Media and Social Media Links

Total Page：16

File Type：pdf, Size：1020Kb

Booking Contact: Tonatl Music LLC [email protected] Cel: 503‐496‐2075 Edna Vazquez is fearless singer, songwriter and guitarist whose powerful voice and musical talent embrujan and transcend the boundaries of language to engage and uplift her audience. She is a creative crisol with a vocal range that allows her to paint seamlessly with her original material, an intersection of folk, rock, pop and R&B. Edna’s passion for music and performance grew from her bicultural raices and, with songs deeply rooted in universal human emotion, she has traveled far and wide spreading her message of light, love and cultural healing. Media and Social Media Links www.ednavazquez.com www.ednavazquez.com/video www.facebook.com/ednavazquezmusic www.ednavazquez.bandcamp.com www.youtube.com/ednavazquezmusic www.youtube.com/watch?v=JfxxfwV‐_K8 www.youtube.com/watch?v=RDORJNv2IOk&t=3288s Edna is currently performing Solo and with her band in support of her most recent release, Sola Soy, and writing new music for an album to be released in 2019. The Edna Vazquez Band features William Seiji Marsh on lead guitar (Lost Lander, Cherry Poppin Daddies), Gil Assayas on keys (GLASYS), Milo Fultz on bass and upright bass 3 Leg Torso, and Jesse Brooke on drums and percussion (Trio Subtonic). “Extraordinarily talented” ‐ Hungton Post “Her powerful voice is the centerpiece of whatever she does” ‐ Willamette Week “Completely original and wildly inventive” ‐ Next Northwest Venues Edna has performed: Lincoln Center, The Kennedy Center Millenium Stage, MGM Grand (Latin Grammy Awards), Carnegie Free Library in Carnegie, Arlene Schnitzer Concert Hall, The Theatre at Ace Hotel, SFJAZZ Center, Portland Center for the Arts, Hult Center, Joe’s Pub in NYC, World Cafe Live, Tropicalia, Subrosa, Tractor Tavern, Doe Bay Music Fest, Fillmore San Francisco, Pickathon Music Festival, Hollywood Forever Cemetery Dia de los Muertos Festival, Treefort Music Festival, Mission Cultural Center for Latino Arts, Montalvo Gardens Theatre, Crest Theatre, Neptune Theater, Royal Room, Kingsbridge Armory, Joe’s on Weed St, Metzli Cultural Center, Roseland Theater, Doug Fir Lounge, Mississippi Studios, WOW Hall, Alberta Rose Theater, The Old Church, Aladin Theater, Miracle Theatre, Latino Cultural Center, Irving Texas Convention Center, Oregon Convention Center, La Gran Plaza. Edna has shared bills with: Lila Downs, Gloria Trevi, Molotov, Jarabe de Palo, La Santa Cecilia, Flor de Toloache NYC Mariachi Femenino, Natalia Lafourcade at the Latin Grammy’s Awards, Las Cafeteras, Luz Elena Mendoza, Diana Gameros, Alejandro y Maria Laura, La Misa Negra, Orquestra Pacifico Tropical, Federico Villa, Rosenda Bernal, Juan Valentín, Yolanda del Río, Making Movies, Blind Pilot, Colin Meloy (The Decemberists) and Pink Martini. .

Copy Link

Recommended publications

Lila Downs LA CANTINA “Entre Copa Y Copa...”
