Independent – Feature with Rodriguez & Malik.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Independent – Feature with Rodriguez & Malik.Pdf The builder who's ... bigger .. than Elvls In 1970s·Detroit, Sixto Rodriguez was just another failed Dylan imitator, but in South Africa he became a superstar. A new document~ tells the strange . story of his rebirth. 'By I(aleem Aftab t's not often that a musician daughter, Eva, saying the singer was comes back from the dead. Inthe alive and well. A sell-out concert tour early 1970s, the Detroit-based of South Africa was hastily arranged guitarist Sixto Rodriguez and the singer, completely oblivious released twoalbums. They didn't to his fame, suddenly tasted success. sell in America and he was qui• "It was a culture shock at first," says etly dropped from his label. Yet Rodriguez, now 70 and looking ever unbeknown to Rodriguez or to inch the veteran singing superstar. his label, his debut album, ColdFact, "The country is beautiful, I really had become a platinum-selling hit in thought it was going to be third world Souih Africa.Outlawed by the authori• and full of disgruntled Rastafari. It ties and only played on pirate radio, his turned out very different." Dylan/Guthrie-esque folk sound was The mystery of the first half, which enthusiastically taken up by the anti• recaps the search, becomes an:essayon apartheid movement, which latched on the rebirth of a musician, a biopic and to songs such as "IWonder" and "Sug• a look at the changing landscapes of arm an", turning them into anthems Cape Town and Detroit. against the regime. "Iwas so eager and nervous to meet When no new songs arrived and this guy because I heard so many con• with Rodriguez apparently having flicting stories; mythological stuff. It disappeared without a trace, the was like he wasn't a real man, not real legend grew in South Africa that the flesh. He became this huge mystery musician had committed suicide on before I met him", Bendje1I6ul adds. stage. Some said that he shot himself "And in a way he keeps this mystery." while others claimed that he set .It doesn't matter, says Rodriguez, if himself on fire, live on stage. Perhaps you know that he ended up on it con• the conflicting reports should have struction site rather than self-immolat• alerted people that something was ing on stage. "AsMalik pointed out at amiss. In reality, the singer was earn• Sundance [where the documentary ing his keep as a builder in Detroit. picked up the coveted audience award] This extraordinary backstory occu• you know that the Titanic is going to pies the first segment ofSearchingfor sink and that doesn't stop people Sugarman. Directed by Malik watching that." Bendjelloul, the new documentary While the documentary questions describes howtwo ofRodriguez's South what happened to the royalties, African fans - record-store owner Rodriguez isplacid about the financial Stephen Segerman and music journal• implications ofhis South African suc• ist Craig Bartholomew- embarked on cess. He still lives in Michigan and the search to learn more about the singer. income from his recent tours has been In 1998,they hit the jackpot when they spread around his family or given to received an email from Rodriguez's ch,!rity. "I don't believethe story that Shades of greatness: Sixto Rodriguez (left); the singer with Malik Bendjelloul, the director of 'Searching for Sugarman' (above); Rodriguez in the early 1970s (below) ©GALLOIMAGESI ALAMY,MARKDAVISI WIREIMAGE, HAL WILSON/COURTESY OF SONY PICTURES CLASSICS make music a viable career there. Rodriguez also ran for mayor, without success. "I describe myself as a 'mu• sico-politico' and the thing is,I am for change, positive change. Iwasn't very successful at running for office." Rodriguez is at his most lucid and beguiling when talking about music. He enthuses about Dylan and Paul Simon, citing the influence that "IAm a Rock" had on his career. The success . of the film - it has received awards at every festival it has played - and ofhis tours since his "resurrection" has seemingly given him new juice to start . songwriting again. "I do write stuff ""IDESCRIBE MYSELF AS A down. It's easier at the moment," he "MUSICO-POLlTICO' AND says. "It lends you to poetry, all these things that happened." For now, Rodriguez is content to CHANGE,THE THINGPOSISiTIVEI AM CHANGE"FOR support the film as it travels around the world. In London, he's been doing there were roy3J.ties,"he says. "In this secret surprise gigs after screenings business there are a lot ofsuperlatives and has an official UK tour planned used, but it was just something to be for November after the film's US able to play there and that I was able release. Before then, it's back to to take my family with me and share building in Detroit. "Younever throw that with them. There are a lot of away your work Clothes. There is rey..'ards,not just the recognition and always something to do in the the 'oxygen money'; I call money house. In Detroit there are a lot of 'oxygen'. Everyone needs oxygen but houses they are going to demolish that's not my goa1." because no one is tal<ingcare ofthem. In his wilderness years as he earned We picked up this duplex right near his keep in construction, he also spent Wayne State campus for $100. With all a decade obtaining a degree from these foreclosures people can get a WayneState University and continued place and at least they have that, and to play his guitar to tiny audiences at Detroit has plenty of space." local gigs. Detroit, home of Motown remains a haven for musicians; the 'Searchingfor Sugarman' is out problem is that the poor, deserted city on Thursday; the 'Searchingfor no longer has sufficient audiences to Sugarman' soundtrack is out now.
