Новият Офис На Immigration Paths
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REPORT the Other Duel: the Clash of Old and New Media
REPORT Konrad-Adenauer-Stiftung e.V. MEDIA PROGRAM SOUTH EAST EUROPE January 2013 The other duel: The clash of old and new media 2012 BULGARIAN MEDIA MONITORING REPORT OF FOUNDATION MEDIA DEMOC- RACY IN COOPERATION WITH THE MEDIA PROGRAM SOUTH EAST EUROPE OF KONRAD-ADENAUER-STIFTUNG As in previous years, the 2012 report of while politicians are reluctant to make deci- Foundation Media Democracy (FMD) has sions without the support of both journalists been prepared by the team of the Media and publishers. Monitoring Lab (MML) in cooperation with the Media Program South East Europe of In 2012 media wars spread beyond the Konrad-Adenauer-Stiftung. Apart from the press, and new media confronted traditional Lab members (Nikoleta Daskalova, Ger- ones. The occasion was the ecological pro- gana Kutzeva, Silvia Petrova, Marina Ki- test in the capital, organized through the rova, Bogdana Dencheva, Vasilena Yorda- social networks (the Orlov Most events). nova, Eli Aleksandrova and Maya The protest turned against the TV channels Tzaneva), two external experts have been too, especially against the one with the hig- involved, i.e. Georgi Lozanov and Vyara hest TV rating, protestors claiming about Angelova. By tradition, the FMD annual lack of objectivity in the TV coverage. The report does not melt down individual con- war was actually between the images of one tribution of analyzers into an anonymous event in two spheres of media publicity. expert discourse, but rather brings to the fore the diversity of their individual points Also to be reckoned within the range of me- of view. The main accents of the report, dia wars, which wars could be taken as do- by areas of monitoring, include: minant influence of the owners with their contradictions over media content, could be MEDIA WARS the large-spread migration of independent TV productions between major TV channels. -
CASTINGS for BULGARIAN ACTORS and EXTRAS
CASTINGS for BULGARIAN ACTORS and EXTRAS For contacts: Office Address: TALENT PARTNERS Casting Mobile: +359(0)887331342 100 Evlogi Georgiev Blvd. Skype: talent.partners Sofia 1505 BULGARIA E-mails: [email protected] Web site: www.talent-partners.com [email protected] [email protected] [email protected] [email protected] CASTING FOR FEATURE AND TV FILMS 2009 - “UNIVERSAL SOLDIER III” – Casting Extras; Dir.: John Hyams; Universal Soldier Production - “UNDISPUTED III: REDEMPTION” – Casting Extras; Dir.: Isaac Florentine; Nu Boyana Film - “МISSION LONDON” – Casting Actors and Extras; Dir.: Dimitar Mitovski; SIA - “ТHIS IS SODDOM” – Casting Extras; Nu Boyana Film - “ROME UNWRAPPED” – Casting Actors and Extras; Atlantic Productions 2008 - “THE WAY BACK” – Casting Extras; Dir.: Peter Weir; BUFO - “THE MAD COW” – Casting Actors and Extras; Dir.: Jamie Bradshaw, Alexander Doulerain - “FAKE IDENTITY” – Casting Extras; Dir.: Dennis Dimster; Nu Image - “COMMAND PERFORMANCE” – Casting Extras; Dir.: Dolph Lundgren; Nu Image - “THE FOURTH KIND” – Casting Extras; Dir.: Olatunde Osunsanmi; Art Image - “NINJA” – Casting Extras; Dir.: Isaac Florentine; Nu Image - “INDEPENDENCE DAY” – Casting Actors; Dir.: Hristo Zhivkov; BNT 2007 - “THE CODE” – Casting Extras; Dir.: Mimi Leder; Nu Image Bulgaria - “STONEHENGE DECODED” – Casting Actors & Extras; Dir.: Chris Spencer; Change Productions - “L’AVIATORE” – Casting Bulgarian Actors; Dir.: Carlo Carlei; Nimar Studios - “ROMAN MYSTERIES II” – Casting Bulgarian Extras; Dir.: Jill Robertson; Nu Image Bulgaria - “THE TOURNAMENT” - Casting Bulgarian Extras; Dir.: Scott Mann; Buzz Films - “ATTILA THE HUN” - Casting Bulgarian Actors & Extras; Dir.: Gareth Edwards; BBC - “HERO WANTED” – Casting Extras & Special Extras Dir.: Brian Smrz; Nu Image - “SHE & HE” - TV series; Casting Actors & Extras; Dir.: Stanislav Todorov – Rogi; FOX Life - “TILT ”- Casting Actors; Dir.: Victor Chuchkov; Chuchkov Bros. -
Reality TV in Bulgaria: Social and Cultural Models and National Peculiarities
