Talas, L., Baddeley, R., & Cuthill, I. (2017). Cultural Evolution of Military
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Psychophysical Determination of the Relevant Colours That Describe the Colour Palette of Paintings
Journal of Imaging Article Psychophysical Determination of the Relevant Colours That Describe the Colour Palette of Paintings Juan Luis Nieves * , Juan Ojeda, Luis Gómez-Robledo and Javier Romero Department of Optics, Faculty of Science, University of Granada, 18071 Granada, Spain; [email protected] (J.O.); [email protected] (L.G.-R.); [email protected] (J.R.) * Correspondence: [email protected] Abstract: In an early study, the so-called “relevant colour” in a painting was heuristically introduced as a term to describe the number of colours that would stand out for an observer when just glancing at a painting. The purpose of this study is to analyse how observers determine the relevant colours by describing observers’ subjective impressions of the most representative colours in paintings and to provide a psychophysical backing for a related computational model we proposed in a previous work. This subjective impression is elicited by an efficient and optimal processing of the most representative colour instances in painting images. Our results suggest an average number of 21 subjective colours. This number is in close agreement with the computational number of relevant colours previously obtained and allows a reliable segmentation of colour images using a small number of colours without introducing any colour categorization. In addition, our results are in good agreement with the directions of colour preferences derived from an independent component analysis. We show Citation: Nieves, J.L.; Ojeda, J.; that independent component analysis of the painting images yields directions of colour preference Gómez-Robledo, L.; Romero, J. aligned with the relevant colours of these images. Following on from this analysis, the results suggest Psychophysical Determination of the that hue colour components are efficiently distributed throughout a discrete number of directions Relevant Colours That Describe the and could be relevant instances to a priori describe the most representative colours that make up the Colour Palette of Paintings. -
Mimicry - Ecology - Oxford Bibliographies 12/13/12 7:29 PM
Mimicry - Ecology - Oxford Bibliographies 12/13/12 7:29 PM Mimicry David W. Kikuchi, David W. Pfennig Introduction Among nature’s most exquisite adaptations are examples in which natural selection has favored a species (the mimic) to resemble a second, often unrelated species (the model) because it confuses a third species (the receiver). For example, the individual members of a nontoxic species that happen to resemble a toxic species may dupe any predators by behaving as if they are also dangerous and should therefore be avoided. In this way, adaptive resemblances can evolve via natural selection. When this phenomenon—dubbed “mimicry”—was first outlined by Henry Walter Bates in the middle of the 19th century, its intuitive appeal was so great that Charles Darwin immediately seized upon it as one of the finest examples of evolution by means of natural selection. Even today, mimicry is often used as a prime example in textbooks and in the popular press as a superlative example of natural selection’s efficacy. Moreover, mimicry remains an active area of research, and studies of mimicry have helped illuminate such diverse topics as how novel, complex traits arise; how new species form; and how animals make complex decisions. General Overviews Since Henry Walter Bates first published his theories of mimicry in 1862 (see Bates 1862, cited under Historical Background), there have been periodic reviews of our knowledge in the subject area. Cott 1940 was mainly concerned with animal coloration. Subsequent reviews, such as Edmunds 1974 and Ruxton, et al. 2004, have focused on types of mimicry associated with defense from predators. -
Sensory and Instrument-Measured Ground Chicken Meat Color
Sensory and Instrument-Measured Ground Chicken Meat Color C. L. SANDUSKY1 and J. L. HEATH2 Department of Animal and Avian Sciences, University of Maryland, College Park, Maryland 20742 ABSTRACT Instrument values were compared to scores were compared using each of the backgrounds. sensory perception of ground breast and thigh meat The sensory panel did not detect differences in yellow- color. Different patty thicknesses (0.5, 1.5, and 2.0) and ness found by the instrument when samples on white background colors (white, pink, green, and gray), and pink backgrounds were compared to samples on previously found to cause differences in instrument- green and gray backgrounds. A majority of panelists (84 measured color, were used. Sensory descriptive analysis of 85) preferred samples on white or pink backgrounds. scores for lightness, hue, and chroma were compared to Red color of breast patties was associated with fresh- instrument-measured L* values, hue, and chroma. ness. Sensory ordinal rank scores for lightness, redness, and Reflective lighting was compared to transmission yellowness were compared to instrument-generated L*, lighting using patties of different thicknesses. Sensory a*, and b* values. Sensory descriptive analysis scores evaluation detected no differences in lightness due to and instrument values agreed in two of six comparisons breast patty thickness when reflective lighting was used. using breast and thigh patties. They agreed when thigh Increased thickness caused the patties to appear darker hue and chroma were measured. Sensory ordinal rank when transmission lighting was used. Decreased trans- scores were different from instrument color values in the mission lighting penetrating the sample made the patties ability to detect color changes caused by white, pink, appear more red. -
