Research on Gong Baotian
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Wushu * Tai Chi * Kung Fu * Qigong and Education About Wushu, in All Its Forms
V O L . 02 NO. 02 APRIL QUARTERLY MAY JOURNAL OF WUSHU JUNE IN AUSTRALIA Wushu Herald 2014 ISSN 2202-8137 (Print) ISSN 2203-6067 (Online) What’s inside Australian Our community news Wushu Calendar events Community From the Board Portal World news The Wushu Herald is our Movement by Larissa Smagarinsky contribution to the Wushu community in Australia. We hope that it will continue to be the source of information Wushu * Tai Chi * Kung Fu * Qigong and education about Wushu, in all its forms. As a platform for Dear Wushu and Tai Chi practitioners, sharing thoughts, ideas, Welcome to the fourth edition of our new Australian Now let’s turn our attention to our health as winter experiences and achievements Wushu publication! peaks in Australia. We need to be mindful of how it impacts our health. It is perhaps time to consider it will foster open discussion, We have received an official registration for the the practice of Tai Chi and Qigong which will help online publication which you will see now on the us to align our mind, body and breath for medical facilitate the finding of common website: www.wushu-council.com.au. benefits. For veteran Wushu, Tai Chi and Qigong ground and help us all grow It is available to members and printed copies can practitioners the great benefits of Qigong or “life be purchased. energy” is an absolute blessing. Even for the stronger together. novice, the benefits of Qigong practice cannot be By joining as members and subscribing you will be underestimated. helping the non-for-profit organisation and contributing to the publication of this journal. -
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Copyright © 2015 Paul J. Cote & Troy J. Price Chinese Internal Martial Arts All Rights Reserved. Tai Ji Quan Xing-Yi Quan Ba Gua Zhang Okinawa/Japan Yang Luchan Li Luoneng Dong Haichuan Karate/Kobudo/Judo Yang Banhou Liu Qilan Yin Fu Wu Quanyu Che Yizhai Cheng Tinghua Shuri-te/Naha-te Systems Yang Chengfu Guo Yunshen Liu Dekuan Konishi Yasuhiro Li Cunyi XY/BG Gima Makoto Okinawan Zhang Zhaodong XY/BG Shito-ryu/Shotokan Karate & Kobudo Sun Lutang XY/BG Yamaguchi Gogen 1st / 2nd / 3rd Japan Generation Keng Jishan XY/BG Oshiro Roy Chotoku Kyan (Shorin) Goju-ryu Jujutsu/Karate Motobu Choki (Shorin) Wang Maozhai TJ Gao Yisheng BG (3rd) Chinese Internal Hoy Yuan Ping Takashi Uechi Miyagi Chojun (Goju) Yang Yuting TJ Wu Mengxia XY/BG Martial Art/Karate Tenshi Shinjo Kempo Jutsu Shinto Yoshin-Ryu Jujutsu Taira Shinken (Kobudo) Ma Gui BG Liu Fengcai BG Tung Gee Hsing Yamada Yajui Otsuka Hironori Gao Kexing BG Zhang Junfeng XY/BG XY/Motobu Shuri-te Kodokan Judo Wado Karate Isshin-Ryu Style Han Muxia XY/BG Chen Panling XY/BG Shimabuku Tatsuo Zhao Runting XY Wang Shujin XY/BG Robert Trias Douglas Grose Father of Karate in USA Shinto Yoshin-Ryu Jujutsu Shuri-Ryu Karatedo Shin Mei Shorin-Ryu Karate Shimabuku Kichiro Wang Peisheng Hong Yixiang XY/BG Uezu Angi Yin Cheng Gong Fa Hong Yimian XY/BG John Pachivas Stuart Dorow/Carol Liskai YCGF Wu TJ/XY/BG/QG Guo Fengchih XY/BG Shuri-Ryu Karatedo Tsuyoshi Uechi Goju-Ryu Karatedo Okinawan Kobudo Robert W. Smith Jujutsu/Judo Kodokan Judo Steven Roensch Pioneer of Chinese Ridgely Abele Dane Sutton Zhang Yun Shuri-Ryu Karatedo Shinto Yoshin Kai Jujutsu Internal Martial Arts in USA Shuri-Ryu Karatedo Isshinryu Karate/Kobudo Beijing YCGF TJ/XY/BG/QG Taiwan XY/BG Shuri-Te & US Jujutsu Other Influences [PJC] Paul J. -
Xing-Yi Quan & Ba Gua Zhang
