DOCSLIB.ORG

CINECITTA' Multiplexkino, CINEMAGNUM, Meisengeige Und

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CINECITTA' Multiplexkino, CINEMAGNUM, Meisengeige Und filmtips.de – DO. 22. OKTOBER – MI. 28. OKTOBER 2015 WOCHE 43/2015 Jeden Dienstag neu – kostenlos! Das wöchentliche Programm für Kino in Nürnberg: CINECITTA’ Multiplexkino, CINEMAGNUM, Meisengeige und Metropolis 2 DO. 22. OKTOBER – MI. 28. OKTOBER 2015 – filmtips.de „filmtips“ – DIESE WOCHE Liebe Leser, zwei wunderbare Live-Übertragung aus der New Yorker Metropolitan Opera hatten wir in dieser Saison bisher, und weitere großartige Opern aus großen Häusern folgen diesen. In Sachen Inszenierung und Können der Sänger sind diese Events eine Klasse für sich. INHALT Das genaue Gegenteil empfehlen wir Ihnen in dieser Woche. Kennen Sie die „Künstlerin“ Florence Foster Jenkins? Ihrem Spitznamen „schlechteste Sängerin der Welt“ verdiente Filmbeschreibungen S. 3 – 10 sie sich in den 1940er Jahren in den USA, indem sie als Sopranistin die Meisterwerke CINECITTA‘ Deluxe S. 12/13 großer Komponisten malträtierte. Ohne, dass ihr jemand die Wahrheit über ihr mangelndes Programmkinos S. 14/15 Talent sagte. Die Geschichte von Foster Jenkins diente dem französischen Regisseur Xavier Filmprogramm CINECITTA‘ S. 16/17 Giannoli als Inspiration für die Tragikomödie „Madame Marguerite oder die Kunst der schiefen Töne“. Die fantastische Catherine Frot Filme von A-Z S. 18/19 brilliert darin als beste aller schlechten Sopranistinnen – die Preview in dieser Woche sollten Sie nicht verpassen! Ü50-Programm & Preise S. 20 The Original S. 21 Wie es scheint, gibt es in Nürnberg eine echte Ed Sheeran-Fanbase – deshalb haben wir zum bereits vollen Kinosaal mit Sheerans erstem On Stage S. 22 Konzertfilm „Jumpers For Goalposts“ einen weiteren Saal eröffnet. Es gibt also wieder Tickets für den 22. Oktober! Aufgezeichnet wurde Jobs S. 25 die Show im Juli 2015, seine größten Hits wie „I See Fire“ oder „Dont Sing“ stehen natürlich auf der Setlist. Das Beste: Um 19:30 Uhr Gastronomie S. 26 übertragen wir live vom grünen Teppich der Londoner Konzertfilmpremiere und zeigen ab 20:00 Uhr eine exklusive Liveperformance des Eating Out S. 28/29 britischen Popstars! Kinokalender S. 30 Viel Vergnügen wünscht Ihr CINECITTA‘-Team! ANFAHRT & KONTAKT CINECITTA‘ Multiplexkino GmbH & Co. KG Gewerbemuseumsplatz 3 90403 Nürnberg Telefon: (0911) 20666 - 0 Fax: (0911) 20666 -12 E-Mail: [email protected] Internet: www.cinecitta.de Malala - Ihr Recht auf Bildung, S. 4 The Walk 3D, S. 5 Rettet Raffi!, S. 7 Mit den öffentlichen Verkehrsmitteln: Straßenbahnlinie 8 Haltestelle Marientor; U-Bahn Linien 2, 3 und 21 Haltestelle Wöhrder Wiese Parkmöglichkeiten: Parkhaus Katharinenhof in der Katharinengasse, Parkhaus Nürnberger Akademie am Marien- torgraben und Tiefgarage Karstadt auf der Hinteren Insel Schütt. Unser letzter Sommer, S. 9 Preview: Madame Marguerite, S. 23 Preview: Macbeth, S. 23 IMPRESSUM Herausgeber: CINECITTA‘ Multiplexkino GmbH & Co. KG Erscheinung: wöchentlich dienstags Anzeigenvertretung: und Fantasia Film GmbH & Co. Verleih KG Verteilung: kostenlos an über 1.000 Stellen Emily Richter Gewerbemuseumsplatz 3 im Großraum Nbg/Fürth/Erlangen Tel. (0911) 20 666 17 90403 Nürnberg durch Firma Streuhand, [email protected] Tel. (0911) 20666 0 Thomas Hüttinger (0177) 4680177 Fax (0911) 20666 12 Auflage: ca. 35.000 Stück Anzeigenschluss: Druck: hofmann infocom GmbH, Nürnberg Freitag der Vorwoche bis 17:00 Uhr DO. 22. OKTOBER – MI. 28. OKTOBER 2015 – filmtips.de 3 NEU IN DIESER WOCHE THE LAST WITCH HUNTER Regisseur Breck Eisner („The Crazies“, „Taken“) versetzt Action-Star Vin Diesel in eine betont kämpferische Rolle, USA 2015 wo dieser alles aufbieten muss. Regie: Breck Eisner Darsteller: Vin Diesel, Rose Leslie, Elijah Wood, Julie Engelbrecht, Sir Michael Caine, Ólafur