Lila Downs LA CANTINA “entre copa y copa...” Exploring and expressing Mexico's rich culture has been a lifelong passion for Lila Downs. La Cantina: “Entre Copa y Copa...” marks a unique turn in her career path, as she focuses intently on the rich and familiar repertoire of Mexico's beloved cancion ranchera tradition. The cancion ranchera is typically a ballad about heartache, solitude, love and longing — a song such as one would typically hear in a local cantina. It is a musical tradition quite akin to Portugal’s fado, or to the Delta blues — deeply soulful, often lamenting, always emotionally vivid. Downs and her partner, multi-instrumentalist Paul Cohen reflect, “Our new album brings out smiles and complicity from every person in the audience. After all, who doesn't like to go out to a bar, have some drinks and cry to your favorite songs?.... Well, maybe not everyone cries, but we can all remember — as we say in Spanish: ‘I'm not crying. It’s that cigarette smoke making my eyes burn....’" Special guest Flaco Jimenez, the legendary Tejano accordionist, brings his rootsy norteño sound to the mix. In the hands of Lila and her band, this historic repertoire is handled with a hip, contemporary edge that surely draws from her residency in the great melting pot of New York City in recent years — a world away from her dual upbringing in Minnesota and the Sierra Madre mountains of Oaxaca. Living in such varied environments, Downs took after her mother’s stage career by singing mariachi tunes at age 8.
[Show full text]
Bacalao Bio.Pages
MEMBERS: Pablo Estacio, voice and bass Julio Andrade, sax, wind controller, backing vocals Germán Quintero, drums, backing vocals Luis González, guitar Rolando González, samples, electronic, percussion, coros DOWNLOADS: High-res Images | Band Logo Technical Rider Stage Layout NEW ALBUM SANGRE ¡SONGO, PSICODELIA Y RELEASE DATE: MAY 2018 CONNECT WITH US: bacalaomen.com BUGALÚ! Spotify | YouTube instagram.com/bacalaomen facebook.com/bacalaomen Booking: [email protected] ABOUT Bacalao Men was born in Caracas in 1999, when Pablo Estacio asked two musician friends to form a songo band. The group first featured Sebastián Araujo on drums, Aurelio Martínez on sax, and Pablo Estacio on bass and vocal. Within the first jam sessions, the musical structures and atmosphere that would give Bacalao its essence began to emerge, with its intelligent lyrics, afrolatin beats with jolts of funk, hip hop and electronic. The formation soon was enriched with the integration of DJ Hernia; Vladimir Rivero, Caracas’ legendary salsa percussionist, and Rafael Gómez, former guitarist of Lapamariposa and currently performing with Lila Downs. With its new members, and an undeniably original repertoire, Bacalao embarked on its first era of concerts in different Caracas venues and all throughout Venezuela, quickly generating a buzz about its indisputably new yet familiar sound. El Nuevo Bugalú (2005) was its second album, also produced independently. El Nuevo Bugalú concentrated on small chronicles told by song, and with it, the group expanded its sounds characterized by the use of native semantics of the city of Caracas, religion, love, and stress. From this second album came the group’s hits Malibu and El Comegente, a cheeky chronicle that relates the life of Dorángel Vargas, a cannibal who devoured over a dozen people in the 90’s.Through El Nuevo Bugalú, Bacalao was awarded Best Album of the Year, Best Song (El Comegente) and Best Production (Bacalao Men) by Venezuela’s Foundation of New Bands (Fundación Nuevas Bandas).
[Show full text]
Activity Sheet
FUN FACTS! As a young man, Nancarrow Born: 1912 in Texarkana, Arkansas played trumpet in a jazz band Died: 1997 in Mexico City, Mexico Composer György Ligeti said, “This music is the He wrote over 50 pieces for the player greatest discovery since Webern and piano! What’s a player piano? Ives...something great and important for all music history! His music is so utterly original, enjoyable, The Entertainer on a player piano perfectly constructed but at the same time Nancarrow: Study for Player Piano No. 21 emotional...for me it’s the best of any composer living today.” This is a canon in two parts (see p. 6 for more about canons). You can hear the speed in the two parts Nancarrow: Piece for Ligeti (for Ligeti’s 65th changing over time. Then the end...wow! birthday) “See” the score visually in this video This piece is in his “Boogie-Woogie style” Nancarrow: Study for Player Piano No. 25 Using the player piano, Nancarrow can create music that would be impossible to play with just two hands! This one has some fun glissandos (when you swipe across the keyboard) and plays with the pedals. Watch the keys and hammers of the piano near the end...it’s aliiiiiiive!!!!! 1 FUN FACTS! Population: 130 million Capital: Mexico City (Pop: 9 million) Languages: Spanish and over 60 indigenous languages Currency: Peso Highest Peak: Pico de Orizaba volcano, 18,491 ft Flag: Legend says that the Aztecs settled and built their capital city (Tenochtitlan, Mexico City today) on the spot where they saw an eagle perched on a cactus, eating a snake.
