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BIBLIOGRAFIABIBLIOGRAFIA Ee FILMOGRAFIAFILMOGRAFIA Giornatagiornata Delladella Memoriamemoria Aggiornata a Gennaio 2020 E L
BIBLIOGRAFIA BIBLIOGRAFIA Giornata dellamemoria Giornata dellamemoria Biblioteca Civica Aggiornata aGennaioAggiornata 2020 Aggiornata aGennaioAggiornata 2020 e e L. Mastronardi FILMOGRAFIA FILMOGRAFIA Illustrazione di C. Fedele Bibliografia Shoah 2020 Indice generale Le radici nella storia e nella cultura europee...................................3 Dai rivoli dell’antigiudaismo al fiume dell’antisemitismo.........................................................4 Dalla Repubblica di Weimar all’affermazione del nazismo.......................................................9 La Shoah............................................................................................14 Le testimonianze e il racconto (Diari e romanzi).........................................14 Diari..........................................................................................................................................15 Romanzi....................................................................................................................................23 Gli studi...........................................................................................................38 In Italia............................................................................................................. 48 Diari e studi...............................................................................................................................49 Romanzi....................................................................................................................................56 -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Jacques Rivette
Lundi 4 avril 2016 www.sacd.fr Cinéma des Cinéastes Soirée en hommage à Jacques Rivette Scénario et réalisation de Jacques Rivette, Christine Laurent, Pascal Bonitzer Réalisation de Jacques Rivette Grand Prix, critique internationale Fipresci et Prix du Jury, mention spéciale à Jacques Rivette au Festival de Berlin, 1989 Soirée présentée par Christine Laurent, cinéaste, administratrice Cinéma de la SACD La Bande des quatre 1987 Scénario de Jacques Rivette, Christine Laurent, Pascal Bonitzer Réalisation de Jacques Rivette Claude, Anna, Joyce et Lucia forment une "bande des quatre" qui vit en communauté dans une grande maison de la banlieue parisienne. L'une après l'autre, les quatre filles rencontrent un inconnu, Thomas, qui emprunte à chaque fois une identité nouvelle afin de les mettre en garde sur le danger que court une de leurs amies, Cécile, également élève du cours... Remerciements Les Films du Losange Liste artistique Constance Dumas Bulle Ogier Thomas Benoît Régent Claude Laurence Côte Anna Fejria Deliba Joyce Bernadette Giraud Lucia Inês de Medeiros Cécile Nathalie Richard Liste technique Scénaristes Jacques Rivette, Christine Laurent, Pascal Bonitzer Réalisateur Jacques Rivette Compositeur de la musique préexistante Claudio Monteverdi Directeur de la photographie Caroline Champetier Ingénieur du son Florian Eidenbenz Production Pierre Grise Productions (Paris), Limbo Film AG (Zürich), La Sept Cinéma Producteur délégué Martine Marignac Distributeur d’origine Les Films du Losange (Paris) Jacques Rivette Né en 1928 à Rouen, Jacques Rivette se passionne très tôt pour le cinéma. Il réalise son premier court métrage, Aux quatre coins, en 1949. Cette année-là, il rejoint Paris. Inscrit à la Sorbonne, il fréquente assidument le Ciné-club du quartier latin. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
Memorias Del Club De Cine: Más Allá De La Pantalla 2008-2015
