto String Quartet performs classic music with an African flavour. White and Coloured South African singers are historically influenced by European musical styles. Cuisine The cuisine of South Africa is heavily meat-based and has spawned the distinctively South African social gathering known as a braai, or barbecue. Braai is widely popular, especially with whites, and includes meat, especially boerewors or spicy sausages, and mielies (maize) or Mielie-meal, often as a porridge, or pearl millet, a staple food of black South Africans. Pastries such like koeksisters and desserts like melktert (milk tart) are also universally popular. Vegetarianism is becoming widely accepted. Gender roles In general, all racial and ethnic groups in South Africa have long-standing beliefs concerning gender roles, and most are based on the premise that women are less important, or less deserving of power, than men.
  • Ÿþm Icrosoft W

    Ÿþm Icrosoft W

    18/81 NOTES AND DOCUMENTS* May 1981 18/81 NOTES AND DOCUMENTS* May 1981 REGISTER OF SPORTS CONTACTS WITH SOUTH AFRICA 1 September 1980 - 31 March 1981 Report by the Special Committee against Apartheid Note: This first register of sports contacts with South Africa contains an introduction on the significance of the campaign against apartheid sports, the reasons for the establishment of the register, and an appeal for action. The "register" itself contains three lists: (a) A list of sports exchanges with South Africa arranged by the code of sport; (b) A list of sportsmen and sportswomen who participated in sports events in South Africa, arranged by country; and (c) A list of promoters and administrators who have been active in collaboration with apartheid sport. It is intended that the register will be kept up-to-date and published from time to time. Names of persons who undertake not to engage in further sports contacts with South Africa will be deleted from future lists. The present publication was transmitted to the Organization of African Unity and made available at the International Conference on Sanctions against South Africa, held at UNESCO House, Paris, from 20 to 27 May 1981. *A#l material in these notes and documents may be freely reprinted. Ackncwiledot nt rtiether with a copy of the publication containing the reprint, would be appreciated. 81-14897 Introduction The Special Committee against Apartheid has for many years given special attention to the campaign for the boycott of anartheid sport in South Africa, as part of the international campaign against apartheid.
  • Register of Sports Contacts with South Africa, 1 July - 31 December 1984

    Register of Sports Contacts with South Africa, 1 July - 31 December 1984

    Register of Sports Contacts with South Africa, 1 July - 31 December 1984 http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.nuun1985_05 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Register of Sports Contacts with South Africa, 1 July - 31 December 1984 Alternative title Notes and Documents - United Nations Centre Against ApartheidNo. 7/85 Author/Creator United Nations Centre against Apartheid Publisher United Nations, New York Date 1985-09-00 Resource type Reports Language English Subject Coverage (spatial) South Africa Coverage (temporal) 1984 Source Northwestern University Libraries Description Pursuant to a decision in 1930, the Special Committee against Apartheid has been publishing semi-annual registers of sports contacts with South Africa.
  • Re.NS+ Notes O:'IQBER '83 #14

    Re.NS+ Notes O:'IQBER '83 #14

    re.NS+ notes o:'IQBER '83 #14. SOUTH , AFRICAN , ,, .. MILITARY REFUGEE .- AID ·,FUND Welcorre to Newsletter # 14. In the Piet Wapen Botha and the regime are trying last couple of editions, we laid some heavy to baffle people. Both have organizing errphasis on specific issues (police brutal­ potential and represent advances for the ity in# 13 and racial violence in# 12). struggle inside South Africa. There are For this issue, we have collected a number ideological differences as well as different of news items relating to the struggle views on organizing strategies that are in southern Africa and the U.S. We hope being articulat ed by t he two coalitions. this variety of infonnation keeps you in­ The UDF is broad in rrembership. According fonred and is helpful to your work. to the Cape Argus newspaper, total rrember­ Sare of the areas of concern and activity ship in the UDF runs sanewhere between for the southern African solidarity rroverrent 1 and 1~ million people. The UDF has have received a lot of publicity lately. attracted an impressive number of activists, The entertainers boycott and the issue such as Allan Boesak, Oscar Mpetha, Albertina of South African sportsmen are so praninent, Sisulu, Archie Gumede and many others. that we thought we would provide space Groups such as the Azanian Student Organiza­ for an entertainment page and a sports tion, NUSAS (the National Union of South page. We have also received some interest­ African Students) and the Catholic Bishops' ing letters, particularly from draft resist­ Conference are a few annng the 400 or so ers in southern Africa, so we'll have a organizations making up the UDF.

