SADRŽAJ PREDGOVOR ________________________________________________ 9 EINE SCHILDAMAZONOMACHIE BY MIRJANA SANADER AUS NASSENFELS ________________________________________ 101 VON GERHARD BAUCHHENSS FOREWORD ________________________________________________ 11 BY MIRJANA SANADER BAUPLASTIK AUS DEM BEREICH DES PODIUMTEMPELS VON FUNERARY MONUMENTS FROM DALMATIA, BADENWEILER (D) ______________________________________ 107 ISTRIA AND THE CROATIAN PART VON GABRIELE SEITZ OF PANONNIA. A COMPARATIVE STUDY _________ 13 BY NENAD CAMBI AUGUSTA RAURICA, EINE STATUETTENGRUPPE LES STELES FUNERAIRES A PERSONNAGES AUS WEISSEM PFEIFENTON _________________________ 115 ORIGINE DES THÈMES, MODÈLES ET DATES VON TEODORA TOMASEVIC BUCK À TRAVERS L’EMPIRE ROMAIN ________________________________ 31 DE FRANÇOIS BRAEMER ATTIS, PARTHER UND ANDERE BARBAREN. EIN BEITRAG ZUM VERSTÄNDNIS FLEXIBLE INTENT: SHIFTING VALUES VON ORIENTALENDARSTELLUNGEN & DISCREPANT MEANINGS IN AUF GRABSTEINEN DER NÖRDLICHEN ROMANO-BRITISH RELIGIOUS SCULPTURE _____ 53 PROVINZEN ______________________________________________ 121 BY MIRANDA ALDHOUSE-GREEN VON ALICE LANDSKRON CIVILIAN SCULPTORS AND THE CREATION BEMERKUNGEN ZU DEN FREISTEHENDEN OF ROMANO-BRITISH CIVILISATION IN GRABMEDAILLONS IN NORICUM _________________ 131 SOUTHERN BRITAIN ____________________________________ 59 VON ELISABETH WALDE BY MARTIN HENIG DIE DIONYSISCHEN DREIFIGURENRELIEFS TYPOLOGIE ET DÉCOR DES MONUMENTS VON HARTBERG UND BAD WALTERSDORF FUNÉRAIRES DE L’ARMORIQUE ROMAINE ______ 65 (STEIERMARK) ____________________________________________ 141 DES JEAN-YVES ÉVEILLARD/YVAN MALIGORNE VON ERWIN POCHMARSKI LA TOMBE MONUMENTALE DE NASIUM UND MARGARETHA POCHMARSKI-NAGELE (GAULE BELGIQUE): RÉFLEXIONS SUR LE SPUNTI DI RIFLESSIONE SU ALCUNI SYMBOLISME DES GRANDS MONUMENTS ASPETTI DEL CULTO DI BELENO SÉPULCRAUX DU NORD-EST DE LA GAULE _______ 75 E DI ANTINOO ___________________________________________ 157 DE JEAN-NOËL CASTORIO ANNALISA GIOVANNINI IUPPITERGIGANTENSÄULEN MANI ALZATE, MAINS LEVÉES, IM MUSEUM VON METZ – LA COUR D’OR ________ 85 VON HANNELORE ROSE UND ISABELLE BARDIÈS ERHOBENE HÄNDE. A PROPOSITO DI UN SARCOFAGO DELLA COLLEZIONE DER SARKOPHAG DER CORNELIA IACAENA. DI FRANCESCO DI TOPPO ___________________________ 175 EIN FRÜHER GIRLANDENSARKOPHAG BY FULVIA CILIBERTO/FULVIA MAINARDIS IN ARLES ____________________________________________________ 91 VON STEPHANIE BÖHM CULT AND MYTHOLOGICAL REPRESENTATIONS AS DECORATIVE ÜBERLEGUNGEN ZUR FORTUNA ELEMENTS OF PUBLIC BUILDINGS VON BERMEL _____________________________________________ 95 IN ROMAN POLA ________________________________________ 185 VON PATRICIA SCHWARZ BY KRISTINA DŽIN RELIEFS AND SCULPTURES OF DEITIES EIN JUPITERTORSO AUS DEM AND MYTHOLOGICAL REPRESENTATION AUXILIARKASTELL IN IŽA (SLOWAKEI) ____________ 293 AS DETERMINING FACTORS OF THE VON KLÁRA KUZMOVÁ SPIRITUAL LIFE IN ANTIQUE ISTRIA _____________ 191 BY VESNA GIRARDI-JURKIĆ RÖMISCHE GÖTTER UND MYTHISCHE GESTALTEN AUS POETOVIO STATUE OF A ROMAN GODDESS AUF STEINDENKMÄLERN FROM THE FORUM OF PULA ________________________ 197 IM LANDESMUSEUM PTUJ ____________________________ 299 BY ALKA STARAC VON MOJCA VOMER GOJKOVIČ THE