Darri Ólafsson u. a. FSK: ab 12 – Länge 107 Min. In diesem Action-Fantasy-Spektakel mit Vin Diesel ist dieser als letzter überlebender Hexenjäger zu sehen, der im modernen New York gegen eine Gruppe von He- xen kämpfen muss. Einer der letzten überlebenden Hexenjäger der heutigen Welt, Kaulder (Vin Diesel), zieht durch die Straßen von New York, um die Erde vor einer zerstörerischen Kraft zu schützen – ausgestattet mit hilfreichen Tipps von Father Dolan (Michael Caine) und dessen Schüler (Elijah Wood), im Kampf unterstützt durch die Hexe Chloe (Rose Leslie). Der 700-jährige Kaulder und seine magisch begabte Begleiterin versuchen, den zahllosen bösen Hexen und Harte Jungs Preview am 21. Oktober um 20:00 Uhr Zauberern, die in New York unter dem Kommando einer niederträchtigen Königin (Julie Engelbrecht) ihr Unwesen Tägl. 14:30/17:10/20:00/22:50 Uhr treiben, das Handwerk zu legen. Denn die Unholde DIGITAL im CINECITTA‘ vermehren sich bedrohlich, nachdem sie bereits einen Großteil der anderen Hexenjäger getötet haben. Bald liegt Fr/Sa 0:20 Uhr es allein an dem ungleichen Duo Kaulder und Chloe, die DIGITAL im CINECITTA‘ DELUXE wachsende Gegnerschar endgültig zu stoppen – und deren Anführerin... 4 DO. 22. OKTOBER – MI. 28. OKTOBER 2015 – filmtips.de NEU IN DIESER WOCHE MALALA – IHR RECHT AUF Superman“, „It Might Get Loud“) zeigt uns, wie Malala, BILDUNG ihr Vater Zia Yousafzai und ihre Familie den Kampf für das Recht auf Bildung aller Mädchen weltweit unterstützen. USA 2015 Der Film gibt uns einen umfassenden Einblick in das Regie: Davis Guggenheim Leben dieses außergewöhnlichen jungen Mädchens – von Darsteller:Malala Yousafzai u.a. der engen Beziehung zu ihrem Vater, der ihre Leidenschaft FSK: ab 12 – Länge: 87 Min. für Bildung entfacht hat, über ihre mitreißenden Reden vor der Generalversammlung der Vereinten Nationen (UN), bis Dokumentarfilm über die Kinderrechtsaktivistin Malala zu ihrem Alltag mit ihren Eltern und Brüdern. Yousafzai, die als jüngster Mensch mit einem Friedens- nobelpreis ausgezeichnet wurde HE NAMED ME MALALA ist ein eindringliches Portrait der Friedensnobelpreisträgerin Malala Yousafzai, die in ihrer Heimat Pakistan von den Taliban auf die Todesliste gesetzt wurde. Malala war auf dem Weg nach Hause im Swat Tal, als sie in ihrem Schulbus von einem Schuss in den Kopf schwer verletzt wurde. Die damals 15-jährige, die im Juli 2015 achtzehn Jahre alt wird, geriet zusammen mit ihrem Vater in den Fokus der Taliban, weil sie sich für das Recht auf Bildung von Mädchen einsetzen. Das Attentat entfachte einen weltweiten Aufschrei der Empörung. Sie hat auf Tägl. 11:00/13:30/19:00 Uhr wundersame Weise überlebt und ist jetzt als Mitgründerin DIGITAL im CINECITTA‘ des Malala Fund eine global agierende Aktivistin für das Recht von Mädchen auf Bildung. Tägl. 15:30 Uhr Do–Mo/Mi 16:15 Uhr, Do–Di a. 20:30 Uhr DIGITAL im CINECITTA‘ DELUXE Der vielfach ausgezeichnete Dokumentarfilmer Davis DIGITAL im Kino METROPOLIS Guggenheim („Eine unbequeme Wahrheit“, „Waiting for Die Firma STREUHAND sucht zuverlässige Mitarbeiter zur Verteilung der Filmtips. Arbeitszeit ist immer am Di ab 13:00 bzw. 17:00 Uhr. Eigenes Auto & Führerschein erforderlich. Bei Interesse bitte kurze schriftliche Bewerbung an: [email protected] MINI JOB Kino, Kaffee & Kuchen für nur 12,50 € Jeden Dienstag um 10:30 Uhr www.cinecitta.de DO. 22. OKTOBER – MI. 28. OKTOBER 2015 – filmtips.de 5 NEU IN DIESER WOCHE THE WALK 3D te, in deren Mittelpunkt ein interessanter Charakter steht. Mit einer innovativen, fotorealistischen Technik ist “THE USA 2015 WALK” ganz großes Kino. Der Film bietet allen Kinogän- Regie: Robert Zemeckis gern die Chance, buchstäblich am eigenen Leib zu erle- Darsteller: Joseph Gordon-Levitt, Sir Ben Kingsley, ben, wie es sich anfühlt, die Wolken zu berühren. Charlotte Le Bon, Ben Schwartz u.a. FSK: ab 6 – Länge: 123 Min. Der Film ist eine Liebeserklärung an das Paris und New York der 1970er Jahre, aber vor allen Dingen ist „THE Drama über den Hochseilartist Philippe Petit, der in WALK“ eine Liebeserklärung an die Türme des World seiner berühmtesten Aktion 1974 in New York zwi- Trade Center. schen den Twin Towers des World Trade Centers ba- lancierte. Zwölf Menschen haben bisher den Mond betreten, aber nur ein Mann hat jemals – oder wird jemals – die immens große Lücke zwischen den Türmen des World Trade Center überqueren: Philippe Petit (Joseph-Gordon Le- vitt). Unter der Anleitung seines Mentors Papa Rudy (Ben Kingsley) und gemeinsam mit einer bunt zusammenge- würfelten Gruppe internationaler Helfer, überwinden sie eine Menge Widerstände, Vertrauensbrüche, Meinungs- verschiedenheiten und Risiken, um ihren verrückten Plan durchzuführen. Tägl. 13:45/17:00/20:15/23:10 Uhr, Do–So/Di/Mi a. 10:45 Uhr Robert Zemeckis, der bereits bei Meisterwerken wie DIGITAL 3D im CINECITTA‘ „Forrest Gump“, „Cast Away – Verschollen“, „Zurück in die Zukunft“, „Der Polarexpress“ und „Flight“ Regie Tägl. 18:00 Uhr geführt hat, benutzt auch hier wieder Spitzeneffekte und DIGITAL 3D im CINECITTA‘ DELUXE stellt sie ganz in den Dienst einer emotionalen Geschich- Die Filmreihe für Männer: Exklusive Kino- preview & Bier 6 DO. 22. OKTOBER – MI. 28. OKTOBER 2015 – filmtips.de NEU IN DIESER WOCHE A PERFECT DAY Spanien 2015 Originaltitel: Un día perfecto Regie: Fernando León de Aranoa Darsteller: Tyler Craig, Billy Shepperd, Katie Featherston u.a. FSK: ab 12 – Länge: 106 Min. Tragikomödie und Groteske über einen Tag eines NGO- Quartetts im Balkankrieg. Sie arbeiten für die gute Sache. Sie sind ein Team von Mitarbeitern für eine internationale Hilfsorganisation. Der gelassene Mambrú und der Zyniker B haben schon viele dieser Einsätze erlebt. Weder verminte Kühe auf der Straße, Blauhelmsoldaten mit Weisungsbefugnis noch nächtliche Irrfahrten durch schwer zugängliches Gelände können sie aus der Bahn werfen. Als dann aber Sophie, jung und idea- listisch, der Gruppe
Load more

Recommended publications
  • London Contemporary Orchestra: Other Worlds Wednesday 31 October 2018 8Pm, Hall
    London Contemporary Orchestra: Other Worlds Wednesday 31 October 2018 8pm, Hall Giacinto Scelsi Uaxuctum: The Legend of the Maya City, destroyed by the Maya people themselves for religious reasons UK premiere interval 20 minutes John Luther Adams Become Ocean London Contemporary Orchestra and Choir Robert Ames conductor Universal Assembly Unit art direction Artrendex artificial intelligence London Contemporary Orchestra and Universal Assembly Unit are grateful to Arts Council England for their support for the visual elements of this concert Part of Barbican Presents 2018–19 Programme produced by Harriet Smith; printed by Trade Winds Colour Printers Ltd; advertising by Cabbell (tel 020 3603 7930) Please turn off watch alarms, phones, pagers etc during the performance. Taking photographs, capturing images or using recording devices during a performance is strictly prohibited. Please remember that to use our induction loop you should switch your hearing aid to T setting on entering the hall. If your hearing aid is not correctly set to T it may cause high-pitched feedback which can spoil the enjoyment of your fellow audience members. We appreciate that it’s not always possible to prevent coughing during a performance. But, for the sake of other audience members and the artists, if you feel the need to cough or sneeze, please stifle it with a handkerchief. The City of London If anything limits your enjoyment please let us know Corporation is the founder and during your visit. Additional feedback can be given principal funder of online, as well as via feedback forms or the pods the Barbican Centre located around the foyers.
