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The Inventory of the Tyne Daly Collection #1702 Howard Gotlieb Archival Research Center Daly, Tyne #1702 9/21/05, 9/22/05, 11/18/05, 11/21/05, 11/23/05, 12/5/05, 12/8/05, 1/11/06 Preliminary Listing I. Manuscripts. Box 1 A. Stage plays. 1. "Annie," book by Thomas Meehan, music by Charles Strause, lyrics by Martin Charnin, libretto/vocal book, ca. 97 p., photocopy, (c) 1977. [F. 1] 2. "Anything Goes," music and lyrics by Cole Porter, original book by Guy Bolton, P. G. Wodehouse, Howard Lindsay and Russell Grouse; new book by Timothy Grouse and Jolm Weidman; Beaumont Theatre version. a. Script, TS with holograph notes (probably by Lisa Rawlings), photocopy, 96 p., (c) 1934, 1988. b. Adaptation for BBC Radio 2 by Warner Brown, TS (photocopy) with holograph notes, 131 p. [F. 2] 3. "Ashes," by David Rudkin, TS with holograph notes, 65 p., 2 copies. [F. 3] 4. "Big Maggie: A Drama in Two Acts," by John B. Keane a. Draft, TS with holograph markings and notes, 66 p., n.d. b. Draft of final monologue, TS (fax copy), 4 p., n.d. c. Photocopy of published version, ca. 50 p., (c) 1969; includes ALS to TD from Nancy Malone, 1 p., n.d. [F. 4, Env. 1] 5. "Call Me Madam," music and lyrics by Irving Berlin, book by Howard Lindsay and Russell Crouse, a. Draft, TS (photocopy), 92 p., n.d. b. ALS from Judith E. Daykin (Pres. and Exec. Dir., City Center) to TD, 1 p., 1/14/03; includes program for "The Pirates of Penzance" at City Center, perfom1ed by the New York Gilbert and Sullivan Players, Jan. 10-26, 2003. c. ALS from Judith E. Daykin to TD, 1 p., 3/15/95; includes reviews, ca. 30 p. total, originals and photocopies, 1995. d. Freberg, Stan. ALS, 1 p., 11/30/95; includes draft of two scenes from an unidentified work, TS with holograph markings, pp. 28-42. e. Floyd, Margaret. ALS to TD, 1 p., 2/18/95; includes items re: "Trip of the President," 1952. f. Press release re: Perle Mesta, 1 p., n.d. g. Printed item re: Irving Berlin's residence at 17 Beekman Place, NYC. h. Contract between TD and City Center, 2/7/95; includes (Daly, Tyne 9/21/05-1/11/06) Page 1 of 29 riders, 3 p. 1. Newspaper clipping of TD with daughter Alisabeth, from the Daily News, 2/21/95. j. Four contact sheets (black and white). [F. 5] 6. "Cinderella," author unknown, TS (photocopy), 56 p. [F. 6] 7. "Come Back, Little Sheba," by William Inge, 2 photocopies of published version, one with holograph markings and notes and signed by TD; 69 p. each; includes: a. 4 production photographs (black and white prints). b. Danton, Ray. 3 TLS to TD, 1985. 8. "The Devil's Disciple: A Melodrama," by George Bernard Shaw, photocopy of published version, 119 p., 1897. [F. 7] 9. "Dinner at Eight," by George S. Kaufman and Edna Ferber, edited version for reading with Roundabout Theatre Company, NYC; TS (photocopy) with holograph notes, 130 p.; includes TLS to TD from Jim Carnahan, 1/8/97. [F. 8] 10. "Elaine's Domain: A Play with Music," by A. E. Hotchner, TS, 74 p.; includes TLS (fax copy) from A. E. Hotchner to TD, 1 p., n.d .. [F. 9] 11. "Gethsemane Springs," by Harvey PetT. [F. 1OJ a. Draft, TS (photocopy) with holograph notes and signed by TD, 130 p. b. Program for performance at the Forum/Laboratory of the Center Theatre Group, Los Angeles, n.d. c. Contact lists, 4 p. 12. "Guns: The Musical," book by Doris Baizley, lyrics by Hany Aguado and Doris Baizley, music by Hany Aguado, TS (photocopy) with holograph markings and notes, 70 p., 5/23/97. [F. 11] 13. "Gypsy: A Musical," book by Arthur Laments, music by Jule Styne, lyrics by Stephen Sondheim, TS (photocopy) with holograph notes, 123 p.; includes: [F. 12] a. Photocopy of published version, 56 p., (c) 1959, 1960. b. Photograph (black and white print) of TD with cast, n.d. c. TLS (photocopy) from Karen Sherry and Michael A. Kerker of ASCAP to TD, 1 p., 3/22/95. d. Page of text from a radio commercial, with holograph note to "Rose" from "Pop"; page dated 4/29/91. 