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Cine Y Enseñanza En Ciencias De La Salud. El Caso De La Polio. Desde La Anatomía a La Microbiología
FACULTAD DE MEDICINA Departamento de Anatomía e Histología humana Cine y enseñanza en ciencias de la salud. El caso de la polio. Desde la Anatomía a la Microbiología Trabajo presentado por D. Enrique García Merino para optar al grado de Doctor por la Universidad de Salamanca Dirigida por: D. Francisco Collía y Dña. María José Fresnadillo Campus .Mi§uel de Unamuno» Avda. Campo Charro, s/n. Teléfono 34 23 294547 Fax 34 23 294687 UNIVERSIDAD DE SALAMANCA 37007. -SALAMANCA (España) Departamento de Anatomia e Histologia Humanas D. FRANcrsco DE pAULA cor-lía rrnruÁruoEz, pRoFESoR TrruLAR DEL DEpARTAMENTo DE aruarovríe E HrsroLocía uuvrRruas y oñn vranía.rosÉ rRrsmADrLLo rvrRRrírurz pRoFESoRA coNTRATADA DocroR DE MrcRoBror-ocín DEL DEpARTAMENTo MEDtctNA pREVENTtvA sALUD púgltcR y MrcRoBror-ocía vrÉorcR DE LA FAcULTAD DE MEDtctNA DE LA UN IVERSIDAD DE SALAMANCA CERTIFICAN: Que D. ENRIQUE CRnCÍa MERINO ha realizado, bajo nuestra dirección, el trabajo titulado ,,CINE Y ¡rrISrÑAruZR EN CIENCIAS DE LA SALUD. EL CASoDE LA PoLIo. DESDE m RruRrovIía a LA MICROBIOI-OCíA" en los Departamentos Anatomía e Histología humanas y Medicina Preventiva Salud Pública y Microbiología Médica de la Universidad de Salamanca y que reúne, a nuestro juicio, meritos suficientes para poder optar al Grado de Doctor por la Universidad de Salamanca. Y para que conste, firmamos el presente certificado, en Salamanca a 22 de octubre de 201,4 snadillo Martínez AGRADECIMIENTOS Este trabajo no habría sido posible sin la colaboración de muchas personas que me han brindado su ayuda, sus conocimientos y su apoyo, por eso quiero agradecerles a todos ellos cuanto han hecho por mí, para que pudiera llegar a buen fin este trabajo de la mejor forma posible. -
Serving Boca Raton and Deerfield Beach Boca Raton, Florida
Serving Boca Raton and Deerfield Beach Boca Raton, Florida, Thursday, October 15, 1959 2 THE BOCA RATON NEWS Thursday, October 15, 1959 at 2 p.m. today at the Hender- Thursday, October 15, 1959 THE BOCA RATON NEWS 3 IN son Funeral Chapel in Deerfield Third Birthday Party Disagree on Pay Raises MEMORIAM Beach. BPW Speaker Attacks Held for Bernard Turner (Continued From page l) leave it that way. Henderson Funeral Home is Bernard Turner, son of Mr. handling the arrangements. and Mrs. Bernard Turner, cele- Flanchertook Herbold to task A 20-page, ordinance re- Reapportionment Plan daughter. Miss Helen Tischart of Burial will be in Hollywood Me- bratedbis third birthday Saturday for an advertisement he had garding the certifying and li- Herbert G. McLauthlin Chicago; a daughter-in-law, morial Gardens, Hollywood, Fla. City Commissioner John He said that "at the present with a party at his home. placed in the Boca Raton News censing of contractors was read Herbert G. McLauthlin, 61, Mrs. Juanita Tischart of Chicago; Flancher, guest speaker at the time 16. 3 percent of the people His special birthday cake was last week regarding the dismissal in full and adopted and made of 1455 N.E. Fifth Avenue, Boca two sisters, Mrs. Alice CLacmo Business and Professional Wo- elect a majority in the House and decorated with a rea' train. Ice of the Planning Board. He de- effective immediately so that to ton, died Friday in the Veterans Rummage Sale Chairman and Mrs. Mary Rosa of Chicago, men's Club meeting Monday 13 percent elect a majority in cream, cake and lemonade were manded that Herbold tell him the daily operation of the ad- Hospital at Coral Gables after a Mrs. -
Red Nichols from Wikipedia, the Free Encyclopedia
Red Nichols From Wikipedia, the free encyclopedia Background information Birth name Ernest Loring "Red" Nichols the hood man Born May 8, 1905 Ogden, Utah, US Died June 28, 1965 (aged 60) The Mint Las Vegas Genres Jazz Occupation(s) Musician, bandleader, composer Instruments Cornet Associated acts California Ramblers, Paul Whiteman Ernest Loring "Red" Nichols (May 8, 1905 – June 28, 1965) was an American jazz cornettist, composer, and jazz bandleader. Over his long career, Nichols recorded in a wide variety of musical styles, and critic Steve Leggett describes him as "an expert cornet player, a solid improviser, and apparently a workaholic, since he is rumored to have appeared on over 4,000 recordings during the 1920s alone." Biography Early life and career Nichols was born on May 8, 1905 in Ogden, Utah. His father was a college music professor, and Nichols was a child prodigy, because by twelve he was already playing difficult set pieces for his father's brass band. Young Nichols heard the early recordings of the Original Dixieland Jazz Band, and later those of Bix Beiderbecke, and these had a strong influence on the young cornet player. His style became polished, clean and incisive. In the early 1920s, Nichols moved to the Midwest and joined a band called The Syncopating Seven. When that band broke up he joined the Johnny Johnson Orchestra and went with it to New York City in 1923. New York would remain his base for years thereafter. In New York he met and teamed up with trombonist Miff Mole, and the two of them were inseparable for the next decade. -