International Web Journal Revue internationale www.sens-public.org Reality TV in Bulgaria: Social and Cultural Models and National Peculiarities MARIA POPOVA Abstract: The Reality TV appearance results from the media content changes, the infotainment development, the media use enlargement, the creation of quality, mass, thematic universal media products, sold at for low costs and for big profits. The Reality TV significant contribution is the discrepancy between public and private, the viewers’ possibility to see themselves and their problems into participants’ behavior. Although the Reality TV shows present voyeurism, scandal and conflict, media audience may control the program narrative. These programs are entertainment form, but they engage the society with charity, define the media agenda setting, and present definitive socio-cultural models, national peculiarities, which answer to the media audience needs, which are general as cultural sense and social behavior. There are different Reality TV forms worldwide. Most of them represent local edition for the local media audience. In Bulgaria the Reality TV started in 2004 and it has had significant influence of the media content ever since. The Reality TV places substantial problems at the media sphere, connected with media reliability, media post-colonialism, media manipulation, and media pluralism. Keywords: media – Reality TV – media content – media audience – Bulgarian television Contact : [email protected] Reality TV in Bulgaria: Social and Cultural Models and National Peculiarities Maria Popova Media content – between media audience interest and social needs The changes in European media environment have been flowing in parallel directions in the last years. On one hand, the media fragmentarization increases in accordance with primarily declared and explored target media audience needs. -
Reality TV in Bulgaria the Paper Was Kindly Provided by the Author For
Reality TV in Bulgaria RUNNING HEAD:REALITY TV IN BULGARIA You’ll See, You’ll Watch: The Success of Big Brother in Postcommunist Bulgaria by Maria Raicheva-Stover, Ph.D. Assistant Professor Mass Media Department Washburn University Henderson Learning Center #312 Topeka, KS 66621 Tel: (785) 670-1802 e-mail: [email protected] Paper submitted to the International Division of the Broadcast Education Association Conference in Las Vegas, April 27-29, 2006 The paper was kindly provided by the author for publication on the CWSP website. Reality TV in Bulgaria 2 Abstract This paper explores the development and growth of the reality television genre in a postcommunist setting. It uses the first reality TV show in Bulgaria, Big Brother, as a case study to show how the reality television format has far reaching social, technological and economic ramifications for the media industry of that postcommunist country. The paper places special emphasis on examining reality television as a global hybrid format, which provides assurance of unprecedented success when introduced locally. Keywords: Reality television, Big Brother, Bulgaria The article was kindly provided by the authors for publication on the CWSP’s website. Reality TV in Bulgaria 3 All the world’s a stage, And all the men and women merely players; They have their exists and their entrances; And one man in his time plays many parts Shakespeare, As You Like It, Act II, Scene VII You’ll See, You’ll Watch: The Success of Big Brother in Postcommunist Bulgaria Up until recently, audiences in Bulgaria thought of Big Brother as the embodiment of a totalitarian government capable of subjecting everybody to an uninterrupted surveillance apparatus. -
Online Sharing Platforms As a Medium for the Emergence of Viral Content
