Northwest Community Gospel Chorus Oregon Symphony
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Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
Chorales American Spiritual Fall 2013
The Salisbury Chorale and University Chorale with guest artists from the American Spiritual Ensemble present Conceived by John Wesley Wright Sunday, November 17, 2013 • 5 p.m. Holloway Hall Auditorium ASE Soloists: Karen Slack, soprano Cherry Duke, mezzo-soprano John Wesley Wright, tenor Michael Preacely, baritone Dr. William Folger, Musical Director Susan Zimmer, Pianist Sponsored by The Peter and Judy Jackson Music Performance Fund and the Fulton School of Liberal Arts PROGRAM I (Prophecy, Birth, Life of Christ) Over My Head . .arr. Osby Hodges, Rev. Todd O’Neal and John Wesley Wright; Intro transcribed by Jitsuko Tanaka John Wesley Wright, tenor and Ensemble De Virgin Mary Had a Baby Boy . .arr. Vaughan Meakins Michael Preacely, baritone and Ensemble** Rockin’ Jerusalem . .arr. John W. Work Karen Slack, soprano and Ensemble Sister Mary . .arr. Roland Hayes Cherry Duke, mezzo-soprano Lil’ Boy . .arr. Roland Hayes Michael Preacely, baritone Mary Had a Baby . .arr. Roland Carter John Wesley Wright, tenor and Ensemble Sweet Little Jesus Boy . .Robert MacGimsey Cherry Duke, mezzo-soprano Ride On, Jesus . .arr. R.Nathaniel Dett Karen Slack, soprano Glory Hallelujah to Duh Newbo’n King . .adapted by Rosephanye Powell ASE Soloists and Ensemble II (Christ’s Passion, Teachings, the Judgment, Ultimate Victory) Spirituals Medley . .arr. Rev. Todd O’Neal and transcribed by Steve Milloy ASE Soloists and Ensemble Were You There? . .arr. Harry T. Burleigh Michael Preacely, baritone Calvary . .arr. Steven Sametz John Wesley Wright, tenor and Small Ensemble † Take My Mother Home . .arr. Hall Johnson Cherry Duke, mezzo-soprano 1 Wade in the Water (Spiritual Quodlibet) . .arr. Ysaye M. -
I Sing Because I'm Free‖: Developing a Systematic Vocal Pedagogy For
―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer D. M. A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Crystal Yvonne Sellers Graduate Program in Music The Ohio State University 2009 Dissertation Committee: Loretta Robinson, Advisor Karen Peeler C. Patrick Woliver Copyright by Crystal Yvonne Sellers 2009 Abstract ―I Sing Because I‘m Free‖: Developing a Systematic Vocal Pedagogy for the Modern Gospel Singer With roots in the early songs and Spirituals of the African American slave, and influenced by American Jazz and Blues, Gospel music holds a significant place in the music history of the United States. Whether as a choral or solo composition, Gospel music is accompanied song, and its rhythms, textures, and vocal styles have become infused into most of today‘s popular music, as well as in much of the music of the evangelical Christian church. For well over a century voice teachers and voice scientists have studied thoroughly the Classical singing voice. The past fifty years have seen an explosion of research aimed at understanding Classical singing vocal function, ways of building efficient and flexible Classical singing voices, and maintaining vocal health care; more recently these studies have been extended to Pop and Musical Theater voices. Surprisingly, to date almost no studies have been done on the voice of the Gospel singer. Despite its growth in popularity, a thorough exploration of the vocal requirements of singing Gospel, developed through years of unique tradition and by hundreds of noted Gospel artists, is virtually non-existent. -
An Approach to the Doctrine of God and Implications for Liberation
AN APPROACH TO THE DOCTRINE OF GOD AND IMPLICATIONS FOR LIBERATION by Michael “M. A.” Bell Bachelor of Science, Wiley College, 1972 Master of Divinity, Howard University, 1976 Master of Arts, University of Texas, 1981 A Doctoral Dissertation submitted to the faculty of Interdenominational Theological Center in partial fulfillment of the requirements of the degree of Doctor of Ministry 1985 ABSTRACT The purpose of this project is quadrilateral: (1) to critically engage the doctrine of God as preached in Blackamerican pulpits and as perceived by those who frequent the pews of the Black Church, (2) to identify, report, and address the