Critica . Cultura . Cinema
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Annual Individual Statistical Leaders (Includes Bowl Games)
Annual Individual Statistical Leaders (includes bowl games) ANNUAL RUSHING LEADERS 1979 Charles White 11 332 2050 6.2 G TCB NYG AVG. 1980 Marcus Allen 10 354 1563 4.4 1925 Mort Kaer 11 105 576 5.5 1981 Marcus Allen 12 433 2427 5.6 1926 Mort Kaer 8 155 852 5.5 1982 Todd Spencer 10 141 596 4.4 1927 Morley Drury 9 223 1163 5.2 1983 Michael Harper 10 151 685 4.5 1928 Don Williams 8 173 681 3.9 1984 Fred Crutcher 12 307 1155 3.8 1929 Russ Saunders 11 185 972 5.3 1985 Ryan Knight 9 195 732 3.8 1930 Orv Mohler 10 145 983 6.8 1986 Ryan Knight 12 148 536 3.6 1931 Gus Shaver 11 199 936 4.7 1987 Steven Webster 10 239 1109 4.6 1932 Cotton Warburton 10 115 420 3.7 1988 Aaron Emanuel 7 108 545 5.1 1933 Cotton Warburton 11 149 885 5.9 1989 Ricky Ervins 12 269 1395 5.2 1934 Inky Wotkyns 10 133 588 4.4 1990 Mazio Royster 11 235 1168 5.0 1935 Nick Pappas 10 102 414 4.1 1991 Deon Strother 11 129 614 4.8 1936 Davie Davis 9 141 501 3.6 1992 Estrus Crayton 12 183 700 3.8 1937 Amby Schindler 8 134 599 4.5 1993 Shawn Walters 13 156 711 4.6 1938 Grenny Lansdell 11 118 462 3.9 1994 Shawn Walters 11 193 976 5.1 1939 Grenny Lansdell 10 154 742 4.8 1995 Delon Washington 12 236 1109 4.7 1940 Bobby Robertson 8 146 667 4.6 1996 LaVale Woods 12 119 601 5.1 1941 Bobby Robertson 9 120 483 4.0 1997 Delon Washington 11 125 444 3.6 1942 Mickey McCardle 11 96 413 4.3 1998 Chad Morton 11 199 985 4.9 1943 Eddie Saenz 10 71 445 6.3 1999 Chad Morton 12 262 1141 4.4 1944 Don Burnside (Doll) 10 70 428 6.1 2000 Sultan McCullough 12 227 1163 5.1 1945 Ted Tannehill 11 99 574 5.8 2001 Sultan McCullough 6 115 410 3.6 1946 Art Battle 9 69 296 4.3 2002 Sultan McCullough 13 179 814 4.5 1947 Don Doll 9 57 246 4.3 1948 Don Doll 10 67 265 3.9 ANNUAL PASSING LEADERS 1949 Bill Martin 9 128 357 2.8 G PA PC INT Pct. -
The Instrument Ofchoice
The instrument of choice. As an editor at the keys, you need a system that helps make every session a fine performance: The Grass ValleyGroup Editing System. Designed to take the best from your production system to the screen. Built to grow as you grow. So if you demand an instrument with capabilities equal to your own, there's only one choice: The Grass Valley Group Editing System. Grass Valley Grou-@ ~'r'V""t'\lAt)"'l..IV \,IIJIIiI From the Editor used to be common agreement that twO things were certain for everyone _ death and taxes. Now you can't be certain IChange.of WHICHMy dictionarytaxes. rambles for approximately 700 words explaining what you can do with that single word, "change." you can run dailies late at night with a director, or habits can change, and the director can take a video cassette home for relaxed viewing after a 12 hour day. For easier viewing some editors are changing from the use of an 8 plate Kem to the use of tWO4 plate models interlocked together. A f¡\m editor works in a cutting room, but when the editing on the sarne show is changed to video tape, he or she is then working in an editing bay. Change is obvious in some (hings, such as more dialogue TV series going to video tape editing. Some change is not so obvious, such s as the faster delivery of difficult film optical because computer camera controls can prograrn so many things with the sarne pass throughIf RiptheVanopticalWinklecamera.had been an editor before his "big sleep," one drowsy glance at a 1986cutting schedulewould snap him awake. -
32E FESTIVAL INTERNATIONAL DU FILM DE LA ROCHELLE 25 JUIN – 5 JUILLET 2004