  • Apartheid's Propaganda "Sporting" Image Sport Has Always Been an Integral Part of South Africa's Overseas Propaganda

    i" A South African show·piece match between their "While Hope" Gerri Coetzee and U.S. Black heavy·weight John Tate is scheduled for 20 October in Pretoria, S.A.! We Americans must stop this phony apartheid "sport" scheme! We must strengthen · the United Nations boycott of racist South Africa! Racism isn't a game! It has already cost untold thousands of lives! Apartheid's Propaganda "Sporting" Image Sport has always been an integral part of South Africa's overseas propaganda. Now isolated in almost all major sports, professional boxing offers one of the few arenas still available to it. Boxing in South Africa is directly controlled by that scandal-ridden government. The South African National Boxing Board of Control (SANBBC) is a statutory body under the Ministry of Sport, which pretends that its boxing program is integrated despite the fact that it requires separate categories of "champion" for whites and Blacks. The financing of all recent fights in South Africa has been provided by the Southern Suns Hotels fronting for the Ministry of Information, says the non­ racial South African Council on Sport (SACOS). SACOS estimates that in the last year alone more than $1 million has been spent in the U.S. to promote South African boxing. Bob Arum, America's Major Promoter of South African Sport Ii was Arum who arranged the so-called "title eliminator matches" between Spinks and Tate and the South Africans. (He made special trips to South Africa to arrange the details.) It was Arum who selected the so-called "independent state" of BophuthaTswana as the site for the recent Knoetze-Tate fight and got CBS to call it "the inde­ pendent African Nation of .
  • E M< - WI'i'h 1~~HE MIDAS TOUCH

    E M< - WI'i'h 1~~HE MIDAS TOUCH

    SOL KERZNER - ARTICLE 2015 F - E M<_• WI'I'H 1~~HE MIDAS TOUCH Sol Kerzner, the founding chairman of the Kerzner International group of luxury resorts, is a visionary with an eye for detail and . an imagination that turns everything he touches to gold. IJ Interview by Barbaro Lenhard and Sam Woulidge . Written by Sam Woulidge Across fOL11 continents, Sol Kerzner's rays This is a mall who, some :)0 years ago, dreamt encompass a Byzantine maze of private and of building a hotel unlike anything yet seen public companies, stock excha isied in South Africa, a premier destination resort assets, shareholclings and directorships bv true global standards. This, despite the fact If you want to know more about the so-called that his only experience of hospitality had Sun King's business acumen, his phenomenal been the ad hoc rnanaging of a small hotel financial successes or commercial deal owned by his parents in what was then the you don't need to look tar. A quick search province of Natal, on South Africa's tropical on the internet delivers rnore on the world• eastern coast. .rzncr was a famous South African leisure and garnbling Even though I'll" was made a junior partner in a Johannesburg tvcoon than you could ever read. a highly reqarded Johannesburq accounting iefore leaving for If you're lookinq for anecdotes, mention firm at Just 25, Kerzner knew he would not :' opeue-d hi, first Kerzner's name at any upper-crust South pursue a career in number crunching Instead, U mhla Ilga r~()cks.
  • Intraracial Rivalry, Soft Power, and Prize Fighting in the Cold War World INTRODUCTION

    Intraracial Rivalry, Soft Power, and Prize Fighting in the Cold War World INTRODUCTION

    232 Chapter 11 “Black Steel”: Intraracial Rivalry, Soft Power, and Prize Fighting in the Cold War World Andrew Smith Nichols College INTRODUCTION In the 1970s, struggles over Black Power politics and national sovereignty in a Cold War World played out in heavyweight championship “mega-matches” around the world. Muhammad Ali, Joe Frazier, and George Foreman represented very different visions of the postwar African American experience during the “Golden Age” of boxing— differences that manifested in the prize ring.1 Pulitzer Prize-winner Gwendolyn Brooks wrote the poem “Black Steel” in hopes that the brutality of their matches would be mitigated by their shared experience as African American men, by racial unity.2 In actuality, these intraracial rivalries exacerbated the real and perceived violence. The import of competing African American experiences reverberated outside of the United States as well, particularly in the Global South. Championship bouts between Ali, Frazier, and Foreman became a valuable cache of “soft power” for nations who were not “Super Powers.”3 Hosting one of these international mega-matches was a demonstration of viability and autonomy for those categorized as “Third World” in the taxonomy of the Cold War. Thus, the biggest prize fights—and some of the most important professional sporting events—in the 1970s took place well outside of the 1 Ira Berkow, “Memorable, Forgettable, and Others,” New York Times (NYT), January 1, 1991; Jerry Izenberg, Once There Were Giants: The Golden Age of Heavyweight Boxing (New York: Skyhorse, 2017). 2 Gwendolyn Brooks, Black Steel: Joe Frazier and Muhammad Ali (Detroit: Broadside Press, 1971). 3 Joseph S.