DOCSLIB.ORG

The Hunter.Ptb

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Hunter.Ptb THE HUNTER As recorded by Dokken (From the 1985 Album UNDER LOCK AND KEY) Transcribed by warlockmb Words and Music by George Lynch, Don Dokken, Mick Brown, and Jeff Pilson Arranged by George Lynch, Don Dokken, Mick Brown, and Jeff Pilson A Intro Moderately Slow Rock = 107 N.C. P (F5)(G5) Csus4 D5 B`5 C5 (F5)(G5) Csus4 1 4 k } } V V W k V V V V W Ie 4 } } } } V V VV VV WW V V V V } } V V VV VV WW u } } V V V V W V V V V V V } } V V V V W Gtr III Gtr I P.M. P.M. Y Y 3 1 3 1 T 3 1 3 3 3 1 x (x) x x 0 0 2 2 x x 0 0 A x (x) x x 3 5 3 0 0 3 5 x x 3 5 3 B x (x) x x 3 5 3 1 1 3 3 x x 3 5 3 sl. sl. sl. sl. sl. sl. B`5 C5 N.C. (F5) (G5) Csus4 D5 B`5 C5 5 k c k c V V W k V V Ie V V V } } V V VV VV WW V V V V V V V V V V } } V V V V W V V V V V V V A.H.\\\\\ P.M. P.M. P.M. 3 1 T 3 1 3 3 x x 0 0 2 2 A 3 5 x x 3 5 3 0 0 3 5 B 1 3 1 3 3 x x 3 5 3 1 1 3 3 0 H C sl. sl. N.C. G5 N.C. (C5) 3 8 V V V V V V V V Ie V V V V V V V W V V V V V V V V V 3 V V V Full P.M. P.M. let ring let ring A.H.\\\\\\\\\\\ P.M. 3 (3) M 3 T 3 (3) 3 5 3 6 3 5 0 0 (0) 5 3 5 5 A 3 5 0 (0) 3 5 5 B 1 1 3 1 1 3 3 (3) H P B` sl. B Verse (B `5) F Db5/B ` Db5 (B `5) F5 G5 F5 (C5) 11 V e V V gV V V V V V V I V V V V V gV V gV V V V V V V V V V V V V V V V V V V V W P.M. P.M. P.M. P.M. P.M. P.M. P.M. A.H.\\\\\\\\\\\\\ T 4 6 8 6 (6) 3 3 2 (2) 2 3 3 3 5 7 5 (5) 5 A 3 3 3 (3) 3 1 1 1 3 3 5 3 (3) 5 B 3 3 3 3 3 3 3 1 3 3 3 3 3 sl. C 1985 WB Music Corp. / Megadude Music / A Music Inc. Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org THE HUNTER - Dokken Page 2 of 12 (B `5) F Db5/B ` Db5 (B `5) F5 G5 F5 (C5) N.C. 15 V e V V gV V V V V V V I V V V V V gV V gV V V V V V V V V V V V V V V V V V V V V V Gtr I P.M. P.M. P.M. P.M. P.M. P.M. P.M. A.H.\\\\\\ T 4 6 8 6 (6) 3 3 2 (2) 2 3 3 3 5 7 5 (5) 5 A 3 3 3 (3) 3 1 1 1 3 3 5 3 (3) 5 B 3 3 3 3 3 3 3 1 3 3 3 3 3 15 sl. C sl. e j V V V V V V V V V V j I V V V V V V Gtr II 1 1 1 A.H. Full P.M. A.H. let ring M A.H. \\\\ T 0 3 A 3 3 3 5 5 5 B 5 5 5 5 5 5 B` B` B` H C C C Pre-Chorus G5 N.C. F5 N.C. B`5 19 W V e W V V I W V V V V V gV V V fV V V W V V V V V V V V V W V V V V V P.M. 3 