Downtown Fremont Public Art Program (Temporary Installation) – Metamorphosis

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Thursday, December 15th 2016, 2:27pm Call ID: 990676 Artist ID: 7754 Status: Received Helle scharlingtodd Contact

Partner Contact via Email [email protected] Phone Cell Web Site glassandmosaics.com Mailing Address .

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   Art is like music, it stimulates the mind and the senses. With this in mind I build my pieces with emphasis on space, form, color, line, rhythm, and content. Artists are image makers and like the world's antennas, they feel, think and express reality. Momentarily I focus on "defining our spaces", like building a new society, using color, form and line as the building blocks. In addition to my public art projects I have developed a series of "color molecule" sculptures. The sculptures represent an homage to the smallest building block of life, the molecules. The theme is called "metamorphosis" which means change, and I see my work fitiing to the theme, as we all have metamorphed from molecules to a human being, so honoring the smallest entity in us seems allright. The work has semi circular motions, which gives a light feeling. The piece is 14' x 6;' x 6'. It is powder coated, the main color being turquise with colored glass inserted in the molecules. When the light shines through 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. The sculpture consist of 2 pieces , one inserted in the other, it's easy to add the two ppieces, that are light weight. The base is a steel plate with holes in all 4 corners, so it can be attached with bolts to a platform. 4) Artist Bio/ResumePlease provide a bio/resume. Glass/mosaic artist HELLE SCHARLING-TODD

glassandmosaics.com EDUCATION: 65-66 Drawing and composition with Hans Chr Hojer.The Glyptotek, Copenhagen,DK 66-67 Academy of fine Art, Ravenna, Italy. Studied Byzantine mosaics. 67-69 Krefeld School of Architecture and design/glass. Bauhaus School, Germany 69-70 School of painting/sculpture, Esmeralda. Mexico City. 70-74 Aarhus University, Denmark. BA in Art History and Art Instruction. 50 SELECTED COMMISSIONS: 2016 3 benches with mosaics to Westpark Community Center. 2015 West park Community Center, Ventura. Tile entry sign, both sides. 2014 Ventura Promenade, parking structure, 4 tile murals, each 9'x10'. " Shells and seaweeds". Public art. 2013 Public art project, Ventura Adult center. Mosaic mural " Wall play". 2010 Palm Desert invitational sculpture. 2009 Temporary sculpture,"Art on Parade", Northglenn,Colorado. 2008 Temporary sculpture, "State of the Art exhibit, Santa Barbara. "Color Molecules,1." Exhibited on State Street four month. 2007 Glass installation, 12' tall. Danish Air Force School,Karup. 2006 The Ventura Westside Enhancement Project completed. Two Gateways installed 9' x 2' 3 sided. Walkways and intersection designs implemented. Competition 2006 Piru Circles. 17 mosaics placed in the pavement, in the " Safe to School" project. Narrating monuments and industry in the area. 2' in diameter. County of Ventura. 2004 Water and Power Department, Field Service B. Van Neyss,L.A.Competition for S. Calif. artists. Mosaic/tile mural, title: "Harvesting energies. Complete. 07. 2003 FAMU, School of business & Industry, Tallahassee, Florida. Stained glass windows with photo transfer, 350 sq'. Title, " Global Inspiration". Manufactured by The Derix Studios, Germany.National competition. Call ID: 990676 Artist ID: 7754 Status: Received

Helle scharlingtodd (Continued)

2002 Department of Children and Families, Tallahassee, Florida. Glass balcony. 8 painted/fired glass panes Size: 3' x 3'. Title: "Linking" National competition.

2002 Two memorial benches, for Ventura Olivas Adobe Historical Museum, Rose Garden. 6' X 16" x 17". Commissioned. by Ventura Parks and Rec.

2001 Lead artist on the Ventura Westside Enhancement Project. Competition for S. Calif. artists. Designed and fabricated two standing 9' x 2', 3 sided mosaic Gateway. title: "Westside Stories". Located at Park Row/Ventura Ave. and Stanley/ Olive St. I designed also Indian inspired Walkways and Intersections.

2000 Senior Center, Santa Clara St/Oak. Ventura. 8' x 9' mosaic/tile mural. Title: "Abundance of DNA". Grant from Ventura Arts Council. Seniors involved. 2000-1972 Various public art projects.

1972 Bronderslev Church. Denmark. 2 stained glass for the choir wall. each 1 square meter each.

1969 Middelfart City Hall, Denmark. a 1 square meter mosaic, at Wedding Hall.

1968 Topsikring, Denmark. A mosaic mural, 15' x 4'. "Growth". Kolding. Later this mural was transferred to Topsikring, Ballerup

1968 Nordea, Rudkobin, Denmark. Mosaic mural , 5 square meters." The Langeland Septet". Inspired by poem pf Frank Jaeger.

1967 Langeland Adult School of Education, Mosaic mural in three parts." The young ones meet". 3 square meters. River rocks, smalti and gold materials used. SELECTED EXHIBITS: 1973 Spring exhibit, Aarhus. Juried. 1977 European juried glass exhibit, Coburg, Germany. 1994 Danish Glass, Ebeltoft Glass Museum. "Danish Glass 04". 1995 Solo show at Danish Women's Museum, Aarhus. 1996 "Glass,Glass, Glass". Glass group show, The Helligaands Church.Copenhagen. 1998 "Garten Glass Plastiken", Munster, Germany. Juried show. 98,2000,02,04,06 1998 "Water,light,glass", Ebeltoft Glasmuseum, Denmark. Group show. 2000 "Religious Glass", exhibit. Ebeltoft Glass Museum. Group Show. 2002 Jyllandsposten's Gallery, Kgs. Nytorv, Copenhagen. Solo show. 2002 McGear Modern, Bergamot Station, Los Angeles. group show. 2002 Couturier Gallery, La Cienega Blvd. Los Angeles, group show. 2002 Global Art Venue Gallery, Seattle. Group show. 2002 Scandinavian Museum, Seattle, Solo Show,"Icy". 2003 Shown in various galleries, V

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A. 

Palm Desert sculpture invitational 2010, 2 years duration.

Art Detail

Category Statement Art is like music, it stimulates the mind and the senses. With this in mind I build my pieces with emphasis on space, form, color, line, rhythm, and content. Artists are image makers and like the world's antennas, they feel, think and express reality. Momentarily I focus on "defining our spaces", like building a new society, using color, form and line as the building blocks. In addition to my public art projects I have developed a series of "color molecule" sculptures. The sculptures represent an homage to the smallest building block of life, the molecules. Call ID: 990676 Artist ID: 7754 Status: Received

Helle scharlingtodd (Continued)

Color molecule 2. Steel and glass 13' x 6' x 4' $1800.00 2010

molecule 2 detail steel and glass 13' x 6' x 4' $18000.00 2011

color molecule 2 palm Desert on display steel and glass 13' x 6' x 4' $15000.00 2010 Call ID: 991129 Artist ID: 171934 Status: Received gabe babcock Contact

Partner Contact via Email Phone Cell Web Site gabebabcock.com Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   "Strength Together," captures the moment of transformation between humans and Nature. Where the milled wood is supporting the stone, but at the same time, the stone is locking all the pieces together, similar to a key stone. This moment of transformation shows how interlocked we are. As the city of Freemont continues to grow, it is pertinent that the residents and the biosphere around maintain a connection with nature. This pieces is creates a sense of wonder from afar, pulling the viewer in and around while leading them to ask, who supports whom? It forces the viewer to slow down observe, and question what is central during this time of metamorphosis. 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. This piece has a fabricated steel sleeve that the wood slides into and is then bolted to. This sleeve is professionally welded to a 9"x 12" x 1/2 thick base plate with four hole in it that are used for bolts to pass through to be mounted to a concrete pad. The wood is glued and doweled (maple) together using outdoor, freeze safe wood glues. Once in position and fastened to the sleeve, the rock (50 lbs) is held up by a lift wile the steel cables are threaded through the three post. These are then wire clamped and then re-inforced using channel bar. The cables are epoxied to the stone in 6" holes with concrete epoxy rated at 22,000 lbs/sq/in. This piece has been inspected by an engineer. De-installation requires unbolting the cables from the wood. Pulling the wood out of the sleeve and removing the base plate. 4) Artist Bio/ResumePlease provide a bio/resume. Bio: Growing up in the soggy foothills of the Willamette Valley in Oregon, I spent my childhood years exploring the natural world around me, and focusing on my role within it. My years at the University of Oregon honed in my experiences and I began to use art to illuminate the relationship between Nature and humans. The Natural world and its processes are my source of inspiration. Delving deeper into the Earths Biospheres has kept me in awe, but never surprised by the connectivity of it all. Everything has its purpose. Human's imposition on Nature is what drives my art. I am an observer using art to share my observations in a way that is memorable to its viewers. My work is simple and easy to view but has complexity within its structure. This catches the audience's attention and stirs up curiosity. I now slit time between my studio in Colusa, CA and the rainy hills of Western Oregon. Resume : Contact -

www.gabebabcock.com

Education - University of Oregon. B.S. in Fine Arts Public Artist Roster's - Call ID: 991129 Artist ID: 171934 Status: Received gabe babcock (Continued)

Oregon Arts Commission, Art in Public Places (OAC), 2016-2019 Regional Arts and Culture Council (RACC), 2015-2018 Spaceworks - Tacoma, WA. 2016-2017 Outdoor Public Work - 2016 The Bancroft Garden - Walnut Creek, CA Piedmont Community Center - Oakland, CA Autumn Lights Festival - Oakland, CA Dog Wood Park - Milwaukie, OR 2015 Clackamas County Public Services Building - Oregon City, OR BIG Art Walk - Hood River, OR City Hall Sculpture Garden - Milwaukie, OR Autumn Lights Festival - Oakland, CA Art-Outside Exhibition - Port Angeles, WA Art Contemplates Industry - Clackamas County Arts Council Westlake Middle School - Oakland, CA 2014 Autumn Lights Festival - Oakland, CA The Oregon Gardens Colusa Zen Garden - Colusa, CA 2013 River of No Return - PBS Nature Documentary Film Corvallis Arts Center Da Vinci Days - Corvallis, OR Corvallis Arts Center Solo Exhibition - Corvallis, OR Private Commissions & Solo Exhibitions - 2016 Browzwear - Interior Design + Installation - Corvallis, OR Flight of Love Wedding Arbor - Oakland, CA Slate Tokonoma - Colusa, CA Serendipitous Stones - Portland, OR 2015 Ring of Vows Wedding Arbor - Covallis, OR Ikebana Vase - McCall, ID Lower Klamath Wildlife Refuge Aerie - Klamath Falls, OR 2014 National Juried Exhibition - Marin Museum of Contemporary Arts The Oakland Redwoods - Berkeley, CA Farming Vessel - Alpine, OR Glass House - Corvallis, OR 2013 The Weight of a Line - Kindred Wind Studios Madrone Men - Philomath, OR Cedar Garden Benches - Corvallis, OR Hanging Rock Fence - Corvallis, OR A Piece of the Whole: Philomath, OR Madrone Men: Philomath, OR Remove Yourself From the Negative Environment - Oakland, CA Publications: - LandEscape: 2015 References - Elizabeth Klein Assoc. Director, Clackamas County Arts Council

Kristen Godkin Director: Art in Community Program - Hood River

Victoria Rocha Supervisor, City of Oakland Parks

Call ID: 991129 Artist ID: 171934 Status: Received gabe babcock (Continued)

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A. 

Hood River, Oregon. 2015- January 2017. Note: Hood River gets over 30 in of Rain/year as well as 50-60 mph winds are not uncommon.

Art Detail

Category Statement I strive to illuminate the tension between nature and humans through art. Using various materials and testing their limits, I toe boundaries; each project becomes an engineered experiment. Similarly, a stonefly's cocoon of sand and pebbles is fit for three years of tumultuous waters; the cocoon can fail and its components once again become part of the river, shedding light on connectedness and impermanence. The tension and balance I strive for is like that of an eagle's nest. Weaving found materials together with its beak, for the bird to balance a metric- ton basket on the highest point of the tallest tree to embrace the elements is like Russian roulette. Nobody would ever do this, but an eagle does and succeeds. Using craft as my wading staff, my goal is to create structure within the thalweg, conveying tension to the viewer standing safely ashore.

Strenth Together Cedar, Basalt, Steel 12' x 16' x 8' $18500.00 2015

Strenth Together Cedar, Basalt, Steel 12' x 16' x 8' $18500.00 2015 Call ID: 991129 Artist ID: 171934 Status: Received gabe babcock (Continued)

Strenth Together Cedar, Basalt, Steel 12' x 16' x 8' $18500.00 2015 Call ID: 993144 Artist ID: 32201 Status: Received Jacob Burmood Contact

Partner Contact via Home Phone Emai Phone Cell Web Site www.jacobburmood.com Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   My work is a series of experiments attempting to capture the dynamic of materials subjected to and transformed by unseen forces, like gravity, pressure, heat, and tension. I use materials that easily conform to and then capture the forces they are subjected to such as cloth dipped in resin, liquid wax, and molten metal. Some of the forms are displayed in opposition to how they were formed; contrasting and emphasizing the state change from liquid to solid. That state change is important because it allows me to freeze them at the critical moment that is most revealing of the interaction between energy and matter, making those unseen forces visible. 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. For its size, this sculpture is fairly light and very strong. I plan to back up to the site, and with the help of two or three other people, unload and place the sculpture. It has a steel plate that is welded to an internal armature that runs up inside the sculpture. The steel plate has holes for large concrete anchors. Deinstallation would just be a reversal of installation. 4) Artist Bio/ResumePlease provide a bio/resume. Jacob Burmood

www.jacobburmood.com Biography Jacob Burmood is a graduate from the University of Kansas, where he received his MFA in Ceramics in 2013. He graduated with a BFA in Sculpture in 2006 from Missouri State University. After graduate school, he moved back to his hometown of Springfield, Missouri, where he ran a studio creating work for shows, commissions, and public art competitions. He also taught Sculpture I as an adjunct professor at Missouri State University. Jacob recently moved to the Kansas City area and opened a studio where he continues to make ceramics and sculpture. He works for the Sculpture and Metals program at Johnson County Community College as the studio lab aide, and started teaching Sculpture classes in the fall of 2016.

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A.  "Depth of Form" Edition of three castings, has been shown in the following locations: Meyer Library, Missouri State University: 3 months. Olathe KS: 1 year Kingsport TN, 1 year Cape Girardeau MO, 1 year

Art Detail

Category Statement Artist Statement Call ID: 993144 Artist ID: 32201 Status: Received

Jacob Burmood (Continued)

Jacob Burmood

As a child, I spent my free hours walking along a creek that had carved its way through a wooded area. All the forces that determine the path of the stream also govern the rocks, vegetation and creatures that surround it. Though their reactions to these forces differ, they remain related. Becoming part of these interwoven complexities gives me a sense of deep harmony and simplicity, and is the basis of my inspiration. The forms I create are an abstraction of the fluid nature of the universe, and the purpose of each work is to find an underlying order that converges elements into a unified whole that moves as one, like a school of fish or flock of birds.