32e FESTIVAL INTERNATIONAL DU FILM DE LA ROCHELLE 25 JUIN – 5 JUILLET 2004 PRÉSIDENT Jacques Chavier DÉLÉGUÉE GÉNÉRALE Prune Engler DIRECTION ARTISTIQUE Prune Engler Sylvie Pras assistées de Sophie Mirouze ADMINISTRATION Arnaud Dumatin CHARGÉ DE MISSION LA ROCHELLE Stéphane Le Garff assisté d’Aurélie Morand CHARGÉ DE MISSION CHINE Feng Xu DIRECTION TECHNIQUE Pierre-Jean Bouyer COMPTABILITÉ Monique Savinaud PRESSE matilde incerti assistée de Hervé Dupont PROGRAMMATION VIDÉO en partenariat avec Transat Vidéo Brent Klinkum PUBLICATIONS Anne Berrou Caroline Maleville assistées d’Armelle Bayou MAQUETTE Olivier Dechaud TRADUCTIONS Brent Klinkum SITE INTERNET Nicolas Le Thierry d’Ennequin AFFICHE DU FESTIVAL Stanislas Bouvier PHOTOGRAPHIES Régis d’Audeville HÉBERGEMENT Aurélie Morand STAGIAIRES Clara de Margerie Marion Ducamp Cécile Teuma BUREAU DU FESTIVAL (PARIS) 16 rue Saint-Sabin 75011 Paris Tél. : 01 48 06 16 66 Fax : 01 48 06 15 40 Email : [email protected] Site internet : www.festival-larochelle.org BUREAU DU FESTIVAL (LA ROCHELLE) Tél. et Fax : 05 46 52 28 96 Email : [email protected] Avec la collaboration de toute l’équipe de La Coursive, Scène Nationale La Rochelle L’année dernière à La Rochelle Anja Breien Hommage Serge Bromberg Retour de flamme Régis d’Audeville 2 Photographies Luis Ortega La Caja negra Jacques Baratier Rien voilà l’ordre Djamila Sahraoui Algérie, la vie quand même et Algérie, la vie toujours L’année dernière à La Rochelle Gilles Marchand Qui a tué Bambi ? Nicolas Philibert Hommage, et les -
Nahuel Pérez Biscayart
iciBarbès ARTE802/9 Date /06/18 DC Responsable Prod Print Commercial Directeur artistique Concepteur rédac. Client ARTE accompagne FID MARSEILLE la création PPR 150 X 200 mm documentaire Séances de La Lucarne au FID, le 11 juillet Dawson City : Frozen time, Bill Morisson Interior : Camila Rodríguez Triana Atelier Hors-champ Rimèd-razié, le 12 juillet © Le Livre d’image - Casa Azul Films - Ecran Noir productions. - Projection de Samouni Road, Stefano Savona, le 12 juillet L’Œil d’or du documentaire, Cannes 2018 OUVERTURE PERMANENTE 29e Festival International de Cinéma Marseille 10 — 16 juillet 2018 Sommaire / Contents 4 Partenaires / Partners & sponsors 106 Écrans parallèles / Parallel screenings 111 Elle, Isabelle Huppert 6 Éditoriaux / Editorials 123 Edie Sedgwick, Andy Warhol 137 Livre d’Image 15 Prix / Awards 161 Make/Remake. Quel amour (de cinéma) ! 20 Jurys / Juries 169 Histoire(s) de portrait 22 Jury de la Compétition Internationale / International Competition jury 189 We’re gonna rock him 28 Jury de la Compétition Française / French Competition jury 208 Les Sentiers – Les Sentiers Expanded 34 Jury du Prix Premier et du Centre national des arts plastiques / 215 Séances spéciales / Special screenings First film and National Centre of Visual Arts Jury 230 FIDMarseille + 35 Jury Institut Français / French Institute Jury 238 FIDCampus 36 Jury GNCR, Jury Renaud Victor, Jury Marseille Espérance, Jury des Lycéens, GNCR Jury, Renaud Victor Jury, Marseille Espérance Jury and Highschool student Jury 243 FIDLab Sélection Ofcielle / Ofcial -
Boxoffice Barometer (April 15, 1963)
as Mike Kin*, Sherman. p- builder the empire Charlie Gant. General Rawlmgs. desperadc as Linus border Piescolt. mar the as Lilith mountain bub the tut jamblei's Zeb Rawlings, Valen. ;tive Van horse soldier Prescott, e Zebulon the tinhorn Rawlings. buster Julie the sod Stuart, matsbil's*'' Ramsey, as Lou o hunter t Pt«scott. marsl the trontie* tatm gal present vjssiuniw SiNGiN^SVnMNG' METRO GOlPWVM in MED MAYER RICHMOND Production BLONDE? BRUNETTE? REDHEAD? Courtship Eddies Father shih ford SffisStegas 1 Dyke -^ ^ panairtSioo MuANlNJR0( AMAN JACOBS , st Grea»e Ae,w entl Ewer Ljv 8ecom, tle G,-eai PRESENTS future as ^'***ied i Riel cher r'stian as Captain 3r*l»s, with FILMED bronislau in u, PANAVISION A R o^mic RouND WofBL MORE HITS COMING FROM M-G-M PmNHunri "INTERNATIONAL HOTEL (Color) ELIZABETH TAYLOR, RICHARD BURTON, LOUIS JOURDAN, ORSON WELLES, ELSA MARTINELLI, MARGARET RUTHERFORD, ROD TAYLOR, wants a ROBERT COOTE, MAGGIE SMITH. Directed by Anthony