T 3 0 0 3 A 0 0 3 3 0 1 (1) 0 3 3 B 0 1 (1) 0 3 3 (3) 3 1 1 1 3 3 1 (1) G5 N.C. F5 Db5 D5 C5 23 W V e W V k I W V V V V ggV VffV V V V W V V V V V V V V V W V V V 3 let ring 3 T 3 0 A 0 0 3 3 8 8 7 7 5 5 B 0 1 (1) 0 3 3 (3) 6 6 5 5 3 3 3 3 1 (1) 0 sl. D Chorus (F5) (G5) Csus4 D5 B`5 C5 (F5) (G5) Csus4 27 V V W V V W Ie } } V VV VV WW k V V V } } V VV VV WW } } V V V V W V V V V V V } } V V V V W P.M. P.M. 3 1 3 1 T 3 1 3 3 3 1 x x 0 0 2 2 x x 0 0 A x x 3 5 3 0 0 3 5 x x 3 5 3 B x x 3 5 3 1 1 3 3 x x 3 5 3 sl. sl. sl. sl. Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org THE HUNTER - Dokken Page 3 of 12 B`5 C5 N.C. (F5) (G5) Csus4 D5 B`5 C5 30 k c k c V V W k V V Ie V V V } } V V VV VV WW V V V V V V V V V V } } V V V V W V V V V V V V Gtr I A.H.\\\\\ P.M. P.M. P.M. 3 1 T 3 1 3 3 x x 0 0 2 2 A 3 5 x x 3 5 3 0 0 3 5 B 1 3 1 3 3 x x 3 5 3 1 1 3 3 0 H C sl. sl. 15ma j V V W Ie V V W Full Gtr II mf M \\\\\\\\\\\\\\ 20 O T 17 O A B N.C. G5 N.C. (C5) 33 V V W V Ie V V V V V V V V V V V V V V V V V V V P.M. P.M. A.H.\\\\\\\\\\\\ P.M. P.M. 3 (3) T 3 (3) 3 (3) 5 0 0 (0) 5 5 A 3 5 0 (0) 3 5 5 B 1 1 3 0 1 1 3 3 (3) D sl. sl. E Verse (B `5) F Db5/B ` Db5 (B `5) F5 G5 F5 (C5) N.C. 36 V e V V gV V V V V V V I V V V V V gV V gV V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. A.H.\\\\A.H. \\\\\\ T 4 6 8 6 (6) 3 3 2 (2) 2 3 3 3 5 7 5 (5) 5 A 3 3 3 (3) 3 1 1 1 3 3 5 3 (3) 5 B 3 3 2 3 3 3 3 3 1 3 3 3 3 3 3 sl. C B G Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org THE HUNTER - Dokken Page 4 of 12 (B `5) F Db5/B ` Db5 (B `5) F5 G5 F5 (C5) N.C. 40 V e V V gV V V V V V V I V V V V V gV V gV V V V V V V V V V V V V V V V V V V V V V Gtr I P.M. P.M. P.M. P.M. P.M. P.M. P.M. A.H.\\\\\\ T 4 6 8 6 (6) 3 3 2 (2) 2 3 3 3 5 7 5 (5) 5 A 3 3 3 (3) 3 1 1 1 3 3 5 3 (3) 5 B 3 3 3 3 3 3 3 1 3 3 3 3 3 15 sl. C sl. j W V V V V V V V V V V V V V Ie 3 3 Gtr II fff \\\\\\\\1/2 1/2 1/2 1/2 1/2 let ring 5 M 5 M 5 M (5) 3 5 3 3 5 M (5) M 3\\\\ T O 6 O O A B H P F Pre-Chorus G5 N.C. F5 N.C. B`5 44 W V e W V V I W V V V V V gV V V fV V V W V V V V V V V V V W V V V V V P.M. 3 T 3 0 0 3 A 0 0 3 3 0 1 (1) 0 3 3 B 0 1 (1) 0 3 3 (3) 3 1 1 1 3 3 1 (1) U Ie \\\\\\\\\\\\\\\\\\ T A B G5 N.C.
