DOCSLIB.ORG

Page 1 of 3 the Last Time - the Rolling Stones

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Page 1 of 3 the Last Time - the Rolling Stones The Last Time - The Rolling Stones The Last Time - The Rolling Stones (4/4) ---------------------------------- Intro & Main Riff: ----------------- E D A _ __ __ | | | | | | | | | | | e|------------|---------------| B|------------|---------------| G|----7-----9-|------7------6-| D|7s9-----9---|-0h-9----------| A|------------|--------0h-7---| E|------------|---------------| E [D A] E [D A] Well I told you once and I told you twice E [D A] E [D A] You never listen to my advice E [D A] E [D A] You don't try very hard to please me E [D A] E [D A] With what you know it should be easy Chorus: ------ A A Well this could be the last time A A This could be the last time D D Maybe the last time D A A E [D A] E [D A] I don't know, oh no, oh no Well, I'm sorry girl but I can't stay Feelin' like I do today It's too much pain and too much sorrow How good, I'll feel the same tomorrow Chorus Solo: Lick 1, Lick 2, Lick 1, Lick 3 Chorus Well I told you once and I told you twice But someone will have to pay the price And here's a chance to change your mind Cuz I'll be gone a long, long time Chorus This time baby, I'll see you no more Last time baby, I'll see you no more This time baby, I'll see you no more Last time baby, I'll see you no more Alright, c'mon, c'mon Page 1 of 3 The Last Time - The Rolling Stones Solo Licks: ---------- Lick 1: ------ E D A __ | | | | | | | | | e|----12---12--12--|10---5---| B|-----9----9---9--|10---5---| G|-----9----9---9--|11---6---| D|--9--9----9---9--|12---7---| A|-----------------|---------| E|-----------------|---------| E D A _ _ __ | | | | | | | | | | | e|-0-------|----------------| B|-0-------|---3------------| G|-1-------|s4-----4s2p-0---| D|-2-------|--------------2-| A|-2-------|----------------| E|---------|----------------| Lick 2: ------ E D A __ | | | | | | | | | e|----12---12--12--|10---5---| B|-----9----9---9--|10---5---| G|-----9----9---9--|11---6---| D|--9--9----9---9--|12---7---| A|-----------------|---------| E|-----------------|---------| E D A _ __ ___ _ | | | | | | | | | | | | e|-0-------|-----------------------| B|-0-------|---8-10-10b-10b-10-8---| G|-1-------|s9-------------------9-| D|-2-------|-----------------------| A|-2-------|-----------------------| E|---------|-----------------------| Lick 3: ------ E D A __ | | | | | | | | | e|----12---12--12--|10---5---| B|-----9----9---9--|10---5---| G|-----9----9---9--|11---6---| D|--9--9----9---9--|12---7---| A|-----------------|---------| E|-----------------|---------| Page 2 of 3 The Last Time - The Rolling Stones E D A __ __ __ | | | | | | | | | | | e|-0-------|15b---12-------------| B|-0-------|---------------------| G|-1-------|---------14b---14-12-| D|-2-------|---------------------| A|-2-------|---------------------| E|---------|---------------------| Alfred Music Lessons: http://www.youtube.com/watch?v=vqwsWRgJ6gY The Last Time is a song by the English rock band The Rolling Stones. This was The Rolling Stones' first British single written by Mick Jagger and Keith Richards, although Keith Richards admitted in the 2003 book According to the Rolling Stones that '... we came up with The Last Time, which was basically re-adapting a traditional Gospel song that had been sung by the Staple Singers, but luckily the song itself goes back into the mists of time.'. It was the band's third UK single to reach #1, spending four straight weeks at the top on most of the numerous UK music charts (there was no one UK chart at the time considered to be an absolute and definitive authority) in March and early April 1965. It reached No.2 in the Irish charts in March 1965. "The Last Time" was recorded at RCA Studios in Hollywood, California in January 1965. The Last Time was mixed in true stereo, but only bootleggers have a poor quality version, and the stereo version is noticeably shorter than the mono counterpart. Wikipedia, the free encyclopedia - http://en.wikipedia.org/wiki/The_Last_Time_(song) Page 3 of 3.
