Local Developer Accused of Withholding Wages
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The Stony Brook Press Will to the Editor: Last Recollection of the Use of Vador, Nicaragua and Other Cen- Not Publish Next Week
Vol. III No. 16 Community's Weekly Paper * Thursday, March 18, 1982 Class Action Infant Formulas: Worth the Price? Case Part II Continues Complexity causes formula misuse page 3 INOWN rii:?pb -1wWi : i ^M :~E~:~j~"~""'" ::~idi3i~b~.: 3 Am 30Si ~SC~U" AII ~l f A AMfAt THT ,, by Gregory J. Scandaglia It is universally agreed that breast feeding presents the safest, healthiest and most eco- i H arkness nomical means of nourishing an infant. Nature is generous with this gift, providing 96% i of the women in the world with the ability to nourish their babies independent of any I outside source of food, according to the Infant Formula Coalition (INFACT). Howev- Ser, many mothers, especially poor mothers, allow this resource to go untapped, turningii instead to inferior, laboratory produced baby formulas. SCountless women in the United States and in Third World nations make this choice, Screating a $1.7 billion world market, according to The Wall Street Journal. While form- I ula companies attribute this tremendous demand to the necessity of a breast feeding 1 Salternative, especially for poverty-stricken mothers, formula opponents contend that these products are most dangerous in the hands of the poor, since they are least able to I undertake safe feeding practice. SFirst and foremost amongst the difficulties of the poor in safe formula feeding is their inability to cope on a regular basis with the cost of the formula. According to a U.N. subcommittee on infant feeding, the cost- of proper bottle feeding is about'$1 Sper day in the United States and about half the daily wage in developing nations. -
17-06-27 Full Stock List Drone
DRONE RECORDS FULL STOCK LIST - JUNE 2017 (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) *AR (RICHARD SKELTON & AUTUMN RICHARDSON) Wolf Notes (LP, 2011, Type Records TYPE093V, €16.5) 1000SCHOEN Yoshiwara (do-CD, 2011, Nitkie label patch seven, €17) Amish Glamour (do-CD, 2012, Nitkie Records Patch ten, €17) 1000SCHOEN / AB INTRA Untitled (do-CD, 2014, Zoharum ZOHAR 070-2, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10inch, 2007, Angle Records A.R.10.03, €10) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO Seven Songs (do-LP, 2012, LTM Publishing LTMLP 2528, €29.5) 2:13 PM Anus Dei (CD, 2012, 213Records 213cd07, €10) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) Speak to me (LP, 2016, Black Truffle BT023, €17.5) 300 BASSES Sei Ritornelli (CD, 2012, Potlatch P212, €15) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth (CD, 1994, ReR Megacorp ReR 5uu1, €14) 7JK (SIEBEN & JOB KARMA) Anthems Flesh (CD, 2012, Redroom Records REDROOM 010 CD , €13) 87 CENTRAL Formation (CD, 2003, Staalplaat STCD 187, €8) @C 0° - 100° (CD, 2010, Monochrome -
(Fcmttecticitt Sa% (Eamjnta Serving Storrs Since 1896
More UConn meat missing To day 9s fo recas t HAKTFORD. Conn. (AP)—"Generally School officials say they already have lax security'* and an "absence ol manage- taken steps to prevent recurrence. Fair tonight. Low temperatures in the mid 30's. Cloudy ment oversight" are blamed by state Auditors Henry J. Becker Jr. and Leo V. auditors in the disappearance of five tons of Saturday with a chance of showers. Highs around 50. Nor- Donohue issued their final report Wednes- thwest winds around 10 mph today. Light and variable win- meat worth more than $25,000 at the ,da\. miminating a two-month inquiry by ds tonight. University of Connecticut. SEE MEAT. PAGE 3 (fcmttecticitt Sa% (Eamjnta Serving Storrs Since 1896 Vol. LXXXV No. 109 University of Connecticut Friday, April 2,1982 USG election procedures questioned By Chris Schneider have signed statements at- votes within 75 feet of the bers that they were not According to Connecticut Staff Writer testing to those of Veils' polling place. At an infor- allowed to sollicit within 75 State Statue 9-23b. no At a press conference It is possible that can- mational meeting for all can- feet of the polling area. political advertising or Wednesday afternoon, didates including Veil, were didates, they were told by However. no further soliciting of voters within 75 Cheryl Hayden, Chairperson misinformed about a state elections committee mem- specifications were given at feet of the outside entrance of the Undergraduate statute concerning soliciting this time. of a building where balloting Student Government, an- Election results lakes place. Those spon- nounced the results of the soring the elections arc USG Student Assembly elec- COMMUTERS. -