A Thesis Presented to Faculty of Alfred University PHOTOCHROMISM in RARE-EARTH OXIDE GLASSES by Charles H. Bellows in Partial Fu
A Thesis Presented to Faculty of Alfred University PHOTOCHROMISM IN RARE-EARTH OXIDE GLASSES by Charles H. Bellows In Partial Fulfillment of the Requirements for The Alfred University Honors Program May 2016 Under the Supervision of: Chair: Alexis G. Clare, Ph.D. Committee Members: Danielle D. Gagne, Ph.D. Matthew M. Hall, Ph.D. SUMMARY The following thesis was performed, in part, to provide glass artists with a succinct listing of colors that may be achieved by lighting rare-earth oxide glasses in a variety of sources. While examined through scientific experimentation, the hope is that the information enclosed will allow artists new opportunities for creative experimentation. Introduction Oxides of transition and rare-earth metals can produce a multitude of colors in glass through a process called doping. When doping, the powdered oxides are mixed with premade pieces of glass called frit, or with glass-forming raw materials. When melted together, ions from the oxides insert themselves into the glass, imparting a variety of properties including color. The color is produced when the electrons within the ions move between energy levels, releasing energy. The amount of energy released equates to a specific wavelength, which in turn determines the color emitted. Because the arrangement of electron energy levels is different for rare-earth ions compared to transition metal ions, some interesting color effects can arise. Some glasses doped with rare-earth oxides fluoresce under a UV “black light”, while others can express photochromic properties. Photochromism, simply put, is the apparent color change of an object as a function of light; similar to transition sunglasses. -
The War and Fashion
F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. -
Iso-Luminance Counterillumination Drove Bioluminescent Shark Radiation
OPEN Iso-luminance counterillumination drove SUBJECT AREAS: bioluminescent shark radiation ECOLOGICAL Julien M. Claes1, Dan-Eric Nilsson2, Nicolas Straube3, Shaun P. Collin4 &Je´roˆme Mallefet1 MODELLING ICHTHYOLOGY 1Laboratoire de Biologie Marine, Earth and Life Institute, Universite´ catholique de Louvain, 1348 Louvain-la-Neuve, Belgium, 2Lund ADAPTIVE RADIATION Vision Group, Lund University, 22362 Lund, Sweden, 3Department of Biology, College of Charleston, Charleston, SC 29412, USA, 4The School of Animal Biology and The Oceans Institute, The University of Western Australia, Crawley, WA 6009, Australia. Received 13 November 2013 Counterilluminating animals use ventral photogenic organs (photophores) to mimic the residual downwelling light and cloak their silhouette from upward-looking predators. To cope with variable Accepted conditions of pelagic light environments they typically adjust their luminescence intensity. Here, we found 21 February 2014 evidence that bioluminescent sharks instead emit a constant light output and move up and down in the water Published column to remain cryptic at iso-luminance depth. We observed, across 21 globally distributed shark species, 10 March 2014 a correlation between capture depth and the proportion of a ventral area occupied by photophores. This information further allowed us, using visual modelling, to provide an adaptive explanation for shark photophore pattern diversity: in species facing moderate predation risk from below, counterilluminating photophores were partially co-opted for bioluminescent signalling, leading to complex patterns. In addition Correspondence and to increase our understanding of pelagic ecosystems our study emphasizes the importance of requests for materials bioluminescence as a speciation driver. should be addressed to J.M.C. (julien.m. mong sharks, bioluminescence occurs in two shark families only, the Dalatiidae (kitefin sharks) and the [email protected]) Etmopteridae (lanternsharks), which are among the most enigmatic bioluminescent organisms1–3. -
Book of Abstracts of the International Colour Association (AIC) Conference 2020
NATURAL COLOURS - DIGITAL COLOURS Book of Abstracts of the International Colour Association (AIC) Conference 2020 Avignon, France 20, 26-28th november 2020 Sponsored by le Centre Français de la Couleur (CFC) Published by International Colour Association (AIC) This publication includes abstracts of the keynote, oral and poster papers presented in the International Colour Association (AIC) Conference 2020. The theme of the conference was Natural Colours - Digital Colours. The conference, organised by the Centre Français de la Couleur (CFC), was held in Avignon, France on 20, 26-28th November 2020. That conference, for the first time, was managed online and onsite due to the sanitary conditions provided by the COVID-19 pandemic. More information in: www.aic2020.org. © 2020 International Colour Association (AIC) International Colour Association Incorporated PO Box 764 Newtown NSW 2042 Australia www.aic-colour.org All rights reserved. DISCLAIMER Matters of copyright for all images and text associated with the papers within the Proceedings of the International Colour Association (AIC) 2020 and Book of Abstracts are the responsibility of the authors. The AIC does not accept responsibility for any liabilities arising from the publication of any of the submissions. COPYRIGHT Reproduction of this document or parts thereof by any means whatsoever is prohibited without the written permission of the International Colour Association (AIC). All copies of the individual articles remain the intellectual property of the individual authors and/or their -