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Stern News: February 07, 1986 Eastern Illinois University
    Eastern Illinois University The Keep February 1986 2-7-1986 Daily Eastern News: February 07, 1986 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_1986_feb Recommended Citation Eastern Illinois University, "Daily Eastern News: February 07, 1986" (1986). February. 5. http://thekeep.eiu.edu/den_1986_feb/5 This is brought to you for free and open access by the 1986 at The Keep. It has been accepted for inclusion in February by an authorized administrator of The Keep. For more information, please contact [email protected]. Friday, February 7, 1986 The Daily . will be windy and cold, high in the lower 30's. Morning snow will taper off 1 to flurries. Northwest winds are 1 5 to i 25 mph. Friday night, cold and windy. Saturday, cloudy and cold, with a 40 percent chance of snow. Eastern Illinoisstern University Charleston, Ill. I Vol. 71,News No. 101 I Two Sections, 24 Pages I 61920 nators left dry by oate' s bar policies year-olds from drinking, we should also have him try to stop drug use and rape, " O'Mera added. dent Senate members said But, Executive Vice President Kim they disagreed with Swanson said she believed Choate was Mayor Murray Choate's trying to say that the period of change t that 18-year-olds were a per�on was going through had more control themselves under the affect than the age on their ability to f alcohol. handle alcohol. was invited by Student Body Freshmen have a lot of pressures Floyd Akins and Senate when they come to college, Swanson Joe O'Mera to address the said, adding that drinking was one of nesday on the recent bar those pressures.
    [Show full text]
  • Student Dies at IU Natatorium Douglas Had Been at the Pool with His Girl­ Tate Douglas Through Two-Nun CPR
    Take me out to ... Shaken, not stirred Nomadic Metros find a IndianajxJi> is cauhinjj p**e bomeaway from home 1 In Voice 1 In Perspectives on to the nationwide ^ in the friendly confines o( cultural craze of the Indianapolis’ Victory Field. Society shuns gays n . Seeing stars Page martini and citfar bar. JL*.J Wriler believes (he incredible amount of attention f " " Seasonal roster of entertainment at Deer Creek Monday — Apm 28.1997 the Ellen DeGeneres affair has attracted is a result Music Center offers a plethora of shows and Single Copy Free — 1 Section VW. 20. No. 31 O 1997 Th* Sagamore ofJudeoChristian societal prejudices against gays. festivals guaranteed to satisfy fans of all genres. 9 AcMrtiUMg miorm<X'Ofv <317\ 274 .3456 Student dies at IU Natatorium Douglas had been at the pool with his girl­ tate Douglas through two-nun CPR. Douglas at the scene “for a long amount of The Marion County Coroner s office has ■ Pblke, coroner continue friend Monica Jackson, also an IUPUI stu Members of Indianapolis Fur Department time bdofteJie was transported.” McKinney not yet determined the exact cause of lKm investigating April 20 death dent. Jackson had been in the bleachers near Rescue Squad 13 were the first to arrive on said glas’ death the area of the pool and screamed for a life­ the scene — roughly five minutes after Dou­ Shortly after arriving at Wishurd Memorial “He was reportedly pulled from tin* bottom of 18-year-old IUPUI freshman. guard when she realized Douglas had not re­ glas had been pulled from the water, accord­ Hospital s trauma unit, and less than an hour of the pool and a fair amount ot fluid tame surfaced.