    [Show full text]
  • THOTKG Production Notes Final REVISED FINAL
    SCREEN AUSTRALIA, LA CINEFACTURE and FILM4 Present In association with FILM VICTORIA ASIA FILM INVESTMENT GROUP and MEMENTO FILMS INTERNATIONAL A PORCHLIGHT FILMS and DAYBREAK PICTURES production true history of the Kelly Gang. GEORGE MACKAY ESSIE DAVIS NICHOLAS HOULT ORLANDO SCHWERDT THOMASIN MCKENZIE SEAN KEENAN EARL CAVE MARLON WILLIAMS LOUIS HEWISON with CHARLIE HUNNAM and RUSSELL CROWE Directed by JUSTIN KURZEL Produced by HAL VOGEL, LIZ WATTS JUSTN KURZEL, PAUL RANFORD Screenplay by SHAUN GRANT Based on the Novel by PETER CAREY Executive Producers DAVID AUKIN, VINCENT SHEEHAN, PETER CAREY, DANIEL BATTSEK, SUE BRUCE-SMITH, SAMLAVENDER, EMILIE GEORGES, NAIMA ABED, RAPHAËL PERCHET, BRAD FEINSTEIN, DAVID GROSS, SHAUN GRANT Director of Photography ARI WEGNER ACS Editor NICK FENTON Production Designer KAREN MURPHY Composer JED KURZEL Costume Designer ALICE BABIDGE Sound Designer FRANK LIPSON M.P.S.E. Hair and Make-up Designer KIRSTEN VEYSEY Casting Director NIKKI BARRETT CSA, CGA SHORT SYNOPSIS Inspired by Peter Carey’s Man Booker prize winning novel, Justin Kurzel’s TRUE HISTORY OF THE KELLY GANG shatters the mythology of the notorious icon to reveal the essence behind the Life of Ned KeLLy and force a country to stare back into the ashes of its brutal past. Spanning the younger years of Ned’s Life to the time Leading up to his death, the fiLm expLores the bLurred boundaries between what is bad and what is good, and the motivations for the demise of its hero. Youth and tragedy colLide in the KeLLy Gang, and at the beating heart of this tale is the fractured and powerful Love story between a mother and a son.
