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Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
The Delius Society Journal Autumn 2016, Number 160
The Delius Society Journal Autumn 2016, Number 160 The Delius Society (Registered Charity No 298662) President Lionel Carley BA, PhD Vice Presidents Roger Buckley Sir Andrew Davis CBE Sir Mark Elder CBE Bo Holten RaD Piers Lane AO, Hon DMus Martin Lee-Browne CBE David Lloyd-Jones BA, FGSM, Hon DMus Julian Lloyd Webber FRCM Anthony Payne Website: delius.org.uk ISSN-0306-0373 THE DELIUS SOCIETY Chairman Position vacant Treasurer Jim Beavis 70 Aylesford Avenue, Beckenham, Kent BR3 3SD Email: [email protected] Membership Secretary Paul Chennell 19 Moriatry Close, London N7 0EF Email: [email protected] Journal Editor Katharine Richman 15 Oldcorne Hollow, Yateley GU46 6FL Tel: 01252 861841 Email: [email protected] Front and back covers: Delius’s house at Grez-sur-Loing Paintings by Ishihara Takujiro The Editor has tried in good faith to contact the holders of the copyright in all material used in this Journal (other than holders of it for material which has been specifically provided by agreement with the Editor), and to obtain their permission to reproduce it. Any breaches of copyright are unintentional and regretted. CONTENTS EDITORIAL ..........................................................................................................5 COMMITTEE NOTES..........................................................................................6 SWEDISH CONNECTIONS ...............................................................................7 DELIUS’S NORWEGIAN AND DANISH SONGS: VEHICLES OF -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen. -
Journal83-1.Pdf
The Delius Society Journal July 1984',Number 83 The DeliusSociety Full Membershipf,8.00 per year Studentsf,5.00 Subscriptionto Libraries(Journal only) f,6.00 per year USA and CanadaUS $ 17.00 per year President Eric Fenby OBE, Hon D Mus, Hon D Litt, Hon RAM Vice Presidents The Rt Hon Lord Boothby KBE, LLD Felix AprahamianHon RCO Roland GibsonM Sc,Ph D (FounderMember) Sir CharlesGroves CBE Stanford RobinsonOBE, ARCM (Hon), Hon CSM MeredithDavies CBE, MA, B Mus, FRCM, Hon RAM Norman Del Mar CBE, Hon D Mus Vernon Handley MA, FRCM, D Univ (Surrey) Chairman R B Meadows 5 WestbourneHouse, Mount Park Road,Harrow, Middlesex Treasurer Peter Lyons 160 WishingTree Road, St. Leonards-on-Sea,East Sussex Secretary Miss Diane Eastwood 28 Emscote Street South, Bell Hall, Halifax, Yorkshire Tel: (0422) 50537 Editor StephenLloyd 85aFarley Hill, Luton,Bedfordshire LUI 5EG Tel: Luton (0582)20075 Contents Editoria! 'Delius as they saw him' by Robert Threlfall Kenneth Spenceby Lionel Hill t9 Margot La Rouge at Camden Festival 2l RPS Sir John Barbirolli concert 23 Midlands Branch meetins: Arnold Bax 24 Cynara in the Midlands 24 Midlands Branch meeting: an eveningof film 25 Forthcoming Events 26 Acknowledgements The cover illustration is an early sketchof Delius by Edvard Munch (no. 1 in Robert Threlfall's Iconography,see page 7), reproducedby kind per- missionof the Curator of the Munch Museum, Oslo. The photographicplates in this issuehave been financed by a legacyto the Delius Societyfrom the late Robert Aickman. The photographson pp. 8, 9 and 17 are reproduced by kind permission of Andrew Boyle with acknowledgementto Lionel Carley, the owner of the two heads.The two photographson page 13were taken by the Editor with the permissionof Denis Blood. -
The War to End War — the Great War
GO TO MASTER INDEX OF WARFARE GIVING WAR A CHANCE, THE NEXT PHASE: THE WAR TO END WAR — THE GREAT WAR “They fight and fight and fight; they are fighting now, they fought before, and they’ll fight in the future.... So you see, you can say anything about world history.... Except one thing, that is. It cannot be said that world history is reasonable.” — Fyodor Mikhaylovich Dostoevski NOTES FROM UNDERGROUND “Fiddle-dee-dee, war, war, war, I get so bored I could scream!” —Scarlet O’Hara “Killing to end war, that’s like fucking to restore virginity.” — Vietnam-era protest poster HDT WHAT? INDEX THE WAR TO END WAR THE GREAT WAR GO TO MASTER INDEX OF WARFARE 1851 October 2, Thursday: Ferdinand Foch, believed to be the leader responsible for the Allies winning World War I, was born. October 2, Thursday: PM. Some of the white Pines on Fair Haven Hill have just reached the acme of their fall;–others have almost entirely