PEOPLE: International Journal of Social Sciences ISSN 2454-5899 Dermendjieva & Slavova, 2018 Volume 4 Issue 2, pp. 177-199 Date of Publication: 19th July, 2018 DOI-https://dx.doi.org/10.20319/pijss.2018.42.177199 This paper can be cited as: Dermendjieva, G., & Slavova, R. (2018). Online Sharing Platforms as a Medium for the Emergence of Viral Content. PEOPLE: International Journal of Social Sciences, 4(2), 177-199. This work is licensed under the Creative Commons Attribution-Non-commercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. ONLINE SHARING PLATFORMS AS A MEDIUM FOR THE EMERGENCE OF VIRAL CONTENT Greta Dermendjieva Professor Ph.D., Faculty of Journalism and Mass Communication, Sofia University “St. Kliment Ohridksi”, Sofia, Bulgaria [email protected] Rositsa Slavova Visiting lecturer Ph.D., Faculty of Journalism and Mass Communication, Sofia University “St. Kliment Ohridksi”, Sofia, Bulgaria [email protected] Abstract The research objectives of the paper are to look into the viral phenomenon emerging from online platforms for sharing video, pictures, tweets, GIFs, Facebook posts, and to discuss the emotional element as well as the key categories of the most popular content. The methodology includes reviewing, presenting and categorizing a selection of worldwide viral stories and some that have become popular in the UK and Bulgaria. The main focus is on features and content from YouTube, Facebook, Twitter and Instagram that has become viral during 2017. Our findings indicate that there are 9 main categories – Media, Entertainment, Celebrity, Domestic, Empathy, Jokes, Everyday life, Cause, and Politics – that could be distinguished in the explored selection. -
Title Slide for Mediaplus
MEDIA LANDSCAPE BULGARIA 2017 Introduction to Media Overview The analyses and trends outlined in this media overview present Media Club’s reading of all available data and are largely based on the agency’s experience as a direct media buyer, our know-how, and our perception of the current frame of mind of both clients and media. Despite the overall confusion stemming from the various data sources, several trends are confirmed by both gross and net data: The media Ad market shows stable growth, with ad investments shifting to channels that provide for effective and efficient media campaigns that can be measured and evaluated. Media consolidation facilitates multi-channel deals and execution of cross-platform campaigns that tackle the changing pattern of media consumption. The following pages aim at providing businesses with a glimpse of what we do and a snapshot of the media landscape we all navigate through. We hope you enjoy reading it. Source: Media Club Strategic Insights 2017, Bulgaria CONTENT 1. General Information ▪ Key Facts ▪ Advertising Investments ▪ Media Usage 2. TV 3. Online 4. Radio 5. Print 6. Cinema KEY FACTS Sociodemographic & Economic Facts Gross Domestic Product Population Age Structure absolute and in % Total per capita €48 128 mln. € 6 777 2016 2016 Under 15 15-24 25-34 35-44 45-54 55-64 65-74 75 + 1001 K 660 K 947 K 1 056 K 983 K 982 K 861 K 611 K 14% 9% 13% 15% 14% 14% 12% 9% Comparative Population Gross Value Added by Economic Sector Consumer Private Household Spending by Sector in million population in million € in % Foods and non-alcoholic beverages Germany 82 Arts entertainment and recreation… 945 England 66 Others (incl. -
Catharsis: the Common Goal of Storytelling and Life
Catharsis: The Common Goal of Storytelling and Life Dr.Stanislav.Semerdjiev Full Professor of Screenwriting & Rector, NATFA [email protected] Catharsis: The Common Goal of Storytelling and Life 1. Classical Catharsis The term “catharsis” has been in circulation long before the times of Aristotle but nowadays we all accept that he is its reputed author. Unfortunately, the pages in Poetics containing its explanation though, have been irrevocably lost. On the other hand, we still have the passages in Politics where Aristotle defines the same term in respect to emotions and/or physiology, and those in Nicomachean Ethics from which an ethical interpretation could undeniably be derived. It is both impossible and unreasonable to try and trace all interpreters’ ideas in this short text. Therefore, I have chosen to roughly group them in three major trends. 