    [Show full text]
  • Festa Del Cinema Di Roma FESTA DEL CINEMA DI ROMA 13/23 OTTOBRE 2016
    11A Festa del Cinema di Roma FESTA DEL CINEMA DI ROMA 13/23 OTTOBRE 2016 FONDATORI PRESIDENTE Roma Capitale Piera Detassis Regione Lazio Città Metropolitana di Roma Capitale Camera di Commercio di Roma DIRETTORE GENERALE Fondazione Musica per Roma Francesca Via Istituto Luce Cinecittà S.r.l DIRETTORE ARTISTICO COLLEGIO DEI FONDATORI Antonio Monda Presidente Lorenzo Tagliavanti Presidente della Camera di Commercio di Roma COMITATO DI SELEZIONE Virginia Raggi Mario Sesti, Coordinatore Sindaca di Roma Capitale Valerio Carocci e della Città Metropolitana Alberto Crespi Giovanna Fulvi Nicola Zingaretti Richard Peña Presidente della Regione Lazio Francesco Zippel Aurelio Regina Presidente della Fondazione Musica per Roma Roberto Cicutto Presidente dell’Istituto Luce Cinecittà CONSIGLIO DI AMMINISTRAZIONE RESPONSABILE UFFICIO CINEMA Piera Detassis, Presidente Alessandra Fontemaggi Laura Delli Colli Lorenzo Tagliavanti José Ramón Dosal Noriega Roberto Cicutto COLLEGIO DEI REVISORI DEI CONTI Roberto Mengoni, Presidente Massimo Gentile, Revisore Effettivo Giovanni Sapia, Revisore Effettivo Maurizio Branco, Revisore Supplente Marco Buttarelli, Revisore Supplente A FESTA 13-23 DEL CINEMA OTTOBRE 11 DI ROMA 2016 Prodotto da Main Partner Promosso da Partner Istituzionali Con il supporto di In collaborazione con Official sponsor Partner Tecnico Eco Mobility Partner Sponsor di Servizi Media Partner Partner Culturali Sponsor2.1 Invicta institutional logo “Since” 2.1.1 Dimensions, proportions and colour references The Invicta corporate logo is made up of 2 colours, blue and red. The Invicta corporate logo must never be modified or reconstructed. FOOD PROMOTION & EVENTS MANAGEMENT 26x 8x 87x 1x 15x 31x 2x 3x 5x 3x 1x Pantone 33xCMYK Pantone RGB 2x Textile 20x Invicta red C: 0 4852x C P.
    [Show full text]
  • Macbeth Macbeth (2015) Is an Adaptation of William Shakespeare’S Story of a Good and Potentially Great Man Brought Low by Ambition
    © ATOM 2015 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN: 978-1-74295-615-2 http://www.theeducationshop.com.au Macbeth Macbeth (2015) is an adaptation of William Shakespeare’s story of a good and potentially great man brought low by ambition. Directed by Justin Kurzel, from a screenplay by Jacob Koskoff, Todd Louiso and Michael Lesslie, Macbeth stars Michael Fassbender as Macbeth and Marion Cotillard as Lady Macbeth. The film premiered in official competition at Cannes 2015. Justin Kurzel Curriculum links DIRECTOR Macbeth is suitable viewing • analyse the representa- Justin Kurzel’s background as one of Australia’s best for students in Years 10 – 12. tion of ideas and atti- theatrical designers informs his strong visual storytell- It can be used as a resource tudes in Shakespeare’s ing as a director. in English, Literature and and Kurzel’s Macbeth to Media. consider how the texts Kurzel’s VCA graduating short, Blue Tongue, was represent the world and screened in over 13 international films festivals In English, Literature and human experience; including International Critic’s Week at the Cannes Media students are expected • develop the ability to Film Festival, New York Film Festival and won Best to discuss the meaning write analytic responses Short at Melbourne International Film Festival. His derived from texts, the to Kurzel’s Macbeth; first feature film Snowtown, produced by Warp Films relationship between texts, • hone their oral commu- Australia premiered at Adelaide Film Festival in 2011, the contexts in which texts nication skills through winning the Audience Award. Kurzel was awarded are produced and read, discussion of and debate Best Director at the AACTA Awards.
    [Show full text]
  • Macbeth Production Notes
    MACBETH PRODUCTION NOTES For UK Publicity Enquiries: [email protected] [email protected] [email protected] For International Publicity Enquiries: [email protected] [email protected] [email protected] Stills can be downloaded from: studiocanal.co.uk/press SHORT SYNOPSIS MACBETH is the story of a fearless warrior and inspiring leader brought low by ambition and desire. A thrilling interpretation of the dramatic realities of the times and a reimagining of what wartime must have been like for one of Shakespeare’s most famous and compelling characters, a story of all-consuming passion and ambition, set in war torn Scottish landscape. SYNOPSIS Ellon. Scotland. Following a fierce battle in which Macbeth, Thane of Glamis and loyal general of King Duncan’s forces, has finally killed Macdonwald, a traitor and leader of rebel forces, he and fellow soldier Banquo encounter three women scavenging among the fallen soldiers, who foretell that Macbeth will become Thane of Cawdor and King of Scotland, while Banquo will be the father of future kings. Both men are unnerved by the prophecies but for the moment appear not to believe them. At the battlefield campsite, Angus and Rosse arrive from the King’s court to pass on thanks from their royal master for the success in battle and to bestow Macbeth the title Thane of Cawdor. The previous holder of the title has been killed for treachery against the crown. When Macbeth goes to pay homage to the King, Duncan tells him that he has made arrangements to visit his home at Inverness to celebrate the victory.