ICONOGRAPHY OF INDIGENOUS JÜNGLINGSGESTALTEN MIT WAFFE CULTS IN NORTHERN LIBURNIA _________________ 201 AUF PANNONISCHEN GEMMEN ___________________ 305 BY ROBERT MATIJAŠIĆ VON TAMÁS GESZTELYI AFTERLIFE IDEAS ON MILITARY MACHTSPLITTER – ARCHITEKTURTEILE MONUMENTS IN NARONA HINTERLAND _____ 205 AUS DER KAISERRESIDENZ SIRMIUM BY RADOSLAV DODIG (SREMSKA MITROVICA) _______________________________ 311 VON CHRISTINE ERTEL RELIGION AND MYTH ON MONUMENTS FROM ZADAR AND SURROUNDINGS EINE NEUE BILDHAUERWERKSTATT IN THE ARCHAEOLOGICAL MUSEUM IM OBERLAND DES BALATON IN ZADAR _________________________________________________ 213 (PLATTENSEE)? ___________________________________________ 319 BY KORNELIJA A. GIUNIO VON SYLVIA PALÁGYI KULTSKULPTUREN DIE GIGANTEN VOM PFAFFENBERG AUS DER ANTIKEN STADT SENIA __________________ 223 BEI CARNUNTUM _______________________________________ 329 VON MIROSLAV GLAVIČIĆ VON GABRIELLE KREMER RELIEFS OF THE LABOURS OF HERACLES DURCHBROCHEN GEARBEITETE ON A ROMAN “SARCOPHAGUS” WEIHRELIEFS AUS DAKIEN __________________________ 337 IN THE CHURCH OF ST CAIUS IN SOLIN _______ 229 VON ALFRED SCHÄFER BY JASNA JELIČIĆ-RADONIĆ CULT SYMBOLS AND IMAGES RELIGIOUS TESTIMONIES FOUND ON FUNERARY MONUMENTS ON ROMAN GEMS FROM DALMATIA OF THE ROMAN PERIOD KEPT IN THE ARCHAEOLOGICAL IN THE CENTRAL SECTION MUSEUM IN VENICE ___________________________237 OF DARDANIA ___________________________________________ 343 BY BRUNA NARDELLI BY EXHLALE DOBRUNA-SALIHU HVCVSOVE – “THIS IS WHERE SACRIFICES DIE PLASTISCHE AUSSTATTUNG WERE OFFERED” – ARCHAEOLOGICAL FINDS VON HEILIGTÜMERN DES THRAKISCHEN IN THE SUBSTRUCTIONS REITERS IM TERRITORIUM OF DIOCLETIAN’S PALACE IN SPLIT ______________ 243 VON PHILIPPOPOLIS (PLOVDIV) __________________ 351 BY TAJMA RISMONDO VON MANFRED OPPERMANN SOME EXAMPLES OF LOCAL PRODUCTION NOVAE – STELES OF MITHRAIC RELIEFS FROM ROMAN WITH REPRESENTATIONS OF BIRDS ______________ 363 DALMATIA _________________________________________________ 249 BY PIOTR DYCZEK BY GORANKA LIPOVAC VRKLJAN PAST AND PRESENT: DIANA AND THE FAWN ______________________________ 259 NOTES ON THE IDENTITY BY MARINA MILIĆEVIĆ BRADAČ OF ROMAN IMPERIAL SMYRNA ____________________ 373 TYPOLOGY OF MITHRAIC CULT RELIEFS BY CARLO FRANCO FROM SOUTH-EASTERN EUROPE __________________ 269 OMNIPOTENS ET OMNIPARENS DEA SYRIA. BY ŽELJKO MILETIĆ ASPECTS OF HER ICONOGRAPHY __________________ 381 THE ANCIENT CULTUAL UNITY BETWEEN BY ILONA SKUPINSKA-LOVSET THE CENTRAL ADRIATIC LITTORAL ANTAIOS, AN EGYPTIAN GOD AND THE DELMATIAN HINTERLAND ____________ 275 BY MARIN ZANINOVIĆ IN ROMAN EGYPT: EXTRACTING AN ICONOGRAPHY _________________ 389 EINE UNVERÖFFENTLICHTE GRABSTELE BY DONALD BAILEY AUS TILURIUM _________________________________281 VON DOMAGOJ TONČINIĆ THE PAMPHILI OBELISK: TWO NOTES ON PHARAONIC ELEMENTS FORTUNA-NEMESIS STATUES IN AQUINCUM __ 287 IN DOMITIAN IDEOLOGY ____________________________ 399 BY KRISZTINA SZIRMAI BY EMANUELE M. CIAMPINI ROMANIZING BAAL: RÖMISCHE STEINDENKMÄLER THE ART OF SATURN WORSHIP IN DER WEB-PLATTFORM IN NORTH AFRICA _____________________________________ 403 WWW.UBI-ERAT-LUPA.ORG ___________________________ 441 BY ANDREW WILSON VON FRIEDERIKE HARL