Depth of Form Cold-cast aluminum 90" x 36" x 45" $15000.00 2015

Depth of Form Cold-cast aluminum 90" x 36" x 45" $15000.00 2015 Call ID: 993144 Artist ID: 32201 Status: Received

Jacob Burmood (Continued)

Depth of Form Cold-cast aluminum 90" x 36" x 45" $15000.00 2015 Call ID: 993197 Artist ID: 203108 Status: Received Patricia Vader Contact

Partner Joe Bologna Contact via Email Phone Cell Web Site patriciavader.com Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   Space Glow responds to the theme of metamorphosis by transforming the concept of a flower bouquet in daylight into an image from outer space in darkness. Instead of closing, the futuristic-looking flowers of this bouquet will softly glow at night, creating a 5-color spectacle of shadow patterns in all directions. As though arriving from interstellar space, the flowers are captured by strong stems that anchor them to a rusty vessel through an array of orbiting hoops. This sculpture parlays well-used low-grade materials against sparkling new commercial equipment, creating an organic fantasy ,and challenging the viewer's perception. 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. SPACE GLOW: Dimensions: HWD 12'x9'x9' Weight: 200 lbs, Illumination: 5 LED lights of different colors creating glowing flowers at night. This sculpture conforms to the City's dimensional requirements and vertical clearances required by the ADA. SCULPTURE COMPONENTS The sculpture has four parts that are fitted and bolted together: #1. a steel pipe base frame consisting of three legs, each 4'-6" long, radiating out from a rigid central connecting bracket. The legs are made of heavy 3" steel pipe and will be recessed into the soil. The legs have ½" steel bolts protruding vertically from the pipes for attachment to the three connecting tabs at the base of the support column of the sculpture described in #2. #2. -a 16" diameter x 72" high central support column with three tabs at the bottom for bolting onto the steel base described above. The column has 2 internal handles at the top for lifting and three vertical fins at the bottom for mounting electrical boxes. #3. -a circle of orbs welded to a collar that slides over the top of #2 and is bolted to it. #4. - five aluminum and stainless steel "flowers" with flexible steel "stems" that slide into the top of #2 and are bolted to it. The flowers contain LED lights inside that shine through the perforated aluminum flower ends. LIGHTING Our LED lights are mounted inside the tip of the perforated stainless steel "flowers" and are internally wired to a 12-volt transformer. The existing junction box of the power conduit at the site will be mounted on one of the sculpture's three steel "fins" near the base. The transformer will be mounted in a second weather-tight junction box adjacent to it, with12-volt wiring exiting the box inside the central column. The five flowers of the sculpture will be illuminated in beautiful patterns and different colors by our LEDs . The lighting surrounding the site at night will bounce off and showcase the shiny flower stems and tops as well as the orb collar, while more discreetly illuminating the sculpture support structure. INSTALLATION AND DE-INSTALLATION: 1. The sculpture base frame is installed level with the soil surface. 2. The sculpture support column is lifted into place with a boom truck and bolted to the base frame with double nuts for protection against vandalism. 3. The circle of orbs is bolted to the support column 4. The 5 flower/stem assemblies are attached to a center collar at the top of the support column 5. The 12-volt wiring is connected to the flower. The deinstallation procedure will essentially be the reverse of the installation steps.

4) Artist Bio/ResumePlease provide a bio/resume. Patricia Vader Call ID: 993197 Artist ID: 203108 Status: Received

Patricia Vader (Continued)

Master of Fine Arts, Sculpture, California College of the Arts, San Francisco Ph.D. Mathematics and Natural Sciences, University of Amsterdam, The Netherlands PERMANENT OUTDOOR PUBLIC ART COLLECTIONS since Totem, Greeley, Colorado, commissioned by the City of Greeley, Colorado, under construction 2017 Frolic, Durango, Colorado, purchased by the City of Durango 2016 Sunflower I, Livermore, purchased by the City of Livermore, California, to be installed 2016 Kicker Kid, co-artist J. Bologna, Cardoza Park, Milpitas, California, commission 2016 Sunflower III, Sundeleaf Plaza, Lake Oswego, Oregon, purchased privately for the City of Lake Oswego 2015 Watch my Tail, Humane Society, Auburn, Washington, purchased by the City of Auburn 2014 Flying Fish, Orange Memorial Park Sculpture Garden, purchased by South San Francisco, California 2013 Flight, Bentley School, Lafayette, California, commission 2011 Peacock, Orinda Library Plaza, Orinda, California, commission, City of Orinda 2009 CURRENT PUBLIC ART INSTALLATIONS since Fish at Play, Sioux Falls, South Dakota, to be installed 2017 Sunflower, Area Park at Lake, Roswell, Georgia, to be installed 2017 White Dog, Los Altos, California, to be installed 2016 Corkscrew, South Barstow Street, Eau Claire, Wisconsin 2016 Sit, Worlds of Wonder Children's Museum, Lafayette, Colorado 2016 Radiance, Main Street, Hutchinson, Kansas 2016 Stay, Main Street, Hutchinson, Kansas 2016 Solar Wind, Big Creek Park, Roswell, Georgia 2016 RA, Phillips Av. and 13th Street, Sioux Falls, South Dakota 2016 Jumping the Waves, Manhattan Beach Art Center, Manhattan Beach, California 2015 Bouquet, co-artist J. Bologna, Oxbow Market, Napa, California 2015 Spring Bouquet, co-artist J. Bologna, Stephen A. Austin State University, Nacogdoches, Texas 2015 AWARDS Honorable Mention, 2015 KAO International Kinetic Art Competition, Palm Beach, Florida 2015 The People's Choice 2014, Auburn, WA 2014 The People's Choice 2014, Puyallup, WA 2014 PRESS Art on the street 2016, Lafayette CO, interview, https://www.youtube.com/watch?v=17rVaLmqyFs 2016 Did You Know Newport Beach Has a Sculpture garden? by Shannon Britsche and Michelle Slieff 7/22/2016 http://www.pelicanhillmagazine.com/stories/newport-beach-sculpture-garden/ Vader aims for fun with 'Spring Bouquet',The Daily Sentinel, Nacogdoches, TX, by Nicole Bradford 1/16/2016 Art in motion; Wind artist lives in a museum of her own design Contra Costa Times and Bay Area News Group, by Joan Morris 6/26/2010 It was a jump into a black hole... Broerstraat 5, Alumni Magazine of the University of Groningen, NL, by Ellis Ellenbroek December 2009 New Public Art Work Coming Soon to Community Center and Library, Orinda News, by Sally Hogarty August 2009 DOCUMENTARY Wind artist wheel adventure, by Susan Tripp Pollard, Contra Costa Times, Walnut Creek, CA 2010 https://www.youtube.com/watch?v=N9WiCOt6LWc

Joe Bologna Resume Master of Architecture, University of Michigan, Ann Arbor, Michigan

EXPERIENCE Practicing Sculptor [1976- present] Hollman + Bologna, Architecture & Planning [Partner, 1982-2010] Walnut Creek Art Commission [2010 -present] Bedford Gallery Advisory Board [2007-8] Diablo Regional Arts Association [Past president] Host/interviewer for SCULPTCAST Conversations About Sculpture [podcast series] Walnut Creek Design Review Commissioner [1994-2000]

PERMANENT OUTDOOR PUBLIC ART Kicker Kid, with co-artist P. Vader , Cardoza Park, Milpitas, California, commission2016 Rose Buds Arts Education Shadelands Campus, Walnut Creek, CA Men at Work Burton & Young Construction, San Ramon, CA Garden Gates Lafayette Art Gallery Sculpture Garden, Lafayette, CA 2014 Bicycle Watchers, Walnut Creek, CA, 2016 Sculpture Garden, Lafayette, CA 2003 Bicycle Hitching Post Rose Garden Shopping Center, Danville, CA 2010 Wine Boy Baldacci Vineyards, Napa Valley2013

Sittin 'Round the Oak Tree

CURRENT PUBLIC ART INSTALLATIONS One-eye Jack Geyserville,CA Push Back Cloverdale, CA Cloverdale CA Sasa Restaurant, Walnut Creek, CA 2013 2012

AWARDS Creek Action for Beauty Award 2012 Call ID: 993197 Artist ID: 203108 Status: Received

Patricia Vader (Continued)

PRESS Art that belongs outdoors Walnut Creek journal, by Lou Fancher 7/5/2012 MEDIA SCULPTCAST conversations about sculpture http://www.sculptcastconversations.com/

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A. 

Bancroft Garden Walnut Creek, CA May-August 2015

Art Detail

Category Statement The Vader& Bologna team merges experience and background in sculpture, architecture and science to create innovative sculpture that engages people in a joyful and humorous manner. We completed a large commissioned sculpture for Cardoza Park in Milpitas, CA in May 2016. Vader's whimsical public sculptures are installed in cities and parks nationwide and many of them have become landmarks. Her work received two People's Choice Awards in 2014 and an honorable mention in the 2015 International Kinetic Art Competition KAO. She is currently working on a public art commission for the City of Greely, Colorado. Bologna has chaired the Art Commission in Walnut Creek, hosted the Sculptcast Conversations with Sculptors podcasts and served on the Board of Pacific Rim Sculptors. He received the 2012 Artistic Achievement Award in Walnut Creek, CA. Our public artwork is professionally engineered, respects all public safety rules, is designed for outdoor conditions and requires no maintenance.

Vader&Bologna, Space Glow, front view- for scale aluminum and steel 12' x 9' x 9' $15000.00 2015 Call ID: 993197 Artist ID: 203108 Status: Received

Patricia Vader (Continued)

2. Vader&Bologna, Space Glow, back view aluminum and steel 12' x 9' x 9' $15000.00 2015

3. Vader&Bologna, Space Glow, front view- night time aluminum and steel 12' x 9' x 9' $15000.00 2015 Call ID: 993205 Artist ID: 203045 Status: Received Patricia Vader Contact

Partner Contact via Email Phone Cell Web Site patriciavader.com Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   Butterflies are the classic example of metamorphosis from a pedestrian caterpillar to a beautiful winged creature. This Butterfly advertises metamorphosis and transformation at several levels. Made with recycled materials it showcases how common bicycle wheels can be turned into colorful windmills that animate this artwork in true fluttering butterfly mode, the windmills turning both clockwise and counterclockwise in the slightest breeze. The kinetic element reflects the hustle and bustle on Fremont's busy streets and sidewalks. The bright colors of Butterfly, the reflections off the aluminum disks on its windmills and its featured reflectors add to the sense of excitement and assure good visibility at night in the ambient street light. (I visited the site I in day time and at night). Butterfly can also be seen as promoting the use of bicycles as a means of transportation in conjunction with the prominent bicycle lanes that are being added to Fremont's streetscape. 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. For a two year installation on the Fremont site (which I visited and inspected a few weeks ago) the sculpture needs to be bolted to a concrete base of dimensions specified below. This was not possible at the sculpture's previous display site in the Filoli garden where an H frame and cables were used instead to secure the sculpture as shown in the images provided. I have no pictures of the sculpture mounted on a concrete base but will provide any diagrams and photoshopped images upon request. A video of the installation in Filoli can be watched on vimeo at https://vimeo.com/195095264 or youtube at https://youtu.be/y0z5qhYas7k TWO POSSIBLE HEIGHTS FOR BUTTERFLY Butterfly can be installed with a total height of 18' (case 1) or 13' (case 2). At 18' there is an overall 8' ground clearance below the wings and all the windmills will spin. At 13' only the upper wings are more than 7' above ground and most of the windmills on the lower wings have to be inactivated for public safety (this still leaves 20 spinning windmills). The smaller butterfly is easier to install and needs a less hefty concrete pad. The tall butterfly may be more appropriate for the site. Case 1 of 18' high requires a HWD 2' x 5' x5' concrete base or equivalent per structural engineer specs. The central support post is 15' tall. Case 2 of 13' high requires a HWD 14"' x 5' x5' concrete base or equivalent per structural engineer specs. The central support post is 10' tall. Alternatively, the central post may be cut to any length in between 10' and 15' that best suits the needs of the site. Regardless of its length the central post has a 15" diameter x ¾" thick base plate welded onto it and three equally spaced 1/2" thick gussets. The base plate has six equally spaced 5/8" diameter Simpson Strongbolts embedded 4.5" min into concrete base per structural engineer specifications.

So we need six 5/8" diameter and 4.5" deep minimum holes drilled in the concrete. INSTALLATION AND DEINSTALLATION PROCEDURE Requirements: a boomtruck, a manlift (case 1) or 12' ladder (case 2) and minimum 3 persons Butterfly will be transported disassembled. The support post is lifted off my truck and positioned on 2 woodblocks. The 4 wings are put in position, supported by 1 wood blocks each, and attached to the post. Half of the windmills that were taken off for transportation are reattached. A cable is attached to the bolt inserted through the top of the support post for installation purposes and the whole sculpture is lifted by boom truck from horizontal to vertical position and then centered on the concrete pedestal. Bolt holes are drilled in the concrete and bolts put in place to secure the sculpture. Finally, the body of the butterfly is bolted to the central post. Deinstallation is the reverse procedure. DETAILS OF SCULPTURE The upper wings weigh 80 lbs each,including 8 windmills, the lower wings weigh 65 lbs each, including 11 windmills, and the Call ID: 993205 Artist ID: 203045 Status: Received

Patricia Vader (Continued)

butterfly body is about 30 lbs. Each wing and the body are independent integral structures that attach to the central pole with two clasping rings spaced by 15". The total weight of the sculpture is 450 lbs.

Each wing has a U shaped support tube with a clasping ring at both ends for attachment to the central post. The clasping ring has two halves. One of these has an integrated bracket that slides over the U shaped support tube and includes an aluminum set piece that conforms to the curvature of the 5" support pole and locks the ring in place by pressure. A ribbed set pin helps to hold each half ring in place. The two halves are bolted together by 3/8" stainless steel bolts and long coupling nuts to facilitate tightening.

4) Artist Bio/ResumePlease provide a bio/resume.