    [Show full text]
  • Dokken the Very Best of Dokken Mp3, Flac, Wma
    Dokken The Very Best Of Dokken mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Very Best Of Dokken Country: Canada Released: 1999 Style: Hard Rock, Heavy Metal MP3 version RAR size: 1113 mb FLAC version RAR size: 1722 mb WMA version RAR size: 1834 mb Rating: 4.1 Votes: 648 Other Formats: RA AIFF MOD AA AHX MPC TTA Tracklist Hide Credits Breaking The Chains 1 –Dokken 3:52 Bass, Vocals – Juan CroucierWritten-By – Don Dokken, George Lynch Paris Is Burning (Live In Europe, 1982) 2 –Dokken 5:09 Bass, Vocals – Juan CroucierWritten-By – Don Dokken, George Lynch Into The Fire 3 –Dokken 4:27 Written-By – Don Dokken, George Lynch, Jeff Pilson Just Got Lucky 4 –Dokken 4:36 Written-By – George Lynch, Jeff Pilson Alone Again 5 –Dokken 4:22 Written-By – Don Dokken, Jeff Pilson Tooth And Nail 6 –Dokken 3:42 Written-By – George Lynch, Jeff Pilson, Mick Brown The Hunter 7 –Dokken 4:08 Written-By – Don Dokken, George Lynch, Jeff Pilson, Mick Brown In My Dreams 8 –Dokken 4:20 Written-By – Don Dokken, George Lynch, Jeff Pilson, Mick Brown It's Not Love 9 –Dokken 5:00 Written-By – Don Dokken, George Lynch, Jeff Pilson, Mick Brown Dream Warriors 10 –Dokken 4:48 Written-By – George Lynch, Jeff Pilson Burning Like A Flame 11 –Dokken 4:46 Written-By – Don Dokken, George Lynch, Jeff Pilson, Mick Brown Heaven Sent 12 –Dokken 4:53 Written-By – Don Dokken, George Lynch, Jeff Pilson Mr. Scary 13 –Dokken 4:30 Written-By – George Lynch, Jeff Pilson Walk Away 14 –Dokken 5:02 Producer – Angelo ArcuriWritten-By – Don Dokken, George Lynch, Jeff Pilson Mirror
    [Show full text]
  • AD GUITAR INSTRUCTION** 943 Songs, 2.8 Days, 5.36 GB
    Page 1 of 28 **AD GUITAR INSTRUCTION** 943 songs, 2.8 days, 5.36 GB Name Time Album Artist 1 I Am Loved 3:27 The Golden Rule Above the Golden State 2 Highway to Hell TUNED 3:32 AD Tuned Files and Edits AC/DC 3 Dirty Deeds Tuned 4:16 AD Tuned Files and Edits AC/DC 4 TNT Tuned 3:39 AD Tuned Files and Edits AC/DC 5 Back in Black 4:20 Back in Black AC/DC 6 Back in Black Too Slow 6:40 Back in Black AC/DC 7 Hells Bells 5:16 Back in Black AC/DC 8 Dirty Deeds Done Dirt Cheap 4:16 Dirty Deeds Done Dirt Cheap AC/DC 9 It's A Long Way To The Top ( If You… 5:15 High Voltage AC/DC 10 Who Made Who 3:27 Who Made Who AC/DC 11 You Shook Me All Night Long 3:32 AC/DC 12 Thunderstruck 4:52 AC/DC 13 TNT 3:38 AC/DC 14 Highway To Hell 3:30 AC/DC 15 For Those About To Rock (We Sal… 5:46 AC/DC 16 Rock n' Roll Ain't Noise Pollution 4:13 AC/DC 17 Blow Me Away in D 3:27 AD Tuned Files and Edits AD Tuned Files 18 F.S.O.S. in D 2:41 AD Tuned Files and Edits AD Tuned Files 19 Here Comes The Sun Tuned and… 4:48 AD Tuned Files and Edits AD Tuned Files 20 Liar in E 3:12 AD Tuned Files and Edits AD Tuned Files 21 LifeInTheFastLaneTuned 4:45 AD Tuned Files and Edits AD Tuned Files 22 Love Like Winter E 2:48 AD Tuned Files and Edits AD Tuned Files 23 Make Damn Sure in E 3:34 AD Tuned Files and Edits AD Tuned Files 24 No More Sorrow in D 3:44 AD Tuned Files and Edits AD Tuned Files 25 No Reason in E 3:07 AD Tuned Files and Edits AD Tuned Files 26 The River in E 3:18 AD Tuned Files and Edits AD Tuned Files 27 Dream On 4:27 Aerosmith's Greatest Hits Aerosmith 28 Sweet Emotion
    [Show full text]
  • Artist of the Year