Asquith. fnanwitH rnortey , Produced by Anotole de Grunwald. ® ( Pana vision and Color fEAlELI Me IN THE COOL OF THE DAY” ) ^sses JANE FONDA, PETER FINCH, ANGELA LANSBURY, ARTHUR HILL. Mc^f^itH the Directed by Robert Stevens. Produced by John Houseman. THE MAIN ATTRACTION” (Metrocolor) PAT BOONE and NANCY KWAN. Directed by Daniel Petrie. Produced LPS**,MINDI// by John Patrick. A Seven Arts Production. CATTLE KING” [Eastmancolor) ROBERT TAYLOR, JOAN CAULFIELD, ROBERT LOGGIA, ROBERT MIDDLETON, LARRY GATES. Directed by Toy Garnett. Produced by Nat Holt. CAPTAIN SINDBAD” ( Technicolor— WondroScope) GUY WILLIAMS, HEIDI BRUEHL, PEDRO ARMENDARIZ, ABRAHAM SOFAER. Directed by Byron Haskin. A Kings Brothers Production. -
On the Meaning of a Cut : Towards a Theory of Editing
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output On the meaning of a cut : towards a theory of editing https://eprints.bbk.ac.uk/id/eprint/40391/ Version: Full Version Citation: Dziadosz, Bartłomiej (2019) On the meaning of a cut : towards a theory of editing. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ON THE MEANING OF A CUT: TOWARDS A THEORY OF EDITING Bartłomiej Dziadosz A dissertation submitted to the Department of English and Humanities in candidacy for the degree of Doctor of Philosophy Birkbeck, University of London October 2018 Abstract I confirm that the work presented in this thesis is my own and the work of other persons is appropriately acknowledged. This thesis looks at a variety of discourses about film editing in order to explore the possibility, on the one hand, of drawing connections between them, and on the other, of addressing some of their problematic aspects. Some forms of fragmentation existed from the very beginnings of the history of the moving image, and the thesis argues that forms of editorial control were executed by early exhibitors, film pioneers, writers, and directors, as well as by a fully- fledged film editor. This historical reconstruction of how the profession of editor evolved sheds light on the specific aspects of their work. Following on from that, it is proposed that models of editing fall under two broad paradigms: of montage and continuity. -
Top Usc Individual Performances
TOP USC INDIVIDUAL PERFORMANCES Orv Mohler 9-27-1930 UCLA Home 18-179 USC Anthony Davis 11-18-1972 UCLA Home 26-178 Ronald Jones II 11-7-2015 Arizona Home 19-177 100-YARD RUSHING GAMES Ricky Bell 9-25-1976 Purdue Away 37-177 (Since 1926) O.J. Simpson 11-18-1967 UCLA Home 30-177 Manual Laraneta 10-16-1926 Occidental Home 25-177 PLAYER DATE OPPONENT SITE ATT-YARDS Sultan McCullough 10-12-2002 California Home 39-176 Ricky Bell 10- 9-1976 Washington St. N18 51-347 Sultan McCullough 11-4-2000 Arizona State Away 23-176** Reggie Bush* 11-19-2005 Fresno State Home 23-294 Orv Mohler 10-10-1931 Washington St. Home 18-176 Marcus Allen 10-31-1981 Washington St. Home 44-289 Mazio Royster 11- 3-1990 California Home 24-175 Marcus Allen 9-19-1981 Indiana Away 40-274 Mike Garrett 10- 9-1965 Washington Away 31-175 Charles White 10-20-1979 Notre Dame Away 44-261 Aca’Cedric Ware 9-29-2018 Arizona Away 21-173 Reggie Bush* 12- 3-2005 UCLA Home 24-260 Ricky Ervins 11-18-1989 UCLA Home 28-173 Ricky Bell 9-12-1975 Duke Home 34-256 Charles White 9-16-1978 Oregon Away 32-173 C. R. Roberts 9-22-1956 Texas Away 12-251 Ricky Bell 9-11-1976 Missouri Home 29-172 Charles White 1- 1-1980 Ohio State N5 39-247 O.J. Simpson 10-19-1968 Washington Home 33-172 Marcus Allen 11- 7-1981 California Away 46-243 Mike Garrett 10- 2-1965 Oregon State Home 31-172 Charles White 11-10-1979 Washington Away 38-243 Ronald Jones II 11-5-2016 Oregon Home 20-171 O.J. -
USC Heisman Salute