1.1. Ethical or/and Aesthetic Catharsis The ethico-aesthetic interpretations probably started in 1634 with the presentation of the official rules of the French Academy for dramatic composition, which were centered on the notion of the audience’s emotional purgation (i.e., catharsis) as the main function of tragedy. For this to happen though, the public had to absolutely believe in what they saw on stage. By rationally comparing it to their own life (and finding out other people experienced the same and even worse situations) the audience, then, could feel relieved from their painful emotions. But this could only be achieved if the author used the rule of the three “dramatic unities” (those of action, time and place) attributed to Aristotle. The dogmatic view imposed on all dramatic works started the 200-year epic battle of “des anciens et des modernes”. -
Proquest Dissertations
THE LONG TRANSITION: PLURALISM, THE MARKET AND THE BULGARIAN MEDIA 20 YEARS AFTER COMMUNISM by Velina Nacheva A thesis submitted to The Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Journalism School of Journalism and Communication Carleton University Ottawa, Ontario December 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-47531-7 Our file Notre reference ISBN: 978-0-494-47531-7 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Finalistlist
PROMAXBDA PRESENTS: 2013 EUROPE AWARDS - FINALIST LIST BEST PROGRAMME BRANDING/IMAGE CAMPAIGN HAVEN SEASON 3 GLOBAL LAUNCH CAMPAIGN NBCUNIVERSAL INTERNATIONAL TELEVISION LONDON CALLING BBC WORLDWIDE ORIGINAL CONTINUITY TNT-BROADCASTING NETWORK THE APPRENTICE ITALIA CAMPAIGN CIELO THE LORD OF THE RINGS (MEMES) TNT-BROADCASTING NETWORK BEST GENERAL BRANDING/IMAGE PROMOTION CANAL+ : FUELFORFANS ADVERTISING CANAL+ FRANCE LONDON CALLING BBC WORLDWIDE NO/YES HBO EUROPE SCIENCE IS EVERYWHERE DISCOVERY: EMERGING NETWORKS SERIES IN A PAPER THEATRE SONY PICTURES TELEVISON NETWORKS IBERIA- AXN BLACK SUMMER IMAGE SPOT HBO EUROPE BEST GENERAL BRANDING/IMAGE CAMPAIGN 2012 CHRISTMAS CAMPAIGN LA SEXTA FRANCE 5 IDENTS FRANCE 5 Page 1 of 18 IF YOU JUST OWN,YOU JUST PAY YES I AM FOR RAI – ITALIAN NATIONAL PUBLIC SERVICE TV BROADCASTING KABEL EINS: SUPERLOGO CAMPAIGN CREATIVE SOLUTIONS - P7S1 TV DEUTSCHLAND GMBH ‘2 CAMPAIGN’ OTE TV THRILL OF DISCOVERY - BRAND CAMPAIGN DISCOVERY NETWORKS CEEMEA BEST THEMED PROMOTION OR CAMPAIGN CANAL+ : FUELFORFANS ADVERTISING CANAL+ FRANCE DAS ERSTE - WEIHNACHTEN DAS ERSTE END OF THE WORLD STUNT DISCOVERY UK CREATIVE KABEL EINS - MOVIE-HIGHLIGHTS: FALL 2012 "THIS IS WHAT YOU WANT" CREATIVE SOLUTIONS - P7S1 TV DEUTSCHLAND GMBH WEEKEND BURNOUT DISCOVERY NETWORKS NORDIC BEST SPECIAL EVENT PROMOTION BBC RADIO 3 - MUSIC NATION M-I-E DIABOLIK TEASER -TRAILER SKY CINEMA END OF THE WORLD STUNT DISCOVERY UK CREATIVE SIMONA GOES TO HOLLYWOOD SKY ITALIA THE WALKING DEAD MARATHON SUNDANCE CHANNEL TOP GEAR BOND SPECIAL DISCOVERY ITALIA -
Viral Hepatitis the Patients' Impact in Bulgaria
Viral hepatitis - The patients’ impact in Bulgaria ‘HEPASIST’ – NATIONAL ASSOCIATION FOR FIGHTING HEPATITIS CONTENTS: 1. About ‘Hepasist’ 2. Hepatitis patients’ rights 3. Hepatitis prevention activities 1. Hepatitis B and C screening actions 2. Hepatitis A and B vaccination ABOUT ‘HEPASIST’ • Founded in 2005 by patients, relatives, doctors, media specialists. • Aim: to inform the Bulgarian society about hepatitis issues, prevention, testing and to stand up for patients` rights. ABOUT ‘HEPASIST’ Our initiatives: www.hepasist.org – Hepatitis information and forum; Toll free line 0700 10 515 – free medical consultation Bulgarian Hepatitis patients’ rights defense Media conferences and events to raise awareness on hepatitis Hepatitis-testing campaigns in collaboration with all blood-giving centers in the country Vaccination campaigns for hepatitis A and B ABOUT ‘HEPASIST’ HEPATITIS PATIENTS’ RIGHTS IN BULGARIA 2006 WORLD HEPATITIS DAY Patients refuse to celebrate World Hepatitis Day 2006 due to the postponed Hepatitis C program treatment opening: Rich media coverage Concentration of public attention on the Hepatitis C treatment Opportunities for administrative changes 2006 EUROPEAN CAMPAIGN FOR BULGARIAN 2007 PATIENTS WITH HEPATITIS C December 2006 – February 2007 Vote for improving the treatment circumstances for Hepatitis patients in Bulgaria Information campaign across Bulgaria and Europe 6723 votes 2006 EUROPEAN CAMPAIGN FOR BULGARIAN 2007 PATIENTS WITH HEPATITIS C OPENING OF THE CHRONIC VIRAL 2007 HEPATITIS TREATMENT PROGRAM -