Load more

Recommended publications
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Playlist in 1969, Yale University Admitted Its First Women Undergraduates, Thus Ending 268 Years As an All-Male College
    YALE NEEDS WOMEN Playlist In 1969, Yale University admitted its first women undergraduates, thus ending 268 years as an all-male college. Yale Needs Women (Sourcebooks, 2019) tells their story. Here is the playlist to go with it: 22 songs released between 1969 and 1972, plus a two-song prelude from 1967. A quick scan will show that male performers outnumber women on this playlist, perhaps an odd choice given the Yale Needs Women title. It’s a reflection of the times, however. The music industry needed women too. You can find this playlist on Spotify. Search anne.g.perkins, or use this link: https://open.spotify.com/playlist/4aXLc1veNkKCMqCWd0biKE To find out more about Yale Needs Women and the first women undergraduates at Yale, go to yaleneedswomen.com. Many thanks to Rick High, Lily and Mac Perkins-High, and David and Ginger Kendall for their help in creating this playlist. Sources for the liner notes below are at the end. PRELUDE: 1967 1. Aretha Franklin, RESPECT. Aretha Franklin was the first woman ever inducted into the Rock and Roll Hall of Fame, and “Respect” was her first song to hit #1. She was twenty-five years old, six years into an abusive marriage that she would end in 1969, a black woman in a nation where that status meant double discrimination. “All I’m askin’ is for a little respect.” 2. Country Joe and The Fish, I-FEEL-LIKE-I’M-FIXIN’-TO-DIE RAG. Released in November 1967, the I-Feel-Like-I’m-Fixin’-To-Die Rag became one of the country’s most popular Vietnam War protest songs, particularly after its performance at Woodstock in August 1969.
    [Show full text]
  • Press Record and Just Get the Hell out of the Way.”
    MAVIS STAPLES “I’m the messenger,” Mavis Staples says on the eve of her 80th birthday. “That’s my job—it has been for my whole life—and I can’t just give up while the struggle’s still alive. We’ve got more work to do, so I’m going to keep on getting stronger and keep on delivering my message every single day.” That message—a clarion call to love, to faith, to justice, to brotherhood, to joy—lies at the heart of ‘We Get By,’ Staples’ spectacular twelfth studio album and first full-length collaboration with multi-GRAMMY Award-winner Ben Harper. Backed by her longtime touring band, Staples breathes extraordinary life into Harper’s compositions on the record, delivering roof-raising performances with both a youthful vigor and a commanding maturity. The arrangements here are spare but weighty, matched by Harper’s suitably lean and thoughtful production, and Staples seizes the opportunity to showcase her remarkable and continued evolution as an artist, one still growing and exploring more than half a century into her storied career. ‘We Get By’ is undoubtedly a timely collection, arriving such as it does in the face of deep social divisions and heightened political tensions, but like everything Staples touches, it’s also larger than any particular moment, a timeless appeal to the better angels of our nature that’s universal in its reach and unwavering in its assurance of better things to come. “When I first started reading the lyrics Ben wrote for me, I said to myself, ‘My God, he’s saying everything that needs to be said right now,’” Staples remembers.
    [Show full text]
  • Finding Aid to the Historymakers ® Video Oral History with Jun Mhoon
    Finding Aid to The HistoryMakers ® Video Oral History with Jun Mhoon Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Mhoon, Jun, 1954- Title: The HistoryMakers® Video Oral History Interview with Jun Mhoon, Dates: July 19, 2004 Bulk Dates: 2004 Physical 6 Betacame SP videocasettes (2:48:20). Description: Abstract: Music producer Jun Mhoon (1954 - ) was a touring drummer with Staples Singers, became vice president of A&M Records, and then founded his own record label, I AM Records, in 1987. He also serves as an adjunct professor at Harold Washington College and Columbia College, both in Chicago Mhoon was interviewed by The HistoryMakers® on July 19, 2004, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2004_099 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Music producer Jun Mhoon was born on June 10, 1954, and grew up on Chicago’s West Side. As a child, Mhoon stuttered, but he overcame that obstacle. While attending Grant Elementary School, Mhoon joined the drum and bugle corps, and found a mentor in Ms. “Satch” Finch. In 1968, at the age of twelve, Mhoon had his first major breakthrough in the entertainment industry, when he became the first drummer to begin touring with entertainment industry, when he became the first drummer to begin touring with the Staple Singers. Over the next ten years, Mhoon would tour and perform with many other notable artists, including trumpeter Thad Jones, Jessy Dixon and Paul Simon, and he was the first drummer to sit in with the Count Basie Orchestra.