14. "Jolson Sings Again," by Arthur Laments, TS (photocopy), approx. 150 p. [F. 13] 15. "Lady Lazarus," various poems by Sylvia Plath, marked for reading; printed versions with holograph markings and notes (photocopies), approx. 30 p., signed by TD (photocopy); includes: a. Photocopied research material re: Sylvia Plath. (Daly, Tyne 9/21/05-1/11/06) Page 2 of 29 b. Unidentified manuscript, TS, 7 p., n.d. 16. "Love and Good Company," collection of readings, by various authors, photocopy with holograph notes, approx.200 p. total. [F. 14] 17. "Marriage Play," by Edward Albee, TS (photocopy), 99 p., ca. 1987; includes TN from TD to Richard Dreyfuss, 1 p., 9/16/91. [F. 15] 18. "Mother Courage and Her Children," by Be1iolt Brecht, music by Juliet Turner. [F. 16] a. Photocopies from published work re: Brecht and "Mother Courage," ca. 50 p. total. b. Ryan, Phyllis (actress). ALS, 1 p., 6/20/01; includes env. c. Photocopy of published version of script, ca. 100 p. total. d. Draft of English translation by Joe O 'Byrne, TS (photocopy) with holograph markings and notes; includes cast lists, miscellaneous draft pages, sheet music (copies); approx. 150 p. total. e. Photographs, seven color prints, some with TD included. f. Poems and prose by Brecht and others, copied by hand by TD, 11 p. total. g. "Mother Courage; For Tyne Daly, June 2001," poem by Bairbre Kelly, TS, 1 p. h. Advertisement for play, 1 p., photocopy. 1. "ClassicNote" re: play, Internet print-out, 19 p., 5/9/01. J. "Poet's Chair," poem by Seamus Heaney, holograph copy, 2 p., laminated. k. "Scenes from a Struggling Community," TS (photocopy), 30 p., n.d.; cover page signed by various cast members. 19. "My Fair Lady," book and lyrics by Alan Jay Lerner, music by Frederick Loewe, TS (photocopy) with holograph notes, 121 p. [F. 18] Box 2 20. "Mystery School," by Paul Selig, 3 drafts, TS (photocopy) with holograph notes, 32 p. each; includes: [F. 1] a. Printed material. b. Professional material. c. Correspondence. d. O'Donnell, Rosie. ALS to TD, Mar. 1998. e. "The Maker of Dreams," play by Oliphant Davis, printed, 1922. 21. "Oil: A Play," by Neil Tucker, TS (photocopy), 97 p. [F. 2] 22. "On the Town," London concert version, narration by Betty Comden and Adolph Green, DGG Recording, June 1992; music by various writers; includes holograph notes, printed material, correspondence. [F. 3] (Daly, Tyne 9/21/05-1/11/06) Page 3 of 29 23. "Persona," by Ingmar Bergman, photocopy of published screenplay, 80 p. 24. "Queen of the Stardust Ballroom: A Musical," lyrics by Alan and Marilyn Bergman, music by Billy Goldenberg, book by Susan Dworkin, 2 copies, 100 p.; includes printed material, photographs, 2/27/92 - 3/15/92. [F. 4-5] 25. "The Seagull," by Anton Chekhov, TS (photocopy) with holograph notes, 89 p.; includes printed material. [F. 6] 26. "Ski1111ishes," by Catherine Hayes, TS (photocopy) with holograph notes, 60 p. [F. 7] 27. "Three Sisters," by Anton Chekhov, TS (photocopy), approx. 40 p. 28. "Talking Heads," by Alan Bennett, TS (photocopy), approx. 20 p.; includes itinerary, printed material. 29. "Woman of Valor," written and adapted by Matthew J. Lieberman, directed by Andrew J. Robinson, TS (photocopy) with holograph notes, 2 copies, 52 p. each; includes: a. "SnakeTalk: Urgent Messages from the Mother," by Naomi Newman. b. Photographs. c. Printed material. 