Recommended publications
  • Construyendo a Sugar Man
    Construyendo a Sugar Man Nota: contiene detalles de la trama. De la trama, ¡precisamente! El documental Searching for Sugar Man (Malik Bendjelloul, 2012) cuenta la historia de Sixto Rodríguez, un cantautor del Detroit de principios de los 70 que grabó dos excelentes discos de nulo éxito en su país, pero que descubrió casi 30 años después que su música era bien conocida desde siempre en Sudáfrica, donde sus ventas se contaban por centenares de miles y sus canciones habían llegado incluso a inspirar a los movimientos sociales contra el apartheid. Lo supo gracias a dos fans de Ciudad del Cabo que, creyendo que se había suicidado tiempo atrás (algo que todos los sudafricanos daban por hecho) decidieron indagar en su misteriosa biografía, averiguando que estaba vivo y trabajaba como peón en Detroit, alejado de la industria musical. La historia, indudablemente atractiva, nos la cuentan esos dos fans,Stephen “Sugar” Segerman, propietario de una tienda de discos, yCraig Bartholomew Strydom, crítico musical. Todo arranca en Detroit: varias personas rememoran su primer encuentro con Rodríguez a finales de los 60. Nos describen al cantautor como un espíritu errante, una | 1 Construyendo a Sugar Man especie de vagabundo y poeta de la calle. Hay algo literario en el relato que los productores que lo descubrieron hacen de la noche neblinosa, mágica e inolvidable en que lo vieron actuar por primera vez. Sorprende después el testimonio de Steve Rowland, productor del segundo disco de Rodríguez: tras mostrarnos unas fotos del misterioso músico que Rowland asegura llevar 35 años sin ver (pero que extrae del primer cajón de un mueble del salón de su casa) el productor se entrega a un calculado rasgado de vestiduras a cuenta de que Rodríguez decidiera retirarse tras el nulo éxito de sus dos discos y quedara condenado al olvido.
    [Show full text]
  • Sounds of Young Afrikaners
    Sounds of young Afrikaners Popular music and processes of social identification in and around Pretoria, South Africa Maike Lolkema Research Master Thesis in African Studies African Studies Centre / Leiden University Sounds of young Afrikaners Popular music and processes of social identification in and around Pretoria, South Africa Name Maike Reinate Lolkema Supervisor Dr. W.M.J. (Ineke) van Kessel Second Reader Dr. H. (Harry) Wels Date July 2014 Pictures used at the cover: Picture at the top: Audience at the performance of Fokofpolisiekar at Oppikoppi Festival at August 10th 2012. Picture at the bottom: Audience at the performance of Steve Hofmeyr at the Pretoria Musiekfees on November 17th 2012. The writer made both pictures. 2 ‘We understand it still that there is no easy road to freedom. We know it well that none of us acting alone can achieve success. We must therefore act together as a united people, for national reconciliation, for nation building, for the birth of a new world.’ - Nelson Mandela in his inaugural address May 10th 1994 ‘Een ding het intussen vir my duidelik geword: Dis nie ’n land vir sissies nie.’ - Fred de Vries in Rigting Bedonnerd ‘Revoluties worden op schepen uitgeroepen, utopieën op eilanden geleefd. Dat er nog iets anders moet zijn dan het hier en nu, is een troostende gedachte.’ - Judith Schalansky in De atlas van afgelegen eilanden ‘Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. Your playing small does not serve the world.