    [Show full text]
  • Uma Perspectiva Musicológica Sobre a Formação Da Categoria Ciberpunk Na Música Para Audiovisuais – Entre 1982 E 2017
    Uma perspectiva musicológica sobre a formação da categoria ciberpunk na música para audiovisuais – entre 1982 e 2017 André Filipe Cecília Malhado Dissertação de Mestrado em Ciências Musicais Área de especialização em Musicologia Histórica Setembro de 2019 I Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciências Musicais – Área de especialização em Musicologia Histórica, realizada sob a orientação científica da Professora Doutora Paula Gomes Ribeiro. II Às duas mulheres da minha vida que permanecem no ciberespaço do meu pensamento: Sara e Maria de Lourdes E aos dois homens da minha vida com quem conecto no meu quotidiano: Joaquim e Ricardo III Agradecimentos Mesmo tratando-se de um estudo de musicologia histórica, é preciso destacar que o meu objecto, problemática, e uma componente muito substancial do método foram direccionados para a sociologia. Por essa razão, o tema desta dissertação só foi possível porque o fenómeno social da música ciberpunk resulta do esforço colectivo dos participantes dentro da cultura, e é para eles que direciono o meu primeiro grande agradecimento. Sinto-me grato a todos os fãs do ciberpunk por manterem viva esta cultura, e por construírem à qual também pertenço, e espero, enquanto aca-fã, ter sido capaz de fazer jus à sua importância e aos discursos dos seus intervenientes. Um enorme “obrigado” à Professora Paula Gomes Ribeiro pela sua orientação, e por me ter fornecido perspectivas, ideias, conselhos, contrapontos teóricos, ajuda na resolução de contradições, e pelos seus olhos de revisora-falcão que não deixam escapar nada! Como é evidente, o seu contributo ultrapassa em muito os meandros desta investigação, pois não posso esquecer tudo aquilo que me ensinou desde o primeiro ano da Licenciatura.
    [Show full text]
  • LCO Job Description
    LONDON CONTEMPORARY ORCHESTRA RECORDING PROJECTS MANAGER (SALARIED) – JOB DESCRIPTION SUMMARY JOB TITLE: Recording Projects Manager TERMS: Part-time - four hours per day, five days per week CONTRACT: Salaried, beginning May/June 2019, with a 3-month review LINE MANAGER: Hugh Brunt – co-Artistic Director & co-Principal Conductor REMUNERATION: £18,200 (£36,400 pro rata) INTRODUCTION London Contemporary Orchestra (LCO) is pleased to recruit for the specially-created role of Recording Projects Manager – working with co-Artistic Director & co-Principal Conductor Hugh Brunt to support the delivery and expansion of the LCO’s studio output, encompassing Hollywood and independent feature films, TV series, production/library music, video games, sample libraries, and albums with leading bands and solo artists. BACKGROUND LCO is a leading global ensemble focused on performing, commissioning and developing new music and cross-arts collaborations. Alongside working with well-known artists, the LCO is driven to develop a diverse next generation of players, conductors and composers by creating opportunities for them to work at the highest professional level. Formed in 2008 by co-Artistic Directors Robert Ames and Hugh Brunt, the LCO has collaborated with a distinguished array of composers, artists and brands, from Actress to Radiohead, Boiler Room to Vivienne Westwood. It is a past winner of the Ensemble category at the Royal Philharmonic Society Music Awards. In addition to its busy concert schedule – most recently including sold-out performances at the BBC Proms, Southbank Centre and Barbican, and collaborations with Steve Reich, Mica Levi and Terry Riley – the LCO has established a strong reputation for its innovative and dynamic approach to film scoring, regularly appearing at Abbey Road Studios and AIR Studios.