    THE 4 Trading Post Way Medford Lakes, New Jersey 08055 HARD REPORT' December 18, 1987 Issue #59 609-654-7272 ARTIST OF THE YEAR ZGI A a 112 MALE VOCAL ISLAND RADIO RATES THE BEST OF '87 COMEBACK BREAKTHROUGH GRATEFUL REM DEAD "DOCUMENT" "TOUCH OF GREY" IRS ARISTA FEMALE 6.vryttri,Vizer NEW FEMALE VOCAL SUZANNE VEGA ANN WILSON "SOLITUDE STANDING" "BAD ANIMALS" A&M CAPITOL IMAGE NEW MALE TURNAROUND RICHARD AEROSMITH MARX "PERMANENT EMI VACATION" GEFFEN WORLD PARTY NEW AMERICAN Private Revolution NEW IMPORT BAND ACT THE BRANDOS WORLD PARTY "HONOR AMONG "PRIVATE THIEVES" REVOLUTION" RELATIVITY CHRYSALIS AND NOW A WORD FROM OUR SPONSOR ... It's four in the morning and frcm where we sit, this Final Issue looks like a keeper. We've put a ton of time and energyinto this particular edition, and we think you'll have lots of fun with the overview. After all, with some 90 + stations responding to our sur- vey, it's basically your window on RockWorld as it went down this past year. The first year of any new business is hell on wheels, (Groanong, creaking, barking dog sound efx, please) and we've seen quite a parade in '87. When I look back over my final comments last year (after nine issues), it sounded as if we had moved mountains. And in a way we had, starting from scratch to a full service publication some 140 stations deep. But in the 12 months since, it has become readily apparent that we were barely walking then. We've extended our reporter roster well past the 200 mark; Our New Alternative and Hard Rock sections have inspired numerous imitators, and our combi- nation of high technology and people power has effectively re -defined what a tip sheet can and will be in the years to come.
    [Show full text]
  • West Coast Rock Final Version
    WEST COAST ROCK AND THE COUNTERCULTURE MOVEMENT Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Christina DREIER am Institut für Anglistik Begutachter: Ao. Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, 2012 An dieser Stelle möchte ich mich bei meinem Betreuer Prof. Dr. Hugo Keiper für seine Unterstützung auf meinem Weg von der Idee bis zur Fertigstellung der Arbeit herzlich bedanken. Seine Ideen, Anregungen und Hinweise, sowie sein umfangreiches musikalisches, kulturelles und literarisches Wissen waren mir eine große Hilfe. Des Weiteren gilt mein Dank meinem Onkel Patrick, der die Arbeit Korrektur gelesen und mir dadurch sehr geholfen hat. Natürlich möchte ich mich auch von ganzem Herzen bei all jenen bedanken, die mich während meiner gesamten Studienzeit tatkräftig unterstützt haben. Danke Mama, Papa, Oma, Opa, Lisa, Eva, Markus, Gabi, Erwin UND DANKE JÜRGEN! . Table of Contents 0. Timeline ......................................................................................................................................................... 1 1. Introduction .................................................................................................................................................. 2 2. Socio-Historical Background ....................................................................................................................... 4 2.1. Political Issues ...............................................................................................................................
