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KAS MP SOE Redebeitrag AM En
REPORT Konrad-Adenauer-Stiftung MEDIA MONITORING LABORATORY February 2015 Media under their own momentum: www.fmd.bg The deficient will to change www.kas.de Foundation Media Democracy (FMD) and KAS. In summary, the main findings, by the Media Program South East Europe of areas of monitoring, include: the Konrad-Adenauer-Stiftung (KAS) present the joint annual report on the MEDIA DISCOURSE state of the Bulgarian media environment in 2014. The study summarises the trends Among the most striking images in the coverage of socio-political constructed by Bulgarian media in 2014 was developments in the country. During the the presentation of patriotism as the monitored period dynamic processes sanctuary of identity. Among the most unfolded – European Parliament elections watched television events during the year and early elections to the National turned to be the Klitschko-Pulev boxing Assembly took place, three governments match. The event inflamed social networks, changed in the country’s governance. morning shows, commentary journalism. It was presented not simply as boxing, but as The unstable political situation has also an occasion for national euphoria. Such affected the media environment, in which a discourse fitted into the more general trend number of important problems have failed of nourishing patriotic passions which to find a solution. During the year, self- through the stadium language, but also regulation was virtually blocked. A vast through the media language, are easily majority of the media continued operating mobilised into street and political forms of at a loss. For many of them the problem symbolic and physical violence against with the ownership clarification remained others (Roma, refugees, the sexually and unresolved. -
REPORT the Other Duel: the Clash of Old and New Media
REPORT Konrad-Adenauer-Stiftung e.V. MEDIA PROGRAM SOUTH EAST EUROPE January 2013 The other duel: The clash of old and new media 2012 BULGARIAN MEDIA MONITORING REPORT OF FOUNDATION MEDIA DEMOC- RACY IN COOPERATION WITH THE MEDIA PROGRAM SOUTH EAST EUROPE OF KONRAD-ADENAUER-STIFTUNG As in previous years, the 2012 report of while politicians are reluctant to make deci- Foundation Media Democracy (FMD) has sions without the support of both journalists been prepared by the team of the Media and publishers. Monitoring Lab (MML) in cooperation with the Media Program South East Europe of In 2012 media wars spread beyond the Konrad-Adenauer-Stiftung. Apart from the press, and new media confronted traditional Lab members (Nikoleta Daskalova, Ger- ones. The occasion was the ecological pro- gana Kutzeva, Silvia Petrova, Marina Ki- test in the capital, organized through the rova, Bogdana Dencheva, Vasilena Yorda- social networks (the Orlov Most events). nova, Eli Aleksandrova and Maya The protest turned against the TV channels Tzaneva), two external experts have been too, especially against the one with the hig- involved, i.e. Georgi Lozanov and Vyara hest TV rating, protestors claiming about Angelova. By tradition, the FMD annual lack of objectivity in the TV coverage. The report does not melt down individual con- war was actually between the images of one tribution of analyzers into an anonymous event in two spheres of media publicity. expert discourse, but rather brings to the fore the diversity of their individual points Also to be reckoned within the range of me- of view. The main accents of the report, dia wars, which wars could be taken as do- by areas of monitoring, include: minant influence of the owners with their contradictions over media content, could be MEDIA WARS the large-spread migration of independent TV productions between major TV channels. -
Quick Reference Guide To: How to Deliver Content to ITV Your Programme Has Been Commissioned and You Have Been Asked by ITV to Deliver a Piece of Content