Patricia Vader Master of Fine Arts, Sculpture, California College of the Arts, San Francisco Ph.D. Mathematics and Natural Sciences, University of Amsterdam, The Netherlands

PERMANENT OUTDOOR PUBLIC ART COLLECTIONS since Totem, Greeley, Colorado, commissioned by the City of Greeley, Colorado, under construction 2017 Frolic, Durango, Colorado, purchased by the City of Durango 2016 Sunflower I, Livermore, purchased by the City of Livermore, California, to be installed 2016 Kicker Kid, co-artist J. Bologna, Cardoza Park, Milpitas, California, commission 2016 Sunflower III, Sundeleaf Plaza, Lake Oswego, Oregon, purchased privately for the City of Lake Oswego 2015 Watch my Tail, Humane Society, Auburn, Washington, purchased by the City of Auburn 2014 Flying Fish, Orange Memorial Park Sculpture Garden, purchased by South San Francisco, California 2013 Flight, Bentley School, Lafayette, California, commission 2011 Peacock, Orinda Library Plaza, Orinda, California, commission, City of Orinda 2009

CURRENT PUBLIC ART INSTALLATIONS since Fish at Play, Sioux Falls, South Dakota, to be installed 2017 Sunflower, Area Park at Lake, Roswell, Georgia, to be installed 2017 White Dog, Los Altos, California, to be installed 2016 Corkscrew, South Barstow Street, Eau Claire, Wisconsin 2016 Sit, Worlds of Wonder Children's Museum, Lafayette, Colorado 2016 Radiance, Main Street, Hutchinson, Kansas 2016 Stay, Main Street, Hutchinson, Kansas 2016 Solar Wind, Big Creek Park, Roswell, Georgia 2016 RA, Phillips Av. and 13th Street, Sioux Falls, South Dakota 2016 Jumping the Waves, Manhattan Beach Art Center, Manhattan Beach, California 2015 Bouquet, co-artist J. Bologna, Oxbow Market, Napa, California 2015 Spring Bouquet, co-artist J. Bologna, Stephen A. Austin State University, Nacogdoches, Texas 2015

LONG TERM OUTDOOR PUBLIC SCULPTURE EXHIBITIONS 2016 Filoli Summer Garden Sculpture Exhibit, invitational, Woodside, CA 2016 Civic Center Park Exhibition, Newport Beach, California 2015-16 Station Museum, Castlegar, BC, Canada 2015-16 Coastal Discovery Museum, Hilton Head Island, South Carolina 2015-16 E. B. Rains Junior Memorial Park, Northglenn, Colorado 2015 Sculpture in the Garden, Ruth Bancroft Garden, Walnut Creek, California 2014-15 Puyallup's Outdoor Gallery, 2nd Street SW, Puyallup, Washington 2014 REVU Gallery, Palm Desert, CA 2014 Sculpture in the Ruth Bancroft Garden, Walnut Creek, California 2014 Richmond Art Center, Richmond, California 2013-14 Downtown Sculpture Gallery, Auburn, Washington 2013 Sculpture Trail, Geyserville, California 2013 Sculpture in the Ruth Bancroft Garden, Walnut Creek, California 2012-14 El Paseo, Palm Desert, California 2012 San Rafael Plaza, San Rafael, California 2012 Lafayette Art Gallery Sculpture Garden, Lafayette, California 2012 Wind Fair, Exploratorium, San Francisco, California 2012 The Cloverdale Sculpture Exhibit, Cloverdale, California 2012 Sculpture in the Ruth Bancroft Garden, Walnut Creek, California 2011-12 ArtWalk, Napa, California

SELECTED INDOOR EXHIBITIONS 2016 Avera McKennan Hospital, Sioux Falls, SD 2016 Owensboro Museum of Fine Art, Owensboro, Kentucky 2014 Owensboro Museum of Fine Art, Owensboro, Kentucky 2013 Museum & ARTspace, Lake Oswego, California 2013 Works Gallery, 365 S Market St, San Jose, California 2013 Redux Gallery, Alameda, California 2012 Cedar Lake Theatre, New York, NY 1998 Crocker Art Museum, Sacramento California, 71st Crocker-Kingsley Exhibition 1996 Crocker Art Museum, Sacramento California, 70st Crocker-Kingsley Exhibition

AWARDS Call ID: 993205 Artist ID: 203045 Status: Received

Patricia Vader (Continued)

Honorable Mention, 2015 KAO International Kinetic Art Competition, Palm Beach, Florida 2015 The People's Choice 2014, Auburn, WA 2014 The People's Choice 2014, Puyallup, WA 2014

PRESS Art on the street 2016, Lafayette CO, interview, https://www.youtube.com/watch?v=17rVaLmqyFs 2016 Did You Know Newport Beach Has a Sculpture garden? by Shannon Britsche and Michelle Slieff 7/22/2016 http://www.pelicanhillmagazine.com/stories/newport-beach-sculpture-garden/ Vader aims for fun with 'Spring Bouquet',The Daily Sentinel, Nacogdoches, TX, by Nicole Bradford 1/16/2016 Art in motion; Wind artist lives in a museum of her own design Contra Costa Times and Bay Area News Group, by Joan Morris 6/26/2010 It was a jump into a black hole... Broerstraat 5, Alumni Magazine of the University of Groningen, NL, by Ellis Ellenbroek December 2009 New Public Art Work Coming Soon to Community Center and Library, Orinda News, by Sally Hogarty August 2009

DOCUMENTARY Wind artist wheel adventure, by Susan Tripp Pollard, Contra Costa Times, Walnut Creek, CA 2010 https://www.youtube.com/watch?v=N9WiCOt6LWc

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A. 

Filoli 86 Cañada Road, Woodside, CA 94062 june-october 2016

Art Detail

Category Statement I am a metal&wind sculptor specializing in public art because of my love of large outdoor sculpture. My work can be found in cities and parks across the country. The wind-driven motion in many of my sculptures adds a dimension of interest to the general public and often elicits a smile. I want to show that sculpture can be playful and fun as well as beautiful and stately at the same time.

Butterfly is an eye-catching kinetic sculpture with reflectors and aluminum disks flaring up when illuminated at night. With dimensions HWD 18' (or 13') x13'x6' and 38 windmills on the butterfly wings, some of which are mounted on bicycle forks that also gyrate in the wind, the Butterfly is an exciting monumental sculpture with a straightforward design and installation. Its five independent components, four wings and the body, attach with clamps around a central post. I believe that the scale and playfulness of this sculpture are in keeping with the general spirit desired for the Fremont site.

Butterfly, front view-by Patricia Vader steel and aluminum 18' x 13' x 6' $32000.00 2016 Call ID: 993205 Artist ID: 203045 Status: Received

Patricia Vader (Continued)

Butterfly, front view-by Patricia Vader steel and aluminum 14' x 13' x 6' $32000.00 2016

Butterfly, back view, for scale-by Patricia Vader steel and aluminum 14' x 13' x 6' $32000.00 2016 Call ID: 993835 Artist ID: 158739 Status: Received Sandy Friedman Contact

Partner Contact via Email Phone Cell Web Site sandyfriedmansculpture.com Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   "Six Directions" points to the changes in appearance and character from one stage to the next in the life history of the City of Fremont, CA. 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. "Six Directions" - Requires a medium square pad. - 6; ¾" diameter, 4-5" long, concrete anchor bolts are required per original engineer design on the 48" diameter base. - Bolt pattern is at 60 degree centers, 3 " from the edge. - The 9' high base is installed first utilizing a crane or hoist lift with a lifting eye. Weight 450-500 pounds. - Base is anchored to pad with red devil concrete anchors. Bolts tightened and hammered to prevent tampering. - 2 - 10' ladders are needed to now secure mounting cap to base. - Mounting cap is threaded on. - 8' wide horizontals are lifted onto top of mounting cap. Weight is 50 pounds each section. Total 6 horizontals. - Smaller spheres are threaded onto large 37" red diameter sphere. - Lithium grease is applied to the threads of the central cap. - Sphere configuration is lifted and then threaded onto central column. - Installation is complete.

4) Artist Bio/ResumePlease provide a bio/resume. Sandy Friedman - Biography

sandyfriedmansculpture.com Mr. Friedman started working in ceramics during high school in 1965. There he started working and studying with David Suits, Clayton Bailey and Tom Lawless. College study was with Sue Eisler, Peter Voulkus, Jack Canon, Dan Anderson, Tasheko Takazu, Wayne Higby and Ken Ferguson completing a Master in Fine Art in Ceramics and Sculpture. Post graduation study continued with Paul Soldner and Tony Heslop. Sandy taught secondary education in Saint Louis, Missouri and Colorado Springs, Colorado. Later, he taught at Colorado College and the Bemis Fine Art Center. Over the years, Sandy has received numerous awards, participated in many shows and has work displayed in collections across the United States. Galleries The Great Southwest - Sedona, Arizona Green Horse Gallery - Manitou Springs, Colorado Business of Art Center / Smokebrush at Marmalade, Manitou Springs, Colorado The Maverick Potter - Salida, Colorado Recent Juried Shows / Featured Artist Straight Up! Totems, Towers, Carins & Stacks, La Veta, CO 2013 Cottonwood Center - Abstract Show, March, 2014 Creative Industries Summit - Paquette Gallery at the Steam Plant Event Center, Salida, CO, May, 2014 Downtown Colorado Springs, CO - Art on the Street - Community Ventures June 2014 - May, 2015; Steel Sculpture - Permanent Collection City of Colorado Springs City of Loveland Art in Public Places - The Art Advocacy Project (THAAP), June, 2014 - May, 2015; High Fire Salt Sculpture 10th Annual Roll Bike Art Show, Manitou Springs, CO 2014 Louisville Art Association 29th Annual National Juried Fine Art Show, 2014 Stephen F. Austin State University, Nacogdoches, TX, Sculpture for All, 2015 - 2017 Call ID: 993835 Artist ID: 158739 Status: Received

Sandy Friedman (Continued)

Sculpture Evergreen, Evergreen, CO, Sculpture Walk, 2015 - 2016 Downtown Sheridan, Wyoming On Loan Sculpture, 2015 - 2016 Overland Park, Kansas, Art at the Center, 2015 Crooked Tree Arts Center, Traverse City, MI, Art and the Garden, 2015 TRAHC's 27th Annual Juried Exhibition, Texarkana, TX, 2015 The Bridge Art Gallery, "Wind", Colorado Springs, CO, 2015 Art 2C on Havana, City of Aurora, Colorado, Art in Public Places, 2015 - 2016, First Place Award 32nd Depot Art Gallery, All Colorado Show, Littleton, CO 2015 - 2nd Place, Best of Show 3D Fahrenheit Group Show, Cottonwood Ctr., Colorado Springs, CO, 2015 The Studio Door Juried Exhibition, Deliberate Distortions, Jazz in Today's Art, San Diego, CA, 2015 Topeka Competition 32, Alice C. Sabatini Gallery, Topeka, KS, 2015 State of the Arts, 2015 Exhibition. R.G. Endres Gallery, Prairie village, Kansas, 2015 Sculpture on 73rd Avenue, Westminster, CO 80030, 2015-2016 Core New Art Space - Mixing Your Media, Santa Fe Art District, Denver, CO, 2015 Best of Santa Fe Exhibit & Awards, Habitat Gallery, Denver, CO 80204, 2015 Gallery 114, Winter 2016 - Juried Exhibition, 1100 N W Glisan Ave., Portland, OR, 97229, 2016 Art on the Street 2016 - 2017, City of Lafayette, Colorado - 2 different sculptures accepted Avenues of Art 2016 - 2017, Gillette, WY - 2 different sculptures accepted, 1 sculpture permanently accepted Douglas County Art Encounter Program, Parker, CO, 2016 - 2017 Art On the Streets, Colorado Springs, CO, 2016 - 2017 Finalist, City of Durango, CO Public Art Purchase, 2016 Sculpture Evergreen, Evergreen, CO, Sculpture Walk, 2016 - 2017 Tri Lakes Views, Monument, CO 2016-2017 Art 2C on Havana, City of Aurora, Colorado, Art in Public Places, 2016 - 2017 33Rd All Colorado Art Show, Curtis Arts and Humanities Center, Denver, CO 2016 33rd All Colorado Depot Art Gallery Show, Littleton, CO, 2016, 1st Place, 3D Prospectus #241, New Mexico, Finalist for Purchase, 2016 15th Annual Lone Tree Art Expo, Lone Tree, CO 80124, 2016 EAA Fall 2016 All Colorado Art Show, Main Street Fine Art Gallery, Evergreen, CO 80439, 2016 Sculpture on 73rd Avenue, Westminster, CO 80030, 2016-2017

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A. 

"Six Directions", First Place, Aurora, CO 2015-2016

Art Detail

Category Statement The environment of Colorado and the Southwest significantly influences my work. I draw from the energy of our environment - the mountains, sky, weather, plains, grasslands, rivers, wetlands and our urban environments. My sculptures represent the energy found in totems and the interaction of the negative spaces created by the sculpture's shapes. These represent moments in time. Additionally, my work indicates the element of change pointing in all directions identifying the varying areas where growth and change are occurring. Call ID: 993835 Artist ID: 158739 Status: Received

Sandy Friedman (Continued)

Six Directions - N,S, E, W, Up & Down Steel 15.5' x 8' x 8' $11600.00 2015

Six Directions Steel 15.5' x 8' x 8' $11600.00 2015

Six Directions - N,S, E, W, Up & Down Steel 15,5' x 8' x 8' $11600.00 2015 Call ID: 993838 Artist ID: 158739 Status: Received Sandy Friedman Contact

Partner Contact via Email Phone Cell Web Site sandyfriedmansculpture.com Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   "Court Jester of Space" points to & includes the viewer in the changes in appearance to the next in the life history of the City of Fremont, CA. 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. "Court Jester of Space" - Requires large square pad - 3; ½" diameter, 3-4" long, concrete anchor bolts are required to anchor base tabs to pad. - Entire base and armature is installed by 3 individuals, forklift or hoisting crane. Weight is 300 -350 pounds. - Base tabs are anchored to the pad with red devil concrete anchors. Bolts tightened and hammered to prevent tampering. - 1, 12' ladder is needed to slide additional sculpture components onto frame. - Center column has first support slide on. - High fire salt oval is slide on. - Second support is slid on. - Second High fire salt oval is slid on - Top 2' diameter sphere is slung and lifted in place then slid on. - Top 6" chromed sphere is screwed on after apply lithium grease to the threads. - Oval chromed (cam shaft) components are slid onto each of the 3 arms. - 6" chromed sphere is screwed on after apply lithium grease to the threads on each of the arms. - Installation is complete.

4) Artist Bio/ResumePlease provide a bio/resume. Sandy Friedman - Biography

Mr. Friedman started working in ceramics during high school in 1965. There he started working and studying with David Suits, Clayton Bailey and Tom Lawless. College study was with Sue Eisler, Peter Voulkus, Jack Canon, Dan Anderson, Tasheko Takazu, Wayne Higby and Ken Ferguson completing a Master in Fine Art in Ceramics and Sculpture. Post graduation study continued with Paul Soldner and Tony Heslop. Sandy taught secondary education in Saint Louis, Missouri and Colorado Springs, Colorado. Later, he taught at Colorado College and the Bemis Fine Art Center. Over the years, Sandy has received numerous awards, participated in many shows and has work displayed in collections across the United States. Galleries The Great Southwest - Sedona, Arizona Green Horse Gallery - Manitou Springs, Colorado Business of Art Center / Smokebrush at Marmalade, Manitou Springs, Colorado The Maverick Potter - Salida, Colorado Recent Juried Shows / Featured Artist Straight Up! Totems, Towers, Carins & Stacks, La Veta, CO 2013 Cottonwood Center - Abstract Show, March, 2014 Creative Industries Summit - Paquette Gallery at the Steam Plant Event Center, Salida, CO, May, 2014 Downtown Colorado Springs, CO - Art on the Street - Community Ventures June 2014 - May, 2015; Steel Sculpture - Permanent Collection City of Colorado Springs City of Loveland Art in Public Places - The Art Advocacy Project (THAAP), June, 2014 - May, 2015; High Fire Salt Sculpture 10th Annual Roll Bike Art Show, Manitou Springs, CO 2014 Call ID: 993838 Artist ID: 158739 Status: Received

Sandy Friedman (Continued)

Louisville Art Association 29th Annual National Juried Fine Art Show, 2014 Stephen F. Austin State University, Nacogdoches, TX, Sculpture for All, 2015 - 2017 Sculpture Evergreen, Evergreen, CO, Sculpture Walk, 2015 - 2016 Downtown Sheridan, Wyoming On Loan Sculpture, 2015 - 2016 Overland Park, Kansas, Art at the Center, 2015 Crooked Tree Arts Center, Traverse City, MI, Art and the Garden, 2015 TRAHC's 27th Annual Juried Exhibition, Texarkana, TX, 2015 The Bridge Art Gallery, "Wind", Colorado Springs, CO, 2015 Art 2C on Havana, City of Aurora, Colorado, Art in Public Places, 2015 - 2016, First Place Award 32nd Depot Art Gallery, All Colorado Show, Littleton, CO 2015 - 2nd Place, Best of Show 3D Fahrenheit Group Show, Cottonwood Ctr., Colorado Springs, CO, 2015 The Studio Door Juried Exhibition, Deliberate Distortions, Jazz in Today's Art, San Diego, CA, 2015 Topeka Competition 32, Alice C. Sabatini Gallery, Topeka, KS, 2015 State of the Arts, 2015 Exhibition. R.G. Endres Gallery, Prairie village, Kansas, 2015 Sculpture on 73rd Avenue, Westminster, CO 80030, 2015-2016 Core New Art Space - Mixing Your Media, Santa Fe Art District, Denver, CO, 2015 Best of Santa Fe Exhibit & Awards, Habitat Gallery, Denver, CO 80204, 2015 Gallery 114, Winter 2016 - Juried Exhibition, 1100 N W Glisan Ave., Portland, OR, 97229, 2016 Art on the Street 2016 - 2017, City of Lafayette, Colorado - 2 different sculptures accepted Avenues of Art 2016 - 2017, Gillette, WY - 2 different sculptures accepted, 1 sculpture permanently accepted Douglas County Art Encounter Program, Parker, CO, 2016 - 2017 Art On the Streets, Colorado Springs, CO, 2016 - 2017 Finalist, City of Durango, CO Public Art Purchase, 2016 Sculpture Evergreen, Evergreen, CO, Sculpture Walk, 2016 - 2017 Tri Lakes Views, Monument, CO 2016-2017 Art 2C on Havana, City of Aurora, Colorado, Art in Public Places, 2016 - 2017 33Rd All Colorado Art Show, Curtis Arts and Humanities Center, Denver, CO 2016 33rd All Colorado Depot Art Gallery Show, Littleton, CO, 2016, 1st Place, 3D Prospectus #241, New Mexico, Finalist for Purchase, 2016 15th Annual Lone Tree Art Expo, Lone Tree, CO 80124, 2016 EAA Fall 2016 All Colorado Art Show, Main Street Fine Art Gallery, Evergreen, CO 80439, 2016 Sculpture on 73rd Avenue, Westminster, CO 80030, 2016-2017

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A. 