[Show full text]
Graduate Commencement Ceremony 2020.Indd
Graduate Commencement Ceremony Saturday, July 11, 2020 20 6:00pm CET 20 Order of Events Call to Order and Commencement Greetings María Martínez Iturriaga Executive Director, Valencia Campus Greetings from President Roger H. Brown Roger H. Brown President Greetings from the Senior Vice President for Academic Affairs Lawrence J. Simpson Senior Vice President for Academic Affairs Provost Interim Dean of Academic Affairs / Faculty Speaker Jeanine Cowen Interim Dean of Academic Affairs Student Speaker Sharon Onyango-Obbo Degree Candidate, M.M. in Music Production Technology Innovation Nairobi, Kenya Video Salute to the Class of 2020 Presentation of the Honorary Degree of Doctor of Music Lila Downs Tribute Performance “La Cumbia Del Mole” Commencement Speaker Lila Downs Graduate Student Awards and Conferral of Degrees, Class of 2020 Magdalini Giannikou Program Director, Master of Music in Contemporary Performance (Production Concentration) Emilien Moyon Program Director, Master of Arts in Global Entertainment and Music Business Pablo Munguía Program Director, Master of Music in Music Production, Technology, and Innovation Lucio Godoy Program Director, Master of Music in Scoring for Film, Television, and Video Games Introduction of Candidates Catalina Millán Assistant Professor, Liberal Arts Department Pete Dyson Associate Professor, Global Entertainment and Music Business Processional and Recessional Talon - Abøn Together- Tati Rabell Like You Are - Delia Joyce Changes - Celestine & Earlybird Strange Bulería - Alba Haro Up High - Jimena Wu
[Show full text]
Mexican Sentimiento and Gender Politics A
UNIVERSITY OF CALIFORNIA Los Angeles Corporealities of Feeling: Mexican Sentimiento and Gender Politics A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Lorena Alvarado 2012 © Copyright by Lorena Alvarado 2012 ABSTRACT OF THE DISSERTATION Corporealities of Feeling: Mexican Sentimiento and Gender Politics by Lorena Alvarado Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2011 Professor Alicia Arrizón, co-chair Professor Susan Leigh Foster, co-chair This dissertation examines the cultural and political significance of sentimiento, the emotionally charged delivery of song in ranchera genre musical performance. Briefly stated, sentimiento entails a singer’s fervent portrayal of emotions, including heartache, yearning, and hope, a skillfully achieved depiction that incites extraordinary communication between artist and audience. Adopting a feminist perspective, my work is attentive to the elements of nationalism, gender and sexuality connected to the performance of sentimiento, especially considering the genre’s historic association with patriotism and hypermasculinity. I trace the logic that associates representations of feeling with nation-based pathology and feminine emotional excess and deposits this stigmatized surplus of affect onto the singing body, particularly that of the mexicana female singing body. In this context, sentimiento is represented in film, promotional material, and other mediating devices as a bodily inscription of personal and gendered tragedy, ii as the manifestation of exotic suffering, or as an ancestral and racial condition of melancholy. I examine the work of three ranchera performers that corroborate these claims: Lucha Reyes (1906-1944), Chavela Vargas (1919) and Lila Downs (1964).