    [Show full text]
  • DOKKEN THETHE BESTBEST OFOF ENEMIESENEMIES the Idea That People Playing in Bands Together Hate Each Other’S Guts Is As Old As the Hills
    FEATURE DOKKEN THETHE BESTBEST OFOF ENEMIESENEMIES The idea that people playing in bands together hate each other’s guts is as old as the hills. The difference withDokken guitarist George Lynch and the band’s singer Don Dokken was that they didn’t care who knew it. Paul Elliott talks to both musos about a lifelong mistrust and how their volatile relationship still managed to yield 20 million album sales! FOR ONE OF THE great rock bands of the ’80s there was classic album ‘Blackout’. A year later, with Dokken’s always a problem. No matter how high they flew, selling future not guaranteed, George auditioned for Ozzy millions of albums and playing on the world’s biggest Osbourne, but lost out to Jake E. Lee. It was another stages, there was undeniably something rotten at the heartbreak for the guitarist whose earlier band, The core of Dokken, a bitter feud between the singer who Boyz, had been courted by Gene Simmons before Van gave the band its name, and the guitar hero who never Halen stole their thunder. liked the vocalist in the first place and grew to dislike him A change of fortune came when Cliff Burnstein, even more as fame, money, ego and drugs took hold. co-manager of Def Leppard, signed Dokken and got Don Dokken and George Lynch made some great them a deal with major label Elektra. George’s place in music together. In a decade when fellow LA bands such the group was finally secured because both Burnstein as Mötley Crüe and RATT were at their commercial peak, and Elektra wanted him as part of the package.
    [Show full text]
  • Breaking the Chains Guitar Tab
    BREAKING THE CHAINS As recorded by Dokken (From the 1983 Album BREAKING THE CHAINS) Transcribed by Words by Don Dokken [email protected] Music by Don Dokken & George Lynch Arranged by Dokken A Intro E5 D5 C5 D5 E5 1 4 k V V V V V V V V V V V V V V V V V V V I 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V Gtr I P.M. P.M. P.M. P.M. T 9 9 7 7 7 7 5 5 5 5 7 7 7 7 9 9 9 9 7 A 9 9 7 7 7 7 5 5 5 5 7 7 7 7 9 9 9 9 7 B 7 7 5 5 5 5 3 3 3 3 5 5 5 5 7 7 7 7 5 sl. 0 0 0 0 sl. 0 0 0 0 sl. 0 0 0 0 sl. 0 0 0 0 sl. 4 k V VgV I 4 V VgV Gtr II T A 9 9 11 B 7 7 9 sl. D5 C5 D5 E5 6 V V V V V V V V V V V V V V V V I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V P.M.
    [Show full text]
  • Late 1960'S - Early 1970'S
    Late 1960's - Early 1970's The birth of heavy metal. Groups like Black Sabbath, Led Zeppelin and Deep Purple were the first heavy metal bands. Late 1970's The rise of the New Wave of British Heavy Metal. Bands like Iron Maiden and Judas Priest become very popular. 1978 Van Halen released their debut album. This began the Los Angeles/Sunset Strip scene, and many bands would come out of this era, including Motley Crue and Quiet Riot. The so called "hair bands" like Poison, Warrant and Ratt came from that scene as well. The Who's Keith Moon died. Bands formed this year: Dokken, Ratt, Whitesnake A sample of heavy metal albums released in 1978: Black Sabbath - Never Say Die Judas Priest - Stained Class UFO - Obsession 1979 The German band Accept releases their self-titled debut album. They are considered to be the first European power metal band. Ozzy Osbourne was fired from Black Sabbath and replaced by Ronnie James Dio. Bands formed this year: Europe, Hanoi Rocks, Trouble and Venom. A sample of heavy metal albums released in 1979: AC/DC - Highway To Hell Judas Priest - Hell Bent For Leather Led Zeppelin - In Through The Out Door Kiss - Dynasty Saxon - Saxon Scorpions - Lovedrive 1980 Best Heavy Metal Album Of 1980: AC/DC - Back In Black AC/DC lead singer Bon Scott dies and is replaced by Brian Johnson. Also Led Zeppelin drummer John Bonham dies. Bands formed this year: Manowar, Mercyful Fate, Overkill A sample of heavy metal albums released in 1980: Angel Witch - Angel Witch Black Sabbath - Heaven And Hell Def Leppard - On Through The Night Diamond Head - Lightning To The Nations Iron Maiden - Iron Maiden Judas Priest - British Steel Motorhead - Ace Of Spades Ozzy Osbourne - Blizzard Of Ozz Saxon - Wheels Of Steel 1981 Best Heavy Metal Album Of 1981: Motley Crue - Too Fast For Love Venom's first album was released, beginning the genre of black metal.