    [Show full text]
  • Album Review: Rodriguez, Cold Fact
    NZ Herald Album review: Rodriguez, Cold Fact By Lydia Jenkin 7:00 AM Friday Jul 6, 2012 Like a young Bob Dylan crossed with Jose Feliciano, with the poetic story-telling skills of Don McLean or Paul Simon, imparting the cold facts with a sly attitude, Sixto Rodriguez is an unsung hero of 70s counter-culture. A true rock 'n' roll star. Born and raised in Detroit to Mexican parents, and discovered by a couple of producers who saw him playing in a dive bar, Rodriguez is a rare songwriter, who can encapsulate a whole world of emotion in two potent lyrical lines. He has a knack for winding wry observations into a melody that produces elusive musical magic. That magic should've made him a big name when Cold Fact was released in 1970, the songwriting matched by skilful production, which leaves his world-weary American drawl to the fore, and builds up beautiful classic instrumental layers, along with the odd scorching guitar lick. The tenderness of Crucify Your Mind contrasts with the jaunty cheek of I Wonder, the cheerful resignation of Establishment Blues with wistful-on-reflection Jane S Piddy. Oddly, it was ignored in America, as was his second album Coming From Reality. Despite the songs full of insight into American urban life, they didn't connect with the wider public. But there were thousands of liberal young groovers in South Africa, Australia and even a few in New Zealand who regarded him as highly as The Beatles or Jimi Hendrix. Forty years on, a brilliant documentary called Searching For Sugar Man, which details his remarkable story, is being released (it's playing at the NZ International Film Festival) and there's been a resurgence of interest in Rodriguez, hence the re-release of both albums.
    [Show full text]
  • Estudio Del Héroe Desconocido: "Searching for Sugar Man"
    ESTUDIO DEL HÉROE DESCONOCIDO: SEARCHING FOR SUGAR MAN Raúl García Sáenz de Urturi Universidad de Alicante 1. INTRODUCCIÓN El documental Searching for Sugar Man de Malik Bendjelloul se ha convertido en uno de los productos audiovisuales más aclamados del 2013, y en uno de los documentales musica- les más reconocidos en los últimos años, alcanzando una difusión para el gran público que parecía exclusiva de los recientes trabajos de Martin Scorsese sobre músicos como Bob Dylan o George Harrison. Este estudio se propone explorar la particularidad del enfoque de este documental sobre la figura del desconocido compositor y cantante Sixto Rodríguez. A partir del análisis de la estructura de la narración de la película y de la dosificación de la informa- ción que maneja el director, se pondrá en valor la propuesta que diferencia este documental musical de otros estudios clásicos de la música reciente. A través de la revisión documental, del análisis comparativo del discurso y de los recur- sos narrativos utilizados, se diferencia esta obra del estándar habitual gracias a tres pilares fundamentales para su aceptación entre crítica y público: la presencia de un autor maldito, la recompensa final e inesperada para con su obra, y el formato de investigación sobre su trayectoria. Searching for Sugar Man (2012), el documental del director sueco Malik Bendjelloul so- bre la figura del desconocido Sixto Rodríguez, supone uno de los mayores éxitos de crítica y público del género rockumentary de los últimos años. Este género es definido por Matt Stahl como “una forma de documental que se centra en la experiencia subjetiva de una obra particular dentro y fuera de las industrias culturales capitalistas contemporáneas” (citado en Abeillé, 2012: 56).