"Court Jester of Space", N/A

Art Detail

Category Statement The environment of Colorado and the Southwest significantly influences my work. I draw from the energy of our environment - the mountains, sky, weather, plains, grasslands, rivers, wetlands and our urban environments. My sculptures represent the energy found in totems and the interaction of the negative spaces created by the sculpture's shapes. These represent moments in time. Additionally, my work indicates the element of change pointing in all directions identifying the varying areas where growth and change are occurring. Call ID: 993838 Artist ID: 158739 Status: Received

Sandy Friedman (Continued)

Court Jester of Space Steel, High Fire Salt, Chrome 12' x 6' x 6' $9600.00 2016

Court Jester of Space Steel, High Fire Salt & Chrome 12' x 6' x 6' $9600.00 2016

Court Jester of Space Steel, High Fire Salt & Chrome 12' x 6' x 6' $9600.00 2016 Call ID: 995193 Artist ID: 143655 Status: Received Kristin Wolfe Contact

Partner Contact via Email Phone Cell Web Site http://textiletagger.wix.com/textiletagger Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   Yarnbombing transforms ordinary objects by wrapping the crochet panels to objects. 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. I can easily install and the install each installation, and also maintain them when needed. My longest installation was up for a year and a half. 4) Artist Bio/ResumePlease provide a bio/resume.

Kristin Wolfe

RESUME - Born in Phoenix Arizona, 3rd generation native Arizonan. - Lives in works in Scottsdale, AZ - Self taught painter, crochet-master and yarn installation artist - Art therapy for WHAM Art Association, Children's classes EDUCATION - 2000 University of Wisconsin Stout / Bachelor of Arts Degree in Fashion Design, Minor in Textile Design -Summa Cum Laude - American Intercontinental University; Elected recipient of Fashion Design Study Abroad Program in London, England - 1998 SELECTED EXHIBITIONS - 2013 City of Scottsdale (May)-3rd Ave and Marshall-3 Bike Racks; Scottsdale, AZ "Urban Bikerack" - 2013 Artel Phoenix Artist, Clarendon Hotel - Bike racks and 2 bikes, 1 scooter "Twist Up" - 2013-2014 Scottsdale Quarter, Scottsdale Public Art/Influx Cycle 4 "Urban Twist"; Scottsdale, AZ - 2014 (June); Lora Moon Styling- commissioned 9 foot partition/hanging installation art "Yarn Drape" - 2014 (July) America's Taco Shop - Temporary Public Art Installation "Impresionante" - 2014 (July); WHAM Art Assocation - 4 pillars outside new facility commissioned by WHAM - 2014 (August); Art on the Atlanta Beltline/Public Temporary Installation "Twist and Shout"

PUBLICATIONS + MEDIA -Design Within Reach Showroom/Workshop & Install; Oct 2014 for Design Within Reach

-AZ Republic, Sept 2013 "Artel Phoenix at the Clarendon Hotel"

Artist Kristin Wolfe, 34, of Scottsdale displays some cool modified forms of urban transportation during ARTELPHX at the Clarendon Hotel in Phoenix on Sept 6, 2013

-NEWH Magazine, Jan 2014 Yarnbombing Article "Who's Who"

ONLINE PUBLICATION & ARTICLES -Scottsdale Public Art / Temporary Art - Dec 2013-Oct 2014 Call ID: 995193 Artist ID: 143655 Status: Received

Kristin Wolfe (Continued)

http://www.scottsdalepublicart.org/temporary-art/urban-twist

-Ishknits.com, August 2013 "Meet Yarnbomber Kristin Wolfe" http://www.ishknits.com/interview-with-yarnbomber-kristin-wolfe/

-Modern Phoenix.net/Yarnbomb the Studio at Design Within Reach, partnered with Jessica Knits http://www.modernphoenix.net/forums/viewtopic.php?f=2&t=8005

-Green Dolls Studio, Sept 2013 "Textile Art by Yarnbomber Kristin Wolfe, the Textile Tagger" http://greendollsstudio.com/tag/textile-art

-Atlanta Beltline, 8/14-12/14 http://art.beltline.org/artists/the-textile-tagger-kristin-wolfe/

WEBSITE: www.textiletagger.com

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A. 

Grand Ave art festival, Scottsdale public art "influx" at the Scottsdale quarter mall, various light poles and bike racks around town, and art on the Atlanta Beltline.

Art Detail

Category Statement Yarnbombing. Also know. As graffiti crochet is an art form for public installation where do you breathe life into ordinary objects that would rather be considered eyes sores, like light pole and bike racks, among other things like pvc totem poles. It's the type of art that brings with mild to the face of all walks of life.

Yarnbombed Schwinn Crocheted yarn 31" x 55" x 3" $650.00 2013 Call ID: 995193 Artist ID: 143655 Status: Received

Kristin Wolfe (Continued)

Urbanizing the bike rack Crocheted yarn 65" x 45" x 5" $600.00 2013

Urban Twist-What's up Chevron?? Crocheted yarn 22" x 18" x 12" $1500.00 2013 Call ID: 999361 Artist ID: 231 Status: Received Steven Rieman Contact

Partner Contact via Email Phone Cell Web Site www.riemansculpture.com Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   "Birdman" is in an almost constant state of change as it dances on the wind. It asks the viewer to interpret its motion and imagery: could it be someone trying to catch a bird or touch the moon? It references the hand of man in weathered steel as coming from the earth and a firm foundation while the upper stainless elements reflect light from the sky and change and morph unpredictably. The future shines bright with promises of changes in the future. 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. The sculpture "Bird Man" should sit atop a poured in place concrete pedestal 4' in diameter and 3' tall, provided by Fremont. The sculpture will then be clipped to the round pedestal with four 12 ga. Stainless steel Z clips. The clips will be bolted to the pedestal with 3/8" diameter concrete anchors. A man lifter will be required in order to place the kinetic elements atop the mast. The mast can be lifted into place by crane or fork lift. Reverse the process for DE install. 4) Artist Bio/ResumePlease provide a bio/resume. STEVEN L. RIEMAN website: www.riemansculpture.com

EDUCATION 1974 BS Industrial Design, Art Center College of Design, Pasadena PUBLIC SCULPTURE Menifee Rocks" Menifee Town Center, Menifee, CA 2016 "Dancing on the Wind" Community Health & Wellness Center, Desert Hot Springs, CA 7/2014 "Desert Windows" Westin Willow Entry, Palm Desert, CA 2/2013 "Escena Wind Wave aka OO" Escena Golf & Club House Entry, Palm Springs, CA 10/2012 "Desert Willow" Westin Willow entry plaza, Palm Desert, CA 11/2010 "Chain of Life" Historic Plaza, Twentynine Palms, CA 7/2010 The Sea" Southwestern Yacht Club, San Diego, CA 4/2010 "SolRay Triptych" III, Bucklin Park, Twentynine Palms, CA installation 1/2008 "The Last Wave of the Day" City of Oceanside, CA 2004 "Marriott's Tortoise & Hare" Marriott's Shadow Ridge, Palm Desert, CA 2001 "Sky Climbers", 29 Palms Historical Society, 29 Palms, CA 1999 "Lizards GeoKinetic", City of La Quinta Purchase Award, CA 1999 "Between the Sun and the Moon" bas relief mural, San Dimas City Hall, CA 1997 Building design for Joshua Tree National Park Visitor Center, Joshua Tree, CA 1997 "Living Desert GeoKinetic", The Living Desert, Palm Desert, CA 1996 Copper Mountain Campus Xeriscape Garden, Joshua Tree, CA 1996 "Signatures in Balance", City of Palm Desert, CA, artist in residence, 1995 "Wilderness Totem", City of La Quinta, CA 1995 "Joshua Tree National Park GeoKinetic", Park Visitor Center, 29 Palms, CA 1995 Copper Mountain Campus Monument, Joshua Tree, CA 1995 "Copper Mountain College Earth Mobile", Joshua Tree, CA 1993 EXHIBITIONS The Hi-Desert Nature Museum, Yucca Valley, CA "Sculpture and Painting" 2005 Twentynine Palms Artist Gallery, "Two and Three Dimensional Works" 1990 Twentynine Palms Artist Gallery, "S. L. Rieman Works on Paper" 1985 Twentynine Palms Artist Gallery, "S. L. Rieman" 1982 GROUP EXHIBITIONS Call ID: 999361 Artist ID: 231 Status: Received

Steven Rieman (Continued)

City of Manhattan Beach, Temporary Sculpture Exhibition 2014-2015 City of Pasadena, CA, Temporary Sculpture Exhibition 2014-2015 City of Manhattan Beach, CA, Annual Sculpture Garden 2012-2013 City of Palm Desert, CA, "El Paseo Invitational 2010-2011 City of Manhattan Beach, CA, "1st Annual Sculpture Garden" 2009-2010 Port of San Diego, San Diego, CA 2009-2010 "Urban Tree VI" Port of San Diego, San Diego, CA 2008 "Urban Tree V" Port of San Diego, San Diego, CA 2006 "Urban Trees lll" Port of San Diego, San Diego, CA 2005 "Urban Trees ll" Twentynine Palms Artist Gallery, "Transformations" in honor of Noah Purifoy 2005 Hi Desert Nature Museum, Yucca Valley, CA 2004"Birds in Flight" The da Center for the Arts, Pomona, CA 2003 "Extensions" An Invitational of Contemporary Sculpture "Palm Desert Art Works" Palm Desert, CA two year Group Exhibition 2003-2004 "Man and Woman of Steel", Public Sculptures on El Paseo, Palm Desert, CA 1996 William and Catherine Hemmerdinger Gallery, Palm Desert 1987 "Nine Contemporary Artists from the Desert"

AWARDS Edna V. Onderdonk Artist Award, 1999 Watercolor West Society Annual Exhibition, CA 1992, 1988, 1987, 1986, 1980 National Watercolor Society, 71st Annual Exhibition, CA 1991 San Diego Art Institute 36th Exhibition 1990 National Watercolor Society, 68th Annual Exhibition, CA 1988 National Academy of Design, 163rd Annual Exhibition, NY 1988 Art Center College of Design, ACCD Alumni Award 1978

BIBLIOGRAPHY "The Great Outdoors" Southwest Art July 2004 "Desert Light", Ceramics Monthly, June/July/August 1994 "Nature as a Subject and a Medium", American Artist (Watercolor '93) "In Harmony with Nature", Maxine Masterfield

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A. 

At my studio since completed in April 2016

Art Detail

Category Statement I graduated from Art Center College of Design in 1974. Since 1979 I've owned and operated my art studio in the high desert near Joshua Tree National Park. My first of twenty-one public works of art was produced in 1993. All remain in place today. The most recent piece was installed at the Menifee (CA) Town Center in June 2016.

In my search for the means to visually communicate my feelings, I combine methods, materials and ideas that express various contrasts and relationships. My goal is to create a delicate balance, between competing influences, that in some way implies the promise of an unstable condition with only the slightest change in the relationships.

Many of my pieces are kinetic using the natural unseen elements of wind and gravity. This link is a short 3 minute video: https://www.youtube.com/watch?v=2ssnezA3Exo SLR Call ID: 999361 Artist ID: 231 Status: Received

Steven Rieman (Continued)

"Birdman" Kinetic sculpture, weathered steel, stainless steel elements 16' x 10' x 10' $18500.00 2016

"Birdman" Kinetic sculpture, weathered steel, stainless steel elements 16' x 10' x 10' $18500.00 2016

"Birdman" Kinetic sculpture, weathered steel, stainless steel elements 16' x 10' x 10' $18500.00 2016 Call ID: 1000889 Artist ID: 268469 Status: Received Pooja Shah Contact

Partner Contact via Email Phone Cell Web Site Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   As someone who grew up in and currently lives in Fremont, I have seen how much the city has changed over the last 15 years. I have also seen how many of the important things have remained the same -- how, despite the necessity to compete in a changing municipal landscape, the city still has artisanal charm, historic landmarks, and appreciates its past. The artwork that I am submitting to this proposal, Fractal Rock, embodies that spirit. Fractal Rock was designed using math and software. It is algorithmic art. Before we built our 13-foot-tall version out of steel and fiberglass, we 3D-printed it. Its method of inception and design are as modern as can be, but its aesthetic reminds one of things that persist -- bone, fossils, rock. It simultaneously represents progress and the things that should never change. Its twisting helical shape is reminiscent of change, transformation, and metamorphosis. We actually designed the piece with metamorphosis in mind, and think it is clear to see. 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. Fractal Rock is currently installed in Tomales, Marin County. This plan will demonstrate how to remove the piece from Tomales (the de-installation, which will be the same when Fractal Rock is removed from the Fremont site) and install in Fremont. The heavy machinery necessary for the installation and de-installation is a variable relay forklift (will need to be delivered to both sites, both the original site and the destination site) and a box truck for transportation. Fractal Rock has 12 loops welded around its base. Ground stakes driven through these loops will secure the piece to the ground in even the most aggressive conditions. Please note also that Fractal Rock hired a structural engineering firm in order to decide how to construct the piece, build it so it could be transported and installed easily, and how to secure it to the ground. We built it to specifications, so it is as secure as can be. Fractal Rock's Dimensions are a base of 10.25' x 6' and a height of 13'. It is built in 3 parts: two bottom halves and one top piece. This is in order for the piece to be easy to install, de-install, and transport. The pieces are bolted together using standard ⅝" hex bolts. De-Installation in Tomales: (will require 2 people and 1 day of work) Day 1: Drive truck to site and have variable relay forklift (VR) delivered to the site. Unbolt the top half from the bottom pieces. Using truck tow straps, lift the top half off the bottom half using the VR and move it into the cargo area of the box truck onto a set of pallets with dollies attached (which can be used to wheel the top half into the ideal place in the truck so it can be securely attached). Then unbolt the bottom pieces from each other. Using truck two straps, lift each of the bottom pieces into the cargo area of the box truck onto sets of pallets. Use ratchet tie-down straps to secure the pieces in the truck. Drive the truck to Fremont site. Installation in Fremont: (will require 2 people and 2 days of work) Day 1: Reverse the process above. Using a VR, which has been delivered to the Fremont site, unload the bottom halves from the truck and place them on pallets (with dollies) on a flat board on the ground. Using the wheels, position the two pieces of the bottom halves correctly and bolt them together. Then, use a VR and tow straps to lift the pieces off the pallets and onto the desired location in the installation site. Finally, remove the top half from the truck and use a VR/tow straps to position the top half on the bottom half. Bolt the two pieces together. Day 2: Use putty and fiberglass to cover the seams between the 3 pieces of Fractal Rock. Then, sand and paint the additional material so it matches the finish of the rest of the piece. 4) Artist Bio/ResumePlease provide a bio/resume. Pooja Shah is an artist and entrepreneur who loves to use math in designing her work. Pooja studied computer science and Call ID: 1000889 Artist ID: 268469 Status: Received

Pooja Shah (Continued)

philosophy at Stanford University and currently runs her own virtual reality company. She is also a native of Fremont, CA, graduating as valedictorian of Irvington High School in 2010!