shed their leaves, and they are scattered over the ground and the walls. The same is the state of the Pitch pines. At the Cliffs I find the wasps prolonging their short lives on the sunny rocks just as they endeavored to do at my house in the woods. It is a little hazy as I look into the west today. The shrub oaks on the terraced plain are now almost uniformly of a deep red. HDT WHAT? INDEX THE WAR TO END WAR THE GREAT WAR GO TO MASTER INDEX OF WARFARE 1914 World War I broke out in the Balkans, pitting Britain, France, Italy, Russia, Serbia, the USA, and Japan against Austria, Germany, and Turkey, because Serbians had killed the heir to the Austrian throne in Bosnia. -
Musicweb International August 2020 RETROSPECTIVE SUMMER 2020
RETROSPECTIVE SUMMER 2020 By Brian Wilson The decision to axe the ‘Second Thoughts and Short Reviews’ feature left me with a vast array of part- written reviews, left unfinished after a colleague had got their thoughts online first, with not enough hours in the day to recast a full review in each case. This is an attempt to catch up. Even if in almost every case I find myself largely in agreement with the original review, a brief reminder of something you may have missed, with a slightly different slant, may be useful – and, occasionally, I may be raising a dissenting voice. Index [with page numbers] Malcolm ARNOLD Concerto for Organ and Orchestra – see Arthur BUTTERWORTH Johann Sebastian BACH Concertos for Harpsichord and Strings – Volume 1_BIS [2] Johann Sebastian BACH, Georg Philipp TELEMANN, Carl Philipp Emanuel BACH The Father, the Son and the Godfather_BIS [2] Sir Arnold BAX Morning Song ‘Maytime in Sussex’ – see RUBBRA Amy BEACH Piano Quintet (with ELGAR Piano Quintet)_Hyperion [9] Sir Arthur BLISS Piano Concerto in B-flat – see RUBBRA Benjamin BRITTEN Serenade for Tenor, Horn and Strings, etc._Alto_Regis [15, 16] Arthur BUTTERWORTH Symphony No.1 (with Ruth GIPPS Symphony No.2, Malcolm ARNOLD Concerto for Organ and Orchestra)_Musical Concepts [16] Paul CORFIELD GODFREY Beren and Lúthien: Epic Scenes from the Silmarillion - Part Two_Prima Facie [17] Sir Edward ELGAR Symphony No.2_Decca [7] - Sea Pictures; Falstaff_Decca [6] - Falstaff; Cockaigne_Sony [7] - Sea Pictures; Alassio_Sony [7] - Violin Sonata (with Ralph VAUGHAN WILLIAMS Violin Sonata; The Lark Ascending)_Chandos [9] - Piano Quintet – see Amy BEACH Gerald FINZI Concerto for Clarinet and Strings – see VAUGHAN WILLIAMS [10] Ruth GIPPS Symphony No.2 – see Arthur BUTTERWORTH Alan GRAY Magnificat and Nunc dimittis in f minor – see STANFORD Modest MUSSORGSKY Pictures from an Exhibition (orch. -
Alexander Goehr “Fings Ain’T Wot They Used T’Be”
Archive zur Musik des 20. und 21. Jahrhunderts Band 13 Alexander Goehr “Fings ain’t wot they used t’be” On behalf of the Archives of the Akademie der Künste edited by Werner Grünzweig wolke First Edition 2012 Copyright © by Archiv der Akademie der Künste, Berlin, and by the authors All rights reserved by Wolke Verlag, Hofheim Printed in Germany Editorial assistance: Lynn Matheson, Anouk Jeschke, Alexander K. Rothe Music examples set by Oliver Dahin, Berlin Scans: Kerstin Brümmer Typeset in Simoncini Garamond by michon, Hofheim Print: AK-Druck&Medien GmbH, Schneckenlohe Cover design: Friedwalt Donner, Alonissos Cover photo: Misha Donat, London ISBN 978-3-936000-28-3 Contents Werner Grünzweig: In Dialogue with the Past . 7 Paul Griffiths: “…es ist nicht wie es war…”. The Music of Alexander Goehr . 15 Alexander Goehr: Learning to Compose . 97 Catalogue of the Music Manuscripts in the Alexander Goehr Archive . 127 CD-Supplement . 151 Werner Grünzweig In Dialogue with the Past The name Goehr has been familiar in music circles in central Europe for decades. Alexander Goehr’s father, Walter Goehr (1903-60), a former member of Arnold Schoenberg’s master class at the Akademie der Künste in Berlin, was known not only for his productions of Claudio Monteverdi’s Vespers and operas but also for his performances of contemporary music. Compositions by Alexander Goehr, who has been called “Sandy” since childhood days, have been featured at renowned music festivals in Germany since the mid-1950s. In 1956 his Fantasia, Op. 4, was performed at the Darmstadt Internationale Ferienkurse für Neue Musik in a pro- gramme also including works by Ernst Krenek, Arnold Schoenberg, Luigi Nono and Bernd Alois Zimmermann. -
WW1 COMMEMORATIVE ISSUE 201809 Gramophone Gramophone 04/06/2018 14:56 Page 1