    [Show full text]
  • The Fantastic Butterfly Collectors
    This is a peer-reviewed, post-print (final draft post-refereeing) version of the following published document and is licensed under All Rights Reserved license: Gardner, Abigail S ORCID: 0000-0003-2994-741X and Moorey, Gerard (2016) Raiders of the Lost Archives. Popular Communication, 14 (3). pp. 169-177. doi:10.1080/15405702.2016.1193181 Official URL: http://www.tandfonline.com/doi/full/10.1080/15405702.2016.1193181 DOI: http://dx.doi.org/10.1080/15405702.2016.1193181 EPrint URI: http://eprints.glos.ac.uk/id/eprint/3540 Disclaimer The University of Gloucestershire has obtained warranties from all depositors as to their title in the material deposited and as to their right to deposit such material. The University of Gloucestershire makes no representation or warranties of commercial utility, title, or fitness for a particular purpose or any other warranty, express or implied in respect of any material deposited. The University of Gloucestershire makes no representation that the use of the materials will not infringe any patent, copyright, trademark or other property or proprietary rights. The University of Gloucestershire accepts no liability for any infringement of intellectual property rights in any material deposited but will remove such material from public view pending investigation in the event of an allegation of any such infringement. PLEASE SCROLL DOWN FOR TEXT. Raiders of the Lost Archives Abstract Fantastic Man (2014) and Searching for Sugar Man (2012) mobilize tropes of discovery occurring in the filmed process of collecting and curating the work and identities of two reluctant, elusive and resistive figures. They are part of a discourse of collectability which is marked by the urge to discover and to narrate a “quest” that has its precedents in record collecting as obsessive cultural practice (Straw, 1997; Shuker, 2012), and in the fetishizing of obscurity (Thornton, 1995; Hesmondhalgh, 1997).
    [Show full text]
  • SSM Dossier De Presse
    SUGAR MAN (Searching for Sugar Man) Un film de Malik Bendjelloul Date de sortie: 30 janvier 2013 Sundance Film Festival 2012: Prix du Public – Documentaire (World Cinema) Prix Spéciale du Jury – Documentaire étranger (World Cinema) Nomination au Grand Prix du Jury dans la section documentaire Nominé aux oscars dans la catégorie «Meilleur documentaire» Documentaire, Suède / Grande-Bretagne 2011, DCP, Couleur, 86min, langue: angl., s.-t.: fr. Distribution: cineworx gmbh ⋄ +41 61 261 63 70 ⋄ [email protected] ⋄ www.cineworx.ch Presse: Eric Bouzigon ⋄ [email protected] ⋄ +41 79 320 63 82 Table des matières 1. Fiche technique 2 2. Avec la participation de 2 3. Synopsis 3 4. Interview avec le réalisateur 4 5. Sugar Man 7 6. Sixto Rodriguez 7 7. Premier album: «Cold Fact» 8 8. Deuxième album: «Coming From Reality» 10 9. De l’autre côté du miroir 11 10. Renaissance aux Antipodes 12 11. Le «vilain» de l’histoire 13 12. Consécration ultime 14 13. Contexte musical 15 14. Malik Bendjelloul 17 15. Simon Chinn 17 16. Festivals et récompenses 18 cineworx gmbh 1 1. Fiche technique Réalisation Malik Bendjelloul Scénario Malik Bendjelloul Directeur de la photographie Camilla Skagerström Montage Malik Bendjelloul Musique Rodriguez Son Per Nyström Producteurs Simon Chinn Malik Bendjelloul Producteur exécutif John Battsek Coproducteurs George Chignell Nicole Scott Malla Grapengiesser Assistante de production Serena Catapano 2. Avec la participation de (par ordre alphabétique) Stephen “Sugar” Segerman Dennis Coffey Mike Theodore Dan DiMaggio Jerome Ferretti Steve Rowland Willem Möller Craig Bartholomew-Strydom Ilse Assmann Steve M. Harris Robbie Mann Clarence Avant Eva Rodriguez Sixto Rodriguez Regan Rodriguez Sandra Rodriguez-Kennedy Rick Emmerson Rian Malan cineworx gmbh 2 3.
    [Show full text]
  • May 2015 a Monthly Guide to Living in Basel
    > INSIDE: YOUNG STAGE CIRCUS • BREAST CANCER SCREENING • AUGUSTA RAURICA • BASEL’S MARKETS Volume 3 Issue 8 CHF 5/€5 A Monthly Guide to Living in Basel May 2015 Basel’s Basilisk The Story Behind the Myth... LETTER FROM THE EDITOR Dear Basel Life Readers: With the temperature heating up in Basel, you may try to cool down with a sip at one of Basel’s many drinking fountains—only to notice a threatening-look- May 2015 Volume 3 Issue 8 ing bird-like creature staring down at you. In this month’s issue of Basel Life Magazine, you can learn all about these Basilisks, Basel’s mythical beasts. TABLE OF CONTENTS Culture knows no bounds this month in Basel. In addition to the usual plethora of shows and music concerts of all kinds—from jazz and blues to pop and clas- Events in Basel: May 2015 4-8 sic rock—Basel welcomes the Bildrausch Film Festival, the Videocity.ch art fair, and Fantasy Basel for fantasy freaks, digital geeks, and game addicts. Also, many of Basel’s museums will be featuring special activities and attractions in Basel Traditions: Basel’s Basilisks 9 association with International Museums’ Day, in addition to their usual wealth of permanent and temporary exhibits. Fun Outings: Beyond Basel 10-11 May also brings an abundance of attractions suitable for the whole family, from a horse-and-buggy competition and a classic car fair to various circuses, pup- pet and children’s theaters, Sunday matinées, family concerts, magic and clown Markets and Fairs 12-13 shows, family musicals, and a sheep-shearing event.