1959 Jazz: a Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959
GELB, GREGG, DMA. 1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings in 1959. (2008) Directed by Dr. John Salmon. 69 pp. Towards the end of the 1950s, about halfway through its nearly 100-year history, jazz evolution and innovation increased at a faster pace than ever before. By 1959, it was evident that two major innovative styles and many sub-styles of the major previous styles had recently emerged. Additionally, all earlier practices were in use, making a total of at least ten actively played styles in 1959. It would no longer be possible to denote a jazz era by saying one style dominated, such as it had during the 1930s’ Swing Era. This convergence of styles is fascinating, but, considering that many of the recordings of that year represent some of the best work of many of the most famous jazz artists of all time, it makes 1959 even more significant. There has been a marked decrease in the jazz industry and in stylistic evolution since 1959, which emphasizes 1959’s importance in jazz history. Many jazz listeners, including myself up until recently, have always thought the modal style, from the famous 1959 Miles Davis recording, Kind of Blue, dominated the late 1950s. However, a few of the other great and stylistically diverse recordings from 1959 were John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz To Come, and Dave Brubeck’s Time Out, which included the very well- known jazz standard Take Five. My research has found many more 1959 recordings of equally unique artistic achievement. -
The High and the Mighty
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 3rd August 2020 FREESAT 306 | VIRGIN 445 The High and the Mighty on Talking Pictures TV Stars: John Wayne, Claire Trevor, Laraine Day, Robert Stack, Jan Sterling, Robert Newton, Julie Bishop, Paul Fix, Julie Mitchum Douglas Fowley. Directed by William A. Wellman in 1954. On a flight from Hawaii to California, the engine dies on the plane Dan, (John Wayne), is flying. As he prepares for a crash landing, the passengers reassess their lives. The film set the standard for disaster movies with an Oscar-winning score by Dimitri Tiomkin and a full cast of popular of 1950s actors. Airs Sunday 9th August 6:00pm. Monday 3rd August 7:10am Tuesday 4th August 5:00pm The Ghost of Monk’s Island (1966) A Canterbury Tale (1944) Family adventure. War. Directors: Michael Powell and Director: Duncan Wood. Emeric Pressburger. Stars: Pierre Bedenes, Lucinda Jackson, Stars: Eric Portman, Shelia Sim, Peter Bartlett, Robert Bartlett, Dennis Price. A Land Girl, a GI and Beryl Cooke. The Robinson children a British soldier find themselves are marooned on a deserted Island. together on the road to Canterbury. Monday 3rd August 9:30am Wednesday 5th August 6:00am All Over The Town (1949) Love In Pawn (1953) Drama. Director: Derek N. Twist. Comedy. Director: Charles Saunders. Stars: Norman Wooland, Stars: Bernard Braden, Barbara Kelly, Sarah Churchill, Bryan Forbes & James Reg Dixon and John Laurie. Hayter. After serving in the RAF during Penniless couple Roger and Jean will WWII Nat Hearn struggles to return to get £10,000 if Roger can live a sober his pre-war job. -
William Russell: Jazz Lover, Collector, and Musicologist an Annotated Bibliography