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A. 

100 John Street, Tomales CA -- 9/09/2016-Present Burning Man 2016 (Grant-supported artwork) -- 8/25/2016-9/09/2016

Art Detail

Category Statement I have always been inspired by the vastness of nature. As a rock climber and sailor, I find tremendous beauty in varied rock formations and wave patterns in the sea. There is a uniformity in these patterns, although there is also much diversity. I try to represent this structure and complexity in my art.

I am a Fremont native who graduated from Irvington High School (as valedictorian) in 2010. I then went on to earn a degree in Symbolic Systems (philosophy and computer science) from Stanford, graduating a year early in 2013. Since then, I have worked for a company called Palantir and started my own company, which is what I currently do full-time.

My art allows me to combine my love for natural form with my mathematical background in an aesthetically pleasing way. I model and visualize my artwork using custom software before I bring it to life in full scale using steel and fiberglass.

It would be a tremendous honor to bring my art to my hometown, my city, Fremont.

Fractal Rock steel, fiberglass 156" x 123" x 72" $60000.00 2016 Call ID: 1000889 Artist ID: 268469 Status: Received

Pooja Shah (Continued)

Fractal Rock steel, fiberglass 156" x 123" x 72" $60000.00 2016

Fractal Rock steel, fiberglass 156" x 123" x 72" $60000.00 2016 Call ID: 1001164 Artist ID: 266996 Status: Received Jodie Bliss Contact

Partner Contact via Email Phone Cell Web Site Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   I am incredibly interested in the masking ceremonies of ancient cultures and how these relate to our own metamorphosis. Masking ceremonies practiced by Gimi people in Papua New Guinea, the Dogon people of Ghana, the Navajo and Apache people of North America are reflected in our modern ceremonies and parallel the drive that we have to create characters and perform. The creation of the characters and performances are a way of interacting with the world, constructing identity and they also introduce a vast number of options that each individual has as far as subcultures to emulate and appropriate. The ancient cultures teach us to be swift and at ease with our metamorphosis and serve as a guide through this evolutionary process, from one identity to another, over the course of our lives. Throughout the last decade I have produced several series of masks, portraits and abstracts all relating back to the exploration of the power that lies behind the way each of us creates and evolves our p 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment.

4) Artist Bio/ResumePlease provide a bio/resume. Jodie Bliss Bliss Studio & Gallery in Monument, Colorado (The resume and statement were abbreviated to fit within the required word count of this resume field. A full biographical artist statement and resume are available upon request) Mailing Address

Biography and Artist Statement (Abbreviated Statement) Jodie Bliss, owner of Bliss Studio & Gallery in Monument, Colorado, is a practicing artist blacksmith, metal fabricator and glass blower. She has been working in metal for over 15 years and creates everything from fine art sculpture and large scale public art to custom gates and signs. The themes that inspire her work set her style apart and include: The celebration of strong women on an individual level and the different archetypes that create the fabric of the empowered global female identity; Tribal groups of the world and the masking and performance ceremonies of our ancestors; Islamic architecture and Oriental carpet design, the patterning of Turkish Iznik tiles, mandalas and Hindu art inform Jodie's design process. Her use of traditional blacksmithing and metal fabrication tools and techniques utilized in non-traditional ways along with the blowing of glass directly into steel sculptures brings a unique style to the table that you will not find elsewhere!

History of Art Practice and Work Experience 2008 - Present (Previous years work and descriptions are available within the full resume)

Bliss Studio and Gallery Owner, Manager, Sole Artist September 2011-Present

Gunnison Art Center, Gunnison, CO Call ID: 1001164 Artist ID: 266996 Status: Received

Jodie Bliss (Continued)

Clay Center Instructor June 2008-August 2009

Exhibitions and Events for 2015 - 2016 (previous years available within the full resume) November 2016, Group Exhibition and Holiday Fair, Front Range BBQ, Colorado Springs, CO September 2016, Spontaneous Steel Sculpture Workshop for Rocky Mountain Smiths, Monument, CO August - September 2016, Commonwheel Group Exhibition, "Trees...Art and Soul", Manitou Springs, CO August 2016, Front Range Open Studios Tour, Front Range Open Studios Tour, Monument, CO August 2014 - 2016, Works Exhibited, Palmer Lake Country Store, Palmer Lake, CO July - August 2016, Commonwheel Group Exhibition, Front Range Open Studio Artists, Manitou, CO May-September 2016, Art Hop, Monument, CO April 2015 - Current, Select Work Exhibited, Fraya Boutique, Colorado Springs, CO March 2012 - Current, Rotating Collection of Mixed Metal Masks, Speedtrap, Palmer Lake, CO December 2015, Solo Exhibition, Villa, Palmer Lake, CO September 2015, Breckenridge Gathering of the Great Divide, 40th Annual, Breckenridge, CO September 2015, Durango Arts Festival, Durango, CO September 2015, Front Range Open Studios Tour, Front Range Open Studios Tour, Monument, CO August 2015, Loveland Sculpture in the Park, Loveland, CO July 2015, Art in the Park, Steamboat Springs, CO July 2015, Crested Butte Arts Festival, Crested Butte, CO May-September 2015, Art Hop, Monument, CO March 2015, Sarasota Spring Fine Art Festival, Sarasota, FL March 2015, Downtown Stuart Art Festival, Marco Island, FL March 2015, Downtown Venice Art Classic, Venice, FL February, 2015, Hobe Sound Festival of the Arts, Hobe Sound, FL February, 2015, CityPlace Art Festival, West Palm Beach, FL February 2015, Mount Dora Arts Festival, MT Dora, FL February 2015, Artigras Fine Arts Festival, Jupiter, FL February 2015, Downtown Sarasota Festival of the Arts, Sarasota, FL

Memberships Colorado Metalsmithing Association (COMA) Artist Blacksmith Association of North America (ABANA) Rocky Mountain Smiths (RMS) California Blacksmithing Association (CBA) Northwest Blacksmithing Association (NWBA) Makerspace Manitou Tri-Lakes Center for the Arts Palmer Lake Art Group Historic Monument Merchants Association Tri-Lakes Views

Education M.F.A in Sculpture from Academy of Art University, San Francisco. December 2012

B.A English Western State College of Colorado. May 2009

B.F.A Sculpture Western State College of Colorado. May 2008 Studied in Florence, Italy for 3 graduate level Art credits through Western State College.

References are available upon request

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A. 

Art Detail

Category Statement Call ID: 1001164 Artist ID: 266996 Status: Received

Jodie Bliss (Continued)

Set Free Hand Forged Steel 39" x 31" x 13" $3800.00 2016

Picasso's Violin Hand Forged and Fabricated Steel, Hand Blown Glass 190" x 80" x 14" $25000.00 2016

With the Wind Hand Forged and Fabricated Steel, Hand Blown Glass 192" x 63" x 38" $25000.00 2016 Call ID: 1001654 Artist ID: 267987 Status: Received Adrian Litman Contact

Partner Contact via Email Phone Cell Web Site www.adriandesign.us Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   "Morphing Foliage" Steel painted sculpture. 12'H x 3'D x 3'W. Attached to a concrete pad with 1/2" metal anchor bolts. Morphing Foliage is an artistic interpretation of the Earth's vegetation going through a metamorphosis process from one season to another during one year time span and starting the cycle again. Shapes and volumes are converging and melting visually from the light and bright colors of Spring and Summer to the ripe and darker colors of Fall and Winter, celebrating the Mother Nature's wonders.

3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. The sculpture has a four leg 24" x 24" base to be attached to a concrete pad with 1/2" x 6" metal anchor bolts. Installation is straight forward requiring drilling four 1/2" holes in the concrete pad and attach the sculpture base with anchor bolts. 4) Artist Bio/ResumePlease provide a bio/resume. Born in 1948, I started to learn about art at a very early age, playing with colors and art materials in my father's Art Design and Restoration studio. In 1963, I was accepted in the Fine Arts High School N. Tonitza in Bucharest, Romania where I studied art techniques including drawing, painting, graphics, engraving, sculpture, fresco, mosaic and ceramics. After finishing the Fine Art High School, I attended the University of Bucharest Art Institute, graduating in 1974 with a Masters degree in Graphic Arts Design. Since 1980 when I relocated to California, I worked as a Graphic Designer and Art Director in the San Francisco Bay Area until 2002 when I retired from the corporate world and started Adrian Litman Art & Design Studio. I create an eclectic body of artwork for galleries and work on commissioned projects for Civic Public Art, Corporate and private clients, including custom paintings, murals, frescoes, mosaics, sculptures, stained glass panels, fountains and wall treatments, all of which facilitate the harmonious integration of art with architecture.

Education 1964 - 1968 - Fine Arts High school "N. Tonitza" - Bucharest, Romania. 1968 - 1974 - University of Bucharest Art Institute "N. Grigorescu", Bucharest, Romania. Master in Graphics Arts Design . Civic and Commercial completed art projects: * City of Hilsboro, OR - "Dynamic Orbits" - metal sculpture scheduled for installation on Oct. 1st, 2016. * City of Geyserville, CA - Sculpture Walk Program - "Cosmic Fusion" - 15' tall sculpture - installed in May 2016. * City of Cloverdale, CA - Sculpture Walk Program - "Celestial Orbits" - 15' tall sculpture - installed in May 2016. * City of Los Altos, CA - Village Park - "Magic Garden" - 14; tall sculpture - installed in Sept 2015. * City of Napa, CA - Napa art walk - sculpture project. Call ID: 1001654 Artist ID: 267987 Status: Received

Adrian Litman (Continued)

- "Morphing Orbits"- 14' high sculpture installed in downtown Napa, CA. Completed in March 2013. * City of Milpitas, CA - Alviso Adobe Park art project. - Large outdoor "Historic Farm Wagon" sculpture. Completed in December 2012. * City of Marin, CA - Martin Luther King School. - "MLK Legacy" Art on acoustical panels installation. Completed in 2011. * City of Milpitas, CA - The new Senior Center art project. - Four wall sculptures, Fireplace mosaic and large Mural. Completed in 2011. * City of Milpitas, CA - "Birds of Paradise" The Transit Shelter art project. Completed in 2011. * City of Napa, CA. - "Chinook" sculpture - The Napa River Art program. - 14' high metal sculpture. Completed in 2010. * Stanford University School of Law - Stanford, CA. - "The Four Elements of the Universe" - Six sculptures, one fresco and six paintings project for the lobbies of the five newly constructed Munger buildings on Campus. Completed in 2010. *City of Campbell Development Dept. - Campbell, CA & Regis Homes of Northern California - Foster City, CA. - "Elegant Energy" - 250 SF mosaic design for the Park Towne Place located in the Historic downtown Campbell, CA. Completed in 2011. * Kaiser Permanente Hospital - Fremont, CA. - "Ressurrection" - 14' H metal sculpture - Completed in February 2012. * DIAP Architects & Planners - San Mateo, CA. - Fresco a secco on cement panels 50"x74" - reception area. Completed in 2008. - Several Stained Glass Window designs. Office area. Completed in 2010. * El Farolito Restaurant - Healdsburg, CA - Interior wall sculpture and outdoor signs project. Completed in October 2014. * Da Anza Cupertino Aquatic Center - San Jose, CA. "Youth Dynamics" - Stainless steel sculpture - 4' x 34' - suspended above the swimming pool. Completed in 2012. - Stained glass window - 5.5' x 5.5' - reception area. Completed in 2012. * Fremont Surgery Center, MedSpa29 - Fremont, CA. - Copper and brass water feature sculpture. 3'x3'x9'. Completed in 2008. - Stained Glass window - 3' x 3'. Reception area. Completed in 2009. * Mental Health Association of Alameda County, CA. - Complex sculpture hanging design to improve the looks and acoustical quality of the offices. Completed in 2008. * Humane Society - Palo Alto, CA. - Animal copper design sculptures for display on six windows (6'x8'). Completed in 2008. * Alameda County Art Commission, Oakland, CA. - Alternate mosaic design for the new Castro Valley Public Library. Completed in 2007. * San Francisco Perinatal Associates - San Francisco, CA. - 12 oil paintings project for a new 10,000SF medical office. Completed in 2007. * Rackable Systems - Fremont, CA. - Oil painting - 48x48" - purchased for the permanent collection. Completed in 2007. * Federicos Cafe - Fremont, CA. - Complex artwork design including 3 metal sculptures (5'x9'), a mosaic water feature design (8'x8') and several oil paintings (4'x4'). Completed in 2007. ------* City of Santa Ros

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A. 

N/A

Art Detail

Category Statement My art designs are inspired by universal life concepts as perceived by the human mind and imagination. Abstract and figurative interpretations convey messages and emotions with sensibility, combining control and passion. Vibrant and luminous colors converge in an elegant harmony, bringing unity to chaos. The Universe and its components influence our lives on Earth in many ways. Generations of poets, musicians and artists, inspired by the Universe and guided by their imaginations, have produced massive amounts of creative work that nourish our souls and beautify our surroundings.