UND KURT SCHALLER THE SYNCRETISM OF BELIFES ‘STEIN – RELIEF- INSCHRIFT'. KONTUREN AS EXPRESSED IN ROMAN EINES FORSCHUNGSPROJEKTES ___________________ 449 PROVINCIAL SCULPTURE ____________________________ 409 VON CH. HEMMERS, ST. TRAXLER, CH. UHLIR BY CLAIRE K. LINDGREN UND W. WOHLMAYR ÜBERALL (GÖTTER)GLEICH? – THEOMORPHE BILDNISSE EIN NEUFUND AUS DER STEIERMARK ___________ 455 DER FRAUEN VON BERNHARD HEBERT DES RÖMISCHEN KAISERHAUSES __________________ 415 VON ANNETTA ALEXANDRIDIS ‘DIE TREFFLICHE GRUPPE DER FLUCHT DES ÄNEAS’. EIN TROIANISCHES THEMA IN DER PROVINZ: DIE AENEAS-GRUPPE IN STUTTGART UND VERWANDTE DARSTELLUNGEN. ZU IKONOGRAPHIE UND BEDEUTUNG. _____________________________________ 423 VON JUTTA RONKE DIE BEFRACHTUNG GÄNGIGER GRIECHISCH-RÖMISCHER SYMBOLE PROGRAM KOLOKVIJA MIT NEUEN RELIGIÖSEN INHALTEN (PROGRAMM, PROGRAM, PROGRAMME) ________ 457 AUF DEN RELIEFS DER MITHRASMYSTERIEN ___________________________ 433 SUDIONICI (TEILNEHMER, VON MARIA WEISS PARTICIPANTS, PARTICIPANTS) _____________________ 459 THE ICONOGRAPHY OF INDIGENOUS CULTS IN NORTHERN LIBURNIA BY ROBERT MATIJAŠIĆ ndigenous cults in Northern Liburnia are quite This paper is restricted to the eastern Istrian coast, well known, because they are quite numerous from the river Raša to Tarsatica (modern Rijeka), be- and well documented since Mommsen’s work on cause it is in this particular area that indigenous cults I 1 the CIL . They have often been subjected to analyses are concentrated: in Labin, the Liburnian Alvona, and and review.2 The Northern Liburnia region historically Plomin, the Liburnian Flanona. It is the border region comprises eastern Istria with the boundary on the Raša towards Histria, which was annexed to the Augustan River (Arsia flumen), the Croatian Littoral and the is- Italic Tenth region (Regio Decima) in the last decade land groups of Krk, Cres, Lošinj and Rab. Inhabited of the 1st century BC, and was thus part of Italy itself, by the Liburni, this land with its islands came under not of the province.6 The indigenous Histri, bordering Roman rule at the beginning of the Principate, after with Liburni, were on a similar level of culture, and numerous wars in the 2nd and 1st century BC.3 It was contacts between them are also attested by some of the then that Romanisation started, but it grew more in- cults which are documented in both areas.7 tense during the 1st century A. D.4 The whole of Libur- This is a short and simplified list of Liburnian- dei nia was already well Romanised by Claudius’s rule, and ties, all on altars with the dedicants name, the god’s the inhabitants of single oppida got their Ius Latinum, name and a simple votive formula: immunitas or civitas, as a reward for their loyalty.5 How- ever, they maintained their old traditions, particularly SENTONA: in the spiritual sphere, and they worshiped their old Geminus / Boninus / Hostiducis / Sentonae / v. s. l. deities, all female, under their old names. Only some of m – Labin (CIL 3, 10075) them present traces of syncretism; a gradual integration Sentonae / sacrum / Tullia Fusca / v. s. – Labin (IL- with the cult of its Roman equivalent. Jug 2910) 1 Four inscriptions appear already in the