    [Show full text]
  • Rian Malan on Sugarman
    Discovering hippies and teen rebellion when 'Searching for Sugar Man' Rian Malan 08 Feb 2013 [accessed at: http://mg.co.za/article/2013-02-08-00-recognition-is-the-sweetest-sound] ‘You know then,” said Stephen Segerman. It was last Sunday morning and I’d spent the weekend googling recent developments in the story of Rodriguez, the construction worker who woke up one morning to discover he was actually a pop star in a parallel universe called Mzanzi. I checked his appearances on big-time American TV talk shows, scanned emotional fan mail on his website and watched several clips of foreign audiences erupting in standing ovations after screenings of Searching for Sugar Man, Malik Bendjelloul’s magical documentary about Rodriguez’s life, death and miraculous resurrection. Somewhere along the line, it struck me that Rodriguez’s global triumph is actually a huge compliment to people like me — white South Africans born in the baby boom, raised on the apartheid moonbase and converted in the Sixties to the cause of long hair and teen rebellion. The rest of you would not get it, so I ran my idea past Segerman, who laughed and said: “You know then,” thereby identifying himself as an ex-hippie of exactly my own persuasion. As the whole world is now aware, Segerman is the psychedelic music enthusiast who set out in the l990s to unravel the mystery of the missing Sugar Man. Rodriguez was supposed to be dead, but Segerman and Craig Bartholomew found him living in poverty in Detroit’s ruined downtown and brought him back to South Africa, where he stood dazed and dumbfounded in an outpouring of love from thousands of fans who had waited decades to see his face.
    [Show full text]
  • SR-22, As Adopted by Senate, February 27, 2013 Senators Young
    SR-22, As Adopted by Senate, February 27, 2013 Senators Young, Bieda, Johnson, Hood, Hunter, Smith and Anderson offered the following resolution: Senate Resolution No. 22. A resolution commemorating the work of musician Sixto Rodriguez and the documentary film about his life, “Searching for Sugar Man.” Whereas, Sixto Rodriguez, sixth child of Mexican immigrants, born in Detroit, Michigan, released two albums with no commercial success in the United States of America and limited success in Australia. He retired from music, pursued his education, and received a Bachelor of Arts in philosophy from Wayne State University; and Whereas, He discovered much later that his music had enjoyed great political and commercial success in South Africa. There, his stories of the struggles of the inner-city poor resonated with the strongly segregated population. His music became the voice of a censored generation; one that was told how to act, what to watch, what to listen to, and with whom to associate. Sixto Rodriguez raised questions of segregation, equality, poverty, and opportunity that rallied a poor youth searching for a voice and a sheltered youth seeking to learn about the struggles of their neighbors. He was able to simultaneously reach these two radically different groups of young South Africans, and his songs became anthems of the anti-Apartheid movement and rallying cries for change; and Whereas, Sixto Rodriguez has enjoyed much recent success in the United States following the release of the film “Searching for Sugar Man.” The film catalogues two fans’ search for Rodriguez after his album went platinum in South Africa, despite rumors of his suicide.