Memorias del Club de Cine: Más allá de la pantalla 2008-2015 MAURICIO LAURENS UNIVERSIDAD EXTERNADO DE COLOMBIA Decanatura Cultural © 2016, UNIVERSIDAD EXTERNADO DE COLOMBIA Calle 12 n.º 1-17 Este, Bogotá Tel. (57 1) 342 0288 [email protected] www.uexternado.edu.co ISSN 2145 9827 Primera edición: octubre del 2016 Diseño de cubierta: Departamento de Publicaciones Composición: Precolombi EU-David Reyes Impresión y encuadernación: Digiprint Editores S.A.S. Tiraje de 1 a 1.200 ejemplares Impreso en Colombia Printed in Colombia Cuadernos culturales n.º 9 Universidad Externado de Colombia Juan Carlos Henao Rector Miguel Méndez Camacho Decano Cultural 7 CONTENIDO Prólogo (1) Más allá de la pantalla –y de su pedagogía– Hugo Chaparro Valderrama 15 Prólogo (2) El cine, una experiencia estética como mediación pedagógica Luz Marina Pava 19 Metodología y presentación 25 Convenciones 29 CUADERNOS CULTURALES N.º 9 8 CAPÍTULOS SEMESTRALES: 2008 - 2015 I. RELATOS NUEVOS Rupturas narrativas 31 I.1 El espejo - I.2 El diablo probablemente - I.3 Padre Padrone - I.4 Vacas - I.5 Escenas frente al mar - I.6 El almuerzo desnudo - I.7 La ciudad de los niños perdidos - I.8 Autopista perdida - I.9 El gran Lebowski - I.10 Japón - I.11 Elephant - I.12 Café y cigarrillos - I.13 2046: los secretos del amor - I.14 Whisky - I.15 Luces al atardecer. II. DEL LIBRO A LA PANTALLA Adaptaciones escénicas y literarias 55 II.1 La bestia humana - II.2 Hamlet - II.3 Trono de sangre (Macbeth) - II.4 El Decamerón - II.5 Muerte en Venecia - II.6 Atrapado sin salida - II.7 El resplandor - II.8 Cóndores no entierran todos los días - II.9 Habitación con vista - II.10 La casa de los espíritus - II.11 Retrato de una dama - II.12 Letras prohibidas - II.13 Las horas. -
Family & Domesticity in the Films of Steven Spielberg
Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 Why Did I Marry A Sentimentalist?: Family & Domesticity in the Films of Steven Spielberg Emmet Dotan Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the Other Film and Media Studies Commons, and the Theory and Criticism Commons This work is licensed under a Creative Commons Attribution 4.0 License. Recommended Citation Dotan, Emmet, "Why Did I Marry A Sentimentalist?: Family & Domesticity in the Films of Steven Spielberg" (2017). Senior Projects Spring 2017. 232. https://digitalcommons.bard.edu/senproj_s2017/232 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Why Did I Marry A Sentimentalist?: Family & Domesticity in the Films of Steven Spielberg Senior Project Submitted to The Division of Arts of Bard College by Emmet Dotan Annandale-on-Hudson, New York May 2017 Acknowledgements I want to thank my advisor, Ed Halter, for pushing me to understand why I love the films that I love. I would also like to thank Natan Dotan for always reminding me why I do what I do. -
Film Novembre
BIBLIOTECA MANFREDIANA DI FAENZA I FILM (DVD e VHS) CHE POTETE TROVARE DA NOI N.B: Alcuni dei film compresi in questo elenco non sono ancora disponibili al prestito per il rispetto della normativa sul diritto d’autore aggiornato al 17.11.2006 *007 mai dire mai / un film di Irvin Kershner ; musiche di Michael Legrand ; Panorama, [dopo il 1995!. - 1 videocassetta (VHS) (129 min.) : col., son. N.Inv.: M 6356 VIDEO 791.43 ZER *11 settembre 2001 : 11 registi raccontano l'attentato alle Torri Gemelle di entertainment [distributore], [2003]. - 1 DVD (DVD 9) (134 min.) : sonoro N.Inv.: M 5183 VIDEO 791.43 11S *1492 : la conquista del paradiso / un film di Ridley Scott ; scritto da videocassetta (VHS) (ca. 149 min.) : col., son. ((Interpreti: Gerard Depardieu, N.Inv.: M 6145 VIDEO 791.43 MIL *1970 Italia-Germania : semifinale 9. coppa Rimet. - \Torino! : Logos TV ; \Roma! : Video Rai, 1996. - 1 videocassetta (VHS) (ca. 129 min.) : col., son. N.Inv.: M 6166 VIDEO 796.334 MIL *1997: fuga da New York / diretto da John Carpenter ; director of photography Pictures [distributore], c2004. - 1 DVD (ca. 99 min.) : sonoro (Dolby digital N.Inv.: M 7908 VIDEO 791.43 MIL *2 sotto il divano / diretto da Ronald Neame. - Roma : LaserVision produzioni, [ca 1990]. - 1 videocassetta (VHS) (100 min.) : color. (PAL), son. N.Inv.: M 6151 VIDEO 791.43 DUE *2001: odissea nello spazio / produced and directed by Stanley Kubrick ; rimasterizzato. - [Milano! : Warner Home Video [distributore!, c2001. - 1 DVD N.Inv.: M 4626 VIDEO 791.43 DUE *21 grammi / un film di Alejandro Gonzales Inarritu ; scritto da Guillermo century fox enterteinment [distributore!, [2004!. -