July 2020 Quick Reference Guide To: How to Deliver Content to ITV Your programme has been commissioned and you have been asked by ITV to deliver a piece of content. What do you need to do and who are the contacts along the journey?..... Firstly, you will need to know who your Compliance Advisor is. If you’ve not been provided with a contact then email [email protected]. Your Advisor will be able to provide you with legal advice along the journey and will be able to provide you with lots of key information such as your unique Production Number. Another key contact is your Commissioner. They may require some deliverables from you so it’s best to have that discussion directly with them. Within this guide you will find a list of frequently asked questions with links to more detailed documents. 1. My programme will be transmitted live. Does this make a difference? 2. My programme isn’t live; so what exactly am I delivering? 3. Where do I get my Production/Clock Numbers from? 4. Where can I get my tech spec to file deliver? 5. Where do I deliver my DPP AS-11 file to? 6. I need to ensure that my programme has the ITV ‘Look & Feel’. How do I make this happen? 7. Can I make amendments to my programme after I’ve delivered it to Content Delivery? 8. Where do I send my Post Productions Scripts to? 9. What do I do if I have queries around part durations and the total runtime of my programme? 10. -
Mandy Tranter CV 2018
MANDY TRANTER 07773 421 913 // [email protected] // LINKEDIN.COM/IN/MANDYTRANTER BROADCAST PROFILE Our Guy in China I am a freelance Editor with 17 years experience of working in broadcast television. The Gadget Show My Kitchen Rules UK My creativity and technical knowledge have enabled me to pursue an exciting career. Having been employed as a staff editor for 6 years I decided to become a Do You Know? freelance offline editor and now enjoy working on a wide range of programmes. The Jury Room My editor credits include Our Guy In China (CH4), The Gadget Show (Channel 5), Operation Ouch Fifth Gear (Discovery), My Kitchen Rules UK (CH4), The Street That Cut Everything (BBC1) and the Royal Shakespeare Company for cinema broadcast features on Garden Rescue King Lear, Cymbeline & Henry V. The Instant Gardener Guy Martin's Spitfire WORK House That 100K Built OFFLINE EDITOR // ROYAL SHAKESPEARE COMPANY // 2018 Give A Pet A Home NATIONWIDE CINEMA BROADCAST FEATURES FOR TWELFTH NIGHT Fifth Gear The Street That Cut Everything OFFLINE EDITOR // DAISYBECK STUDIOS // 2017 I Didn’t Know That HARROGATE: A GREAT YORKSHIRE CHRISTMAS (Channel 5) Speed With Guy Martin OFFLINE EDITOR // 7 WONDER // 2017 How Britain Worked MY KITCHEN RULES UK, SERIES 2 (CH4) Big Strong Boys Star Portraits OFFLINE EDITOR // 7 WONDER // 2017 Soul Boy (RTS Award Winner) DO YOU KNOW?, SERIES 2 (CBeebies) Everything Must Go OFFLINE EDITOR // First Look TV // 2017 Points Of View THE JURY ROOM (CBS Reality) EXPERTISE OFFLINE EDITOR // NORTH ONE TV // 2016 Avid Media Composer OUR -
Second Strike Gearing Calculator
Second Strike October 31 and December 31, 2002 The Newsletter for the Superformance Owners Group Page 1 SECOND STRIKE GEARING CALCULATOR The Second Strike Gearing Calculator Transmission Mk III Coupe GT Ford Toploader Yes 4-speed (close ratio) Ford Toploader Yes 4-speed (wide ratio) RBT 5-speed Yes (transaxle) Rear Axle Ratio BTR Rear Axle Ford 8.8 RBT Coupe Ratio Mk III GT Mk III 3.08 Yes 3.27 Yes 3.46 Yes 3.55 Yes 3.73 Yes 3.77 Yes 3.91 Yes 4.10 Yes 4.30 Yes 4.56 Yes The Ford 8.8 IRS (independent rear suspension) rear end is used in MK III’s prior to chassis number 2068. The BTR is To assist owners in evaluating transmission, rear end ratio, and used in the Mk III from chassis 2068 on. tire combinations, an interactive gearing calculator has been added to the Second Strike web site (www.SecondStrike.com). Tire Size Mk III Coupe GT The calculator is designed to help you analyze contemplated Common 275/60-15 285/50-18 275/60-15 changes and get it right before committing your hard earned Tire Sizes 295/50-15 295/45-18 295/50-15 bucks. Changing the transmission, rear end, or rim size is not 335/35-17 315/35-18 for the faint of heart or thin of wallet. The “standard” tire size is shown first. Other commonly used Input Section sizes are also shown. The Gearing Calculator supports the most commonly used transmissions, rear ends and tire sizes used for the 275/60-15 is a 275 width, 60 aspect ratio, and 15” rim Superformance Mk III, Coupe, and GT. -