    [Show full text]
  • La Voz De Guadalupe County June 2013.Pmd
    Free Gratis LaLa VVozoz de Guadalupe County (512) 944-4123 Volume 3 Number 6 A Bi-cultural Publication June, 2013 Inside this Issue Pensamientos del Jefe de NHI: Ernesto Nieto The Wooden Bowl Searching for Sugarman Hablando de Master Sergeant BBQ Raul (Roy) Perez Benavidez En palabras hay poder See Page 7 Page 2 La Voz de Guadalupe County Newspaper - June, 2013 People in the News 2007 Fulbright Award, University of Guanajuato, Guanajuato, Mexico. Dr. Valenzuela also maintains a blog called Educational Equity, Politics & Policy in Texas. She is the author of Leaving Children Behind: How “Texas-style” Accountability Fails Latino Youth Eva Longoria and Subtractive Schooling: U.S. Rudy Salazar Mexican Youth and the Politics of Earns Masters Luna Helps Take Dr. Valenzuela Caring, winner of both the 2000 Continues to Degree in Chicano Team to College Selected as a American Educational Research Promote Tejano Studies World Series Association Outstanding Book History Women of Award and the 2001 Critics’ Eva Longoria has officially Distinction Choice Award from the American Mr. Rudolfo “Rudy” Salazar is a Blaire Luna, star pitcher for the wrapped up her post-graduate Educational Studies community activist in Seguin, Texas Longhorns Women’s Angela Valenzuela is the director studies, earning a masters Association. Texas and an avid promoter of Baseball team, threw a no hitter of the National Latino/a Education degree in Chicano Studies from Texas history. He can often be against Florida State to qualifiy Research Agenda Project California State University, found at the McDonald’s Restau- her team for the Women’s (NLERAP) that aims to improve Northridge.
    [Show full text]
  • Homme Du Passé / Searching for Sugar Man, Suède, Royaume-Uni, 2011, 1 H 26]
    Document generated on 09/23/2021 12:42 p.m. Séquences La revue de cinéma --> See the erratum for this article Homme du passé Searching for Sugar Man, Suède, Royaume-Uni, 2011, 1 h 26 Jérôme Delgado Number 281, November–December 2012 URI: https://id.erudit.org/iderudit/67899ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Delgado, J. (2012). Review of [Homme du passé / Searching for Sugar Man, Suède, Royaume-Uni, 2011, 1 h 26]. Séquences, (281), 57–57. Tous droits réservés © La revue Séquences Inc., 2012 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Critiques | LES FILMS 57 Searching for Sugar Man Homme du passé Auteur de deux disques seulement, réalisés en 1970 et 1972, Rodriguez, dit Sugar Man, est tombé dans l’oubli depuis. Sauf en Afrique du Sud, où son oeuvre circulait sur le marché noir. Voici la reconstitution de sa disparition. JÉRÔME DELGADO n le considère comme un des plus grands musiciens du Si le fil narratif suit une structure linéaire, le réalisateur 20e siècle. On le compare même à Bob Dylan.
    [Show full text]
  • BBC 4 Listings for 31 May – 6 June 2014 Page 1 of 4 SATURDAY 31 MAY 2014 Episode 2 Power of His Poetry
    BBC 4 Listings for 31 May – 6 June 2014 Page 1 of 4 SATURDAY 31 MAY 2014 Episode 2 power of his poetry. Sheers takes us on a journey that reveals Dylan Thomas as a visionary and a craftsman. SAT 19:00 Amazon Abyss (b00hh4ws) This second part reveals the personal and professional struggles Compilation 1 members faced while the band was apart, and chronicles the group's dramatic reunion in 1994, as well as its resurgence in SUN 22:00 Under Milk Wood in Pictures: Peter Blake Does The bottom of the Amazon River is home to many of the recording and performing throughout the next two decades. Dylan (b03k4lmw) strangest and fiercest creatures in the world. This is the first in a A remarkable film with exclusive access to Sir Peter Blake in two-part series following the high-adrenaline adventures of a Among the bands many achievements since reforming are its his studio as he adds the final touches to his groundbreaking art team of divers as they explore and film the depths of the triumphant Hell Freezes Over tour, the 2007 release of Long works inspired by Under Milk Wood. For over 25 years, Blake world's greatest river system. Road Out of Eden, which sold more than 5.5 million copies has been obsessed by Dylan Thomas's play - and now, finally, worldwide and earned two Grammy Awards, and its ongoing this body of work is going on display at the National Museum It is the first time an expedition has ever attempted anything so ascendance as an international supergroup.
    [Show full text]