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Bob Barker Has Made a Huge Impact on Television, and on Animal Rights, Too
2015 LEGEND AWARD A Host and a Legend BOB BARKER HAS MADE A HUGE IMPACT ON TELEVISION, AND ON ANIMAL RIGHTS, TOO BY PATT f there were a Mt. Rushmore for television this name; you’re going to hear a lot about him.” When he landed as host MORRISON game show hosts, there’s no doubt about it: Bob Barker, for his part, said modestly that, “I feel like Barker would be up there. I’m hitting afer Babe Ruth and Lou Gehrig.” on “The Price is Right” Even without being made of granite, his face Barker went on to become a one-man Murderers’ has endured, flling Americans’ eyeballs and Row of game show hosts, making a long-lasting mark in 1972, he found his television screens for a remarkable half-century. He on “Truth or Consequences” and hosting a number of Ihelped to defne the game-show genre, as a pioneer in others that came and went. television home, the myriad ways, right down to taking the radical step of But when he landed as host on “Te Price is Right” letting his hair go naturally white for TV. He has nearly in 1972, he found his television home, the place where place where he broke 20 Emmys to his credit. he broke Johnny Carson’s 29-year record as longest- Johnny Carson’s 29-year Now, he is the recipient of the Legend Award from serving host of a TV show. the Los Angeles Press Club, presented at the 2015 It’s easy to rattle of numbers—for example, the frst record as longest-serving National Arts & Entertainment Awards. -
Printable Bio / Resume
BARBARA MINKUS - BIOGRAPHY Barbara Minkus began show business in Julius Monk's New York review Bits and Pieces. She then went on to receive rave reviews touring as Fanny Brice in Funny Girl throughout the United States. She was the original Lucy in the recording and Off-Broadway production of You're A Good Man Charlie Brown, and continued her Broadway success in The Education of Hyman Kaplan, directed by the great George Abbott. On television, she was a regular for six seasons of Love American Style and played Gittle the Witch in ABC's Curiosity Shop. She made many appearances on The Tonight Show and a record twenty times on The Merv Griffin Show. Barbara has numerous film and voice over credits, including playing the voice of Ms Pacman in the ABC cartoon series Pac Man. After taking time out to raise her family, Barbara returned to the theater at the Santa Monica Playhouse in Funny You Don't Look Like a Grandmother, and went on to star there as Molly Picon in Picon Pie, a role she helped research. She then reprised Molly Picon Off-Broadway. Barbara Minkus starred in Los Angeles and Florida as Jennie Grossinger in Stephen Cole's delightful musical Saturday Night at Grossinger's. Barbara presented From This Moment On – Minkus Sings Porter at The American Jewish University in Los Angeles and returned to AJU to present The Songs Of Irving Berlin. She played Miss Lynch in Grease at the Muni Theatre in St. Louis, and came back to The Muni and Starlight Theater in Kansas City, to play Yente in Fiddler on the Roof. -
Guide to the Jack Siefert Woody Herman Collection
Guide to the Jack Siefert Woody Herman Collection NMAH.AC.0659 Wendy Shay 2003 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Correspondence........................................................................................ 4 Series 2: Photographs.............................................................................................. 6 Series 3: Business Records.................................................................................. -
Qui Perd Gagne: Failure and Cinematic Seduction
1 Žižek and Cinema - IJŽS Vol 1.3 Qui Perd Gagne: Failure and Cinematic Seduction Hugh S. Manon – Oklahoma State University, Stillwater, Oklahoma, United States Introduction – “To Cracow” Although it is mentioned only once in the writings of Sigmund Freud, the so called “Jewish joke” appears on various occasions in the work of Jacques Lacan (1978: 139; 1993: 37; 2006: 13, 436) and is developed in various permutations, and with great didactic force, by Slavoj Žižek (1989: 197; 1992: 73; 1998: 12). The joke, as Freud originally presents it, is as follows: Two Jews met in a railway carriage at a station in Galicia. “Where are you going?” asked one. “To Cracow,” was the answer. “What a liar you are!” broke out the other. “If you say you’re going to Cracow, you want me to believe you’re going to Lemberg. But I know that in fact you’re going to Cracow. So why are you lying to me?” (1960: 137-8) For Freud, this unusual joke points up “the problem of what determines the truth” by playing on the difference between two kinds of lying. Whereas a basic lie involves a willful attempt to represent things as other than they are, regardless of who is listening, a second option is also available. Taking into account how various statements might be received by a particular individual—for instance someone already known to be a skeptic—a speaker may create a customized lie, one more ideally suited to the disposition of its potential victim. The result is a paradox: a lie that takes the form of the truth itself. -