USC All-Americans The following is a complete listing of all USC football players who NCAA have ever received first team All-American honors. Although there are 1st 2nd 3rd Con- several teams selected throughout the country, the NCAA now recognizes No. Year Name, Position Team Team Team sensus only seven in determining whether a player is a unanimous or consensus 37 1960 Marlin McKeever, E 1 5 1 choice--AP, Football Coaches Association, Football Writers Association, the Walter Camp Foundation, The Sporting News, CNNSI.com and Football 38 1962 Hal Bedsole, E 10 0 1 X News. 39 1962 Damon Bame, LB 2 0 0 From 1962 to 1990, USC had at least one first team All-American every year. From 1972 to 1987, there was at least one consensus All- 40 1963 Damon Bame, LB 3 1 1 American Trojan every year. Also, there have been 26 first team All- American Trojan offensive linemen since 1964. 41 1964 Bill Fisk, OG 2 2 0 42 1964 Mike Garrett, TB 2 2 0 NCAA 1st 2nd 3rd Con- 43 1965 Mike Garrett, TB 11 0 0 X'H No. Year Name, Position Team Team Team sensus 1 1925 Brice Taylor, G 2 0 0 44 1966 Nate Shaw, DB 8 1 1 X 45 1966 Ron Yary, OT 8 3 0 X 2 1926 Mort Kaer, B 9 0 0 X 3 1927 Morley Drury, B 10 1 0 X 46 1967 O.J. Simpson, TB 11 0 0 X' 4 1927 Jess Hibbs, T 8 1 0 X 47 1967 Ron Yary, OT 11 0 0 X'O 48 1967 Adrian Young, LB 9 2 0 X 5 1928 Jess Hibbs, T 3 0 2 49 1967 Tim Rossovich, DE 5 2 0 X 6 1928 Don Williams, B 2 1 0 50 1968 O.J. -
Notre Dame Scholastic, Vol. 68, No. 11
The Notre Dame Scholastic ["Entered as second-class matter at Notre Dame, Indiana. Acceptance for mailinsrl Lat special rate of postage. Section 1103, October 3, 1917. Authorized June 25, 1918.J VOLUME LXVIII DECEMBER 7, 1934 No. 11 I. C. 0. PLANS TO HOLD STUDENT THEATRE PRESENTS FIRST TRIALS AFTER HOLIDAYS PRODUCTION OF YEAR DEC. 10,11 Plans for the Indiana Catholic Oratorical contest for high schools, which is to be held at Notre Dame December Number of The CURTAIN TO RISE AT 8:15 next February, are moving along Alumnus Contains Many rather smoothly at present. Numer Interesting Articles ous Indiana secondary schools have On next Monday and Tuesday eve submitted their intention of enter nings in Washington Hall, the newly ing the contest, and the tournament The association program is the formed Student Theater will present promises to be a veiy interesting af- featured article in the December is its first performance. The show will • fair as a result. The I.C.O. commit sue of the Alumnus. Action, with or consist of a series of vaudeville acts tee, however, hopes to induce still without prosperity, has been decided more schools to take part in the con upon as the 1934-5 program. The ten test by postponing the district elimi major plans for the year are elab nations until after Christmas. orated and explained in detail. So far the Catholic high schools of The decisions were evolved at a the down state area have been slow meeting of the Board, held in Chica to join the growing number of en go, on the morning of Nov. -
Art in Cinema : Documents Toward a History of the Film Society
Art in Cinema In the series Wide Angle Books edited by Erik Barnouw, Ruth Bradley, Scott MacDonald, and Patricia Zimmermann Scott MacDonald, Cinema 16: Documents Toward a History of the Film Society David E. James, ed., The Sons and Daughters of Los: Culture and Community in L.A. David E. James, ed., Stan Brakhage: Filmmaker Kate Horsfield and Lucas Hilderbrand, Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews Art in Cinema Documents Toward a History of the Film Society Final Selection, Editing, and Introduction by Scott MacDonald Original Idea and Selection of Materials by Robert A. Haller TEMPLE UNIVERSITY PRESS Philadelphia Temple University Press 1601 North Broad Street Philadelphia PA 19122 www.temple.edu/tempress Copyright © 2006 by Temple University All rights reserved Published 2006 Printed in the United States of America The paper used in this publication meets the requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992 Title