Inner Voices: Distinguishing Transcendent and Pathological Characteristics Trauma, Psychotherapy, and Meditation the Transperson
Volume 28 Number 1,1996 Inner voices: Distinguishing transcendent and pathological characteristics 1 Mitchell B. Liester Trauma, psychotherapy, and meditation 31 Ferris B. Urbanowski & John J. Miller The transpersonal movement: A Russian perspective on its emergence and prospects for further development 49 V. V. Nalimov & Jeanna A. Drogalina Transpersonal art and literary theory 63 Ken Wilber REVIEW Thoughts without a thinker: Psychotherapy from a Buddhist perspective, Mark Epstein John J. Miller NOTICE TO The Journal of Transpersonal Psychology is published SUBSCRIBERS semi-annually beginning with Volume l,No. 1, 1969. Current year subscriptions—Volume 28, 1996. To individuals: S24.00 per year; $12.00 either issue. To libraries and all institutions: $32 per year or $16 either issue. Overseas airmail, add $13 per volume, $6.50 per issue. Back volumes: Volumes 24-27 (2 issues per volume) $24 each, $12 per issue. Volumes 15-23 (2 issues per volume) $20 each, $10 per issue. Volumes 1-14 (2 issues per volume) $14 each, $7 per issue. All Journal issues are available. See back pages of this issue for previous contents. Order from and make remittances payable to: The Journal of Transpersonal Psychology, P.O. Box 4437, Stanford, California 94309. The Journal of Transpersonal Psychology is indexed in Psychological Abstracts and listed in Chicorel Health Science Indexes, International Bibliography of Periodical Literature, International Bibliography of Book Reviews, Mental Health Abstracts, Psychological Reader's Guide, and beginning in 1982 Current Contents/Social & Behavioral Sciences Social Sciences Citation Index Contenta Religionum NOTICE TO Manuscript deadlines: Manuscripts may be submitted by any AUTHORS author at any time. -
INFORMATION to USERS Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of die original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Paga(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large dieet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
JAGOS MUSIC Is Pleased to Present the Wavos! Scramble up the Killers, Green Day and Depeche Mode and You're Getting a Taste for the Wavos
JAGOS Music LLC PO Box 70730 Myrtle Beach, SC 29572 (347) 837-5515 JAGOS MUSIC is pleased to present The Wavos! Scramble up The Killers, Green Day and Depeche Mode and you're getting a taste for The Wavos. Their live show is all-out rocktronic dance-pop, powerpop meets goth electronica, an authentic ‘80s & ‘90s new wave alterna-rock dance party that won’t quit. The Wavos specialize in colliding musical styles, blurring the lines between rock & dance music, pop & darkwave, guitar trio & synthpop, never forgetting that great songs are what it’s all about. Ride the wave, it’s what you crave! Contact & Bookings: Gordon Smith (347) 837-5515 [email protected] Web Sites: www.thewavos.com www.facebook.com/thewavos www.youtube.com/jagosmusic www.twitter.com/thewavos www.myspace.com/thewavos www.itunes.com www.cdbaby.com/Artist/thewavos http://www.thewavos.com [email protected] FACT SHEET Ride the wave, it’s what you crave! Scramble up The Killers, Green Day, Depeche Mode, you're getting a taste for The Wavos: rocktronic dance-pop with a chewy ‘80s alternawave center. Artist Information Biography “Make no mistake, these guys are more than a cover band,” says the Sun News. The Wavos have a fantastic time playing their favorite songs by Billy Idol, The Killers, Beastie Boys, Depeche Mode, Green Day, The Cars, New Order, Devo, Ramones, Nine Inch Nails and so many more. Then they'll throw in a couple of original WAVOS songs and you'll just know it's a new wave band that you can't quite name… Or, depending on the venue, the band will treat its audience to a full set of their own songs. -