30. "Wonderful Town," book by Joseph Fields and Jerome Chodorov, music by Leonard Bernstein, lyrics by Betty Comden and Adolph Green, 2 copies; includes piano/vocal score. [F. 8-9] B. Teleplays, some signed by TD. 1. "Cagney and Lacey." a. Untitled, 1981. [F. 10] b. "Heat," 1984, 2 copies. c. "Two Grand," 1984. [F. 11] d. "Different Drummer," 1987. e. "Hello/ Goodbye," 1987, 2 copies. [F. 12] f. "School Daze," 1987. g. "A Class Act," 1988. [F. 13] h. "Friendly Smoke," 1988. 1. "Button, Button," 1988. [F. 14] J. "Amends," 1988. Box 3 k. "A Fair Shake, Part I," 1988. [F. 1] 2. "Judging Amy," ( episode #, episode title) a. Season 1. (i) 01, "Pilot," 3 drafts, 1999. [F. 2] (ii) 02, "Short Calendar," 2 copies, 1999, includes schedule. [F. 3] (iii) 03, "Victim Soul," 1999. [F. 4] (iv) 04, "Trial by Jury," 2 copies, 1999. (v) 05, "Last Tango in Hartford," 2 copies, 1999. [F. 5] (Daly, Tyne 9/21/05-1/11/06) Page 4 of 29 (vi) 06, "Witch Hunt," 3 copies, 1999. [F. 6] (vii) 07, "An Impartial Bias," 2 copies, 1999. [F. 7] (viii) 08, "Near Death Experience," 3 copies, 1999. [F. 8] (ix) 09, "The Persistence of Tectonics," 1999. [F. 9] (x) 10, "Crowded House," 7 copies, 1999. [F. 10-11] (xi) 11, "Presumed Innocent," 1999. [F. 11] (xii) 12, "Spoil the Child," 1999. (xiii) 14, "Shaken, Not Stirred," 1999. (xiv) 17, "Drawing the Line," 2000. [F. 12] (xv) "Grey vs. Gray," writer's draft, 2000. (xvi) 22, "Not With a Whimper," 3 copies, 2000. [F. 12-13] (xvii) 23, "Blast From the Past," 2000. [F. 13] b. Season 2. (i) 01, "Zero Tolerance," 2000. [F. 14] (ii) 02, "You're Not the Boss of Me," 2000. (iii) 03, "Instincts," 2000. [F. 15] (iv) 05, "Unnecessary Roughness," draft for cast read through, 2000.
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  • Nashville Community Theatre: from the Little Theatre Guild

    Nashville Community Theatre: from the Little Theatre Guild

    NASHVILLE COMMUNITY THEATRE: FROM THE LITTLE THEATRE GUILD TO THE NASHVILLE COMMUNITY PLAYHOUSE A THESIS IN Theatre History Presented to the Faculty of the University of Missouri – Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by ANDREA ANDERSON B.A., Trevecca Nazarene University, 2003 Kansas City, Missouri 2012 © 2012 ANDREA JANE ANDERSON ALL RIGHTS RESERVED THE LITTLE THEATRE MOVEMENT IN NASHVILLE, TENNESSEE: THE LITTLE THEATRE GUILD AND THE NASHVILLE COMMUNITY PLAYHOUSE Andrea Jane Anderson, Candidate for the Master of Arts Degree University of Missouri - Kansas City, 2012 ABSTRACT In the early 20th century the Little Theatre Movement swept through the United States. Theatre enthusiasts in cities and towns across the country sought to raise the standards of theatrical productions by creating quality volunteer-driven theatre companies that not only entertained, but also became an integral part of the local community. This paper focuses on two such groups in the city of Nashville, Tennessee: the Little Theatre Guild of Nashville (later the Nashville Little Theatre) and the Nashville Community Playhouse. Both groups shared ties to the national movement and showed a dedication for producing the most current and relevant plays of the day. In this paper the formation, activities, and closure of both groups are discussed as well as their impact on the current generation of theatre artists. iii APPROVAL PAGE The faculty listed below, appointed by the Dean of the College of Arts and Sciences, have examined a thesis titled “Nashville Community Theatre: From the Little Theatre Guild to the Nashville Community Playhouse,” presented by Andrea Jane Anderson, candidate for the Master of Arts degree, and certify that in their opinion it is worthy of acceptance.