The GRAMMY Museum Presents George Carlin: a Place for My Stuff
The GRAMMY Museum Presents George Carlin: A Place For My Stuff New Display to Open Sept. 30 Commemorating The Late GRAMMY-winning comedian WHO: The GRAMMY Museum will commemorate GRAMMY-winning comedian George Carlin with a new display opening Wednesday, Sept. 30, 2015 on the Museum's third floor. The exhibit will mark the third display in the Museum's comedy series, following previous tributes to Rodney Dangerfield and Joan Rivers. WHAT: Artifacts on display in George Carlin: A Place For My Stuff will include: Carlin's GRAMMY Awards and other accolades Childhood scrapbook and photos The set list from his performances on The Tonight Show in 1962 and The Ed Sullivan Show in 1971 His public arrest records Script from the 1999 cult film Dogma And more "Ever since I became the keeper of my dad's stuff in 2008, I have enjoyed sharing little bits of it with friends and comedians," said Kelly Carlin, the comedian's daughter. "But to know that his fans will now get to see some of it, makes my heart swell with joy. I am thrilled that the GRAMMY Museum is creating a place for his stuff." "George Carlin helped redefine the art form of stand-up comedy. He used his talent to not only entertain, but to question conventional wisdom and social injustices," said Bob Santelli, Executive Director of the GRAMMY Museum. "With this latest display in our comedy series, we continue to spotlight some of the greatest comedy acts, many of whom have been recognized by the GRAMMY Awards." WHEN & WHERE: George Carlin: A Place For My Stuff will be on display at the GRAMMY Museum through March 2016. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
With Recent Appearances in Jackass, the Bonnie Hunt Show and Next in Rob Reiner's New Movie Alex and Emma, the Legendary King Of
With recent appearances in JackAss, The Bonnie Hunt Show and next in Rob Reiner's new movie Alex and Emma, the legendary King of Confetti, Rip Taylor, has been introduced to a new generation of fans, which is another reason he has a star on Hollywood Boulevard for movies, film and television. Although most of his new admirers don't realize it, Rip Taylor has dazzled audiences worldwide in a career that has spanned over forty years. A master of comedic timing and consummate showman, Rip has headlined in Las Vegas, appeared on hundreds of television shows, played the lead in various plays and musicals, and frequently taken a dramatic turn in feature films. It is no exaggeration to say that Rip Taylor has succeeded in every facet of the entertainment industry. The phenomenon that is Rip Taylor began when Ed Sullivan could not remember the young comedian's name; he introduced Rip as "The Crying Comedian." Ed Sullivan accidentally stumbled upon Rip's niche, and after that appearance Rip found himself booked solid for months. This taught the young performer the importance of having a memorable hook. Bright costumes, outrageous props, wacky wigs and colorful confetti soon followed - and Rip Taylor became a pop culture sensation. Rip is one of television's most recognizable celebrities. A guest star with over 2 ,000 television appearances under his belt, Rip brought his wild energy to The G ong Show, Password, The Merv Griffin Show, The Mike Douglas Show, T he Tonight Show, Late Night with David Letterman and to the coveted c enter square on Hollywood Squares. -
Bob Thomas Papers, 1914-2004
http://oac.cdlib.org/findaid/ark:/13030/kt300030cb No online items Bob Thomas papers, 1914-2004 Finding aid prepared by Sarah Sherman and Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2005 The Regents of the University of California. All rights reserved. Bob Thomas papers, 1914-2004 PASC 299 1 Title: Bob Thomas papers Collection number: PASC 299 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 28.5 linear ft.(57 boxes and 3 flat boxes) Date (bulk): Bulk, 1930-1989 Date (inclusive): 1914-2004 (bulk 1930-1980s) Abstract: Since 1944 Bob Thomas has written thousands of Hollywood syndicated columns for The Associated Press and has authored (or co-authored) at least thirty books relating to the entertainment industry. The collection consists of materials related to his professional career as a writer and includes manuscripts, research and photographs for books by Thomas as well as Associated Press columns, research files, and a small amount of printed ephemera. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Thomas, Bob, 1922- Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Use of audio materials may require production of listening copies. -