: Bulletin WW1 COMMEMORATIVE ISSUE 201809_Gramophone_Gramophone 04/06/2018 14:56 Page 1 The ‘Moonlight’ sonata sounds newly minted in this remarkable reading, Pavel Kolesnikov’s hallmark virtues of ‘intelligence, sensitivity and imagination’ (Gramophone) guaranteeing a very special Beethoven recital indeed. CDA68237 Available Friday 31 August 2018 Beethoven: Moonlight Sonata & other piano music PAVEL KOLESNIKOV piano A deeply impressive A successor to and eclectic Howard Shelley’s selection of shorter earlier Dussek choral works from recordings presents one of England’s another three fine brightest composer concertos. prospects. CDA68211 Available Friday 31 August 2018 CDA68191 Available Friday 31 August 2018 Owain Park: Choral Works Dussek: Piano Concertos TRINITY COLLEGE CHOIR Opp 3, 14 & 49 CAMBRIDGE HOWARD SHELLEY piano STEPHEN LAYTON conductor ULSTER ORCHESTRA COMINGSOON… Iain Farrington’s Chopin: Cello Sonata; Schubert: Arpeggione Sonata Steven Isserlis (cello), Dénes Várjon (piano) Bronsart & Urspruch: Piano Concertos Emmanuel Despax (piano), BBC Scottish SO, Eugene Tzigane (conductor) chamber version Liszt: New Discoveries, Vol. 4 Leslie Howard (piano) Machaut: The gentle physician The Orlando Consort of this monumental Vaughan Williams: A Sea Symphony BBC Symphony Orchestra, BBC Symphony Chorus, Martyn Brabbins The Passing-Measures Mahan Esfahani (harpsichord) work is a perfect Févin: Missa Ave Maria & Missa Salve sancta parens The Brabant Ensemble, Stephen Rice (conductor) match for these young voices. CDA68242 Available Friday 31 August 2018 Brahms: Ein deutsches Requiem YALE SCHOLA CANTORUM DAVID HILL conductor OTHER LABELS AVAILABLE FOR DOWNLOAD ON OUR WEBSITE CDs, MP3 and lossless downloads of all our recordings are available from www.hyperion-records.co.uk Gimell HYPERION RECORDS LTD, PO BOX 25, LONDON SE9 1AX · [email protected] · TEL +44 (0)20 8318 1234 FRMS BULLETIN Autumn 2018 No. -
The Modernist Kaleidoscope: Schoenberg's Reception History in England, America, Germany and Austria 1908-1924 by Sarah Elain
The Modernist Kaleidoscope: Schoenberg’s Reception History in England, America, Germany and Austria 1908-1924 by Sarah Elaine Neill Department of Music Duke University Date:_______________________ Approved: ___________________________ R. Larry Todd, Supervisor ___________________________ Severine Neff ___________________________ Philip Rupprecht ___________________________ John Supko ___________________________ Jacqueline Waeber Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2014 ABSTRACT The Modernist Kaleidoscope: Schoenberg’s Reception History in England, America, Germany and Austria 1908-1924 by Sarah Elaine Neill Department of Music Duke University Date:_______________________ Approved: ___________________________ R. Larry Todd, Supervisor ___________________________ Severine Neff ___________________________ Philip Rupprecht ___________________________ John Supko ___________________________ Jacqueline Waeber An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2014 Copyright by Sarah Elaine Neill 2014 Abstract Much of our understanding of Schoenberg and his music today is colored by early responses to his so-called free-atonal work from the first part of the twentieth century, especially in his birthplace, Vienna. This early, crucial reception history has been incredibly significant and subversive; the details of the personal and political motivations behind deeply negative or manically positive responses to Schoenberg’s music have not been preserved with the same fidelity as the scandalous reactions themselves. We know that Schoenberg was feared, despised, lauded, and imitated early in his career, but much of the explanation as to why has been forgotten or overlooked. -
Goehr Curriculum Vitae