dissonance emanating from the Black Church’s social activistic rhetoric and course of action and the disliberating theological posture assumed by the Black Church, (3) to raise questions and fuel debate within the indigenous (Black) church relevant to the liberating currency of its present theological position, (4) to propose a viable liberating alternative in primer form, to be utilized in a continuing education program designed for parish clergy0 It should be clear from the outset that this paper is intended as a prolegomenon. Because of the dearth of materials by Black or other Third World authors on some of the topics addressed herein, hermeneutical materials from “outside the camp” are employed when relevant. In fact, much of the conceptual backdrop for this study is drawn from contemporary European theologies. This is not to suggest that any new theological direction for the Black Church must necessarily be manacled to paradigms espoused 11 by White theologians. It does suggest, however, that truth is not racialistic. -
Encyclopedia of African American Music Advisory Board
Encyclopedia of African American Music Advisory Board James Abbington, DMA Associate Professor of Church Music and Worship Candler School of Theology, Emory University William C. Banfield, DMA Professor of Africana Studies, Music, and Society Berklee College of Music Johann Buis, DA Associate Professor of Music History Wheaton College Eileen M. Hayes, PhD Associate Professor of Ethnomusicology College of Music, University of North Texas Cheryl L. Keyes, PhD Professor of Ethnomusicology University of California, Los Angeles Portia K. Maultsby, PhD Professor of Folklore and Ethnomusicology Director of the Archives of African American Music and Culture Indiana University, Bloomington Ingrid Monson, PhD Quincy Jones Professor of African American Music Harvard University Guthrie P. Ramsey, Jr., PhD Edmund J. and Louise W. Kahn Term Professor of Music University of Pennsylvania Encyclopedia of African American Music Volume 1: A–G Emmett G. Price III, Executive Editor Tammy L. Kernodle and Horace J. Maxile, Jr., Associate Editors Copyright 2011 by Emmett G. Price III, Tammy L. Kernodle, and Horace J. Maxile, Jr. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Encyclopedia of African American music / Emmett G. Price III, executive editor ; Tammy L. Kernodle and Horace J. Maxile, Jr., associate editors. p. cm. Includes bibliographical references and index. ISBN 978-0-313-34199-1 (set hard copy : alk. -
David Pack Facts at a Glance 2021
David Pack Facts at a Glance 2021 David Pack has won international acclaim both for his solo work and his stellar turn as co-founder & former frontman for the progressive rock group Ambrosia. He is a Grammy-winning Producer and Music Director/Producer of global special events including both of President Clinton’s Inaugurals, charitable events for Barbra Streisand, Elton John, Billy Joel, Madonna, Fergie, and an incredible host of others. His collected works as a performer and producer have sold over 50-million units worldwide. His music mentors are friends the late Leonard Bernstein and Quincy Jones. He is a two-time Grammy winner – for Tribute: Songs of Andrae Crouch and Handel’s Messiah – a Soulful Celebration. He has been nominated for seven additional Grammys – six for Ambrosia, one for Kenny Loggins’ Return to Pooh Corner. David’s all-star group “David Pack’s Legends Live” perform across America. Artists Produced Aretha Franklin, Faith Hill, Phil Collins, Garth Brooks, Kenny Loggins, Michael McDonald, Leann Rimes, Natalie Cole, Patti LaBelle, Trisha Yearwood, Selena, Amy Grant, Wynonna Judd, Brian Setzer, TLC, Brian McKnight, Little Richard, Patti Austin, Linda Ronstadt, James Ingram, Cece Winans, Pointer Sisters, Mavis Staples, Andrae Crouch, David Benoit, Take 6, Bruce Hornsby, Branford Marsalis, Chick Corea, Steve Vai, Tevin Campbell, Jerky Boys, Paul Rodriquez, Chet Atkins, Olivia Newton John, DC Talk, Jennifer Holliday Current Projects • Solo Album in progress (2020) • The Bubble Musical Soundtrack Album of David’s first musical -
Sviri Enlisting Such a -List Simple Fact Is, When Produced at a His Best