Television Across Europe: Industry Is Grappling with These Dynamic Processes
usa-utan-1016-c-printphoto:Layout 1 10/27/2008 1:54 PM Page 1 MONITORING REPORT MONITORING REPORT Today’s pace of change in television has reached breakneck speed, affecting produc- tion, transmission, consumption, marketing, financing and ownership. Audiences fragment, owners consolidate, and technology converges: Europe’s audiovisual less independence channels, more Europe: across Television industry is grappling with these dynamic processes. To take the measure of these changes, the Open Society Institute has mapped the tel- TELEVISION ACROSS EUROPE evision landscape in nine countries: Albania, Bulgaria, the Czech Republic, Italy, Lithuania, the Republic of Macedonia, Poland, Romania and Slovakia. TV across Europe 2008 is the result. MORE CHANNELS, LESS INDEPENDENCE The proliferation of content has increased the viewers’ freedom of choice. This is a real achievement, but is the public getting more quality or diversity? Editorial inde- pendence has deteriorated in most of the countries monitored. Governments still refuse to let public service broadcasters be independent, and have even clawed back the control that they ceded a few years ago. The studies also highlight that as digital switchover draws closer, established broadcasters have largely managed to exclude fresh competitors. Meanwhile, broadcast regulators have faced the new challenges by sticking their heads in the sand. OVERVIEW An Overview chapter points out the main trends that emerge from the country reports, and proposes feasible measures to tackle the problems identified. COUNTRY REPORTS: In 2005, the Open Society Institute published Television across Europe: regulation, policy and independence, which monitored broadcasting in 20 countries. It was ALBANIA widely acclaimed as unique in its range and rigour. -
Use of English in Advertising and Journalistic Discourse of the Expanding Circle: Data from Bulgarian Magazines
Use of English in advertising and journalistic discourse of the Expanding circle: data from Bulgarian magazines Maya Bogdanova May 2010 Department of English Master Degree Project World Englishes Spring 2010 Supervisor: Philip Shaw Abstract The combination of the socio-political changes following 1989 and the current status of English as the language of international communication promoted dynamic transformations of the attitude and usages of English in Bulgaria. The purpose of this study is to investigate the forms, functions and symbolic value of English in the Bulgarian advertising and journalistic discourse. The emphasis is on non-established words as opposed to established borrowings. Two hypotheses encapsulating the possible relation between English usages in advertising and journalistic discourses are in the centre of investigation: Hypothesis 1 The use of the English language remains on the symbolic and visual level in the Bulgarian advertising and journalistic discourses. Hypothesis 2 The symbolic value of English usage in advertising discourse is the same as that of journalistic discourse. Prior to the analyses, the study introduces an overview of the Bulgarian linguistic situation and a summary of studies in the area of contact phenomena between English and Bulgarian. Special attention is paid to publications discussing advertising and journalistic discourse. On the base of two principles – genre and readership – six magazines have been selected to provide the data for the study: Маниджър (Manager); Story, Наш Дом (Our Home), Жената Днес (The Woman Today), Журнал за Жената (Women’s Journal), and Top Gear България (Top Gear Bulgaria). Using a set of criteria the process of collecting data has extracted the occurrences of English from all advertisements, section and column headings, article titles, and the featured article of each issue.