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SFIIA Re"Ie. the Sfrareview (ISSN 1068-395X) Is Published Four Times a Year by the Science Fiction Research As III
#181 Sept/O~t/llorJOOT • Editor: Chrisiine Mains Hanaging Editor: Janice M. Bogsiad Nonfiction Reviews: Ed McKnighi Science Fiction Research fiction Reviews: Association Ed Carmien SFIIA Re"ie. The SFRAReview (ISSN 1068-395X) is published four times a year by the Science Fiction Research As III ... HIS ISSUE: sociation (SFRA) and distributed to SFRA members. Individual issues are not for sale; however, starting with issue #256, all issues will be published to SFRA's website no less than 10 weeks SFRA Business after paper publication. For information Editor's Message 3 about the SFRA and its benefits, see the President's Message 3 description at the back of this issue. For a membership application, contact SFRA Treasurer Donald M. Hassler or get one from the SFRA website: <www.sfra.org>. Non Fiction Reviews SFRA would like to thank the Univer sity of Wisconsin-Eau Claire for its as Counterfeit Worlds 4 sistance in producing the SFRAReview. E. T. Culture 5 Irwin Allen T.V. a SUBMISSIONS The SFRAReviewencourages all submis sions, including essays, review essays that cover several related texts, and inter Fiction Reviews views. If you would like to review non 8 fiction or fiction, please contact the Rash respective editor. Accidental Time Machine 8 Ivory 0 Christine Mains, Editor Box 66024 The Outback Stars 10 Calgary,AB TIN I N4 Futures from Nature II <[email protected]> Merchant's War 12 Janice M. Bogstad, Managing Editor Halting State 14 239 Broadway St. Ragamuffin I 5 Eau Claire WI 54703-5553 <[email protected]> Fiction Review-Essay Ed McKnight, Nonfiction Editor I 13 Cannon Lane Night watch I a Taylors SC 29687 <[email protected]> Ed Carmien, Fiction Editor 29 Sterling Road Princeton NJ 08540 <[email protected]> C~2 ___) ~--------------------~~ News Items: Due to the rapid decline of the U.S. -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
The Apocalyptic Book List
The Apocalyptic Book List Presented by: The Post Apocalyptic Forge Compiled by: Paul Williams ([email protected]) As with other lists compiled by me, this list contains material that is not strictly apocalyptic or post apocalyptic, but that may contain elements that have that fresh roasted apocalyptic feel. Because I have not read every single title here and have relied on other peoples input, you may on occasion find a title that is not appropriate for the intended genre....please do let me know and I will remove it, just as if you find a title that needs to be added...that is appreciated as well. At the end of the main book list you will find lists for select series of books. Title Author 8.4 Peter Hernon 905 Tom Pane 2011, The Evacuation of Planet Earth G. Cope Schellhorn 2084: The Year of the Liberal David L. Hale 3000 Ad : A New Beginning Jon Fleetwood '48 James Herbert Abyss, The Jere Cunningham Acts of God James BeauSeigneur Adulthood Rites Octavia Butler Adulthood Rites, Vol. 2 Octavia E. Butler Aestival Tide Elizabeth Hand Afrikorps Bill Dolan After Doomsday Poul Anderson After the Blue Russel C. Like After the Bomb Gloria D. Miklowitz After the Dark Max Allan Collins After the Flames Elizabeth Mitchell After the Flood P. C. Jersild After the Plague Jean Ure After the Rain John Bowen After the Zap Michael Armstrong After Things Fell Apart Ron Goulart After Worlds Collide Edwin Balmer, Philip Wylie Aftermath Charles Sheffield Aftermath K. A. Applegate Aftermath John Russell Fearn Aftermath LeVar Burton Aftermath, The Samuel Florman Aftershock Charles Scarborough Afterwar Janet Morris Against a Dark Background Iain M. -
Science Fiction Review 54
SCIENCE FICTION SPRING T)T7"\ / | IjlTIT NUMBER 54 1985 XXEj V J. JL VV $2.50 interview L. NEIL SMITH ALEXIS GILLILAND DAMON KNIGHT HANNAH SHAPERO DARRELL SCHWEITZER GENEDEWEESE ELTON ELLIOTT RICHARD FOSTE: GEIS BRAD SCIENCE FICTION REVIEW (ISSN: 0036-8377) P.O. BOX 11408 PORTLAND, OR 97211 FEBRUARY, 1985 - VOL. 14, NO. 1 PHONE (503) 282-0381 WHOLE NUMBER 54 RICHARD E. GEIS—editor & publisher ALIEN THOUGHTS.A PAULETTE MINARE', ASSOCIATE EDITOR BY RICHARD E. GE1S ALIEN THOUGHTS.4 PUBLISHED QUARTERLY BY RICHARD E, GEIS FEB., MAY, AUG., NOV. interview: L. NEIL SMITH.8 SINGLE COPY - $2.50 CONDUCTED BY NEAL WILGUS THE VIVISECT0R.50 BY DARRELL SCHWEITZER NOISE LEVEL.16 A