William Russell: Jazz Lover, Collector, Musicologist An Annotated Bibliography Ben Wagner Born Russell William Wagner in 1905, William (Bill) Russell was a violinist; an avant-garde composer deeply interested in percussion; accompanist to a touring puppet troupe; a meticulous musical-instrument repairman; a jazz-record producer; an archivist; a writer; and, above all, a New Orleans jazz collector of extraordinary breadth. More than anything else, he simply loved classic New Orleans–style jazz, which he called the “best music I’d ever heard.”1 He sought out obscure, old-time jazz players and was instrumental in the revival of the career of Bunk Johnson. Russell privately showed many kindnesses to jazz musicians down on their luck, encouraging their careers. In an age of segregation, Russell had many close associations with African Americans, organizing recording sessions in houses and rented halls because blacks were not allowed in New Orleans recording studios, nor could they play openly with white musicians. He did much to document and advocate New Orleans as the true birthplace of jazz. Although there were some inaccuracies in his early writings—and the debate continues about the many-faceted origins of American jazz—Russell’s overall analysis has stood up well against later scholarship. He certainly was one of the first to note the importance of place in the development of jazz. From the early 1930s to the end of his life, Russell acquired and documented anything he could find related to jazz: oral-history recordings and transcripts, jam-session recordings, musical instruments, photographs, programs, postcards, ads, city guidebooks, correspondence, sheet music, magazines. -
Moviehouse 2015 Program Moviehouse
* 2017 * Kingston Arts presents Kingston Arts presents Moviehouse Mo20viehous15 e Program2015 screenedProgram weekly on Mondays at 10:30am screened weekly on Mondays at 10:30am Did you know you can go to the movies once a week for a whole year for the cost of just one movie ticket at a commercial cinema? Moviehouse returns in 2017, now screening on DVD and Blu-Ray, allowing us to bring you a wider range of films. Join those in the know and become a member of Kingston’s best kept secret. kingston Moviehouse Sit back, relax and enjoy a cinematic journey from the golden years of the great movie studios! Drawn from many of the great classics, you can expect to relive the excitement, adventure and romance from a bygone era, with each film being personally introduced with summary and trivia details. You cannot purchase tickets to just a single session. You must join up as a member, which you can do at the Box Office. Due to 16mm films becoming increasingly precious, we are no longer Limited parking is available LEGEND able to loan prints from the National Film & Sound Archive in this under the Kingston City Hall. format. Instead, Moviehouse will now screen on DVD and Blu-Ray. (Col) Colour When booking your This allows us to screen classic films in higher quality and also choose membership, please request a (B/W) Black & White from a wider range of titles. Parking Permit. Join us at 10.00am for a cuppa before the movie starts at 10.30am The area is well-served by GENRE CODES sharp. -
Rick L. Pope Phonograph Record Collection 10 Soundtrack/WB/Record
1 Rick L. Pope Phonograph Record Collection 10 soundtrack/WB/record/archives 12 Songs of Christmas, Crosby, Sinatra, Waring/ Reprise/record/archives 15 Hits of Jimmie Rodgers/Dot / record/archives 15 Hits of Pat Boone/ Dot/ record/archives 24 Karat Gold From the Sound Stage , A Double Dozen of All Time Hits from the Movies/ MGM/ record/archives 42nd Street soundtrack/ RCA/ record/archives 50 Years of Film (1923-1973)/WB/ record set (3 records and 1 book)/archives 50 Years of Music (1923-1973)/WB/ record set (3 records and 1 book)/archives 60 years of Music America Likes Best vols 1-3/RCA Victor / record set (5 pieces collectively)/archives 60 Years of Music America Likes Best Vol.3 red seal/ RCA Victor/ record/archives 1776 soundtrack / Columbia/ record/archives 2001 A Space Oddyssey sound track/ MGM/ record/archives 2001 A Space Oddyssey sound track vol. 2 / MCA/ record/archives A Bing Crosby Christmas for Today’s Army/NA/ record set (2 pieces)/archives A Bing Crosby Collection vol. 1/ Columbia/record/archives A Bing Crosby Collection vol. 2/ Columbia/record/archives A Bing Crosby Collection vol. 3/ Columbia/record/archives A Bridge Too Far soundtrack/ United Artists/record/archives A Collector’s Porgy and Bess/ RCA/ record/archives A Collector’s Showboat/ RCA/ record/archives A Christmas Sing with Bing, Around the World/Decca/record/archives A Christmas Sing with Bing, Around the World/MCA/record/archives A Chorus Line soundtrack/ Columbia/ record/ archives 2 A Golden Encore/ Columbia/ record/archives A Legendary Performer Series ( -
ABSTRACT “Where East Texas Dances”: the Cooper Club Of