As an artist, I also find inspiration and fuel for creative expression by contemplating the big sky above. My inspiration is enhanced by concepts introduced by contemporary science, like the hidden, intriguing elements of the Universe such as Dark Matter, Cosmic Dust, Black Holes and Super Novas. Through my artwork, I try to Call ID: 1001654 Artist ID: 267987 Status: Received

Adrian Litman (Continued)

My art designs are inspired by universal life concepts as perceived by the human mind and imagination. Abstract and figurative interpretations convey messages and emotions with sensibility, combining control and passion. Vibrant and luminous colors converge in an elegant harmony, bringing unity to chaos. The Universe and its components influence our lives on Earth in many ways. Generations of poets, musicians and artists, inspired by the Universe and guided by their imaginations, have produced massive amounts of creative work that nourish our souls and beautify our surroundings. As an artist, I also find inspiration and fuel for creative expression by contemplating the big sky above. My inspiration is enhanced by concepts introduced by contemporary science, like the hidden, intriguing elements of the Universe such as Dark Matter, Cosmic Dust, Black Holes and Super Novas. Through my artwork, I try to translate the dynamics and mysteries of the Universe into color and shapes designe

Morphing Foliage Painted steel 12' x 3' x 3' $15000.00 2016

Morphing Foliage - detail Painted steel 12' x 3' x 3' $15000.00 2016 Call ID: 1001654 Artist ID: 267987 Status: Received

Adrian Litman (Continued)

Morphing Foliage - alternate view Painted steel 12' x 3' x 3' $15000.00 2016 Call ID: 1001655 Artist ID: 267987 Status: Received Adrian Litman Contact

Partner Contact via Email Phone Cell Web Site Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   "Shifting Orbits" Stainless Steel kinetic sculpture. 10' diameter at the top and 14' high. Base mounting brackets are 24" x 24". Attached to concrete pad with 1/2" metal anchor bolts. Shifting Orbits is an interpretation of the continuous energy movements and convergences in the Universe which influence our life on Earth on daily basis, which also goes through continuous transformations. The sculpture is kinetic with rotating various parts activated by wind.

3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. The sculpture has 24" x 24" brackets that are attached to a concrete pad with eight 1/2" x 6" anchor bolts. Installation is straight forward requiring drilling 1/2" holes and attach the base with 1/2" x 6" concrete anchor bolts. The sculpture is de-installed by removing the anchor bolts.

4) Artist Bio/ResumePlease provide a bio/resume.

Born in 1948, I started to learn about art at a very early age, playing with colors and art materials in my father's Art Design and Restoration studio. In 1963, I was accepted in the Fine Arts High School N. Tonitza in Bucharest, Romania where I studied art techniques including drawing, painting, graphics, engraving, sculpture, fresco, mosaic and ceramics. After finishing the Fine Art High School, I attended the University of Bucharest Art Institute, graduating in 1974 with a Masters degree in Graphic Arts Design. Since 1980 when I relocated to California, I worked as a Graphic Designer and Art Director in the San Francisco Bay Area until 2002 when I retired from the corporate world and started Adrian Litman Art & Design Studio. I create an eclectic body of artwork for galleries and work on commissioned projects for Civic Public Art, Corporate and private clients, including custom paintings, murals, frescoes, mosaics, sculptures, stained glass panels, fountains and wall treatments, all of which facilitate the harmonious integration of art with architecture.

Education 1964 - 1968 - Fine Arts High school "N. Tonitza" - Bucharest, Romania. 1968 - 1974 - University of Bucharest Art Institute "N. Grigorescu", Bucharest, Romania. Master in Graphics Arts Design . Civic and Commercial completed art projects: * City of Hilsboro, OR - "Dynamic Orbits" - metal sculpture scheduled for installation on Oct. 1st, 2016. * City of Geyserville, CA - Sculpture Walk Program - "Cosmic Fusion" - 15' tall sculpture - installed in May 2016. * City of Cloverdale, CA - Sculpture Walk Program Call ID: 1001655 Artist ID: 267987 Status: Received

Adrian Litman (Continued)

- "Celestial Orbits" - 15' tall sculpture - installed in May 2016. * City of Los Altos, CA - Village Park - "Magic Garden" - 14; tall sculpture - installed in Sept 2015. * City of Napa, CA - Napa art walk - sculpture project. - "Morphing Orbits"- 14' high sculpture installed in downtown Napa, CA. Completed in March 2013. * City of Milpitas, CA - Alviso Adobe Park art project. - Large outdoor "Historic Farm Wagon" sculpture. Completed in December 2012. * City of Marin, CA - Martin Luther King School. - "MLK Legacy" Art on acoustical panels installation. Completed in 2011. * City of Milpitas, CA - The new Senior Center art project. - Four wall sculptures, Fireplace mosaic and large Mural. Completed in 2011. * City of Milpitas, CA - "Birds of Paradise" The Transit Shelter art project. Completed in 2011. * City of Napa, CA. - "Chinook" sculpture - The Napa River Art program. - 14' high metal sculpture. Completed in 2010. * Stanford University School of Law - Stanford, CA. - "The Four Elements of the Universe" - Six sculptures, one fresco and six paintings project for the lobbies of the five newly constructed Munger buildings on Campus. Completed in 2010. *City of Campbell Development Dept. - Campbell, CA & Regis Homes of Northern California - Foster City, CA. - "Elegant Energy" - 250 SF mosaic design for the Park Towne Place located in the Historic downtown Campbell, CA. Completed in 2011. * Kaiser Permanente Hospital - Fremont, CA. - "Ressurrection" - 14' H metal sculpture - Completed in February 2012. * DIAP Architects & Planners - San Mateo, CA. - Fresco a secco on cement panels 50"x74" - reception area. Completed in 2008. - Several Stained Glass Window designs. Office area. Completed in 2010. * El Farolito Restaurant - Healdsburg, CA - Interior wall sculpture and outdoor signs project. Completed in October 2014. * Da Anza Cupertino Aquatic Center - San Jose, CA. "Youth Dynamics" - Stainless steel sculpture - 4' x 34' - suspended above the swimming pool. Completed in 2012. - Stained glass window - 5.5' x 5.5' - reception area. Completed in 2012. * Fremont Surgery Center, MedSpa29 - Fremont, CA. - Copper and brass water feature sculpture. 3'x3'x9'. Completed in 2008. - Stained Glass window - 3' x 3'. Reception area. Completed in 2009. * Mental Health Association of Alameda County, CA. - Complex sculpture hanging design to improve the looks and acoustical quality of the offices. Completed in 2008. * Humane Society - Palo Alto, CA. - Animal copper design sculptures for display on six windows (6'x8'). Completed in 2008. * Alameda County Art Commission, Oakland, CA. - Alternate mosaic design for the new Castro Valley Public Library. Completed in 2007. * San Francisco Perinatal Associates - San Francisco, CA. - 12 oil paintings project for a new 10,000SF medical office. Completed in 2007. * Rackable Systems - Fremont, CA. - Oil painting - 48x48" - purchased for the permanent collection. Completed in 2007. * Federicos Cafe - Fremont, CA. - Complex artwork design including 3 metal sculptures (5'x9'), a mosaic water feature design (8'x8') and several oil paintings (4'x4'). Completed in 2007. ------* City of Santa

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A. 

N/A

Art Detail

Category Statement My art designs are inspired by universal life concepts as perceived by the human mind and imagination. Abstract and figurative interpretations convey messages and emotions with sensibility, combining control and passion. Vibrant and luminous colors converge in an elegant harmony, bringing unity to chaos.

The Universe and its components influence our lives on Earth in many ways. Generations of poets, musicians and artists, inspired by the Universe and guided by their imaginations, have produced massive amounts of creative Call ID: 1001655 Artist ID: 267987 Status: Received

Adrian Litman (Continued)

work that nourish our souls and beautify our surroundings. As an artist, I also find inspiration and fuel for creative expression by contemplating the big sky above. My inspiration is enhanced by concepts introduced by contemporary science, like the hidden, intriguing elements of the Universe such as Dark Matter, Cosmic Dust, Black Holes and Super Novas. Through my artwork, I try to translate the dynamics and mysteries of the Universe into color and shape

Shifting Orbits Stainless Steel 14' x 10' x 10' $20000.00 2016

Shifting Orbits - detail Stainless Steel 14' x 10' x 10' $20000.00 2016

Shifting Orbits - alternate view Stainless Steel 14' x 10' x 10' $20000.00 2016 Call ID: 1002255 Artist ID: 8515 Status: Received Oleg Lobykin Contact

Partner Contact via Email Phone Cell Web Site www.lobykin.com Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   Title: Opus Project description: Interactive climbing sculpture for children. Date of artwork completion: 2013 Medium: Composite materials, GFRC Dimensions: 8' x 10.5' x 3.5' Opus exhibits duality in form and function. It is a sculpture, and a piece of public art. It is also a climbing wall. Its base looks like a zigzag of straight lines and right angles then flows upward like bubbles in seltzer. It re-imagines the arising of life from the molecular level as something new begins to emerge from an almost chaotic "cellular soup" of bubble-like shapes as a mystery of transformation. 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. Opus is best placed on soft ground (with grass or, preferably, wood chips) because it is a climbing sculpture. It's a strong, solid, free-standing piece that is quite stable even without anchorage. It is safe for kids to climb on when installed on soft ground. It has metal brackets attached to the bottom of the sculpture with ½" diameter holes that can be used to anchor the piece to the ground, whether on concrete or soft ground. The sculpture itself weighs approximately 1800 lbs. For installation, a forklift is needed (or better, Variable Reach Forklift, if available). Securing the piece to the ground can be accomplished with the brackets and stakes or masonry anchors in case of concrete ground. No other special engineering is needed.

4) Artist Bio/ResumePlease provide a bio/resume. OLEG LOBYKIN Address: Web: www.Lobykin.com Education 1985 Art Institute of Saint Petersburg, Russia Major: Sculpture, Stone Carving, Restoration Awards 2016 Recipient of the Julia Morgan Award from the Institute of Classical Architecture & Art 2014 "Best in Show" at 7th Annual Spring Sculpture Exhibition, Oakwilde Ranch, CA 2009 Recipient of California Preservation Foundation's Preservation Design Award 2005 Independent Film Festival in Los Angeles, Spirit of Independence Award Design for statue awarded to George Clooney 2005 Park La Brea Apartments in L.A., original design and fabrication of interactive playground sculpture inspired by Saber Tooth Cat 1992 Honorary citizenship from the state of Alabama for his contribution to creating "The Alabama Column," a 23-foot column carved directly into the side of a mountain at the entrance of a limestone quarry Public Art 2016 Pacific City, Huntington Beach: "Sea Foam" installation in December 2016. 2011-13 Stanford University, Wallenberg Hall: Two marble statues re-created based on historical photos and research, completed and installed in early 2013 2011 Burning Man: Center Camp, Black Rock City, NV. Presented: Big Baby 2010 Restoration of Main Quad at Stanford University, Stanford, CA 2010 Burning Man: Center Camp, Black Rock City, NV. Presented: 12 small stone works 2008 Google: "No Swimming", Mountain View, CA. Temporary art installation. Work was shown originally at Burning Man in 2008. Call ID: 1002255 Artist ID: 8515 Status: Received

Oleg Lobykin (Continued)

Selected Exhibitions 2015-17 Napa ARTwalk Outdoor Sculpture Exhibition, Napa, CA 2014 Sculpture Trail, Cloverdale and Geyserville, Sonoma County, CA 2014 Los Altos Museum, Moving Art Forward, Los Altos, CA 2014 7th Annual Spring Sculpture Exhibition, Oakwilde Ranch, CA 2012 West Coast Sculpture Show at Bancroft Garden, Walnut Creek, CA 2012 Spring Sculpture Exhibition, Oakwilde Ranch, CA 2012 Sanchez Art Center: "Left Coast Annual Juried Exhibition", Pacifica, CA 2007 California Modern Gallery: "Focal Points", San Francisco, CA

Publications 2013 Sandstone & Tile Magazine, Wallenberg Hall Feature, Winter 2013 2009 Landscape Architect Magazine, La Brea Playground Feature, Dec. 2009 2007 Turn-Key, a Russian design magazine- Color Spread of a conceptual art project titled, "Window to Europe" 2006 Palo Alto Weekly, Cover of Jan. 13, 2006 Issue 2002 California Home & Design, Sept. 2002, Designer Profile section article and color photo

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A. 

Cloverdale, CA for one year

Art Detail

Category Statement While I'm a classically trained master stone carver, as an artist and sculptor I work in a variety of materials. I express my conceptually driven ideas in novel sculptural form, experimenting with texture, materials, color, or interactive elements.

Observing the natural world and mystery of transformation inspires me. I'm fascinated by a harmony of contradictions between chaos and order, light and darkness, good and bad. I explore how they're interconnected, how they can stay in balance, and how the meaning of thought or beauty can take shape in physical form.

I am a creator, an action-oriented man who is excited to make new things. For me, art is as natural and necessary as breathing or eating. It gives my life purpose. It is a connection to the soul that connects also to others and they respond. My artwork indulges my curiosity about the world and allows me to communicate and engage with others, provoke feelings and make a contribution to society.

Opus Composite materials, GFRC 8' x 10.5' x 3.5' $55000.00 2013 Call ID: 1002255 Artist ID: 8515 Status: Received

Oleg Lobykin (Continued)

Opus GFRC over EPS Foam (durable as concrete) 8' x 10.5' x 3.5' $55000.00 2013

Opus GFRC over EPS Foam 8' x 10.5' x 3.5' $55000.00 2013 Call ID: 1002952 Artist ID: 122137 Status: Received Melanie Piech Contact

Partner Contact via Email Phone Cell Web Site http://melaniepiech.com Mailing Address 2360 Broadway Street San Francisco CA USA 94115 Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   Future Construct, five columns, all approximately one-foot square and ranging in height from seven to twelve feet, imagines buildings, rising from the ground, in typical construction materials. Each column consists of two steel uprights, constructed from several lengths of two- and/or three-foot long modified H-beam, bolted together with steel plate. These uprights are spaced so as to create a gap between them of approximately four inches, and an interior space which houses circular layers of cast concrete, from one-inch to six-inches thick, each stack supported by a circular ¼" steel disk. The gap creates views through the columns and enables these concrete and metal circular elements to disrupt the flatness of the columns' sides. The title references Phase II of Fremont's downtown development plan, both in the theoretical sense as a complex idea for Fremont's future and in the physical sense of the actual building process. 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. The sculpture is laid out to fit the existing curbed area. Each column will sit on a concrete pad and be attached to the pad using anchor bolts. Each of the five columns will be constructed with pre-drilled, steel plate flanges, welded at a right angle to the bottom of the exterior side of each beam for the anchor bolts. Some type of lifting equipment, like a rough terrain forklift, will be necessary to assemble the columns on site, lifting each section so that it may be bolted to the one beneath. The ¼" steel circles will have been welded to both sides of the column, so once a section of column is in place, the cast concrete layers need only be placed on top and secured with bolts. The ground area could then be covered with a decomposed granite. The process would be reversed for de-installation. 4) Artist Bio/ResumePlease provide a bio/resume. In 2008, I returned to school to obtain a Bachelor of Fine Arts degree from the San Francisco Art Institute. I have three classes left and plan to graduate in May, 2018. Having had no previous formal art training, I have taken my time to complete the program. Doing so has allowed me prolonged access to both physical and creative resources and an inspiring community. It has also allowed me time to strengthen the technical skills upon which my work depends. While there, I have been selected for metalworking awards by the faculty each of the last two years, and have shown work through juried events at venues within and outside of the school, as indicated on my resume. I have two larger scale pieces on permanent display in outdoor venues, Play Date and Water and Leaves, both of which were selected in competitions based on proposals I submitted. Thus, I have experience designing, building and delivering sculpture for a public, outdoor environment. Education San Francisco Art Institute, San Francisco, California, Candidate Bachelor of Fine Arts, 2018 Academy of Art University, San Francisco, California, Welded and Fabricated Sculpture, Spring 2010 University of California, Hastings College of the Law, San Francisco, California, Juris Doctorate, 1989 Loyola Marymount University, Los Angeles, California, Bachelor of Arts, Magna Cum Laude, 1986 Honors 2016 - Selected to Participate in Co-Labs Program, Diego Rivera Gallery, San Francisco, California 2016 - Recipient of Harold E. Weiner Memorial Fund Award, San Francisco Art Institute 2015 - Recipient of Harold E. Weiner Memorial Fund Award, San Francisco Art Institute 2013 - 2nd Place winner in Colorado Springs' 15th Annual Art on the Streets 2012 - San Francisco Art Institute's Outstanding Undergraduate Award for Sculpture 2011 - Winner of Fountain Design Competition for Eucalyptus Knolls, Mill Valley, California 2010 - Selected as one of six Tabletop Heart Artists by San Francisco General Hospital Foundation for its 2011 Hearts and Heroes Fundraiser Exhibits 2016 - Sound Machine, The Convent Arts Collective, San Francisco, California 2013/2014 - Play Date, Acacia Park, Colorado Springs, Colorado 2012 - Wooden Circles, Louvered View, Remains of the Leaded Glass Windows No. 1, Diego Rivera Gallery, San Francisco, California 2012 - The Game of Art, Left to Chance, San Francisco Center for the Book, San Francisco, California Call ID: 1002952 Artist ID: 122137 Status: Received

Melanie Piech (Continued)

2011 - Water and Leaves, Wheeled Chair, and Chain, Diego Rivera Gallery, San Francisco, California 2010 - 304 Joints, Diego Rivera Gallery, San Francisco, California

Permanent Installations Here They Lay, Rosenberg Foundation, San Francisco, California Play Date, Acacia Park, Colorado Springs, Colorado Water and Leaves, Eucalyptus Knolls, Mill Valley, California

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A. 