COLUMN BY JOUV BRUNNER NOT NECESSARILY REVIEWS.54 SUBSCRIPTIONS BY RICHARD E. GEIS SCIENCE FICTION REVIEW ONCE OVER LIGHTLY.18 P.O. BOX 11408 BOOK REVIEWS BY GENE DEWEESE LETTERS I NEVER ANSWERED.57 PORTLAND, OR 97211 BY DAMON KNIGHT LETTERS.20 FOR ONE YEAR AND FOR MAXIMUM 7-ISSUE FORREST J. ACKERMAN SUBSCRIPTIONS AT FOUR-ISSUES-PER- TEN YEARS AGO IN SF- YEAR SCHEDULE. FINAL ISSUE: IYOV■186. BUZZ DIXON WINTER, 1974.57 BUZ BUSBY BY ROBERT SABELLA UNITED STATES: $9.00 One Year DARRELL SCHWEITZER $15.75 Seven Issues KERRY E. DAVIS SMALL PRESS NOTES.58 RONALD L, LAMBERT BY RICHARD E. GEIS ALL FOREIGN: US$9.50 One Year ALAN DEAN FOSTER US$15.75 Seven Issues PETER PINTO RAISING HACKLES.60 NEAL WILGUS BY ELTON T. ELLIOTT All foreign subscriptions must be ROBERT A.Wi LOWNDES paid in US$ cheques or money orders, ROBERT BLOCH except to designated agents below: GENE WOLFE UK: Wm. -
Check All That Apply)
Form Version: February 2001 EFFECTIVE TERM: Fall 2003 PALOMAR COLLEGE COURSE OUTLINE OF RECORD FOR DEGREE CREDIT COURSE X Transfer Course X A.A. Degree applicable course (check all that apply) COURSE NUMBER AND TITLE: ENG 290 -- Comic Books As Literature UNIT VALUE: 3 MINIMUM NUMBER OF SEMESTER HOURS: 48 BASIC SKILLS REQUIREMENTS: Appropriate Language Skills ENTRANCE REQUIREMENTS PREREQUISITE: Eligibility for ENG 100 COREQUISITE: NONE RECOMMENDED PREPARATION: NONE SCOPE OF COURSE: An analysis of the comic book in terms of its unique poetics (the complicated interplay of word and image); the themes that are suggested in various works; the history and development of the form and its subgenres; and the expectations of comic book readers. Examines the influence of history, culture, and economics on comic book artists and writers. Explores definitions of “literature,” how these definitions apply to comic books, and the tensions that arise from such applications. SPECIFIC COURSE OBJECTIVES: The successful student will: 1. Demonstrate an understanding of the unique poetics of comic books and how that poetics differs from other media, such as prose and film. 2. Analyze representative works in order to interpret their styles, themes, and audience expectations, and compare and contrast the styles, themes, and audience expectations of works by several different artists/writers. 3. Demonstrate knowledge about the history and development of the comic book as an artistic, narrative form. 4. Demonstrate knowledge about the characteristics of and developments in the various subgenres of comic books (e.g., war comics, horror comics, superhero comics, underground comics). 5. Identify important historical, cultural, and economic factors that have influenced comic book artists/writers. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Art Spiegelman's Experiments in Pornography
ORE Open Research Exeter TITLE Art Spiegelman’s ‘Little Signs of Passion’ and the Emergence of Hard-Core Pornographic Feature Film AUTHORS Williams, PG JOURNAL Textual Practice DEPOSITED IN ORE 20 August 2018 This version available at http://hdl.handle.net/10871/33778 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication Art Spiegelman’s ‘Little Signs of Passion’ and the emergence of hard-core pornographic feature film Paul Williams In 1973 Bob Schneider and the underground comix1 creator Art Spiegelman compiled Whole Grains: A Book of Quotations. One of the aphorisms included in their book came from D. H. Lawrence: ‘What is pornography to one man is the laughter of genius to another’.2 Taking a cue from this I will explore how Spiegelman’s comic ‘Little Signs of Passion’ (1974) turned sexually explicit subject matter into an exuberant narratological experiment. This three-page text begins by juxtaposing romance comics against hard-core pornography,3 the former appearing predictable and artificial, the latter raw and shocking, but this initial contrast breaks down; rebutting the defenders of pornography who argued that it represented a welcome liberation from repressive sexual morality, ‘Little Signs of Passion’ reveals how hard-core filmmakers turned fellatio and the so-called money shot (a close-up of visible penile ejaculation) into standardised narrative conventions yielding lucrative returns at the box office. -
Donna Barr Papers MS-0072