[Show full text]
Survival & Lila Downs
NavaBello1 Jennifer Nava Bello English 122/Section Miss French February 21, 2011 Powerful Music: Survival & Lila Downs The banquet hall was filled with the deafening chatter of excited Latinos. The opening act began to play traditional Cumbia, which is a Latin style genre “played on drums, flutes and percussion instruments of African and indigenous origins” (Mauleon). As the music began filling the hot air with deafening sounds of crash symbols and singing Latinos, my mouth filled with distaste. Young teenage girls began to dance in front of a small stage. I rolled my eyes, the music was awful. I sat close to my husband and wondered how he was able to drag me to this event. Little did I know, this event would become a significant turning point in my life. Finally, the opening band performed their last song and my ears felt relief. As we took our seats on icy metal chairs, I watched as the young teenage girls and their families took their seats with an intense amount of anticipation. They stared at the empty stage like giddy school children. We were part of a Quinceanera that was open to the paying public. The Quinceanera, a party for a young Latina girl turning fifteen, was a dual event featuring a concert performed by Lila Downs. I knew nothing of her, until the woman sitting next to me informed me that Lila Downs performed in Frida, a motion picture about the life of Frida Kahlo. Who is Frida Kahlo? I thought to myself. I focused my attention on the decorative shawl wrapped around this odd woman.
[Show full text]
Download This
NEWS FOR IMMEDIATE RELEASE: April 23, 2019 Revised May 20, 2019** The Annenberg Center for the Performing Arts at the University of Pennsylvania Announces its 2019-20 Season #GLASSFEST, a three-week celebration of preeminent composer Philip Glass, features the world premiere of The White Lama: The Improbable Legacy of Theos Bernard, as well as Music in Twelve Parts and Knee Plays Brownstein Residency for Artistic Innovation honors Grammy® and Latin Grammy® award-winning vocalist Lila Downs, continuing The Philadelphians: Migrations That Made Our City series with a focus on Philadelphia’s Mexican American residents The Annenberg Center hosts the first local residency of Philadelphia’s Grammy® Award-winning new music choir, The Crossing, directed by Donald Nally Season opens September 13 with Tina Satter/ Half Straddle’s production of Is This A Room: Reality Winner Verbatim Transcription, a co-presentation with FringeArts as part of the 2019 Fringe Festival The Annenberg Center and NextMove Dance co-present a special retrospective celebrating the legacy of dance in Philadelphia while looking to its future In partnership with the University of Pennsylvania’s Department of Music, the Annenberg Center presents a two-concert series with the Daedalus Quartet A robust schedule of jazz, world music, early music, new music, theatre, family, and holiday presentations completes the Annenberg Center’s 48th season (Philadelphia – April 23, 2019) — The Annenberg Center for the Performing Arts at the University of Pennsylvania has announced its 2019-20 season, the third season curated by Executive and Artistic Director Christopher A. Gruits. Subscriptions are on sale now at AnnenbergCenter.org or 215.898.3900.
[Show full text]
The Latin Recording Academy® Today Announced Nominations for the 16Th Annual Latin GRAMMY Awards™ Via Latingrammy.Com, Facebook and Twitter
The Latin Recording Academy® Latin Academy of Recording Arts & Sciences, Inc. www.latingrammy.com NEWS RELEASE LEONEL GARCIA AND NATALIA LAFOURCADE LEAD ™ 16TH ANNUAL LATIN GRAMMY AWARDS NOMINATIONS Latin GRAMMY Award Recipients Will Be Revealed on Nov. 19 when The Biggest Night in Latin Music® Airs Live on Univision from the MGM Grand Garden Arena in Las Vegas MIAMI (Sept. 23, 2015) — The Latin Recording Academy® today announced nominations for the 16th Annual Latin GRAMMY Awards™ via LatinGRAMMY.com, Facebook and Twitter. Leonel García leads with six nominations, followed by Natalia Lafourcade with five. Additionally, Juan Luis Guerra and Alejandro Sanz; engineers Edgar Barrera, Demián Nava, and Alan Saucedo; and producer Cachorro López each receive four nominations. Pablo Alborán, Miguel Bosé, Café Quijano, Pedro Capó, Nicky Jam, Ricky Martin, and Vicentico are among those who each receive three noms. The 16th Annual Latin GRAMMY Awards, set for Thursday, Nov. 19 at the MGM Grand Garden Area in Las Vegas, will be broadcast live on the Univision Network from 8–11 p.m. ET/PT (7 p.m. Central). "This year's crop of nominees truly personify and represent a considerably diverse, eclectic and comprehensive worldwide Latin music community, which is a testament to The Latin Recording Academy's voting process," said Gabriel Abaroa Jr., President/CEO of The Latin Recording Academy. "With so many music professionals participating in the awards process, it's gratifying to see so many creators, performers and producers getting due recognition from their peers. With this list of nominees the Latin GRAMMYs® are sure be one of the biggest Latin music celebrations yet." Following is a sampling of the nominations, featuring an array of musical styles, artists and creative professionals, as well as some of the most prominent names and brightest newcomers in Latin music.