El Paper De Les Televisions Locals De La Comunitat Valenciana En El Nou Espai De Comunicació Audiovisual Valencià
TREBALL FI DE GRAU El paper de les televisions locals de la Comunitat Valenciana en el nou espai de comunicació audiovisual valencià The role of the valencian social media in the new model of the regional audiovisual comunication Autor:Irene Zamora Marco E-mail: [email protected] Tutora: Isabel María González Mesa 2017/18 Grau en Periodisme Pàgina 1/59 Índex • Resum.............................................................................................................................3 • Introducció.....................................................................................................................7 • Objectius e hipòtesi.....................................................................................................10 • Estat de la qüestió i marc teòric.................................................................................12 • Metodologia.................................................................................................................18 • Resultats......................................................................................................................20 • Conclusió.....................................................................................................................48 • Bibliografia..................................................................................................................51 Pàgina 2/59 Resum • Paraules clau Mitjans de proximitat, televisió, mitjans locals, valencià, Comunitat Valenciana, normalització lingüística. • Resum L'arribada -
Living with an Acquired Brain Injury
Living with an acquired brain injury Barriers and facilitators to developing community supports as a basis for independent living, the experiences and perceptions of people with acquired brain injury Dalton, C., Kingston, A., Martin, A. M., O’Riordan, J., Caples, M. and Edwards, C. December, 2014 Table of Contents Executive Summary .................................................................................5 Chapter 1: Introduction ...........................................................................7 Background ................................................................................................................... 7 Acquired brain injury .................................................................................................. 7 Project aim .................................................................................................................... 8 Chapter 2: A review of the knowledge base of experiences of people with ABI living in the community ........................................................ 10 Introduction ............................................................................................................... 10 Construction of self ................................................................................................. 12 Barriers to re-integration ....................................................................................... 13 Support networks and community integration .................................................. 15 Understanding gender interactions -
Organizing Your Daily Life in Catalonia
ORGANIZING YOUR DAILY LIFE IN CATALONIA Opening Hours: Shops (food, newspapers ...) Monday – Saturday: 8.00 – 13.00 and 17.00-20.00 Sunday: 8.00 – 14.00, Petrol stations : Monday – Saturday: 7.00 – 22.00 Sunday: 7.00 – 14.00, Banks : Monday – Saturday: 9.00 – 14.00 Other Shops : Monday – Saturday: 10.00 – 13.00 and 17.00 -20.00 Some shops : 10.00 - 20.00 Radio and TV: TV : Catalan Channels:TV3, Canal 33, 8TV Spanish Channels:TV1, TV2, Antena3, Cuatro, Telecinco, La Sexta There are other TV channels, but the ones above are the most popular. You’ll find all the information about the programs in the newspapers. Radio : there are a lot different broadcasting stations in Catalan or Spanish where you can listen to music, news or other programs. Newspapers: Here are some links to Spanish and Catalan newspapers. www.lavanguardia.es Spanish (Right) www.elmundo.es Spanish (Right) www.abc.es Spanish (Right) www.elpais.com Spanish (Left) www.elperiodico.com Catalan and Spanish (Left) www.avui.es Catalan (Left) You will find some English newspapers on many newsstands all over Spain, especially at bigger railway stations. There is also some selection of English books available in the bookshops of bigger cities. Travelling in Catalonia Travelling by train is a good way to get to know the country. Information about the connections you will find on the webpage www.renfe.es If you want to go to villages in the countryside, you can use the bus service. Depending on the area, the company is different, so you’d better go to the bus station and ask. -
CASTINGS for BULGARIAN ACTORS and EXTRAS
CASTINGS for BULGARIAN ACTORS and EXTRAS For contacts: Office Address: TALENT PARTNERS Casting Mobile: +359(0)887331342 100 Evlogi Georgiev Blvd. Skype: talent.partners Sofia 1505 BULGARIA E-mails: [email protected] Web site: www.talent-partners.com [email protected] [email protected] [email protected] [email protected] CASTING FOR FEATURE AND TV FILMS 2009 - “UNIVERSAL SOLDIER III” – Casting Extras; Dir.: John Hyams; Universal Soldier Production - “UNDISPUTED III: REDEMPTION” – Casting Extras; Dir.: Isaac Florentine; Nu Boyana Film - “МISSION LONDON” – Casting Actors and Extras; Dir.: Dimitar Mitovski; SIA - “ТHIS IS SODDOM” – Casting Extras; Nu Boyana Film - “ROME UNWRAPPED” – Casting Actors and Extras; Atlantic Productions 2008 - “THE WAY BACK” – Casting Extras; Dir.: Peter Weir; BUFO - “THE MAD COW” – Casting Actors and Extras; Dir.: Jamie Bradshaw, Alexander Doulerain - “FAKE IDENTITY” – Casting Extras; Dir.: Dennis Dimster; Nu Image - “COMMAND PERFORMANCE” – Casting Extras; Dir.: Dolph Lundgren; Nu Image - “THE FOURTH KIND” – Casting Extras; Dir.: Olatunde Osunsanmi; Art Image - “NINJA” – Casting Extras; Dir.: Isaac Florentine; Nu Image - “INDEPENDENCE DAY” – Casting Actors; Dir.: Hristo Zhivkov; BNT 2007 - “THE CODE” – Casting Extras; Dir.: Mimi Leder; Nu Image Bulgaria - “STONEHENGE DECODED” – Casting Actors & Extras; Dir.: Chris Spencer; Change Productions - “L’AVIATORE” – Casting Bulgarian Actors; Dir.: Carlo Carlei; Nimar Studios - “ROMAN MYSTERIES II” – Casting Bulgarian Extras; Dir.: Jill Robertson; Nu Image Bulgaria - “THE TOURNAMENT” - Casting Bulgarian Extras; Dir.: Scott Mann; Buzz Films - “ATTILA THE HUN” - Casting Bulgarian Actors & Extras; Dir.: Gareth Edwards; BBC - “HERO WANTED” – Casting Extras & Special Extras Dir.: Brian Smrz; Nu Image - “SHE & HE” - TV series; Casting Actors & Extras; Dir.: Stanislav Todorov – Rogi; FOX Life - “TILT ”- Casting Actors; Dir.: Victor Chuchkov; Chuchkov Bros. -
A Kereskedelmi Televíziózás Kialakulása És Hatása
láTóTér 10 Koncz Gábor: Komplex elemzés a művelődési otthonokról (1945–1985), avagy „...a jó gyakorlat törvényre emelé- iLLéS Gabriella sét gyorsítsuk meg...” (részlet) In: A szabadművelődéstől a közösségi művelődésig. Szerk.: Beke Pál – Deme Tamás. Széphalom Könyvműhely, Budapest, 2003. 43. o. 11 Uo. 44. o.; valamint Halász Csilla, i. m. 17. o. Egy másik forrás 1949 nyarára tette a békési kultúrotthon megnyi- a kereskedelmi televíziózás tását: Hencz Aurél: A művelődési intézmények és a művelődésigazgatás fejlődése 1945–1961. Közgazdasági és Jogi Könyvkiadó, Budapest, 1962. 152. o. 12 Hencz Aurél, i. m. 152. o. kialakulása és hatása 13 Koncz Gábor, i. m. 44. o. 14 Halász Csilla, i. m. 18. o. magyarországon 15 Vö.: Az MDP Központi Vezetősége, Politikai Bizottsága és Titkársága üléseinek napirendi jegyzékei, I. kötet. 1948–1953. Összeállította: T. Varga György. Magyar Országos Levéltár, Budapest, 2005. 105. o. 16 Koncz Gábor, i. m. 44. o.; Halász Csilla, i. m. 18. o. 17 Koncz Gábor egy 1952-es összeírásra hivatkozva 2002 kultúrotthont említ (i. m. 45. o.). Ugyanerre az évre vo- natkozóan Halász Csilla 1633 intézményről tesz említést (i. m. 19. o.). Forrása: Magyarország művelődési viszonyai 1945–1958. Szerk.: Erdész Tiborné. Közgazdasági és Jogi Könyvkiadó, Budapest, 1960. 306. o. Ez utóbbi adatsor szerint 1956-re sem érte el a kultúrotthonok száma a kétezret, de Romsics Ignác szerint 1953–54-re már meghaladta (i. m. 374. o.). A kereskedelmi televíziózás kialakulása és átalakulása 18 Hencz Aurél, i. m. 152–154. o. 19 Magyar Nemzeti Levéltár Országos Levéltár 276/89. f. MDP Agitációs és Propaganda Osztály iratai (1951– 1956) 367. őe. A szakszervezeti és üzemi kultúrházak, kultúrotthonok és kultúrtermek működési szabályzata 1997 októberétől – a világon Magyarországon elsőként – két országos lefedettségű földi 20 Vö.: 18/1957. -