N/A

Art Detail

Category Statement Art, for me, is about the communication of ideas. I spent 12 years communicating ideas in a very different way, as a lawyer. In law, communication is about control; the objective is to persuade the audience to accept your point of view. If you are successful, they part from you with your idea in their heads. In art, communication is about transformation; the objective is to give the audience your idea and to encourage them to ruminate about it and to combine it with their own. You are successful if they part from you with new ideas in their heads.

Concept, materials and process are important aspects of my work. The materials I use cannot be divorced from their function and historical use. They carry this encoded information with them into the artwork. The process of each piece is as significant to me as the end result: the conceptualization, the making, the problem solving, and the struggle to find the piece's internal logic which informs the choices I must make as the artist.

Future Construct, front view Steel, concrete 12' x 9' x 9' $5000.00 2017 Call ID: 1002952 Artist ID: 122137 Status: Received

Melanie Piech (Continued)

Future Construct, side view Steel, concrete 12' x 9' x 9' $5000.00 2017

Future Construct, back view Steel, concrete 12' x 9' x 9' $5000.00 2017 Call ID: 1003002 Artist ID: 68605 Status: Received Jesus Magana Contact

Partner Andrew Hernandez Contact via Email Phone Cell Web Site www.aphidoidea.com Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   Reguiletes (pinwheels) is an art installation that takes nature as its driving element that creates a constant state of motion. Similar to the changes that Fremont is experiencing, the reguiletes are always driven by natural elements that promote change. The city of Fremont is changing and going through a transformation driven by its own natural forces such as progress and growth. We are proposing to rearrange our 12 pinwheels in a upwards spiral that changes in color gradually. We believe the spiral formation and color gradation will symbolize the transformation taking place in this metamorphosis in action

3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. Each Pinwheel has its own pole. We are proposing to drive the poles down on the ground 30 to 40 inches deep using a simple fence pole driver. This hand tool is capable of installing various types of fence poles. The tallest pinwheel will reach 18 feet in height by using a combination of two different diameter size poles that will telescope to the proper height. If additional support is needed, each pole can be braced to each other at the lower portion using crossed braced tension wires. We anticipate to have minimal impact on the existing site and planted vegetation. Our previous installation took one 8-hour day to install. We anticipate a similar installation duration for the Fremont project The pipes are standard chain link fence pipes that are galvanized and should have no problems withstanding the weather conditions of Fremont. The pinwheels are made of coroplast and PVC parts. The coroplas is a double wall plastic material used typically for commercial signage. Although the plastic has no UV protection, our research indicate that it should be able to last the two years in display before it begins to deteriorate. We are also proposing quarterly inspections and maintenance as required to the pinwheels and the spinning parts. Each pinwheel sits on bearings that allow for its kinetic motion and minimizes tear and wear. The deinstallation process will be as follow, remove bracing on the pipes, retract the telescoping poles and remove the pinwheels. Once the fence poles are all that remains, we will use a hydraulic jack to pull the pipes from the ground, leaving only a 1.5 inch hole at each pinwheel location that will be covered with dirt. We anticipate to be able to leave the site as was original condition.

4) Artist Bio/ResumePlease provide a bio/resume. Aphidoidea Representative: Jesus Eduardo Magaña E-mail Website: www.aphidoidea.com Aphidoidea is a multi-disciplinary design, architecture, and art collective, led by Andrew Hernandez, Jackie Muñoz, Jesus Eduardo Magaña and Paulina Bouyer-Magaña. The collective creates site-specific art installations that engage the user, and enhance the built environment in otherwise generic or marginalized spaces through the exploration of site, concept, materials, and interactivity. Inspired by interaction and perception, their work has evolved from site-specific installations, to include user response and spectator interaction. Their installations employ a variety of materials-from the ephemeral to the permanent-from technology based to analogue applications. They blur the line between architecture, art, design and technology to create site-specific interactive artwork. Based in Los Angeles, California the collective has exhibited their work in Boca Raton Museum of Art, City of Long Beach Arts Council, Phantom Galleries, Inner City Arts, YMCA, and Black Rock City. This year, the collective is currently working on public and private commissions for Coachella Music and Art Festival, the city of Santa Monica, Scottsdale Public Art, and Storefronts Seattle, and the Red Rocks College Metro Station public art. Collective Members: Paulina Bouyer Magana Jesus Eduardo Magana Jacqueline Munoz Call ID: 1003002 Artist ID: 68605 Status: Received Jesus Magana (Continued)

Andrew Jason Hernandez Artwork: The Seed, Castro District- San Fransisco, Ca. May 2017 (In process) Mis Venas, Long Beach, Ca. Feb 2017 (In Process) Reguiletes, Mariachi Plaza Station . Los Angeles, Boyle Heights, Ca. Nov 2016 Droplets Formation, IN Light IN. Indianapolis, In. Aug 2016 Chrono Chromatic, Coachella Music and Art Festival. Indio, California. April. 2015 Look Ahead, RTD Red Rocks College Station.Lakewood, Colorado. Apr. 2014 Not My Show, Solo Multi-media Play Projection & Stage Design. Boyle Heights, Ca. Nov. 2013 Cultivo del Corazón , Barrel Art Collection, Tequila Herradura. Santa Monica, California. Nov. 2013 Swarm, The Gelatinous Bloom, GLOW 2013 SM. Santa Monica, California. Sep. 2013 Crash Site Alpha-13, Burning Man 2013. Black Rock City, Nevada. Aug. 2013 Through the Cattails. Coachella Music and Art Festival. Indio, California. Apr. 2013 Sound Cloud Forest, FLUX NIGHT. Atlanta, Georgia. Oct. 2012 Crystalline Centrum, Burning Man 2012. Black Rock City, Nevada. Sep. 2012 Spiral Ramps, Big Golf : Boca Raton Museum of Art. Boca Raton, Florida. Jul. 2012 Funk Projections, Funk Fest Event. Long Beach, California. Aug . 2012 Kinetic Dancing, Inner City Art Event. Los Angeles, California. Aug. 2012 LA Times Projection Art Walk. Los Angeles, California. Jun. 2012 Cartographic Re-Information. Long Beach, California. Sep. 2011 Visual Binding, Inner City Arts Event. Los Angeles, California. Aug. 2011 InterVisual Forest, Inner City Art. Los Angeles, California. Aug. 2010 EQ Installation, Epiphany. Long Beach, California. Dec. 2009 Inner Mind Portal, Radio Science Film. Glamis, California. Sep. 2009 InterVisual Forest, PARKing Day LA. Los Angeles, California. Sep. 2009 Funk Projections, Funk Fest 2009. Long Beach, California. Aug. 2009 ICups II Synthetic Landscapes, Phantom Galleries. Long Beach, California.. Jun. 2009

Press: GQ - Gentelman's Quarterly Report - Feb 2014 FORM Magazine Pioneering Design - Art issue June 2011 LA Downtown News - The Cocoon - June, 2011 Blog Downtown LA - Four Pop-Up Green Parks, Park(ing) Day LA - Sept 17, 2010 Arch Daily - iCUP II_ Synthetic Landscape Curbed LA - Defragmented Golf Park(ing) Day LA - Sept 18, 2009 Event participation: An LA Journey, Theater Performance 2015 Not My Show, Theater Performance 2013 Make fair, Pasadena 2011 Barcamp talks, Los Angeles 2010 Burning Man, Nevada 2013/12 Awards & honors Honorarium: Burning Man 2013 Crash Site Alpha 13 Emerging Talent Design Competition AIA 2011 Certificates & Licenses LEED-APJesus Eduardo Magaña CLASS B Contractor licenseAndrew Jason Hernandez MARCH ColumbiaPaulina Andrea Bouyer Lecture & Presentations Creators Project AttendeeSan Francisco, CA. 2012 Make Fair"Tensigrity applications"Pasadena, CA. 2012 Hacker Brunch Discussions"Syynlabs family" Los Angeles, CA. 2011 BarCamp"Guerrilla Architecture"Los Angeles, CA. 2011 Final review Guest Critic CalPoly Pomona, CA. 2001 References Andrea Teutli Assistant Director Scottsdale Public Art

Lindsey L. Smith Public Information Coordinator RTD Art-n-Transit Administrator RTD FastTracks North Metro Rail Line Call ID: 1003002 Artist ID: 68605 Status: Received Jesus Magana (Continued)

Paul Clemente Art Director Coachella Valley Music and Art Festival Stage Coach Festival Goldenvoice

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A.  The "Reguiletes" artwork was created for the mariachi festival "La Santa Cecilia" (the saint of music) which takes place at the mariachi plaza and metro station in Boyle Heights Los Angeles. The artwork was on display for 1 week and it has been stored awaiting a new opportunity.

Art Detail

Category Statement About: [ey-fid-o- ahy-dee-uh]

We are Aphidoidea, a collective of creative individuals from various backgrounds who shared a common interest, the creation of stimulating environments for the individual and its surroundings. We emphasized on site- specific installations that appeal to the senses and engage the user. Our holistic solutions enhance the built environment in otherwise commonly generic and marginal spaces. Our visions create and integrated user- experience that stimulates creativity and artistic prosperity for its guest and active participants. The collective's diversity allows us to explore an array of ideas, philosophies and methods.

Our installations employ a variety of materials-from the ephemeral to the permanent. We use technologies such as CNC prototyping, 3D modeling, lighting, and interactive graphics. We have proven competent at working with project teams, coordinating, and completing projects on time and within budget.

Reguiletes metal piping, plastic, 8' x 4' x 4' $4000.00 2016 Call ID: 1003002 Artist ID: 68605 Status: Received

Jesus Magana (Continued)

Reguiletes metal piping, plastic, 8' x 4' x 4' $4000.00 2016

Reguiletes metal piping, plastic, 8' x 4' x 4' $4000.00 2016 Call ID: 1003136 Artist ID: 8515 Status: Received Oleg Lobykin Contact

Partner Contact via Email Phone Cell Web Site www.lobykin.com Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   Title: Queen and Pawn Project description: An abstract, organically shaped interactive sculpture with a visual reference to two chess pieces. Date of artwork completion: 2014 Medium: Composite materials, GFRC, fiberglass Dimensions: 10' x 5' x 5' (Queen), 8' x 4' x 4' (Pawn) Queen & Pawn is an abstract, organically shaped interactive sculpture with a visual reference to two chess pieces. Made of composite materials and fiberglass, it is light and durable yet suitable for climbing. Queen (10' high) and Pawn (8' high) are a conceptual representation of a new visual form that we may begin to see more often as 3-D printers, 3-D pens, scanners, computers and other technology can affect future art-making processes specifically in sculpture and 3-dimensional objects. This work, however, was done completely by hand without the use of computers or other technology. It's a search for the roots of form and its basic elements, which can combine to create any complex shape. 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. Queen & Pawn is best placed on soft ground (with grass or, preferably, wood chips) because it is a climbing sculpture. It is safe for kids to climb on when installed on soft ground. The pieces are light and durable. Each piece has metal brackets attached to the bottom of the sculpture with ½" diameter holes that can be used to anchor the piece to the ground, whether on concrete or soft ground. The sculpture itself weighs approximately 700 lbs. together. For installation, no heavy equipment is needed as it can be installed by 3-4 men working together. Securing the piece to the ground can be accomplished with the brackets and stakes or masonry anchors in case of concrete ground. No other special engineering is needed.

4) Artist Bio/ResumePlease provide a bio/resume. OLEG LOBYKIN Address: Web: www.Lobykin.com Education 1985 Art Institute of Saint Petersburg, Russia Major: Sculpture, Stone Carving, Restoration Awards 2016 Recipient of the Julia Morgan Award from the Institute of Classical Architecture & Art 2014 "Best in Show" at 7th Annual Spring Sculpture Exhibition, Oakwilde Ranch, CA 2009 Recipient of California Preservation Foundation's Preservation Design Award 2005 Independent Film Festival in Los Angeles, Spirit of Independence Award Design for statue awarded to George Clooney 2005 Park La Brea Apartments in L.A., original design and fabrication of interactive playground sculpture inspired by Saber Tooth Cat 1992 Honorary citizenship from the state of Alabama for his contribution to creating "The Alabama Column," a 23-foot column carved directly into the side of a mountain at the entrance of a limestone quarry Public Art 2016 Pacific City, Huntington Beach: "Sea Foam" installation in December 2016. 2011-13 Stanford University, Wallenberg Hall: Two marble statues re-created based on historical photos and research, completed and installed in early 2013 2011 Burning Man: Center Camp, Black Rock City, NV. Presented: Big Baby 2010 Restoration of Main Quad at Stanford University, Stanford, CA 2010 Burning Man: Center Camp, Black Rock City, NV. Presented: 12 small stone works Call ID: 1003136 Artist ID: 8515 Status: Received

Oleg Lobykin (Continued)

2008 Google: "No Swimming", Mountain View, CA. Temporary art installation. Work was shown originally at Burning Man in 2008.

Selected Exhibitions 2015-17 Napa ARTwalk Outdoor Sculpture Exhibition, Napa, CA 2014 Sculpture Trail, Cloverdale and Geyserville, Sonoma County, CA 2014 Los Altos Museum, Moving Art Forward, Los Altos, CA 2014 7th Annual Spring Sculpture Exhibition, Oakwilde Ranch, CA 2012 West Coast Sculpture Show at Bancroft Garden, Walnut Creek, CA 2012 Spring Sculpture Exhibition, Oakwilde Ranch, CA 2012 Sanchez Art Center: "Left Coast Annual Juried Exhibition", Pacifica, CA 2007 California Modern Gallery: "Focal Points", San Francisco, CA

Publications 2013 Sandstone & Tile Magazine, Wallenberg Hall Feature, Winter 2013 2009 Landscape Architect Magazine, La Brea Playground Feature, Dec. 2009 2007 Turn-Key, a Russian design magazine- Color Spread of a conceptual art project titled, "Window to Europe" 2006 Palo Alto Weekly, Cover of Jan. 13, 2006 Issue 2002 California Home & Design, Sept. 2002, Designer Profile section article and color photo

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A. 