CHINESE INTERNAL MARTIAL ARTS: XING-YI QUAN & BA GUA ZHANG A COLLABORATIVE PROGRAM FOR TRAINING AND CERTIFICATION OF STUDENTS AND INSTRUCTORS Zong Yin Tang Nei Jia Quan Wu Xue Guan Shuri-Te Bujutsu Kai Chinese Internal Martial Arts Shuri-Te Jujutsu & Shuri-Ryu Karatedo Xing-Yi Quan, Ba Gua Zhang, Tai Ji Quan, Qigong Xing-Yi Quan & Ba Gua Zhang Division Founder/Head Instructor: Paul J. Cote Founder/Head Instructor: Troy J. Price __________________________________________________________________________________________________ Please note: Excerpts & Trademarks® appearing in this document from the Shuri-te Bujutsu Kai and Academic Training Traditions websites and files are Copyright © materials. They are used herein with the respective permissions of Troy J. Price and Paul J. Cote, all rights reserved. Unless indicated otherwise, all components in this document, including background and curriculum contents and designs, are owned and Copyright © by Paul J. Cote, all rights reserved. They are provided here with his permission to help support the Shuri-Te Bujutsu Kai Xing-Yi Quan & Ba Gua Zhang Division with Troy J. Price._____ CONTENTS: (Abridged for Posting on Shuri-Te Bujutsu Kai Website: Xing-Yi Quan and Ba gua Zhang Program) PAGES Origins and Purpose 1 - 3 Internal Martial Arts 4 - General Curriculum Features - Study Progression - Progress, Expectations, and Advancement The Curriculum for Xing-Yi Quan-Brief Background on the Art 5 - 6 - System Forms and Practices-Brief Listing and Descriptions - Five Levels of Study for Learning and Training -
& Oriental Arts
Tai Chi Chuan& Oriental Arts No 36 Winter 2011 £3.50 Andrea Falk interview Essential Taijiquan Tao of Health Consider the Classics www.taichiunion.com WinterMastering 2011 Taijiquan1 an interview with bagua master Andrea Falkby Luigi Zanini Sifu Falk, you have a vast background in Chinese Traditional and Modern martial arts. Could you briefly present your different experiences and your teachers, specifically in Baguazhang? I started in Shaolin in 1972 in Victoria, then Myjong Lawhorn with Alex Kwok, in Vancouver. I then moved to the Beijing Sports University in 1980, where I trained mostly with Xia Bohua. Up until I'd trained about 2/3 sparring 1/3 forms, and showed up in Beijing with sparring equipment. I had no clue, but Xia Bohua was in charge of establishing full contact sparring for the first time since the Cultural Revolution. In the end, they wouldn't let me spar, fearing to hurt the first foreigner to train at the university. I did the entire wushu syllabus, but although I could kick, I was never a jumper, so didn't really have the potential to master the competition wushu. By my second year I decided to major in the internal styles, which was hard for me at first, but I came to love them, especially baguazhang and Chen taijiquan. I did Cheng style bagua there with Xia Bohua, a mix of modern and traditional. I have the university to thank for turning me into a professional. All my teachers at the university practised their own traditional style, although they could also teach the modern curriculum, so most of my training Andrea Falk, a native of Canada began her content has actually been pretty traditional. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. owner.Further reproductionFurther reproduction prohibited without prohibited permission. without permission. NOTE TO USERS This reproduction is the best copy available. UMT Reproduced with permission of the copyright owner. -
MESTRES Da CHINA História E Filosofia
Centro Filosófico do Kung Fu - Internacional MESTRES da CHINA História e Filosofia Volume 6 www.centrofilosoficodokungfu.com.br “Se atravessarmos a vida convencidos de que a nossa é a única maneira de pensar que existe, vamos acabar perdendo todas as oportunidades que surgem a cada dia” (Akio Morita) Editorial Esta publicação é o 6° volume da coletânea “História e Filosofia das Artes Marciais”, selecionada para cada país que teve destaque na sua formação. Aqui o foco são os Mestres Chineses. Todo conteúdo é original da “Wikipédia”, editado e fornecido gratuitamente pelo Centro Filosófico do Kung Fu - Internacional. É muito importante divulgar esta coletânea no meio das artes marciais, independente do praticante; pois estaremos contribuindo para a formação de uma classe de artistas marciais de melhor nível que, com certeza, nosso meio estará se enriquecendo. Bom trabalho ! MESTRES - CHINA Artes Marciais Conteúdo 1 Chan Kowk Wai 1 1.1 Iniciação em Choy Li Fat ....................................... 1 1.2 Mudança para Hong Kong ...................................... 1 1.3 Vinda para o Brasil .......................................... 1 1.4 Estilos que leciona .......................................... 1 1.5 Referências .............................................. 2 1.6 Ligações externas ........................................... 2 2 Chang Chin Ling 3 2.1 Formação em Tai Chi Chuan estilo Yang ............................... 3 2.2 Campeão nacional ........................................... 3 2.3 Dando continuidade à transmissão .................................. -