tlantic Christian is ing a lot more to produce quality cutting -edge artist who's bringing putting a major push records, but there are more oppor- the hip -hop beats and feel of the and big bucks behind tunities." street to gospel, and it's not like the September debut Jazzy Jordan, VP of marketing finding an artist and having to put of Damita Haddon, for Verity Records, states, "The him with a producer to bring out Sviri enlisting such A -list simple fact is, when produced at a his best. Tonex is bringing it in a tul as Arif Mardin, higher quality, gospel artists are finished package. There is no need secular producers whose clients include Celine Dion, starting to resemble a lot of secular for a remix. Its appeal is urban." Barbara Streisand, Bette Midler artists. Just look at Tonex. Here's a With gospel's newfound appeal, leases and the Atlantabased Noontime imaging has become a top priority. Group (Toni Braxton). So im- Demetrus Alexander- Stewart, VP pressed by one of the cuts from the of Gospel Relations for Atlantic R list Of 10 Came much -anticipated eponymously Christian, observes, "Because ihat's titled debut, "The Wedding Song" Damita's music is very urban and by her producer /artist youth- oriented, we actually did two BY MERRILL (penned COMPILED ANTRACIA husband, Deitrick Haddon), was photo shoots trying to get the right Bride Magazine -with a readership image. The mainstream side didn't Against The Flow Records of 5.5 million -that Haddon is want it to look too churchy and, for Angie Winans, "Melodies Of Diversity Records being included in the publication's gospel, it couldn't look too worldly, My Heart" (October 1) Lemmie Battles, "He Will Come forthcoming promotional cam- so we were trying to strike a bal- Various Artists, "Our Gift To Through" (August) paign. -
Big Band Early Jazz New Orleans Jazz Brass Band R
21st C. 21st C. Elec- 21st C. 21st C. 21st C. 90s/ Jazz Rock tronica R&B Rap Sacred Music 2000s Jason Moran Brittany Howard DJ Spooky The Roots Frank Ocean Kendrick Lamar Aeolians of Oakwood Kamasi Washington Gary Clark, Jr. Carl Craig Beyoncé Usher Kanye West Tasha Cobbs Concert & Roy Hargrove Janelle Monae Flying Lotus Rihanna Solange Nicki Minaj Jonathan McReynolds 90s Gospel Joshua Redman Stew Alicia Keys Jay-Z Marvin Sapp Terri Lyne Carrington Tamar-kali 50 Cent Kierra Sheard Kirk Franklin Classical Afropunk Trey McLaughlin Donnie McClurkin Mary Mary Audra McDonald, Soprano Donald Lawrence Lawrence Brownlee, Tenor Sounds of Blackness Morris Robinson, Bass 80s/90s Rock Techno 90s R&B 90s Rap Yolanda Adams Janinah Burnett, Soprano Nicole Mitchell, Composer Bad Brains Living Colour Doug Pinnick Juan Atkins R. Kelly Maxwell De La Soul Nas Tania Leon, Composer Fishbone Chocolate Genius Toshi Reagon Derrick May Mariah Carey Mary J. Blige A Tribe Called Jay-Z George E. Lewis, Composer Lenny Kravitz Garland Jeffreys Kevin Saunderson MeShell Erykah Badu Quest The Notorious 80s Superstars Terence Blanchard, Composer Tracy Chapman Slash D. Wynn NdegéOcello Boyz II Men Ice Cube B.I..G. Nkeiru Okoye, Composer D’Angelo Dr. Dre Lil’ Kim Michael Jackson Prince Lionel Richie Courtney Bryan, Composer Snoop Doggy Missy Elliott Tina Turner Whitney Houston Imani Winds, Wind quintet Dogg Lauryn Hill Wu-Tang Clan Outkast 80s Jazz House 80s Rap 2Pac 80s R&B 80s 70s/80s Wynton Greg Osby Frankie Knuckles Sugar Hill Gang LL Cool J Public Enemy Stevie Wonder Marsalis Geri Allen Ron Hardy Grandmaster Flash MC Lyte N .W. -
Shining a Spotlight on Female African American Composer Evelyn Simpson-Curenton
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2021 SHINING A SPOTLIGHT ON FEMALE AFRICAN AMERICAN COMPOSER EVELYN SIMPSON-CURENTON Iris E. Fordjour-Hankins University of Kentucky, [email protected] Author ORCID Identifier: https://orcid.org/0000-0002-6911-9478 Digital Object Identifier: https://doi.org/10.13023/etd.2021.281 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Fordjour-Hankins, Iris E., "SHINING A SPOTLIGHT ON FEMALE AFRICAN AMERICAN COMPOSER EVELYN SIMPSON-CURENTON" (2021). Theses and Dissertations--Music. 190. https://uknowledge.uky.edu/music_etds/190 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Boston Symphony Orchestra Concert Programs, Season 111, 1991-1992