Les Films Écrits Par François Truffaut Et Jean Gruault B I F I / LE CINÉMA a Q U ATRE MAINS - SEPTEMBRE 2005
B I F I / LE CINÉMA A Q U ATRE MAINS - SEPTEMBRE 2005 Le cinéma à quatre mains Les films écrits par François Truffaut et Jean Gruault B I F I / LE CINÉMA A Q U ATRE MAINS - SEPTEMBRE 2005 SOMMAIRE I TRUFFAUT AU TRAVAIL 1 1 / Truffaut « chef de bande » 1 2 / LE BESOIN DE COECRIRE 2 3 / Le pool des scénaristes 2 II HISTOIRE D’UN DUO 4 1 / PARCOURS DE JEAN GRUAULT 4 2 / Les affinités électives 4 3 / Vingt-trois ans d’amitié 6 III FONCTIONS DU SCéNARISTE 7 1 / ÉCRIRE POUR LE PUBLIC 7 2 / Respecter la logique du film 7 3 / Imaginer la mise en scène 8 iv SOURCES DU SCéNARIO 9 1 / L’origine des sujets 9 2 / Les dossiers de Truffaut 10 3 / Les recherches de Gruault 10 4 / Le scénario : un patchwork de références 11 v PROCESSUS D’éCRITURE 13 1 / Un travail à distance 13 2 / AU RYTHME DE TRUFFAUT 13 3 / UNE PARTIE DE PING-PONG 14 4 / Chronologie de La Chambre verte 15 vI RôLE DE CHACUN 18 1 / Gruault, l’écriveur 18 2 / Truffaut, le correcteur 19 3 / Suzanne Schiffman : la retoucheuse 20 B I F I / LE CINÉMA A Q U ATRE MAINS - SEPTEMBRE 2005 c h a p itre I Truffaut au travail 1 / Truffaut « chef de bande » L’indépendance financière et artistique En 1957, pour réaliser Les Quatre Cents Coups, François Truffaut crée sa propre structure de production, Les Films du Carrosse. Le succès mondial rencontré par son premier long métrage lui permet de conserver cette structure pour réaliser ses films suivants. -
Repartitie Speciala Intermediara Septembrie 2019 Aferenta Difuzarilor Din Perioada 01.04.2009 - 31.12.2010 DACIN SARA
Repartitie speciala intermediara septembrie 2019 aferenta difuzarilor din perioada 01.04.2009 - 31.12.2010 DACIN SARA TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 11:59 11:59 2005 US Jamin Winans Jamin Winans 007: partea lui de consolare Quantum of Solace 2008 GB/US Marc Forster Neal Purvis - ALCS Robert Wade - ALCS Paul Haggis - ALCS 10 lucruri nu-mi plac la tine 10 Things I Hate About You 1999 US Gil Junger Karen McCullah Kirsten Smith 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5: Apocalipsa I 10.5: Apocalypse I 2006 US John Lafia John Lafia 10.5: Apocalipsa II 10.5: Apocalypse II 2006 US John Lafia John Lafia 100 de pusti 100 Rifles / 100 de carabine 1969 US Tom Gries Clair Huffaker Tom Gries 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales EG/FR/ GB/IR/J 11 povesti pentru 11 P/MX/U Alejandro Gonzalez Claude Lelouch - Danis Tanovic - Alejandro Gonzalez Claude Lelouch - Danis Tanovic - Marie-Jose Sanselme septembrie 11'09''01 - September 11 2002 S Inarritu Mira Nair Amos Gitai - SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS Shohei Imamura Youssef Chahine Samira Makhmalbaf Idrissa Quedraogo Inarritu Amos Gitai - SACD SACD SACD/ALCS Ken -
Neuerwerbungsliste April 2021 Film
NEUERWERBUNGSLISTE APRIL 2021 FILM (Foto: Moritz Haase / Olaf Janson) Zentral- und Landesbibliothek Berlin Stiftung des öffentlichen Rechts Inhaltsverzeichnis Unser Filmbestand 3 Unsere Empfehlung 5 Neu im Regal 7 Film 5 Stummfilme 7 Film 7 Fernsehserien 8 Film 10 Tonspielfilme 14 Film 20 Animationsfilme 42 Film 40 Dokumentarfilme 43 K 400 Kinderfilme 44 Ju 400 Jugendfilme 47 Sachfilme nach Fachgebiet 49 Allgemeine Hinweise 53 Seite 2 von 57 Stand vom: 30.04.2021 Neuerwerbungen im Fachbereich Film Unser Filmbestand Die Cinemathek der ZLB bietet den größten, allgemein zugänglichen Filmbestand in einer öffentlichen Bibliothek Deutschlands. Der internationale und vielsprachige Filmbestand umfasst alle Genres: Spielfilme, auch Stummfilme, Fernsehserien, Kinder- und Jugendfilme, Musikfilme und Bühnenaufzeichnungen, Animations- und Experimentalfilme, sowie Dokumentarfilme zu allen Fächern der Bibliothek. Mehr als 65.000 Filme auf über 50.000 DVDs und über 6.000 Blu-ray Discs sind frei zugänglich aufgestellt und ausleihbar. Aus