page photo: Frank Stauffacher in his studio on Montgomery Street, during the editing of Notes on the Port of St. Francis (1952). Photographer unknown; courtesy Jack Stauffacher. Library of Congress Cataloging-in-Publication Data Art in Cinema : documents toward a history of the film society / [edited by] Scott MacDonald. p. cm. — (Wide angle books) Includes numerous letters to and from Frank Stauffacher, director of the film series, Art in cinema. Includes a facsimile of Art in cinema, published 1947 by the Art in Cinema Society. Includes bibliographical references and index. ISBN 1-59213-425-4 (cloth : alk. -
Premiererne Barbara Boulter, S
som f.eks. at pirke lig ud af ruder eller promovering af statsmagten som effektiv (Hilma Randel), Ernst Gunther (Jacob Randel), hjælpe fæhoveder udenfor terroristers underholder udi det militante, der stiger Chatarina Larsson (Marta Brehm), Per Mattson (Ture Torne), Hans Ernback (Fortælleren). skudvidde. Reaktionsmønstret faldt på frem. Terroristen er altid for tidligt på Længde: 100 min., 2755 m. Censur: Fb.u.16. plads i Villabyerne, en veltilpashed af tryg færde til at blive tappet 100% som under Prem: 26.12.77 Dagmar. Udi: Dagmar. Indspillet i hed over de besatte gader. holdning. Ordensmagten er meget flinkere Stockholm. Anm. Kos. 137. »The Day the Earth Stood Still« hyppede til at vente på du finder din gode tilskuer AMSTERDAM KILL, THE nogle kartofler i de fjerne 50’ere, men det plads. Den er måske heller ikke bange for The Amsterdam Kill. Arb.titel: Kill him in Amster var storhedsvanvittige udenrigsdrømme. at kæmpe mod vindmøller. dam. Hong Kong 1977. P-selskab: Golden Har Her i »Skytten« er det den indadvendte Peter J. Erichsen vest/Fantasti c Films S.A. P: André Morgan. Ex-P: Raymond Chow. P-sup William Chulack. P-le der: Madatena Chan, David Chan, Onno Plan ting. Instr: Robert Clouse. Instr-ass: Louis Shek- tin, Chaplin Chang. Stunt-instr: Alan Stuart. Ma nus: Robert Clouse, Gregory Teifer. Efter fortæl ling af Gregory Teifer. Foto: Alan Hume. Farve: Technicolor. Format: Cinemascope. Klip: Alan Holzman, Gina Brown. P-tegn: John Blezard, K.S. Chen. Dekor: Lee Jim, Jim Blocker. Kost: Premiererne Barbara Boulter, S. H. Chu, Gwen Capetanos. 1.10.-31.12.77/ved Claus Hesselberg Sp-E: Gene Grigg. -
Football Award Winners
FOOTBALL AWARD WINNERS Consensus All-America Selections 2 Consensus All-Americans by School 17 National Award Winners 30 First Team All-Americans Below FBS 41 Postgraduate Scholarship Winners 73 Academic All-America Hall of Fame 82 Academic All-Americans by School 83 CONSENSUS ALL-AMERICA SELECTIONS In 1950, the National Collegiate Athletic Bureau (the NCAA’s service bureau) compiled the first official comprehensive roster of all-time All-Americans. The compilation of the All-America roster was supervised by a panel of analysts working in large part with the historical records contained in the files of the Dr. Baker Football Information Service. The roster consists of only those players who were first-team selections on one or more of the All-America teams that were selected for the national audience and received nationwide circulation. Not included are the thousands of players who received mention on All-America second or third teams, nor the numerous others who were selected by newspapers or agencies with circulations that were not primarily national and with viewpoints, therefore, that were not normally nationwide in scope. The following chart indicates, by year (in left column), which national media and organizations selected All-America teams. The headings at the top of each column refer to the selector (see legend after chart). ALL-AMERICA SELECTORS AA AP C CNN COL CP FBW FC FN FW INS L LIB M N NA NEA SN UP UPI W WCF 1889 – – – – – – – – – – – – – – – – – – – – √ – 1890 – – – – – – – – – – – – – – – – – – – – √ – 1891 – – – – –