GOEHR 1 CURRICULUM VITAE. Professor LYDIA GOEHR Department of Philosophy, Columbia University, 1150 Amsterdam Ave, New York, NY 10027, USA [email protected] EMPLOYMENT 1995-present. Professor of Philosophy, Columbia University. 1989-95 Associate Professor of Philosophy, Wesleyan University (tenured 1993). 1987-89 Assistant Professor of Philosophy, Boston University (tenure-track). 1986-87 Visiting Assistant Professor of Philosophy, University of Nevada at Reno. 1985-86 Lecturer, Department of Philosophy, University of Maryland at College Park. EDUCATION AND DEGREES 1982-85 King’s College, Cambridge University, PhD in Philosophy, Advisor: Bernard Williams, Dissertation: The Work of Music (awarded 1987). 1980-82 Manchester University; 1st Class Honors, BA in philosophy. 1979-80 Exeter University; 1st yr. BA in philosophy; minor in Psychology. FELLOWSHIPS, HONORS, VISITING PROFESSORSHIPS, etc. 1981 Michael Polanyi Scholarship in Philosophy (Manchester University). 1982 Manchester University (Graduate) Research Studentship in the Faculty of the Arts (declined). 1982 Michael Polanyi Memorial Prize in Philosophy (Manchester University). 1982-85 Dept. of Education and Science Major State Studentship to read for PhD at King’s College, Cambridge. 1983 Bursary from the Austrian Government to study German language in Graz, Austria. 1988 Summer Salary Grant, Boston University. 1989 Boston University Humanities Fellowship (declined). 1990-91 Mellon Fellowship, Harvard University. 1992 Faculty Fellowship at Center for the Humanities, Wesleyan University. 1992 Special Projects Grant from Wesleyan University in support of Aesthetics: Past and Present [see Publications]. 1995 NEH Summer Institute Grant, University of Rochester: Music and Modernism. 1997-8 Visiting Ernest Bloch Professor of Music, University of California at Berkeley [Ernest Bloch Lectures]. 1999-2000 Getty Senior Research Scholar, Getty Research Institute, Los Angeles. -
R. Strauss Saint-Saëns Brahms
Early stereo recordings • 1 R. STRAUss Till Eulenspiegel London Symphony Orchestra Norman Del Mar SAINT-SAËNS Cello Concerto No. 1 Paul Tortelier cello Philharmonia Orchestra Herbert Menges BRAHMS Violin Concerto Endre Wolf violin London Symphony Orchestra Walter Goehr First release of the 1954 & 1955 stereo recordings 1 Recording alert buzzer and orchestra tuning [0:33] Johannes BRAHMS (1833-1897) Violin Concerto in D Major, Op. 77 (1878) [40:35] Richard STRAUSS (1864-1949) 6 I. Allegro non troppo [22:01] 2 Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 [14:30] 7 II. Adagio [10:24] (Till Eulenspiegel’s Merry Pranks) (1894-1895) 8 III. Allegro giocoso, ma non troppo vivace — [8:05] Poco più presto London Symphony Orchestra • Norman Del Mar Endre Wolf violin Recorded at No. 1 Studio, Abbey Road, 23 July 1954 London Symphony Orchestra • Walter Goehr First release in any format Producer: unknown Recorded at No. 1 Studio, Abbey Road, 25 and 28 August 1954 Stereo Balance Engineer: unknown First issued on Music-Appreciation Records MAR 15 * (mono LP) Remastered by David Murphy (FHR) Tracks 7-8 first release in stereo; track 6 mono transferred from * Producer: unknown Camille SAINT-SAËNS (1835-1921) Mono Engineer: Neville Boyling Cello Concerto No. 1 in A minor, Op. 33 (1872) [18:33] Stereo Balance Engineer: unknown 3 I. Allegro non troppo — [5:19] Remastered by Jonathan Mayer and David Murphy (FHR) 4 II. Allegretto con moto — [5:53] 5 III. Allegro non troppo [7:20] Total Timing: [74:19] Paul Tortelier cello Transfers by Ted Kendall, apart from track 6 Philharmonia Orchestra • Herbert Menges All source materials used in this issue are from the Archive Recorded at No. -
From Prop to Producer
From Prop to Producer: The Appropriation of Radio Technology in Opera during the Weimar Republic Katy Vaughan Thesis submitted in partial fulfilment of the requirements of Bournemouth University for the degree of Doctor of Philosophy January 2020 2 Copyright Statement This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. 3 Katy Vaughan From Prop to Producer: The Appropriation of Radio Technology in Opera during the Weimar Republic Abstract This thesis explores the appropriation of radio technology in opera composed during the Weimar Republic. It identifies a gap in current research where opera and radio have often been examined separately in the fields of musicology and media history. This research adopts a case study approach and combines the disciplines of musicology and media history, in order to create a narrative of the use of radio as a compositional tool in Weimar opera. The journey begins with radio as a prop on stage in Ernst Krenek’s Jonny speilt auf (1927) and ends with the radio as a producer in Walter Goehr’s radio opera Malpopita (1931). Max Brand's Maschinist Hopkins (1929) provides an interlude between these two works, where its analysis serves to pinpoint compositional techniques used in radio opera. The opera case studies reflect the changing attitudes towards technology and media in Weimar musicology, as shown in the journal, Musikblätter des Anbruch (1919-1937).