The Waitresses Wasn't Tomorrow Wonderful Album Download the Waitresses - Wasn't Tomorrow Wonderful? Album
the waitresses wasn't tomorrow wonderful album download The Waitresses - Wasn't Tomorrow Wonderful? Album. © 1982 PolyGram Records, Inc. ℗ 1982 PolyGram Records, Inc., New York except A1 and B1 ℗ 1980 PolyGram Records, Inc., New York Made in West Germany. Mentioned under "Tips": Bluerock, Greene Street, R.P.M. in N.Y. and Bushflow in Akron. Issued with printed inner sleeve. Embossed "PRS Hannover" logo lower left of backcover. Barcodes. Matrix / Runout (Runout A-side, stamped): 2391 537 S1 320 Matrix / Runout (Runout B-side, stamped): 2391 537 S2 320 Label Code: LC 0309 Rights Society: GEMA. Companies. Phonographic Copyright (p) – PolyGram Records, Inc. Copyright (c) – PolyGram Records, Inc. Copyright (c) – Future Fossil Music Copyright (c) – Merovingian Music Mastered At – Sterling Sound Record Company – Deutsche Grammophon GmbH Engineered At – Blue Rock Studio Engineered At – Bushflow Studios, Akron, Ohio Printed By – Gerhard Kaiser GmbH Lacquer Cut At – PRS Hannover. Album. Wasn't Tomorrow Wonderful is the debut album of new wave band the Waitresses, originally released in 1982 by Polydor, licensed from ZE Records. The album peaked at No. 41 in the Billboard 200 chart and included the earlier single I Know What Boys Like. Album 1982 14 Songs. The Best Of The Waitresses. Deluxe Special. Christmas Wrapping Remastered - Single. You May Also Like. Не сейчас. THE WAITRESSES- Wasn't Tomorrow Wonderful. Patrick Pierson. No Guilt - Продолжительность: 3: Waitresses' 1982 debut album, Wasn't Tomorrow Wonderful, was a unique and fairly important moment in early-'80s new wave, though the band failed to gain momentum from their success and effectively broke up within two years of releasing their first record. -
Edgy Music Gives Akron Fringe Status Page 1 of 2
Edgy music gives Akron fringe status Page 1 of 2 Posted on Thu, Jun. 10, 2004 Edgy music gives Akron fringe status By David Giffels When the body of Robert Quine was discovered last weekend in his New York City apartment, he became the first of a puzzling subgeneration of Akron-born artists to pass into the great beyond. At 61, he was the elder statesman of an absurdly brilliant bunch, all born roughly between 1945 and 1950, who collectively represent the city's most noteworthy contributions to art and pop culture. Most of their eventual obituaries will include the adjectives that apply to Quine: iconoclastic, adventurous and influential. In music, there are the Mothersbaugh and Casale brothers, who formed Devo and now make soundtracks and commercials. There is Tin Huey, which spewed out the solo career of horn player Ralph Carney and Chris Butler's band the Waitresses. There is Chrissie Hynde, a virtual lock for the Rock and Roll Hall of Fame. In film, there's Jim Jarmusch, the grittily independent director, beloved by critics, the darling of Cannes and Sundance, forever flirting at the edges of the mainstream. In comics, there's Paul Mavrides, co-author of the underground Fabulous Furry Freak Brothers, and yet another whose influence is more notable than his popular success. In literature, there's Rita Dove, the Pulitzer Prize winner and two-time U.S. poet laureate, whose more refined tone may place her in a different aesthetic category, but who (like Hynde) has passed blithely through glass ceilings -- iconoclastic, adventurous and influential. -
European Free Improv
European free improv click here to download Multimedia encyclopedia on free improvising musicians with biographies, discographies, photographs, mp3 audio clips, video clips and information on record labels. Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique and as a recognizable genre in its own right. Free improvisation, as a genre of music, developed in the U.S. and Europe in the mid to late s, largely as Derivative forms: Electroacoustic improvisation. European free jazz is a part of the global free jazz scene with its own development and characteristics. It is hard to establish who are the founders of European free jazz because of the different developments in different European countries. One can, however, be certain that European free jazz took its development from European acceptance · European development of · Free jazz as an art form in. Feel free to contact me with suggestions. Photo is of Chefa Alonso and Roger Turner at Festival R de Choc, Paris , taken be Helen Petts Contact: Richard [email protected] for more details this is the beginning so here is the start: European Free Improvisation Site: www.doorway.ru Friends of. This “Eurological” perspective, as George Lewis calls it, configured what was first called “European Free Improvisation” and later summarized to “Free Improvisation”. British improvisers had an important role in the movement. In Europe, the first relevant experience in Free Improvisation took place in with the Sheffield. Free jazz had begun to make some impact in Europe a few years prior, but it took the exodus of American freemen in the late s and early s to kick- start the movement and set it aflame. -
Dagbani-English Dictionary
DAGBANI-ENGLISH DICTIONARY with contributions by: Harold Blair Tamakloe Harold Lehmann Lee Shin Chul André Wilson Maurice Pageault Knut Olawski Tony Naden Roger Blench CIRCULATION DRAFT ONLY ALL COMENTS AND CORRECTIONS WELCOME This version prepared by; Roger Blench 8, Guest Road Cambridge CB1 2AL United Kingdom Voice/Answerphone/Fax. 0044-(0)1223-560687 E-mail [email protected] http://homepage.ntlworld.com/roger_blench/RBOP.htm This printout: Tamale 25 December, 2004 1. Introduction...................................................................................................................................................... 5 2. Transcription.................................................................................................................................................... 5 Vowels ................................................................................................................................................................................ 5 Consonants......................................................................................................................................................................... 6 Tones .................................................................................................................................................................................. 8 Plurals and other forms.................................................................................................................................................... 8 Variability in Dagbani -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance -
Music and Spirituality
Music and Spirituality Edited by Edward Foley Printed Edition of the Special Issue Published in Religions www.mdpi.com/journal/religions Edward Foley (Ed.) Music and Spirituality This book is a reprint of the special issue that appeared in the online open access journal Religions (ISSN 2077-1444) in 2014 (available at: http://www.mdpi.com/journal/religions/special_issues/music_spirituality). Guest Editor Edward Foley Catholic Theological Union 5416 S. Cornell Ave. Chicago, IL 60615, USA Editorial Office MDPI AG Klybeckstrasse 64 Basel, Switzerland Publisher Shu-Kun Lin Production Editor Jeremiah R. Zhang 1. Edition 2015 MDPI • Basel • Beijing • Wuhan ISBN 978-3-03842-099-6 © 2015 by the authors; licensee MDPI, Basel, Switzerland. All articles in this volume are Open Access distributed under the Creative Commons Attribution 3.0 license (http://creativecommons.org/licenses/by/3.0/), which allows users to download, copy and build upon published articles even for commercial purposes, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. However, the dissemination and distribution of copies of this book as a whole is restricted to MDPI, Basel, Switzerland. III Table of Contents List of Contributors ............................................................................................................... V Edward Foley Music and Spirituality—Introduction Reprinted from: Religions 2015, 6(2), 638-641 http://www.mdpi.com/2077-1444/6/2/638 ............................................................................IX