    [Show full text]
  • Mavis Staples 1
    Mavis Staples Feb. 22, 2002 [Chicago Sun-Times reporter Dave Hoekstra recounts his experience as a first-time writer and producer on the Chicago Stories documentary "The Staple Singers." Hoekstra's deep respect for the group - headed by late patriarch Roebuck "Pops" Staples - is rooted in the Staples' dedication to both the civil rights movement and their art.] By Dave Hoekstra The Staple Singers are jewels in the crown of goodwill. Over the past 18 years I have discovered the many genuine dimensions of the Chicago-based family that always sang with a message. In 1984, I interviewed patriarch Roebuck "Pops" Staples in his Calumet City apartment for the Suburban Sun-Times. I wrote his obituary in 2000. And over the years at the Sun-Times I profiled lead singer Mavis Staples and wrote about the family's role in the civil rights movement, in Chicago's gospel community and their induction into the Rock and Roll Hall of Fame. These stories evolved into a friendship that led to the making of a documentary on the Staple Singers, which I produced and co-wrote with Jamie Ceaser, another longtime friend. The documentary, part of the "Chicago Stories" series. The half-hour program includes rare footage of the Staples and interviews with family members Pops, Mavis, Pervis and Yvonne, as well as Harry Belafonte, Jerry Butler, Gene Chandler, Bob Dylan, the Rev. Jesse Jackson, Chicago radio veteran Herb Kent, Natalie Merchant, gospel legend Albertina Walker and gospel star BeBe Winans. It's narrated by Grammy-winning musician and vocalist Bonnie Raitt, who collaborated with Pops on his "Peace to the Neighborhood" album.
    [Show full text]
  • Concert Press Release
    For more information contact: Rick Harmon Alabama Tourism Department 334-242-0583 Top Alabama musicians to culminate bicentennial with free Montgomery concert More than a dozen of Alabama’s top musicians will present a free concert of the state’s greatest hits in front of the Capitol in Montgomery on Dec. 14 as part of the celebration of the culmination of Alabama’s three-year bicentennial. “American Idol”-winner Taylor Hicks and Hank Williams daughter Jett Williams will co-host the 4 p.m. show. Performers include Allison Moorer, who has been nominated for Academy, Grammy, Americana Music Association and Academy of Country Music awards, John Paul White, a four-time Grammy winner, Martha Reeves, a Rock and Roll Hall of Fame inductee, Jimmy Hall, who led Southern blues/rock band Wet Willie, Eddie Floyd, who had the hit “Knock on Wood” and recorded and toured with the Blues Brothers, Candi Staton, the R&B great who had the disco hit “Young Hearts Run Free” and Dan Penn, who co-wrote such classics as “I’m Your Puppet,” “Cry Like a Baby” and “Dark End of the Street.” All these artists will be backed up by the 14-piece Muscle Shoals Allstars with David Hood and other legendary session players who have played on hits by artists such as Aretha Franklin, Wilson Pickett, Bob Dylan, Paul McCartney, The Staple Singers, Paul Simon, Bob Seger and Percy Sledge. “The state of Alabama played a seminal role in the history of rock and roll, and many of the musicians who helped create that history are performing in this concert,” said Lee Sentell.
