'Big Man', an Animated Film with an Accompanying Analysis of Its Relationship to the Theory and Practice of Art and Animation
'BIG MAN', AN ANIMATED FILM WITH AN ACCOMPANYING ANALYSIS OF ITS RELATIONSHIP TO THE THEORY AND PRACTICE OF ART AND ANIMATION by Michelle Stewart Student Number: 875878231 Submitted in fulfilment of the requirements for the degree of PhD in Media and Cultural Studies University of KwaZulu-Natal, KwaZulu-Natal, South Africa August 2016 DECLARATION I, Michelle Stewart, declare that The research reported in this thesis, except where otherwise indicated, is my original work. This thesis has not been submitted for any degree or examination at any other university. This thesis does not contain text, data, pictures, graphs or other information obtained from another person or source, unless specifically acknowledged as being so obtained. This thesis does not contain any other person’s writing, unless specifically acknowledged. Where such written sources have been used then they have always been acknowledged through the use of in-text quotation marks or indented paragraphs with accompanying in-text references and in the bibliography. This thesis does not contain text, graphics or tables copied and pasted from the Internet, unless specifically acknowledged through in-text references and in the bibliography. Student name: Michelle Stewart Signature: ________________________________ Date: ______________ As the supervisor, I acknowledge that this research dissertation/thesis is ready for examination. Name: Professor Anton Van der Hoven Signature: ________________________________ Date: _____________ As the co-supervisor, I acknowledge that this research dissertation/thesis is ready for examination. Name: Dr Louise Hall Signature: ________________________________ Date: _____________ ii ACKNOWLEDGMENTS I would like to thank my supervisor, Professor Anton van der Hoven, for his consistent support and invaluable commentary.
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