http://oac.cdlib.org/findaid/ark:/13030/kt896nf5jm No online items Donna Barr Papers MS-0072 Jossie Chavez Special Collections & University Archives 12/05/2007 5500 Campanile Dr. MC 8050 San Diego, CA 92182-8050 [email protected] URL: http://library.sdsu.edu/scua Donna Barr Papers MS-0072 MS-0072 1 Contributing Institution: Special Collections & University Archives Title: Donna Barr Papers Creator: Barr, Donna Identifier/Call Number: MS-0072 Physical Description: 40.90 Linear Feet Date (inclusive): 1963-2014 Language of Material: English . Scope and Contents Materials in the Donna Barr Papers document the professional career and creative process of Donna Barr. The collection includes a variety of document types including correspondence, original artwork, and research materials. A large part of the papers consist of versions of her illustrations, manuscripts, and personal documents. The papers have been divided into ten series: Correspondence, Administrative Files, Desert Peach , Stinz , Bosom Enemies , Hadar and the Colonel , Other Works, Audio and Visual Media Materials, Born Digital Materials, and Original Artwork. The Correspondence series dates from 1970-2014, and includes files primarily pertaining to Donna's interactions with fans. It includes birthday and holiday greetings, thank you cards, fan-authored comic strips, paper dolls, and postcards. Several of the envelopes were illustrated either by Barr or her fans. The series also includes correspondence with her family in the early 1970s. The series is filed chronologically by date. The Administrative Files date from 1985-2014, and include files primarily pertaining to Barr's professional career. The series includes four subseries. The topical Subject Files are composed of business correspondence, art class materials, invoices, pamphlets, flyers, notes, legal referrals, contact information, and directories. -
Thursday, March 24, 2005
Thursday, March 24, 2005 9 OUT OF 10 CULTURES PREFER POLYGAMY Heather Candelaria (M), Susan Stern Grossman, Eris The Unorganized It is an innocuous remark made by an anthropology professor, makes one pause. What is the most natural state of human relationships? What kind of societies, imagined or real, give rise to polygamous relations. ALIEN LINGUISTICS Wolf Lahti (M), Andrew Dolbeck, Robin Ashley Smith Why would someone from light years away sound, or talk like the folks just down the street? Many human cultural assumptions are reinforced by the language used to express them. If a culture is truly alien, what would its language be like? CHANGING YOUR MIND Michelle Garrison (M), Thor Osborn, John P. Alexander Drugs like Prozac are already available to change aspects of brain biology. The next step is genetic manipulation. But how far should we go with mind manipulation? Is it ok to cure a low IQ? Prevent criminal tendencies? Give your child musical talent? CLAY-O-RAMA Betty Bigelow (M) My critter can whip your monster's butt! Come and have fun with Betty Bigelow. COMPUTER HUMOR Chris Nilsson (M), Christopher J. Garcia Come and share scary computer/user tales, 101 things to do when the computer is down, BOFH, and any other computer humor you can think of. CORSETS, BUSTIERS, AND MERRY WIDOWS Lori Edwards (M), Melissa Quinn, Julia Clayton, Lauryn MacGregor, Margo Loes, JoAnne Kirley An overview of the evolution of the corset and a demo on corset/bustier construction techniques, supplies and pattern resources. FANSPEAK 101 David Nasset, Sr. (M), Cheyenne Wright, Savannah Goodwin “What did he just say?” We speak a different language than some of the rest of the population, but what does it all mean? Learn the basics of FanSpeak in just one hour, then go forth and wear your beanie proudly! FANTASY CLOTHES Abranda Icle Sisson-Mudd (M), Heather Hudson, Raven Mimura It’s hard enough to depict a fantasy world that doesn’t just look like “Merry Olde England.” How fantasy artists come up with clothes that are more than Renaissance Festival costumes. -
Cosmopolis#28