[Show full text]
Groundup Music Festival Reveals 2020 Lineup With
GROUNDUP MUSIC FESTIVAL REVEALS 2020 LINEUP WITH SNARKY PUPPY, BRIAN BLADE & THE FELLOWSHIP BAND, LETTUCE, CÉCILE MCLORIN SALVANT, LILA DOWNS, MICHAEL MCDONALD ACOUSTIC QUARTET, CHRIS POTTER, CHRISTIAN SCOTT AND MORE! February 14-16, 2020 at the North Beach Bandshell in Miami, FL Tickets on Sale Now! The fourth annual GroundUP Music Festival returns to the oceanside North Beach Bandshell in Miami Beach, Florida, February 14-16, 2020. Hosted by three-time Grammy award-winning collective Snarky Puppy, GroundUP will feature a special set from the band each day along with performances from an eclectic list of international artists. Joining Snarky Puppy is iconic singer-songwriter/keyboardist Michael McDonald from The Doobie Brothers and Steely Dan performing with Chris Potter, Michael League and Jamison Ross for a special acoustic set, progressive future funk collective Lettuce, saxophone virtuoso Chris Potter as artist-at-large, Grammy Award-winning Mexican folk-fusion singer Lila Downs, powerful jazz trumpeter Christian Scott aTunde Adjuah, jazz drummer and songwriter Brian Blade & The Fellowship Band, jazz vocalist Cécile McLorin Salvant, and more. The Valentine’s Day weekend event also features global artists from Colombia, Portugal, Brazil, Chile, Switzerland, and Greece, making it a true exploration of world music. “My vision for the festival is for people to maybe not recognize many artists on the bill but end up with a list of new artists they've discovered,” said Snarky Puppy’s bandleader Michael League. “That's the dream for me -- to have people come and experience everything blind, in a very pure and open-minded way.” Hailed by the Miami New Times as “one of the 10 best music events” in Miami, GroundUP will take place once again at the North Beach Bandshell and sprawling adjacent Palm Grove Park and beachfront complex.
[Show full text]
Clase De Música Clase De Música Actividades Para El Uso De Canciones Se De Esp
ÑOL A CLASE DE MÚSICA CLASE DE MÚSICA Actividades para el uso de canciones SE DE ESP A Actividades para el uso de canciones en la clase de español CL A en la clase de español CLASE DE MÚSICA ofrece 12 unidades didácticas NCIONES EN L que cubren los niveles A1-C1 del Marco Común de A Referencia Europeo (MCER). Cada una de estas unidades parte de una canción en español y plantea actividades para trabajar ANTES, DURANTE y DESPUÉS de la audición. EL USO DE C A La selección de canciones tiene en cuenta la diversidad R de culturas de los países hispanohablantes y propone un A acercamiento a distintos géneros musicales (pop latino, DES P tango-canción, rumba, rap, bolero...) y a artistas como A Jorge Drexler, Shakira, Manu Chao, Calle 13 o Violeta Parra. ACTIVID Además, CLASE DE MÚSICA incluye una sección con las soluciones y las indicaciones necesarias para llevar a cabo las actividades en el aula. CA ÚSI M CLASE DE ISBN 978-84-8443-753-6 9 7 8 8 4 8 4 4 3 7 5 3 6 www.difusion.com A1-C1 cdmusica_cover.indd 1 29/03/12 12:00 clase de música Autora: Matilde Martínez Sallés Coordinación editorial y redacción: Emilia Conejo Diseño: Oscar García Ortega Maquetación: Impderedigit Ilustraciones: Enric Font Fotografía de cubierta: Jesús Arias/Dreamstime Fotografías: pág. 8 Fotos International-KPA-ZUMA/Album; pág. 10 Michelle Marsan/Dreamstime, Nyul/Dreamstime; pág. 18 coveralia.com; pág. 28 alter-latina.com; pág. 40 rssbarcelona.com; pág. 50 Getty Images; pág. 52 Richard Gunion/Dreamstime, patriciawla1/Flickr, phylevn/Flickr, Tiziano Casalta/Dreamstime, Mikael Damkier/Dreamstime, Gustavo Alfredo Schaufelberger Pirron/Dreamstime; pág.