The Art of Ba Gua Zhang
The Art of Ba Gua Zhang Meditation Health Self-Defense Exercise Longevity Motion Science Philosophy of Living Path for Spiritual Growth The opinions expressed in this manuscript are solely the opinions of the author and do not represent the opinions or thoughts of the publisher. The author has represented and warranted full ownership and/or legal right to publish all the materials in this book. The Art of Ba Gua Zhang All Rights Reserved. Copyright © 2016 By Tom Bisio V1.0 This book may not be reproduced, transmitted, or stored in whole or in part by ayn m eans, including graphic, electronic, or mechanical without the express written c onsent of the publisher except in the case of brief quotations embodied in critical articles and reviews. Cover photo © 2016 Tom Bisio. All rights reserved - used with permission. Outskirts Press, Inc. http://www.outskirtspress.com ISBN: 978-1-4787-7744-1 Outskirts Press and the “OP” logo are trademarks belonging to Outskirts Press, Inc. PRINTED IN THE UNITED STATES OF AMERICA Disclaimer The author and publisher of this book are not responsible in any manner for any injury or illness, which may result from following the instructions or performing the exercises contained within the book. The activities described in this book, physical or otherwise, may be too strenuous or dangerous for a given individual. Before embarking on any of the physical activities described in this book, the reader should consult his or her physician for advice regarding their individual suitability for performing such activity. Any health benefits attributed to these movements and exercises, whether mentioned or inferred, are not advocated or promised by the author or publisher. -
The Repositioning of Traditional Martial Arts
The Repositioning of Traditional Martial Arts in Republican China By Albert Travis Joern East Asian Studies McGill University, Montreal December 2012 A thesis submitted to McGill University in partial fulfillment of the requirements for the degree of Master of Arts Copyright by Albert T. Joern 2012 ABSTRACT In this thesis, I discuss how practitioners of martial arts in the Republican era of China were engaged in a process of reinventing what embodied the field of martial arts during a time when physical culture was treated as an instrument of nation-building in response to colonial discourses and the process of modernization. Martial arts were repositioned from being a loosely associated field of practice for people who engaged with a set of combative skills that focused on weapons training that championed archery and spear fighting, towards being a recreational activity with a formalized body of knowledge, skills and practices imbued with a Chinese sense of identity suitable for the modern class of urban and educated Chinese citizens. It is my belief that these efforts were a very important factor in why the practice of martial arts today is so closely associated with concepts of self-cultivation. This repositioning of Chinese martial arts was driven by a schism between the traditionalists who defended the beliefs and practices from the imperial age of China, and the modernists who saw the complete adoption of Western technologies and concepts as the only course for the modernization of China. Due to the shifting politics around education, understandings of the body and its representation in society, the efforts to preserve traditional practices were complicated through the dynamics related to identity and state power.