    [Show full text]
  • Cannes Edit Programme.Indd
    UK FILM CANNES 2015 www.weareukfilm.com www.britishcouncil.org/film INTRODUCTION The 68th Cannes Festival presents a selection of The British Council, whose film team acts as a UK films and film talent in its 2015 edition. This link between UK films and filmmakers and new Catalogue includes details of all UK productions international audiences, works with a range of and official co-productions screening across programme selector teams from the world’s the various Cannes sections. It also highlights premier international film festivals, including some of the other titles screening which are the teams from Cannes, to arrange preview not official co-productions but which have screenings of the best new British films. Do significant British elements. note that the British Council also supplies an additional catalogue detailing not just the UK It is divided into Features and Shorts screening talent on show in Cannes but also highlighting in the Official Selection including Competition, UK films on current release as well as a Un Certain Regard, Out of Competition, Midnight selection of UK films nearing completion. You Screenings, Special Screenings, Short Films can download this at http://film.britishcouncil. Competition, Cinéfondation Shorts Selection org/british-films-directory/uk-film-catalogues/ and the parallel sections Cannes Classics, cannes Directors Fortnight and Critics Week. Find out more about the UK industry at This catalogue has been compiled by the www.WEAREUKFILM.com British Council, one of a number of key UK Film organisations represented in Cannes under the single umbrella of WE ARE UK FILM. A grouping of the UK’s film commission, national and regional agencies, together we provide clear information about our outstanding locations, services, films and talent, and we represent the UK Film industry enabling connections with both national and international partners.
    [Show full text]
  • WARP FILMS AUSTRALIA Presents
    WARP FILMS AUSTRALIA presents Directed by Justin Kurzel Produced by Anna McLeish & Sarah Shaw Written by Shaun Grant www.snowtownthemovie.com International Press in Cannes: Matthew Sanders: (44) 7815 130 390 Charles McDonald: (33) 633 361 389 Attending Cannes: Director Justin Kurzel Actors Daniel Henshall and Lucas Pittaway INTERNATIONAL SALES AGENT Protagonist Pictures Pty Ltd 4th Floor, Waverley House, 7 - 12 Noel Street London W1F 8GQ United Kingdom T: +44 20 7734 9000 E: [email protected] TECHNICAL DETAILS Country of Production Australia Year of Production 2010 Running Time 120 minutes @ 24fps Format 35mm Colour Number of Spools 7 Ratio 1:1:85 Sound Dolby SR & Dolby Digital Language English 2 INTRODUCTION SNOWTOWN commenced principal photography in the northern suburbs of Adelaide, South Australia in August 2010 and is the debut feature of director Justin Kurzel. The film focuses on the relationship between 16-year old Jamie, played by newcomer Lucas Pittaway and his father-figure John, played by Daniel Henshall. SNOWTOWN is the first feature film from WARP FILMS AUSTRALIA and is produced by Anna McLeish and Sarah Shaw. The screenplay is by Shaun Grant. SNOWTOWN is financed by Screen Australia, Film Victoria, the South Australian Film Corporation, Adelaide Film Festival and Omnilab Media. Madman Entertainment is the Australasian distributor and Protagonist Pictures is the international sales agent. 3 SHORT SYNOPSIS When sixteen-year-old Jamie is introduced to a charismatic man, a friendship begins. As the relationship grows so do Jamie’s suspicions, until he finds his world threatened by both his loyalty for, and fear of, his newfound father-figure John Bunting, Australia’s most notorious serial killer.
    [Show full text]
  • Volume 1 Issue 2
    FANTASTIKA Fantastika Journal | Volume 1 | Issue 2 | December 2017 EDITOR’S NOTE “Fantastika” – a term appropriated from a range of Slavonic languages by John Clute – embraces the genres of Fantasy, Science Fiction, and Horror, but can also include Alternative Histories, Gothic, Steampunk, Young Adult Dystopian Fiction, or any other radically imaginative narrative space. The third annual Fantastika conference – Global Fantastika – held at Lancaster University, UK on July 4 & 5, 2016, considered a range of Global topics: productions of Fantastika globally; themes of contact within and across nations and borders; fictional and real empires; themes of globalization and global networks, mobilities, and migrations; and (post)colonial texts and readings, including no- tions of the ‘other.’ Some of the articles in this second issue of Fantastika Journal originate from the conference. The issue also includes articles and reviews from a range of international scholars, some of which are inspired by this Global theme. We are especially pleased to feature editorials from all of the keynotes speakers of the Global Fantastika conference. We hope this special Fantastika issue will stimulate discussion and contemplation of topics that are becoming so crucial and imperative in the world today, as we become a truly global community. Charul (Chuckie) Palmer-Patel HEAD EDITOR 1 Fantastika Journal | Volume 1 | Issue 2 | December 2017 ACKNOWLEDGEMENTS HEAD EDITOR Charul (Chuckie) Palmer-Patel CRITICAL CO-EDITORS AND NON-FICTION REVIEWS EDITORS Francis Gene-Rowe, Donna Mitchell FICTION AND NON-FICTION REVIEWS EDITOR Kerry Dodd ASSISTANT FICTION REVIEWS EDITORS Antonia Spencer, Monica Guerrasio DESIGN EDITOR AND COVER DESIGNER Sing Yun Lee CURRENT BOARD OF ADVISERS (IN ALPHABETICAL ORDER) Xavier Aldana Reyes Brian Baker Sarah Dillon Matt Foley Veronica Hollinger Rob Maslen Lorna Piatti-Farnell Adam Roberts Catherine Spooner Sherryl Vint We would also like to thank our peer reviewers and board of advisors for their kind consideration and efforts with this issue.