COSMOPOLIS Number 28 July, 2002 Contents Post Proofing Report by Chris Corley, Post Proofing Manager Post Proofing Report . 1 by Chris Corley Post Proofing for Wave 1 is complete! Post Proofing Wave 1 Post Proofing completed achieved this significant milestone through many hours of hard work, over many months, on the part of dozens Work Tsar Status Report . 2 of volunteers. The Subteam Managers have spent even by Joel Riedesel more time collating comments from their teams, compar- How To Kill Dogs . 2 ing them to TI docs, eliminating spurious or nuncupato- by David Alexander ry comments, and putting up with the cantankerousness And other Jack Vance reminiscences of the Post Proofing Manager in rejecting many of their comments. The VIE community, managers and sub- scribers alike, owe a large debt ofgratitude to Post 38’s Crucible. 4 by Paul Rhoads Proofing Subteams and their managers for their heroic e¥orts in completing Wave 1 Post Proofing. Library donations, frontispieces, censorship? and Some interesting data points: more - Post Proofing began at the end of April 2001. - Including Gift Volume texts, 66 Post Proofing jobs Fool Me Twice . A Review of 23 have been completed. by Luk Schoonaert - Of these 66 jobs, 41 have been completed in calen- Matthew Hughes’ second novel dar year 2002: more than 60% of the jobs in less than 40% of the total elapsed time since PP inception. You Have Done It!. 24 - Between April 27 and June 7 (a mere six weeks) an by Hans van der Veeke astonishing 764,200 words (about a third of the Wave 1 Volunteer work credits for completed texts: wordcount) were Post Proofed. -
Here Walking Fossil Robert A
The Anticipation Hugo Committee is pleased to provide a detailed list of nominees for the 2009 Science Fiction and Fantasy Achievement Awards (the Hugos), and the John W. Campbell Award for Best New Writer (Sponsored by Dell Magazines). Each category is delineated to five nominees, per the WSFS Constitution. Also provided are the number of ballots with nominations, the total number of nominations and the number of unique nominations in each category. Novel The Last Centurion John Ringo 8 Once Upon a Time Philip Pullman 10 Ballots 639; Nominations: 1990; Unique: 335 The Mirrored Heavens David Williams 8 in the North Slow Train to Arcturus Dave Freer 7 To Hie from Far Cilenia Karl Schroeder 9 Little Brother Cory Doctorow 129 Hunter’s Run Martin Dozois Abraham 7 Pinocchio Walter Jon Williams 9 Anathem Neal Stephenson 93 Inside Straight George R. R. Martin 7 Utere Nihill Non Extra John Scalzi 9 The Graveyard Book Neil Gaiman 82 The Ashes of Worlds Kevin J Anderson 7 Quiritationem Suis Saturn’s Children Charles Stross 74 Gentleman Takes Sarah A Hoyt 7 Harvest James Van Pelt 9 Zoe’s Tale John Scalzi 54 a Chance The Inferior Peadar O’Guilin 7 Cenotaxis Sean Williams 9 Matter Iain M. Banks 49 Staked J.F. Lewis 7 In the Forests of Jay Lake 8 Nation Terry Pratchett 46 Graceling Kristin Cashore 6 the Night An Autumn War Daniel Abraham 46 Small Favor Jim Butcher 6 Black Petals Michael Moorcock 8 Implied Spaces Walter Jon Williams 45 Emissaries From Adam-Troy Castro 6 Political Science by Walton (Bud) Simons 7 Pirate Sun Karl Schroeder 41 the Dead & Ian Tregillis Half a Crown Jo Walton 38 A World Too Near Kay Kenyon 6 Mystery Hill Alex Irvine 7 Valley of Day-Glo Nick Dichario 35 Slanted Jack Mark L. -
Preliminary Program Schedule for Conjosé
ConJose - the 60th World Science Fiction Convention 08/26/02 11:13 PM Worldcon Aug. 29 to Sept. 2, 2002 San José Main - Participants - KaffeKlatsches - Autographs - Filk -Writers Workshop - FAQ Preliminary Program Schedule for ConJosé The preliminary version of the ConJosé program is now available. While we do not expect major changes, it is inevitable that there will be some updates between now and the convention. Please check this page for updates, and also look for the program change sheets that will be distributed at the convention. Updated: 25 August 2002 Thursday - Friday - Saturday - Sunday - Monday Early Morning Writing Exercises Monday 8:30am CC G Film: Hugo Winner Best Dramatic Presentation Monday 9:30am F Imperial Ball Soviet Space Disasters Monday 10:00am CC A1A8 Some have been published, many have been hidden, even from people in Russia. Hear about the ones you may not have known about before. Hugh S. Gregory Acceptance of High Technology: The Telephone Monday 10:00am CC A2A7 Technoshock! The adoption of new technology has always been fraught with stories of skepticism and sometimes terror. This is true not only of the technologies we are trying to conquer today, but also of technologies of the past; such as the telephone, the automobile and the airplane. What rumors and wild stories were circulated about past technologies http://www.conjose.org/Program/scheduleMon.html Page 1 of 15 ConJose - the 60th World Science Fiction Convention 08/26/02 11:13 PM and how do they compare to the stories about today's technology? Vernor Vinge, Chris Garcia, Kevin P.