Lucia Zucchetti, A.C.E

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LUCIA ZUCCHETTI, A.C.E. Editor Feature Films: LIMBO - Caravan Cinema/Film4/British Film Institute - Ben Sharrock, director Official Selection - Toronto International Film Festival COLETTE - Bleeker Street/Bold Films/Killer Films - Wash Westmoreland, director WOMAN WALKS AHEAD - A24/Bedford Falls - Susanna White, director THEIR FINEST - BBC Films - Lone Scherfig, director Gala Presentation - Toronto International Film Festival OUR KIND OF TRAITOR - Potboiler Productions/Ink Factory - Susanna White, director TESTAMENT OF YOUTH - Heyday Films/BBC Films - James Kent, director CLOSED CIRCUIT - Working Title/Focus Features - John Crowley, director GAME CHANGE - HBO Films - Jay Roach, director Nominee - ACE Eddie Award CHERI - Pathé/Miramax - Stephen Frears, director BOY A - The Weinstein Company - John Crowley, director Winner - BAFTA Award - Best Editing THE QUEEN - Pathé/Miramax - Stephen Frears, director Nominee - ACE Eddie Award Nominee - BAFTA Award - Best Editing Nominee - European Film Academy Prix D’Excellence - Best Editing MRS HENDERSON PRESENTS - Pathé/The Weinstein Company - Stephen Frears, director THE DEAL - Granada/The Weinstein Company - Stephen Frears, director THE MERCHANT OF VENICE - Sony Pictures Classics - Michael Radford, director INTERMISSION - Parallel Film/UK Film Council/DreamWorks - John Crowley, director MORVERN CALLAR - BBC Films/Alliance International - Lynne Ramsay, director LONG TIME DEAD - Working Title Films/Focus Features - Marcus Adams, director THE LOW DOWN - Low Down Films/Film Four/British Screen - Jamie Thraves, director RATCATCHER - Pathé/First Look International - Lynne Ramsay, director Television: THE CROWN (S4) - Netflix/Left Bank Pictures - Peter Morgan, creator THE LITTLE DRUMMER GIRL - AMC/BBC Films - Chan-wook Park, director TILDA (Pilot) - HBO - Bill Condon, director Short Films and Documentaries: 10 MINUTES OLDER - The Bureau - Michael Radford, director ANTHRAKITIS - BFI/Channel Four - Sara Sugarman, director Nominee - BAFTA Award - Best Short Film GASMAN - BBC Scotland/ Tartan Short - Lynne Ramsay, director Winner - Jury Prize - Cannes Film Festival Winner - Scottish BAFTA - Best Short Film Nominee - British BAFTA - Best Short Film KILL THE DAY - BFI/Channel Four - Lynne Ramsay, director Winner - Jury Prize - Clairmont Ferrand Nominee - French Cesar - Best Editing (continued…) 9465 Wilshire Blvd. 6th Floor 41 Madison Ave. 29th Floor Beverly Hills, CA 90212 New York, NY 10010 Main 310.274.6611 Main 212.997.1818 SMALL DEATHS - NFTS Graduation Film - Lynne Ramsay, director Winner - Jury Prize - Cannes Film Festival Grand Prix - Cote Court (Paris) TORNATORE - RAI TV - Marc Evans, director 9465 Wilshire Blvd. 6th Floor 41 Madison Ave. 29th Floor Beverly Hills, CA 90212 New York, NY 10010 Main 310.274.6611 Main 212.997.1818 .