dem Außenmagazin können 20.000 Videokassetten mit zum Teil seltenen Filmen bestellt werden. Seite 3 von 57 Stand vom: 30.04.2021 Neuerwerbungen im Fachbereich Film Sie haben einen Film nicht im Regal gefunden? Unsere Filme sind nach den Anfangsbuchstaben der Regie und die Serien nach dem Originaltitel sortiert. Sachfilme befinden sich häufig am Ende des Regals des passenden Fachbereichs. Es lohnt sich immer auch eine Suche über unseren Bibliothekskatalog. Denn ein Teil unseres Angebotes steht für Sie in unseren Magazinen bereit. Sie können diese Medien über Ihr Bibliothekskonto bestellen und in der Amerika-Gedenkbibliothek oft bereits nach 30-45 Minuten abholen. Wussten Sie schon? Es stehen für Sie in beiden Häusern der ZLB speziell eingerichtete Arbeitsplätze mit 27"-Monitoren, an denen Filme in verschiedenen Formaten vor Ort angesehen werden können. -
January February Filmmarch Film Program Winter 2007 National
Film Program Winter 2007 National Gallery of Art, Washington Winter Series film Béla Tarr Cinedance in America Filming Othello Jacques Rivette on the Streets of Paris Art Films and Events Absolute Wilson How to Survive the 1940s The Spirit of Places (Films en Vue) Jasper Johns: A Compilation John Cage and Elliott Carter 20 Sat March 2:00 Jacques Rivette: La Belle Noiseuse Khadak 21 Sun 3 Sat 5:00 Event: Premiere: Absolute Wilson 2:30 Event: Women and Film—A Legacy in Print Manufactured Landscapes 4 Sun Fri 26 4:30 Event: The Rape of Europa Norman McLaren Restored 1:00 Jacques Rivette: Paris Belongs to Us 27 Sat 2:30 Jacques Rivette: L’Amour fou 10 Sat The Open Road — England 2:00 Event: Jasper Johns: A Compilation in the 1920s 28 Sun 4:30 Jacques Rivette: Paris Belongs to Us 11 Sun 4:30 Cinedance in America: Reaching Beyond Quay Brothers: The Piano the Stage Tuner of Earthquakes February 17 Sat The Rape of Europa 12:30 Cinedance in America: 1894 – 1938: 3 Sat First Steps and New Directions 2:00 Jacques Rivette: Out One: Spectre 3:00 Event: Manufactured Landscapes; The Spirit of Places The Spirit of Places 4 Sun 4:00 Jacques Rivette: Duelle 18 Sun Women and Film — A Legacy 4:00 Béla Tarr: Damnation in Print 9 Fri 12:30 Event: How to Survive the 1940s 24 Sat 1:00 Music and Film: John Cage and 10 Sat January Elliott Carter 1:00 Event: How to Survive the 1940s 4:30 Event: Khadak 3:00 Jacques Rivette: Jacques Rivette, The 5 Fri Night Watchman; Jean Renoir, le patron 25 Sun 12:00 Filming Othello: Laurence Olivier’s 4:00 Béla Tarr: Werckmeister -
Theatricality and French Cinema : the Films of Jacques Rivette
THEATRICALITY AND FRENCH CINEMA: THE FILMS OF JACQUES RIVETTE By MARY M. WILES A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2002 Copyright 2002 by Mary M. Wiles ACKNOWLEDGMENTS This dissertation would not have come to fruition without the concern and support of many people. I wish to express my sincerest thanks to my advisor, Maureen Turim, whose intellectual guidance and firm belief in this project made its completion possible. Any intellectual rigor that this project possesses is due to her vigilance. Her exhaustive knowledge of French theater, continental film and literary theory, and film history' provided the touchstone of this project; her open and receptive spirit allowed me the freedom to stage my own ideas. Her constant presence in my life as a feminist, a film scholar, and a most demanding editor was critical to my personal and professional growth. I would also like to thank the members of my supervisory committee, who contributed to the development of this dissertation in numerous w'ays: Robert Ray for his dynamic teaching style in his course, “Taylorism, Metaphysics, and the Movies,” and for his scholarly advice, which has been of great help in my professional growth; Scott Nygren for his acute intelligence and warm encouragement; Susan Hegeman for her untiring support and constructive comments; and finally, Nora Alter, whose knowledge of theories of theater gave me fresh insight and imbued me with a new energy at the final stage of the dissertation.