ABSTRACT “Where East Texas Dances”: The Cooper Club of Henderson, Rusk County, and Popular Dance Bands, 1932-1942 Michelle Linsey Holland, M.A. Mentor: Thomas L. Charlton, Ph.D. A historical study of the Cooper Club in Henderson, Texas, which was open from 1932 to 1942, uncovers an exciting period in both American and East Texas history. Nationally, dance orchestras embarked on tours of the United States, playing one-night stands in small towns. Locally, the nightclub existed during the great East Texas oil boom. Under the management of owner Hugh Cooper, the Cooper Club became a staple for music lovers in East Texas who appreciated its elegant atmosphere and high caliber of entertainment. Local, regional, and national dance bands played one-night stands and brought to the oil field the latest in popular sweet music, swing, and jazz. The Cooper Club has significance and is deserving of scholarly research, for it shines light on the social and cultural history of Henderson, Texas, from 1932 to 1942, as well as the excitement of famous orchestras coming to a small town. "Where East Texas Dances": The Cooper Club of Henderson, Rusk County, and Popular Dance Bands, 1932-1942 Michelle Linsey Holland, A.A., B.A. A Thesis Approved by the American Studies Program Douglas R. Ferdon, Ph.D., Director Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee Thomas L. Charlton, Ph.D., Chairperson Jean Ann Boyd, Ph.D. Douglas R. Ferdon, Ph.D. -
Marineland Restaurant Steaks
Pag* B-7 Wednesday, September 20, 1961 THE PRESS YOUR GUIDE TO The Very Best In Entertainment FINE DINING Theater And Entertainmtnt in the Greater Guide Los Angeles and Torrance Area ****** Red Nichols, With Cornel, Entertains Freddy Martin Orchestra Plays Pacific Ocean Park will con In Area For Nine-Week Engagement tinue to present Freddy Mar Red Nicholfl, on« of theVerdes this week for his ahle jazz. He avoids the far- tin and his Orchestra through most enduring musical lnsti-1 fourth engagement, tooting off stuff, and* my patrons li out the fall season at the tutions in American jazz,IJ1'8 1hiKh^ou<!Y!.ing rnet . terally vStand up, and applaud P.O.P. Pavilion, now that the came swinging hark to Ma-! Icadin* his " Five p<Pennies" In Park is on its "open weekends r ' «v1 Tl-.-i'.ii-rmt. "in Paloai the "orpoise Room. after every set," Foster said. only" winter schedule. Their jazz troatmpnt of the The jaxz presented hy Nic- The Martinmen will play old Dixieland fn verities and hols in Marineland Restau for dancers each Saturday NOW THRU OCT. 1 N'ichols' solos -were well re- rant is a true art form, not a night from 7:15 p.m. to 1:30 Twite Doily 3 Timei Soli. cejve(] 'frenzied and prodigal profu- a.m. A live television'program Thr'musical idol of the 20»8, sion of notes' Clutchfn* his is aired from the ballroom on SPORTS AR£NA he plays them with a Santa Barbara Ntu»roo signed hy owner George M. -
Guide to the Danish Film Stills of American Motion Pictures
Guide to the Danish Film Stills of American Motion Pictures NMAH.AC.0543 David. Haberstitch. 2011 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Film Stills, 1915-1986............................................................................... 4 Series 2: Unidentified Film Stills, undated............................................................. 45 Danish Film Stills of American Motion Pictures NMAH.AC.0543 Collection Overview Repository: Archives Center, National Museum of American History Title: Danish Film Stills of American Motion Pictures Identifier: NMAH.AC.0543 Date: circa 1915-1986 Source: Danske filminstitut (Collector) -
Kinderlähmung / Polio (Poliomyelitis) Im Film: Eine Filmographie 2020-07-26
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Kinderlähmung / Polio (Poliomyelitis) im Film: Eine Filmographie 2020-07-26 https://doi.org/10.25969/mediarep/14140 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Kinderlähmung / Polio (Poliomyelitis) im Film: Eine Filmographie. Westerkappeln: DerWulff.de 2020-07-26 (Medienwissenschaft: Berichte und Papiere 196). DOI: https://doi.org/10.25969/mediarep/14140. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0196_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 196, 2020: Polio im Film. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0196_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: 26.07.2020. Kinderlähmung / Polio (Poliomyelitis) im Film: Eine Filmographie Kompiliert von Hans J. Wulff Bis in die 1960er war die Poliomyelitis (meist kurz: Polio; dt.: Kinderlähmung) eine !irus-Krank" heit# die au$ der ganzen %elt immer wieder e&idemisch au(rat ) mit *ausenden +on ,rkrankten# -underten +on *oten und zahllosen .&$ern# die k/rperli'he 0'häden da+ontrugen. Bei der soge" nannten 1&aralytischen Poliomyelitis“ 3lei3en lei'hte# in einem !iertel der 4älle schwere 0'hädi" gungen zurü'k: 3lei3ende 6ähmungen# 7elenk$ehlstellungen# Bein" und 8rmlängendifferenzen# %irbelsäulen+erschie3ungen sowie .steo&orose (Kno'henschwund .