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Emily Hanrahan, Soprano John Robertson, Pianist

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Emily Hanrahan, Soprano John Robertson, Pianist Coming Events (through May) Apr 24 Student Recital: Dylan Hughes, bass 7 p.m. Brock Recital Hall Apr 26 Patty McDonald Orchestra Series: 7:30 p.m. Wright Center Samford Orchestra Concert Apr 29-30 One Act Plays* 7:30 p.m. Harrison Theatre Bolding Studio Studio 60 School of the Arts Boren Courtyard Apr 29 Closing Art Reception & Awards Ceremony* 5 p.m. Virtual? presents Apr 29 Wind Ensemble Concert 7:30 p.m. Wright Center May 3-8 John & Marsha Floyd Art & Design Series: Art Gallery Graphic Design Senior Exhibition* May 7-8 Commencements | Art Reception* May 15 Academy of the Arts Prep Stars Recital* Brock Recital Hall *does not count for recital credit Emily Hanrahan, soprano and Log your attendance for credit using this code, whether streaming or in-person. Division of Music Student Recitals – https://www.samford.edu/arts/calendar/ School of the Arts Events Page – https://www.samford.edu/arts/events/ John Robertson, pianist Brock Recital Hall Samford University is an Equal Opportunity Institution that complies with applicable law prohibiting discrimination in its educational and employment policies April 24, 2021 and does not unlawfully discriminate on the basis of race, color, sex, age, disability, veteran status, genetic information, or national or ethnic origin. 4:00 p.m. Performers Program Emily Hanrahan began as a music and worship major at Samford University I in 2017 where she has studied voice with Dr. Brad Diamond all four years. While at Samford, she has sung in the Samford A Cappella choir as both an Semele George Frideric Handel alto 1 and soprano 2. Emily will be graduating in May and plans to attend O Sleep Why Dost Thou Leave Me (1685-1759) Western Theological Seminary in Holland, Michigan where she will pursue the master of divinity. II John Robertson holds undergraduate and graduate degrees in piano performance Frauen-Liebe und Leben Robert Schumann and pedagogy and is pursuing the DMA in piano accompanying and chamber Seit ich ihn gesehen (1810-1856) music at the Eastman School of Music, studying with Jean Barr, Andrew Harley, Fünf Lieder, Op. 105 Johannes Brahms and Russell Miller. In 2019, he was the recipient of the Barbara M. H. Koeng Wie Melodien (1833-1897) Award for Excellence in Vocal Accompanying, and in January 2020 was invited to participate in Renée Fleming’s SongStudio at Weill Music Institute at Carnegie III Hall. For three years, John served as lecturer and collaborative pianist at Samford, teaching applied piano and courses in accompanying, chamber music, and Contes mystiques Gabriel Fauré musical theater. He previously served as a member of the music faculty of Judson En Priere (1845-1924) College in Marion, Alabama, teaching applied piano and group- piano, as well as courses in music theory and piano pedagogy. Après un Rêve IV Emily’s performance is in partial fulfillment of the requirements for the bachelor of Le Nozze di Figaro W. A. Mozart Voi che sapete (1756-1791) music in music and worship. Non so piu cosa son, cosa faccio V The Pajama Game Richard Adler and Jerry Ross Hey There (1921-2012) (1926-1955) Follies Stephen Sondheim We appreciate your assistance in silencing all devices during the performance. Photography and unauthorized recording Losing My Mind (b. 1930) of the performance are prohibited. Nice Work If You Can Get It George Gershwin Recital ushering provided by the Omicron Gamma Chapter of Delta Omicron International Music Fraternity. Nice Work If You Can Get It (1898-1937) .
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