Digital News Report 2018 Reuters Institute for the Study of Journalism / Digital News Report 2018 2 2 / 3
1 Reuters Institute Digital News Report 2018 Reuters Institute for the Study of Journalism / Digital News Report 2018 2 2 / 3 Reuters Institute Digital News Report 2018 Nic Newman with Richard Fletcher, Antonis Kalogeropoulos, David A. L. Levy and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2018 4 Contents Foreword by David A. L. Levy 5 3.12 Hungary 84 Methodology 6 3.13 Ireland 86 Authorship and Research Acknowledgements 7 3.14 Italy 88 3.15 Netherlands 90 SECTION 1 3.16 Norway 92 Executive Summary and Key Findings by Nic Newman 8 3.17 Poland 94 3.18 Portugal 96 SECTION 2 3.19 Romania 98 Further Analysis and International Comparison 32 3.20 Slovakia 100 2.1 The Impact of Greater News Literacy 34 3.21 Spain 102 2.2 Misinformation and Disinformation Unpacked 38 3.22 Sweden 104 2.3 Which Brands do we Trust and Why? 42 3.23 Switzerland 106 2.4 Who Uses Alternative and Partisan News Brands? 45 3.24 Turkey 108 2.5 Donations & Crowdfunding: an Emerging Opportunity? 49 Americas 2.6 The Rise of Messaging Apps for News 52 3.25 United States 112 2.7 Podcasts and New Audio Strategies 55 3.26 Argentina 114 3.27 Brazil 116 SECTION 3 3.28 Canada 118 Analysis by Country 58 3.29 Chile 120 Europe 3.30 Mexico 122 3.01 United Kingdom 62 Asia Pacific 3.02 Austria 64 3.31 Australia 126 3.03 Belgium 66 3.32 Hong Kong 128 3.04 Bulgaria 68 3.33 Japan 130 3.05 Croatia 70 3.34 Malaysia 132 3.06 Czech Republic 72 3.35 Singapore 134 3.07 Denmark 74 3.36 South Korea 136 3.08 Finland 76 3.37 Taiwan 138 3.09 France 78 3.10 Germany 80 SECTION 4 3.11 Greece 82 Postscript and Further Reading 140 4 / 5 Foreword Dr David A. -
Communiqué De Presse Les Groupes Orange Et Tf1 Annoncent La Signature De Deux Accords Structurants
14.12.20 COMMUNIQUÉ DE PRESSE LES GROUPES ORANGE ET TF1 ANNONCENT LA SIGNATURE DE DEUX ACCORDS STRUCTURANTS Les groupes Orange et TF1 annoncent la signature, ce jour, de deux nouveaux accords qui renforcent leur partenariat historique. Le premier accord ouvre dès janvier 2021 la publicité segmentée sur les chaînes du groupe TF1 grâce à la TV d’Orange. Le second, renouvelle à partir de septembre 2021, la distribution des services audiovisuels de TF1 sur la TV d’Orange, enrichie d’un service de Replay premium inédit, sans interruption publicitaire dans les programmes. Ces accords illustrent l’ambition partagée des deux partenaires de proposer des services toujours plus riches, en mobilisant la technologie et les réseaux d’Orange associés aux contenus et services du groupe TF1. Un accord sur la télévision segmentée pour une expérience publicitaire plus personnalisée pour les téléspectateurs. La publicité segmentée permet de proposer aux téléspectateurs des publicités plus affinitaires sur les chaînes linéaires. En s’appuyant sur le savoir-faire technologique d’Orange, TF1 PUB proposera aux annonceurs des offres de publicité ciblée en TV linéaire aux foyers abonnés à la TV d’Orange, sous réserve de leur consentement, dès le 1er janvier 2021. Désormais, les annonceurs pourront associer la qualité et la puissance des contenus des chaînes du groupe TF1 à la précision et la granularité du ciblage digital pour adresser aux abonnés de la TV d’Orange des publicités adaptées, dans le respect de la règlementation des données personnelles. Cette nouvelle opportunité permettra aux annonceurs de renforcer l’efficacité de leurs campagnes TV sur des problématiques de segmentation data nationales, régionales ou locales et de donner accès à la puissance de la TV à de nombreuses PME et PMI.