    [Show full text]
  • BRETT SNACKY PIERCE Music Editor
    BRETT SNACKY PIERCE Music Editor DOCTOR SLEEP Warner Bros. (Temp Tracking & Final) The Newton Brothers, Composer Mike Flanagan, Director US Universal Pictures (Temp Tracking & Final) Michael Abels, Composer Jordan Peele, Director FRIENDSGIVING Red Hour Films Jessica Weiss, Composer Nicol Paone, Director THE HAUNTING OF HILL HOUSE Netflix (Temp Tracking and Final) The Newton Brothers Mike Flanagan, Director OVERLORD Bad Robot/Paramount Pictures Jed Kurzel, Composer Julius Avery, Director UPGRADE Blumhouse Productions Jed Palmer, Composer Leigh Whannell, Director BREAKING IN Universal Pictures Johnny Klimek, Composer James McTeigue, Director EXTINCTION Universal Pictures / Good Universe Golden Reel Winner The Newton Brothers, Composer Ben Young, Director INSIDIOUS: CHAPTER 4 Blumhouse Productions Joseph Bishara, Composer Adam Robitel, Director www.FormosaGroup.com/Music Leigh Kotkin : [email protected] Stacey Kozak : [email protected] Page 1 AMATEUR Netflix BC Smith, Composer Ryan Koo, Director TRUTH OR DARE Blumhouse Productions (Temp Tracking) Jeff Wadlow, Director THE LEGO NINJAGO MOVIE Warner Bros. Charlie Bean, Paul Fisher, Bob Logan, Directors A BAD MOM’S CHRISTMAS STX Entertainment (Temp Tracking) Jon Lucas, Scott Moore, Directors SIERRA BURGESS IS A LOSER Black Label Media (Temp Tracking) Ian Samuels, Director DRUNK PARENTS Aviron Pictures (Temp Tracking) Fred Wolf, Director GERALD’S GAME Netflix The Newton Brothers, Composer Mike Flanagan, Director HAPPY DEATH DAY Blumhouse Productions (Temp Tracking) Christopher Landon,
    [Show full text]
  • LCO Job Description
    LONDON CONTEMPORARY ORCHESTRA JOB DESCRIPTION RECORDING PROJECTS MANAGER (Maternity Leave Cover) – SALARIED SUMMARY JOB TITLE: Recording Projects Manager (Maternity Leave Cover) TERMS: Part-time – four hours per day, five days per week CONTRACT: Salaried, beginning Monday 19 July 2021, initially a Fixed-term contract until April 2022, witH a possibility oF the creation oF a new part-time role at tHe end of this contract. Training/Handover to commence early-mid July For approx. 8- 10 hours a week, subject to arrangement. LINE MANAGER: HugH Brunt – co-Artistic Director & co-Principal Conductor REMUNERATION: £18,200 (£36,400 pro rata) INTRODUCTION London Contemporary Orchestra (LCO) is pleased to recruit For the role oF Recording Projects Manager (Maternity Leave Cover), working with co-Artistic Director & co-Principal Conductor HugH Brunt. THe role will support us in the delivery and expansion of LCO’s studio output, encompassing Hollywood and independent Feature Films, TV series, production/library music, video games, sample libraries, and albums witH leading bands and solo artists. BACKGROUND LCO is a leading global ensemble focused on perForming, commissioning and developing new music and cross-arts collaborations. Alongside working witH well-known artists, we are driven to develop a diverse next generation of players, conductors and composers by creating opportunities For them to work at the highest professional level and ampliFying the invaluable contribution tHey make to tHe sector. Diversity and Inclusion is truly important to us and we try and make sure that we weave this into all of our work. We are not perFect on this by any means, but we are endeavouring to create more inclusiveness for all.
    [Show full text]