Geyserville, CA for one year

Art Detail

Category Statement While I'm a classically trained master stone carver, as an artist and sculptor I work in a variety of materials. I express my conceptually driven ideas in novel sculptural form, experimenting with texture, materials, color, or interactive elements.

Observing the natural world and mystery of transformation inspires me. I'm fascinated by a harmony of contradictions between chaos and order, light and darkness, good and bad. I explore how they're interconnected, how they can stay in balance, and how the meaning of thought or beauty can take shape in physical form.

I am a creator, an action-oriented man who is excited to make new things. For me, art is as natural and necessary as breathing or eating. It gives my life purpose. It is a connection to the soul that connects also to others and they respond. My artwork indulges my curiosity about the world and allows me to communicate and engage with others, provoke feelings and make a contribution to society.

Queen & Pawn Composite materials, GFRC 10' x 5' x 5' $50000.00 2014 Call ID: 1003136 Artist ID: 8515 Status: Received

Oleg Lobykin (Continued)

Queen & Pawn Composite materials, GFRC 10' x 5' x 5' $50000.00 2014

Queen & Pawn Composite materials, GFRC 10' x 5' x 5' $50000.00 2014 Call ID: 1003202 Artist ID: 266217 Status: Received Danielle Aspitz Contact

Partner Danielle Aspitz Contact via Email Phone Cell Web Site www.danielleaspitz.com Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   Pulse was a response to the growing need for individuals to find personal clarity within the larger community. A platform for spontaneous interaction, personal clarity and newfound growth, this bench allows for a true metamorphosis of our currently segregated society to become more cohesive and understanding of one another. Through its abilities to reunite, Pulse has the capacity to transform a city into a community. 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. Pulse could either be anchored into the ground using heavy duty concrete nails, or a tracking device could be inserted into the piece to simply allow for the city to track it's whereabouts. Due to its significant weight it might not be necessary to fully secure the piece, but this will have to be assessed upon deployment. 4) Artist Bio/ResumePlease provide a bio/resume. I graduated from Cal Poly San Luis Obispo with a B. of Architecture in 2015. I have worked at a few architecture firms in the city of San Francisco and currently pursuing my own direction. My senior thesis, and primary fascination is with how architecture can encourage interaction between strangers in public spaces. I am a huge fan of the situationists, derive, psycogeography and the flanuer. I think as the digital age continues to consume us we are growing far less present in the physical realm, particularly in public spaces such as street. I think fully seeing and interacting with strangers is the most refreshing, humanizing and unifying act and I hope that through my work I can bring about a new wave of connectivity to dense urban areas. I am very eager and excited to revitalize San Francisco with Pulse and other urban interventions and street furniture. 5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A.  Market Street Prototyping Festival, San Francisco 2016 California Academy of Sciences Nightlife LIVE event October 2016 SF Music Tech Summit 2016 CMX Summit West 2016 Vellum, Cal Poly, San Luis Obispo 2016

Art Detail

Category Statement Amidst the vast sea of stimuli that surrounds us, Pulse sets a stage for spontaneous social interaction. Each new encounter provides us the opportunity to interpret the world through fresh perspectives, and gain newfound personal clarity. Inspired by the curves of the human body and the steady flow of the city, the close proximity of each seat erodes at personal spheres - welcoming a new, more socially connected outlook; Pulse aims to reunite community. Call ID: 1003202 Artist ID: 266217 Status: Received

Danielle Aspitz (Continued)

Pulse Fiberglass 30" x 41" x 81" $20000.00 2016

Pulse Fiberglass 30" x 41" x 81" $20000.00 2016

Pulse Fiberglass 30" x 41" x 81" $20000.00 2016 Call ID: 1003211 Artist ID: 269033 Status: Received Jessica Levine Contact

Partner Contact via Email Phone Cell Web Site jessicalevine.net Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   This scultpure represents metamorphosis because it is created from an old drive shaft that was thrown out. It was no longer useful and was at the end of its life. The drive shaft is used as the base from which this sculpture stems and grows up into something new and alive. 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. It will be installed with concrete anchors. A steel plate with bolt holes will be welded to the base of the sculpture. Holes will be drilled in the concrete and the anchors will be inserted through the plate on the bottom of the sculpture and into the holes in the concrete. I have the tool to do this if needed. I will transport it there with a truck that I have access to. It is not very heavy and can be lifted/moved by two people. 4) Artist Bio/ResumePlease provide a bio/resume. Jessica Levine jessicalevine.net

Education: 2015 University of California Santa Cruz, bachelor degrees in fine art and sociology Awards: Spring 2014 Irwin Grant recipient Fall 2014 Irwin Grant recipient Spring 2015 Irwin Grant recipient Winter 2015 SnowGlobe Music Festival Art Grant Commissions: 2015 Private large scale art commission for Dwain Zack 2015 Private commission for Tom Ralston Concrete Exhibits: 2015 UC Santa Cruz Arboretum 2015 Snow Globe Music Festival, South Lake Tahoe, California 5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A.  N/A

Art Detail

Category Statement I have always felt a disconnection between myself and the world I live in--between my "self" and my body. The world that exists within my head feels separate than that which exists around me. Creating art makes me feel like I am "bridging the gap" between my worlds by pulling ideas and images that only exist within me and Call ID: 1003211 Artist ID: 269033 Status: Received

Jessica Levine (Continued)

sculpting them into physical forms to be new additions to the physical world i live in. It is like I am pushing back against the consumption of my senses, which are constantly observing and taking everything in, forever gathering endless amounts of information. By creating, it feels I am contributing to reality instead of just taking it all in.

Metamorphosis (Me Right Now...Me always?) Steel 105" x 24" x 24" $4000.00 2016

Metamorphosis (Me Right Now...Me always?) Steel 105" x 24" x 24" $4000.00 2016

Metamorphosis (Me Right Now...Me always?) Steel 105" x 24" x 24" $4000.00 2016 Call ID: 1003960 Artist ID: 68605 Status: Received Jesus Magana Contact

Partner Andrew Hernandez Contact via Email [email protected] Phone Cell Web Site www.aphidoidea.com Mailing Address

Custom Answers 2) Statement Regarding ThemeArtist must provide a written statement (up to 150 words) as part of their submittal explaining how their sculpture addresses and illustrates the theme.   Reguiletes (pinwheels) is an art installation that takes nature as its driving element that creates a constant state of motion. Similar to the changes that Fremont is experiencing, the reguiletes are always driven by natural elements that promote change. The city of Fremont is changing and going through a transformation driven by its own natural forces such as progress and growth. We are proposing to rearrange our 12 pinwheels in a upwards spiral that changes in color gradually. We believe the spiral formation and color gradation will symbolize the transformation taking place in this metamorphosis in action 3) Art Installation and De-Installation PlanPlease reference the attached site plan and provide an installation and de-installation plan and requirements for the attachment of the Artwork and the type of hardware to be used for the attachment. Each Pinwheel has its own pole. We are proposing to drive the poles down on the ground 30 to 40 inches deep using a simple fence pole driver. This hand tool is capable of installing various types of fence poles. The tallest pinwheel will reach 18 feet in height by using a combination of two different diameter size poles that will telescope to the proper height. If additional support is needed, each pole can be braced to each other at the lower portion using crossed braced tension wires. We anticipate to have minimal impact on the existing site and planted vegetation. Our previous installation took one 8-hour day to install. We anticipate a similar installation duration for the Fremont project The pipes are standard chain link fence pipes that are galvanized and should have no problems withstanding the weather conditions of Fremont. The pinwheels are made of coroplast and PVC parts. The coroplas is a double wall plastic material used typically for commercial signage. Although the plastic has no UV protection, our research indicate that it should be able to last the two years in display before it begins to deteriorate. We are also proposing quarterly inspections and maintenance as required to the pinwheels and the spinning parts. Each pinwheel sits on bearings that allow for its kinetic motion and minimizes tear and wear. The deinstallation process will be as follow, remove bracing on the pipes, retract the telescoping poles and remove the pinwheels. Once the fence poles are all that remains, we will use a hydraulic jack to pull the pipes from the ground, leaving only a 1.5 inch hole at each pinwheel location that will be covered with dirt. We anticipate to be able to leave the site as was original condition. 4) Artist Bio/ResumePlease provide a bio/resume. Aphidoidea Representative: Jesus Eduardo Magaña E-mail:

Aphidoidea is a multi-disciplinary design, architecture, and art collective, led by Andrew Hernandez, Jackie Muñoz, Jesus Eduardo Magaña and Paulina Bouyer-Magaña. The collective creates site-specific art installations that engage the user, and enhance the built environment in otherwise generic or marginalized spaces through the exploration of site, concept, materials, and interactivity. Inspired by interaction and perception, their work has evolved from site-specific installations, to include user response and spectator interaction. Their installations employ a variety of materials-from the ephemeral to the permanent-from technology based to analogue applications. They blur the line between architecture, art, design and technology to create site-specific interactive artwork. Based in Los Angeles, California the collective has exhibited their work in Boca Raton Museum of Art, City of Long Beach Arts Council, Phantom Galleries, Inner City Arts, YMCA, and Black Rock City. This year, the collective is currently working on public and private commissions for Coachella Music and Art Festival, the city of Santa Monica, Scottsdale Public Art, and Storefronts Seattle, and the Red Rocks College Metro Station public art. Collective Members: Paulina Bouyer Magana Jesus Eduardo Magana Jacqueline Munoz Andrew Jason Hernandez Call ID: 1003960 Artist ID: 68605 Status: Received Jesus Magana (Continued)

Artwork: The Seed, Castro District- San Fransisco, Ca. May 2017 (In process) Mis Venas, Long Beach, Ca. Feb 2017 (In Process) Reguiletes, Mariachi Plaza Station . Los Angeles, Boyle Heights, Ca. Nov 2016 Droplets Formation, IN Light IN. Indianapolis, In. Aug 2016 Chrono Chromatic, Coachella Music and Art Festival. Indio, California. April. 2015 Look Ahead, RTD Red Rocks College Station.Lakewood, Colorado. Apr. 2014 Not My Show, Solo Multi-media Play Projection & Stage Design. Boyle Heights, Ca. Nov. 2013 Cultivo del Corazón , Barrel Art Collection, Tequila Herradura. Santa Monica, California. Nov. 2013 Swarm, The Gelatinous Bloom, GLOW 2013 SM. Santa Monica, California. Sep. 2013 Crash Site Alpha-13, Burning Man 2013. Black Rock City, Nevada. Aug. 2013 Through the Cattails. Coachella Music and Art Festival. Indio, California. Apr. 2013 Sound Cloud Forest, FLUX NIGHT. Atlanta, Georgia. Oct. 2012 Crystalline Centrum, Burning Man 2012. Black Rock City, Nevada. Sep. 2012 Spiral Ramps, Big Golf : Boca Raton Museum of Art. Boca Raton, Florida. Jul. 2012 Funk Projections, Funk Fest Event. Long Beach, California. Aug . 2012 Kinetic Dancing, Inner City Art Event. Los Angeles, California. Aug. 2012 LA Times Projection Art Walk. Los Angeles, California. Jun. 2012 Cartographic Re-Information. Long Beach, California. Sep. 2011 Visual Binding, Inner City Arts Event. Los Angeles, California. Aug. 2011 InterVisual Forest, Inner City Art. Los Angeles, California. Aug. 2010 EQ Installation, Epiphany. Long Beach, California. Dec. 2009 Inner Mind Portal, Radio Science Film. Glamis, California. Sep. 2009 InterVisual Forest, PARKing Day LA. Los Angeles, California. Sep. 2009 Funk Projections, Funk Fest 2009. Long Beach, California. Aug. 2009 ICups II Synthetic Landscapes, Phantom Galleries. Long Beach, California.. Jun. 2009

Press: GQ - Gentelman's Quarterly Report - Feb 2014 FORM Magazine Pioneering Design - Art issue June 2011 LA Downtown News - The Cocoon - June, 2011 Blog Downtown LA - Four Pop-Up Green Parks, Park(ing) Day LA - Sept 17, 2010 Arch Daily - iCUP II_ Synthetic Landscape Curbed LA - Defragmented Golf Park(ing) Day LA - Sept 18, 2009 Event participation: An LA Journey, Theater Performance 2015 Not My Show, Theater Performance 2013 Make fair, Pasadena 2011 Barcamp talks, Los Angeles 2010 Burning Man, Nevada 2013/12 Awards & honors Honorarium: Burning Man 2013 Crash Site Alpha 13 Emerging Talent Design Competition AIA 2011 Certificates & Licenses LEED-APJesus Eduardo Magaña CLASS B Contractor licenseAndrew Jason Hernandez MARCH ColumbiaPaulina Andrea Bouyer Lecture & Presentations Creators Project AttendeeSan Francisco, CA. 2012 Make Fair"Tensigrity applications"Pasadena, CA. 2012 Hacker Brunch Discussions"Syynlabs family" Los Angeles, CA. 2011 BarCamp"Guerrilla Architecture"Los Angeles, CA. 2011 Final review Guest Critic CalPoly Pomona, CA. 2001 References Andrea Teutli Assistant Director Scottsdale Public Art

Lindsey L. Smith Public Information Coordinator RTD Art-n-Transit Administrator RTD FastTracks North Metro Rail Line Call ID: 1003960 Artist ID: 68605 Status: Received Jesus Magana (Continued)

Paul Clemente Art Director Coachella Valley Music and Art Festival Stage Coach Festival Goldenvoice

5) List of Locations where piece has been displayedPlease list the locations where piece has been displayed and the duration of time.  If it has not been displayed, enter as N/A.  The "Reguiletes" artwork was created for the mariachi festival "La Santa Cecilia" (the saint of music) which takes place at the mariachi plaza and metro station in Boyle Heights Los Angeles. The artwork was on display for 1 week and it has been stored awaiting a new opportunity.

Art Detail

Category Statement About: [ey-fid-o- ahy-dee-uh]

We are Aphidoidea, a collective of creative individuals from various backgrounds who shared a common interest, the creation of stimulating environments for the individual and its surroundings. We emphasized on site-specific installations that appeal to the senses and engage the user. Our holistic solutions enhance the built environment in otherwise commonly generic and marginal spaces. Our visions create and integrated user-experience that stimulates creativity and artistic prosperity for its guest and active participants. The collective's diversity allows us to explore an array of ideas, philosophies and methods.

Our installations employ a variety of materials-from the ephemeral to the permanent. We use technologies such as CNC prototyping, 3D modeling, lighting, and interactive graphics. We have proven competent at working with project teams, coordinating, and completing projects on time and within budget.

Reguiletes metal piping, plastic, 18' x 10' x 10' $4000.00 2016 Call ID: 1003960 Artist ID: 68605 Status: Received

Jesus Magana (Continued)

Reguiletes metal piping, plastic, 18' x 10' x 10' $4000.00 2016

Reguiletes metal piping, plastic, 18' x 10' x 10' $4000.00 2016