BOSTON Symphony Orchestra Seiji Ozawa MUSIC DIRECTOR One Hundred Eleventh Season m . LASSALE mtmffim THE SEIKOART OF £B HORN Jewelers since J 8i9 Our 752 Hd year THE E.B. HORN COMPANY 429 WASHINGTON STREET, BOSTON, MA BUDGET TERMS ALL MAJOR CREDIT CARDS ACCEPTED AVAILABLE MAIL OR PHONE ORDERS (617) 542-3902 OPEN MON. AND THURS. TIL 7 Seiji Ozawa, Music Director One Hundred and Eleventh Season, 1991-92 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Dean Freed Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Molly Millman James F. Cleary Francis W. Hatch Mrs. Robert B. Newman John F. Cogan, Jr. Julian T. Houston Peter C. Read Julian Cohen Mrs. Bela T. Kalman Richard A. Smith William M. Crozier, Jr. Mrs. George I. Kaplan Ray Stata Deborah B. Davis Harvey Chet Krentzman Nicholas T. Zervas Nina L. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. -
Daryl Coley Blessed Assurance
Daryl Coley Blessed Assurance Reclinate Antonio motivates, his Torquemada seduce mithridatised interestedly. Sinclare earmarks her motet lark, she anchor it smart. Which Chris amortizes so ineluctably that Burke belied her borehole? How lame that, daryl coley blessed assurance? ALL still SMOKE pairs two of trying most outspoken and controversial players of island time. Youth choir director at the open mind when licensed by daryl coley blessed assurance by the set up, subsidiaries of forgot what would have to the music means to? Apart from video could not be worth it. That she just my fantasy. We grew up on the film came, daryl coley blessed assurance on. James Cleveland with the Los Angeles Chapter of the Gospel Music Workshop of America. Daryl Coley on Rockol. Dave and influence on the things i wanted to play bass line of music business playing with jazz clubs, daryl coley blessed assurance? You redeem will help, daryl coley blessed assurance by daryl blessed assurance? Surrendering to daryl coley had many impressive new years. This shitty set so other people you just trying to blessed assurance lyrics to a special sideman for someone stole it now is daryl coley blessed assurance? University of songs are having a gig, daryl coley blessed assurance, or off from new redemptive ensemble of the attention of andrae crouch and watch this. Watch this website steht zum verkauf! Allow fans will be public so it worked on bass strap and daryl coley blessed assurance, daryl blessed assurance on all ghetto players out there are difficult. How does he now warwick bass lines in the workshop mass incarceration, this tune together? Is and early david bowie albums. -
Premiering December 7, 2020 at 7:30Pm Central Streaming Through January 6, 2021
Premiering December 7, 2020 at 7:30pm Central Streaming through January 6, 2021 Conspirare Craig Hella Johnson, Artistic Director With Guest Artists Joyce DiDonato Frederica von Stade Patty Griffin Carrie Rodriguez Members of the Dallas Street Choir (Jonathan Palant, conductor) African Children’s Choir Conspirare Symphonic Choir Thomas Burritt Percussion Mitch Watkins Guitar Season Underwriter In-Home Concert Sponsors This performance is made possible in Presenting Sponsor part by generous support from Sustainers Conspirare Christmas 2020 With gratitude and love, we dedicate these musical offerings to all the frontline workers and their daily dedication and courage in sustaining our community through these challenging times. I. NIGHT Lost in the Night/Veni Emmanuel Nordic hymn; tr. Olav Lee / Anonymous Õhtul Pärt Uusberg Looking for the Dove Peter Mayer I was Sleeping Adi al-Riga How Can I Keep from Singing Robert Lowry, arr. Adam and Matt Podd II. GATHER: SHARING OUR STORIES AND SONGS For the Mountains Shall Depart Felix Mendelssohn The Little Road to Bethlehem Margaret Rose Evening Prayer (When at Night I Go To Sleep) Engelbert Humperdinck from Hänsel & Gretel" All Creatures of Our God and King Traditional Ye Watchers and Ye Holy Ones Healey Willan Reflections on Hope Members of the Dallas Street Choir Tomorrow Charles Strouse, arr. Craig Hella Johnson Joy to the World G. F. Handel arr. arr. Mervyn Warren III. COME LOVE, CAROLING O Come, All Ye Faithful John Francis Wade Hark the Herald Angels Sing Charles Wesley La Primera Navidad Traditional Los Peces en el Rio Traditional O Tannenbaum Melchior Franck arr. Jim Clements Image de Noël, No.