Baker, James A.: Files Folder Title: [White House] Correspondence (Higgens) Box: 2
Ronald Reagan Presidential Library Digital Library Collections This is a PDF of a folder from our textual collections. Collection: Baker, James A.: Files Folder Title: [White House] Correspondence (Higgens) Box: 2 To see more digitized collections visit: https://reaganlibrary.gov/archives/digital-library To see all Ronald Reagan Presidential Library inventories visit: https://reaganlibrary.gov/document-collection Contact a reference archivist at: [email protected] Citation Guidelines: https://reaganlibrary.gov/citing THE WHITE HOUSE WASHINGTON March 30, 1981 NOTE FOR ANN HIGGINS FROM: FRANK HODSOLL Would you please see that the attached requr st is answered. Thanks so much. ATTACHMENT .........·, ~)i DEPARTMEN T OF STAT E I W ashln11ton, D.C. 20520 ' •-- March 26, 1981 Mr. Frank S. ~1. Hodsoll Deputy Assistant to the President The White House Washington, D.C. 20500 Dear Mr. Hodsoll : Sorry to bother you with such a minor request, but I am wondering if it would be possible to ask for some autographed photos of the President for my b~other and his family. He would like four photos with dedications, if possibl~ as follows: Jeff ::!{ ing Tammy Jeanne King Heather D. King Jeffry King, Jr. ' If it is possible to provide the photos, could they please be sent to me at the address indicated below, so I can forward them? Many thanks for any help you can give me on this matter. ~~sincerely, c;;~: H. King EUR/RPM Room 6513, N.S. Department of State Washington, D.C. 20520 THE WHITE HOUSE WA S HINGTON March 31, 1981 MEMORANDUM FOR ANNE HIGGINS FROM: FRANK HODSOLL /;., / j f' ~( . -
Radio TV Mirror
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Rochester TV Life; March 22
ROCHE~TER WITH BUFFALO AND SYRACUSE SCHEDULES Now Including Radio and * Entertainment Personalities RALP ·H KNOX The Man With The NEWS Our News Director, Ralph Knox, NEWS is one of the busiest people on ROUND-UP . our whole staff. Featured in 6:50 A.M. three important news programs daily (see boxes at left), when he isn.'t at the mike Ralph is 8:00 A.M. runn ing down leads on various news stories, or sticking close NEWS to our news studio in the edi torial rooms of the Democrat & Chronicle. JOURNAL OF THE AIR If you wish to keep well-inform ed, listen to ·Ralph Knox three 6:30 P.M. times daily! The Station That Listeners Builtl take telephone entries for the Shadow Stopper Contest. Out of town entries are given a 24 hour advantage over local players. BOYS ... I have written my Shadow Stopper 12 YEARS OLD AND OVER entry before and am wondering if it is * * * necessary for me to use the "Official Earn Your Own Spending Money Entry Coupon" to be eligible. I am keep -and Beautiful Bonus Prizes by ing alJ TV Life issues and prefer not being our Route Manager in your to cut them. neighborhood Mrs. G. Furioso Send your name, address <;~nd ED'S NOTE: If you are a subscriber, it teleph<;~ne number on a postal card to is not absolutely necessary to use the Rochester TV life, 35 Church Street, official coupon. If your copy of RTVL Rochester 14, New York. is .purchased from the newsstand the cou pon should be used to avoid any question ._.,....,. -
1 Ralph Edwards ALL ARTICLES/IMAGES ARE
December 2017 December 100 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Ralph Edwards 1 Tales From The Woods would like to thank all our loyal readers for supporting us, particularly those who have been with us from the start. From a humble newsletter whose basic purpose was to inform our followers of forthcoming events, it has evolved into something much, much more. None of this would have been possible without our dedicated band of contributors whose writings you read in every issue, ably supported by those who have appeared only once or just a few times through our history. Thank you all, and here’s to our continued success together. Mr Angry fades from view Keith talks to Charlie Gracie Memories of Fats Domino from our readers We “borrow” more stuff from Nick Cobban Jazz Junction, Soul Kitchen, Blues Rambling And more.... 2 Someone quite important sends a message and says: “ HOLD THE THIRD PAGE! ” Greetings Gang, Welcome to the Christmas edition of Tales From The Woods magazine. As you can tell from Ralph Edwards’ wonderful sketch on the cover this is our one hundredth edition, so before we go any further let’s give Ralph a big round of applause, ladies and gentlemen, not just for his skill, imagination, wit, but for his time too. Ralph's sketches have graced these pages before; those of you who have been with us from our earliest days will remember his musical recollections being serialised in this magazine long before we went on-line, when this esteemed tome was barely out of nappies, cheaply photocopied and stapled.