    [Show full text]
  • 1970 - 1979 Playlist Date of Event - …
    1970 - 1979 Playlist Date Of Event - …. .... - …. .... - …. .... …. .... Booking Name - …............................................... Venue - …............................................... Event Type - …............................................... Please either E-mail this form back to [email protected] 2 weeks before your event or Send it to FAO ABIGAIL WILKES - J.A.B.S EVENT HIRE, 72 Alexandra Road, Walsall, WS1 4DX 3 weeks before your event. If you havent had a reply from ourselves then please call us on 07919921430 at least 2 days before your event Also if you are sending a copy via post then please keep a copy as I would hate it to get lost in the post. SONG DO PLAY DON'T PLAY 1 Stairway to Heaven - Led Zeppelin 2 Imagine - John Lennon 3 Hotel California - The Eagles 4 What's Going On - Marvin Gaye 5 Born to Run - Bruce Springsteen 6 Layla - Derek and the Dominos 7 Superstition - Stevie Wonder 8 Bohemian Rhapsody - Queen 9 Bridge Over Troubled Water - Simon and Garfunkel 10 Let's Stay Together - Al Green 11 Let It Be - The Beatles 12 Maggie May - Rod Stewart 13 American Pie - Don McLean 14 Won't Get Fooled Again - The Who 15 Stayin' Alive - The Bee Gees 16 Free Bird - Lynyrd Skynyrd 17 Brown Sugar - The Rolling Stones 18 Let's Get It On - Marvin Gaye 19 Go Your Own Way - Fleetwood Mac 20 Papa Was a Rollin' Stone - The Temptations 21 Your Song - Elton John 22 Midnight Train to Georgia - Gladys Knight and the Pips 23 More Than a Feeling - Boston 24 Just My Imagination - The Temptations 25 I Will Survive - Gloria Gaynor 26
    [Show full text]
  • The Top 200 Greatest Funk Songs
    The top 200 greatest funk songs 1. Get Up (I Feel Like Being a Sex Machine) Part I - James Brown 2. Papa's Got a Brand New Bag - James Brown & The Famous Flames 3. Thank You (Falletinme Be Mice Elf Agin) - Sly & The Family Stone 4. Tear the Roof Off the Sucker/Give Up the Funk - Parliament 5. Theme from "Shaft" - Isaac Hayes 6. Superfly - Curtis Mayfield 7. Superstition - Stevie Wonder 8. Cissy Strut - The Meters 9. One Nation Under a Groove - Funkadelic 10. Think (About It) - Lyn Collins (The Female Preacher) 11. Papa Was a Rollin' Stone - The Temptations 12. War - Edwin Starr 13. I'll Take You There - The Staple Singers 14. More Bounce to the Ounce Part I - Zapp & Roger 15. It's Your Thing - The Isley Brothers 16. Chameleon - Herbie Hancock 17. Mr. Big Stuff - Jean Knight 18. When Doves Cry - Prince 19. Tell Me Something Good - Rufus (with vocals by Chaka Khan) 20. Family Affair - Sly & The Family Stone 21. Cold Sweat - James Brown & The Famous Flames 22. Out of Sight - James Brown & The Famous Flames 23. Backstabbers - The O'Jays 24. Fire - The Ohio Players 25. Rock Creek Park - The Blackbyrds 26. Give It to Me Baby - Rick James 27. Brick House - The Commodores 28. Jungle Boogie - Kool & The Gang 29. Shining Star - Earth, Wind, & Fire 30. Got To Give It Up Part I - Marvin Gaye 31. Keep on Truckin' Part I - Eddie Kendricks 32. Dazz - Brick 33. Pick Up the Pieces - Average White Band 34. Hollywood Singing - Kool & The Gang 35. Do It ('Til You're Satisfied) - B.T.
    [Show full text]
  • An Educator's Guide to Visiting the Stax Museum of American Soul Music
    A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music Facing History and Ourselves is an international educational and professional development organization whose mission is to engage students of diverse backgrounds in an examination of racism, prejudice, and antisemitism in order to promote the development of a more humane and informed citizenry. By studying the historical development of the Holocaust and other examples of genocide, students make the essential connection between history and the moral choices they confront in their own lives. For more information about Facing History and Ourselves, please visit our website at www. facinghistory.org. Copyright © 2014 by Facing History and Ourselves National Foundation, Inc., and the Stax Museum of American Soul Music. All rights reserved. Facing History and Ourselves® is a trademark registered in the US Patent & Trademark Office. Text credits: Song lyrics for “Soul Man,” “Respect,” “Respect Yourself,” and “If You’re Ready (Come with Me)” are used with permission from Universal Music Publishing Group. Cover art credit: API Photography, Memphis, TN. For additional resources, visit Facing History’s The Sounds of Change website. Facing History and Ourselves Headquarters 16 Hurd Road Brookline, MA 02445-6919 2 Facing History and Ourselves Facing History and Ourselves is a global nonprofit organization founded in 1976 by educators who wanted to develop a more effective and rewarding way to engage students. We’re guided by the belief that the lifeblood of democracy is the ability of every rising generation to be active, responsible decision makers who’ve learned to value compassion as much as reason.