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CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
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Co-Optation of the American Dream: a History of the Failed Independent Experiment
Cinesthesia Volume 10 Issue 1 Dynamics of Power: Corruption, Co- Article 3 optation, and the Collective December 2019 Co-optation of the American Dream: A History of the Failed Independent Experiment Kyle Macciomei Grand Valley State University, [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/cine Recommended Citation Macciomei, Kyle (2019) "Co-optation of the American Dream: A History of the Failed Independent Experiment," Cinesthesia: Vol. 10 : Iss. 1 , Article 3. Available at: https://scholarworks.gvsu.edu/cine/vol10/iss1/3 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Cinesthesia by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. Macciomei: Co-optation of the American Dream Independent cinema has been an aspect of the American film industry since the inception of the art form itself. The aspects and perceptions of independent film have altered drastically over the years, but in general it can be used to describe American films produced and distributed outside of the Hollywood major studio system. But as American film history has revealed time and time again, independent studios always struggle to maintain their freedom from the Hollywood industrial complex. American independent cinema has been heavily integrated with major Hollywood studios who have attempted to tap into the niche markets present in filmgoers searching for theatrical experiences outside of the mainstream. From this, we can say that the American independent film industry has a long history of co-optation, acquisition, and the stifling of competition from the major film studios present in Hollywood, all of whom pose a threat to the autonomy that is sought after in these markets by filmmakers and film audiences.
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BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
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Female Investors Make a Bid for the Weinstein Company
Case Study Female Investors Make a Bid for The Weinstein Company Thought Leadership and Advocacy PR The Challenge: After disgraced movie producer Harvey Weinstein was ousted from his company, Maria Contreras- Sweet, a former cabinet official and head of the Small Business Administration under President Barack Obama, assembled a majority-female team of Hollywood heavyweights to make a bid for The Weinstein Company and rebrand it as a place that was welcoming to, and supportive of, women. TASC was brought on to generate excitement around the deal and cultivate support for it. Our Strategy: TASC capitalized on the momentum of the Time’s Up and #MeToo movements, and made Contreras- Sweet and her team a symbol of hope and progress in the film industry’s treatment of women. TASC managed a huge volume of media requests for Contreras-Sweet and strategically released information on the deal to garner community interest and support from key decision makers. Several other groups were also in the running to secure a deal, and many details of negotiations could not be made public. TASC worked to ensure that outlets were accurately reporting on the details of Contreras-Sweet’s deal, the only one to save jobs, create a female-majority board of directors and create a $90 million compensation fund for Weinstein’s victims. Results: Our work generated hundreds of media placements in national outlets including Variety, The Hollywood Reporter, The New York Times, ABC News, CNBC, Yahoo! Finance, CNN Money, The Los Angeles Times, The Wall Street Journal, Refinery29 and dozens more, which turned the tide in Contreras-Sweet’s favor with The Weinstein Company’s board of directors.
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Roger Deakins to Receive Variety Artisan Award At
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Downloadable Text (Finkelstein and Mccleery 2006, 1)
A Book History Study of Michael Radford’s Filmic Production William Shakespeare’s The Merchant of Venice A thesis submitted in fulfilment of the requirements for the degree of MASTER OF ARTS of RHODES UNIVERSITY by BRYONY ROSE HUMPHRIES GREEN March 2008 ABSTRACT Falling within the ambit of the Department of English Literature but with interdisciplinary scope and method, the research undertaken in this thesis examines Michael Radford’s 2004 film production William Shakespeare’s The Merchant of Venice using the Book History approach to textual study. Previously applied almost exclusively to the study of books, Book History examines the text in terms of both its medium and its content, bringing together bibliographical, literary and historical approaches to the study of books within one theoretical paradigm. My research extends this interdisciplinary approach into the filmic medium by using a modified version of Robert Darnton’s “communication circuit” to examine the process of transmission of this Shakespearean film adaptation from creation to reception. The research is not intended as a complete Book History study and even less as a comprehensive investigation of William Shakespeare’s The Merchant of Venice . Rather, it uses a Shakespearean case study to bring together the two previously discrete fields of Book History and filmic investigation. Drawing on film studies, literary concepts, cultural and media studies, modern management theory as well as reception theories and with the use of both quantitative and qualitative data, I show Book History to be an eminently useful and constructive approach to the study of film. ii ACKNOWLEDGEMENTS I want to thank the Mandela Rhodes Foundation for the funding that allowed me to undertake a Master’s degree.
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Équinoxe Screenwriters' Workshop / Palais Schwarzenberg, Vienna 31
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