    [Show full text]
  • 2015 Catalog
    CATEGORYRANDALL REINVENTED From the moment I plugged into the first hand wired head that Mike Fortin had sent me, I knew he was the world’s new “GURU OF GAIN”. The focused, tight sound was so amazingly transparent for having so much gain and the transients were lightning fast- like nothing I had ever heard… and I’ve heard them all. This year offers new products in all series and categories as Mike and I push to deliver the best products possible for the discerning heavy player. I’m proud to say once again that randall is taking high gain to the highest levels. - Joe Delaney Brand Director 2 2 THRASHER 50 WATT the THRASHER SERIES from RANDALL. Introducing the new THRASHER 50 watt Head. This head offers the same crushing sound, uniquely designed gain configuration, hi-definition transformers and killer performance as the original Thrasher 120 head but in a smaller, lighter compact form factor. Don’t let the size fool you, this head will keep up with any of its big brothers. 3 AMPLIFIERS 667 FRONT & BACK RF8 Midi Footswitch (not included) MODEL DESCRIPTION WATTS CHNLS TUBES IMPEDANCE FX/GATE/ FOOTSWITCH 120 Watt 6 channel all tube mega amplifier: 6 Channels, 6 modes per REVERB 667 channel, 7 Midi programmable functions per channel. Six gain and volume 120 Watts 6 channels (9) 12AX7 16, 8, 4Ω (2) Tube driven Not Included- controls with 3 way bright switch for each. Each bank of 3 EQ sections +6 modes (4) 6L6 Minimum MIDI switchable RF8 suggested. contain 3 way Tone stack shift and separate presence and depth controls.
    [Show full text]
  • Don Dokken! Pulled One out to Make a Copy of the Song
    Daily Nexus Thursday, November 8,1990 3 A D e n n is and D e n ise THE Swing Dancing!™ LESSISSEY OF Learn to Jitterbug ! MORRISSEY SCENE ONE New Session Begins THE Nov. 12 & 13 A Calendar of Upcoming Events BETTER ........ eu : ■■1 . A-J ■■■ * n. h » Student Discount! Partner not required! So... O k " ■JtC v f e New classes begin c every six weeks LET THERE BE Coleta Valley Community Center Intermission is always looking to meet ■Plang: Ventura Concert Theatre will 5679 Hollister Avenue fun, new and exciting people to write for us. have Dokken on Thursday, Warren “Ah Call 964-1990 for info./registration , So, if you can A) burp the “Brady Bunch” Wooo” Zevon on Saturday and The Rip- CHEAP! theme B) not see your toes from a standing pingtons on Sunday. Is that talent, or position or C) write, come by the Nexus Of­ what? Call 648-1888. ... Fresno Flute En­ “BONA DRAG” $9"CD, $6” TAPE fices under Storke Tower, ask for Denis or semble will be performing alongside the J. Christaan, and we’ll do you up right. And UCSB Flute Choir on Sunday in Lotte Leh­ ALSO ON SALE THIS WEEK now ... mann Concert Hall at 8 p.m. Admission is ■Hong Nung: The Reduced Shakes­ only three buckeroonies, so do it. ... The ELTON JOHN BOX -‘ TO BE CONTINUED’ peare Company will be performing the Santa Barbara Oratio Chorale opens its V AN MORRISON -‘ ENLIGHTENMENT* complete works of good old Will in about sixth season this Saturday at 8 p.m.
    [Show full text]