    [Show full text]
  • The Blues and Gospel Music Introductory Essay
    The Blues and Gospel Music Introductory Essay Charles F. McGovern, Associate Professor of American Studies and History, Director of Graduate Studies - American Studies Program, College of William and Mary If American music is unique, it is largely due to its bedrock foundation of blues and gospel music, two forms of music that emerged in the late 19th and early 20th century. Anchoring the sounds of African America, these styles underlay the musical innovations of the century: jazz, rhythm and blues, rock, soul and hip hop. They are known and cherished around the world and in every corner of the U.S. It would be impossible to imagine American music without them. The story of black music is also the tale of the enduring social struggles of American history. Blues and gospel, the secular and sacred songs of everyday black folk, are both bound up in sorrow, loss, despair, hope, redemption, resilience and dreams. While remaining recognizable over many decades, the spirit and musical forms of these styles have influenced much of the American music that has followed. The “blue notes” that are characteristic of the form became prominent in country music, rock and roll and jazz. The simple 12 bar A A B form of blues became the template for the first rock and roll songs, from “Good Rockin’ Tonight” to “Rocket 88" to “Hound Dog” to “Johnny B Goode.” And the world wide interest in American blues inspired such musicians as the Beatles, the Rolling Stones and others abroad to not only take up their own instruments, but to re- influence American popular music, borrowing the beat, the form and the sound of the blues and infusing them with new sensibilities.
    [Show full text]
  • Mavis Staples (B
    Mavis Staples (b. 7/10/39) Mavis Staples was born on July 10, 1939 in Chicago, Ill. She is the youngest of four children born to Oceala and Roebuck “Pops” Staples. Her mother DieD when Mavis was very young, so primarily their father raised her and her three older siblings. “Pops” Staples was from Mississippi and had learned to play blues guitar there. After moving to Chicago in 1936 and playing in a gospel quartet, he eventually left the group because he felt that his band mates were not serious about music. It was then that he turned his musical attention on his three children, and the Staples Singers were formed. Mavis became the group’s lead singer at the age of 10 as they performed at various churches in Chicago and the surrounding area, anD listeners couldn’t believe that a voice as mature as hers could come from such a little girl. The Staples Singers released their first recordings in 1953 on a local Chicago label and would do so on other local labels until 1957, when they signed with the Vee-Jay label anD scoreD their first major hit, Uncloudy Day, in 1957. In 1963, with their celebrity rising thanks to a nationwiDe folk and blues revival, the Staple Singers DelivereD a concert in Montgomery, Alabama that was attenDed by ReverenD Martin Luther King, Jr., anD speaking with him after the show haD a profounD effect on the group’s Direction. For the next several years they wrote songs exclusively in support of the American civil rights movement.
    [Show full text]
  • The Top 250 Greatest Songs 70S
    The top 250 greatest songs 70s 1. Stairway to Heaven - Led Zeppelin 2. Imagine - John Lennon 3. Hotel California - The Eagles 4. What's Going On - Marvin Gaye 5. Born to Run - Bruce Springsteen 6. Layla - Derek and the Dominos 7. Superstition - Stevie Wonder 8. Bohemian Rhapsody - Queen 9. Bridge Over Troubled Water - Simon and Garfunkel 10. Let's Stay Together - Al Green 11. Let It Be - The Beatles 12. Maggie May - Rod Stewart 13. American Pie - Don McLean 14. Won't Get Fooled Again - The Who 15. Stayin' Alive - The Bee Gees 16. Free Bird - Lynyrd Skynyrd 17. Brown Sugar - The Rolling Stones 18. Let's Get It On - Marvin Gaye 19. Go Your Own Way - Fleetwood Mac 20. Papa Was a Rollin' Stone - The Temptations 21. Your Song - Elton John 22. Midnight Train to Georgia - Gladys Knight and the Pips 23. More Than a Feeling - Boston 24. Just My Imagination - The Temptations 25. I Will Survive - Gloria Gaynor 26. Roxanne - The Police 27. Dream On - Aerosmith 28. Another Brick in the Wall, Part 2 - Pink Floyd 29. No Woman, No Cry - Bob Marley and the Wailers 30. London Calling - The Clash 31. Family Affair - Sly and the Family Stone 32. Anarchy in the UK - The Sex Pistols 33. Dancing Queen - Abba 34. We Will Rock You/We Are the Champions - Queen 35. Get Up (I Feel Like Being a) Sex Machine - James Brown 36. Living for the City - Stevie Wonder 37. Sweet Home Alabama - Lynyrd Skynyrd 38. Lola - The Kinks 39. Smoke on the Water - Deep Purple 40.
    [Show full text]