[Show full text]
Get on the Bus Music & the Movement
Get on the Bus Music & the Movement Grades 6 – 12 Objective To examine the role of music in social movements Materials Access to internet for research Paper and a writing utensil Presentation software to share work (optional) Background Music is an important part of the play Get on the Bus, just as it was crucial to the Civil Rights Movement itself. Music helps tell the story and frame the historical moment, but it also represents one of the tools in the activist’s tool box. Popular music can communicate ideas across large populations, to create awareness or specify a position. Songs, like marches, chants and signs, are participatory expressions of a cause. Activists can sing them to onlookers, adversaries, and each other. Songs can rally participants in a social movement, or console them when challenges arise. In Get on the Bus, the characters sing in a couple different instances. The songs in the play are actual songs from the Civil Rights Movement, sung acapella, just as the original Freedom Riders sang on the buses and when they were jailed. Vivian and Carl sing Ain’t Gonna Let Nobody Turn Me Around, with lyrics shared by original Freedom Rider, Earnest “Rip” Patton, Jr. Earlier in the play, Vivian leads them all in the song, If You Miss Me at the Back of the Bus, a song that challenged the Jim Crow laws of the South. Another popular song among the Freedom Riders was Hallelujah, I’m a Travelling. Many of these songs use the melodies of spirituals and gospel songs with new lyrics to reflect the cause.
[Show full text]
LILA DOWNS Our Minnesota Treasure
NEWS AND PROFILES CONNECTING THE LATINO AMERICAN COMMUNITY IN MINNESOTA March 2018 Issue 367 www.latinoamericantoday.com LILA DOWNS Our Minnesota Treasure Lila Downs - el tesoro de Minnesota Community 2 March 2018 LATINO AMERICAN TODAY WWW.LATINOAMERICANTODAY.COM Lila Downs Our Minnesota Treasure Will perform at the Ordway Theater - March 6th By Claud Santiago conic Grammy and Latin Grammy Award winning singer Lila Downs is one of Ithe world’s most singular and powerful voices, whose compelling stage presence and poignant storytelling transcend all language barriers. Lila was born in Mexico to Mixtec indigenous singer Anita Sanchez, who lived in the Mexico state of Oaxaca and Allen Downs, a professor of art and cinematography at the University of Minnesota. They met when Downs visited Oaxaca. As a child Lila split her time living in Minnesota and Oaxaca. In Minnesota Lila lived in a house that was located right across the street from the Roseville Mall. She was an elementary school stu- dent in Roseville. Her years in Roseville exposed her to more diversity than did her time in Oaxaca. On The Cover Lila Downs —Our Minnesota Treasure Lila attended school with Hmong, East Indian, and many other ethnic students and she Singer Lila Downs on the learned how large the Latino Grammy red carpet community was in the Twin Cities. It wasn’t well after her father’s death that Lila began to deeply explore her Mexican roots, while attending the U of MN, where she studied voice and anthropology. She soon Founded 2013 found out that the dedication to the art of music as a disci- Member of pline was big at the U of MN.
[Show full text]