Measuring the Color of a Paint on Canvas
Application Note Materials Measuring the Color of a Paint on Canvas Direct measurement with an UV-Vis external diffuse reflectance accessory Authors Introduction Paolo Teragni, Color measurement systems can translate the sensations, or visual appearances, Paolo Scardina, into numbers according to various geometrical coordinates and illumination Agilent Technologies, Inc. systems. The concept of “visual colorimetry” with a standard observer using a standard device as a method of color specification dates to around 1920. The first standardized color system was defined by CIE (Commission internationelle pour l’Eclairage) around 1931. One may regard the CIE system to be at the “heart” of all color measurement systems. However, for each painter, the use of colors is dictated by their personal inclination, cultural context and available materials. These are the reasons why sophisticated and portable instrumentation is needed to understand “the fine arts” and to find the best way for their conservation. Measurements of colored materials in paintings are often difficult due to their size, shape and location. It is not possible to separate one type of paint into its individual components. Therefore, the collection of reflectance spectra and color data from a small spot of paint is needed to understand and classify the different colored materials within and to be able to remake them as similar as possible to the original. The Agilent Cary 60 UV-Vis spectrophotometer with the Principal coordinates and illuminants of remote fiber optic diffuse reflectance accessory (Figure 1) provides fast and accurate diffuse reflectance measurements Color software on sample sizes around 2 mm in diameter. The Cary 60’s – Tristimulus highly focused beam makes it ideal for fiber optic work. -
Image Processing Based Automatic Color Inspection and Detection of Colored Wires in Electric Cables
International Journal of Applied Engineering Research ISSN 0973-4562 Volume 12, Number 5 (2017) pp. 611-617 © Research India Publications. http://www.ripublication.com Image Processing based Automatic Color Inspection and Detection of Colored Wires in Electric Cables 1Rajalakshmi M, 2Ganapathy V, 3Rengaraj R and 4Rohit D 1Assistant Professor, 2Professor, Dept. of IT., SRM University, Kattankulathur-603203, Tamil Nadu, India. 3Associate Professor, Dept. of EEE, SSN College of Engg., Kalavakkam-603110, Tamil Nadu, India. 4Research Associate, Siechem Wires and Cables, Pondicherry, India. Abstract manipulation and interpretation of visual information, and it plays an increasingly important role in our daily life. Also it In this paper, an automatic visual inspection system using is applied in a variety of disciplines and fields in science and image processing techniques to check the consistency of technology. Some of the applications are television, color of the wire after insulation, and meeting the photography, robotics, remote sensing, medical diagnosis requirements of the manufacturer, is presented. Also any and industrial inspection. Probably the most powerful image color irregularities occurring across the insulation are processing system is the human brain together with the eye. displayed. The main contributions of this paper are: (i) the The system receives, enhances and stores images at self-learning system, which does not require manual enormous rates of speed. The objective of image processing intervention and (ii) a color detection algorithm that can be is to visually enhance or statistically evaluate some aspect of able to meet up with varied finishing of the wire insulation. an image not readily apparent in its original form. -
Factors Affecting Counterillumination As a Cryptic Strategy
Reference: Biol. Bull. 207: 1–16. (August 2004) © 2004 Marine Biological Laboratory Propagation and Perception of Bioluminescence: Factors Affecting Counterillumination as a Cryptic Strategy SO¨ NKE JOHNSEN1,*, EDITH A. WIDDER2, AND CURTIS D. MOBLEY3 1Biology Department, Duke University, Durham, North Carolina 27708; 2Marine Science Division, Harbor Branch Oceanographic Institution, Ft. Pierce, Florida 34946; and 3Sequoia Scientific Inc., Bellevue, Washington 98005 Abstract. Many deep-sea species, particularly crusta- was partially offset by the higher contrast attenuation at ceans, cephalopods, and fish, use photophores to illuminate shallow depths, which reduced the sighting distance of their ventral surfaces and thus disguise their silhouettes mismatches. This research has implications for the study of from predators viewing them from below. This strategy has spatial resolution, contrast sensitivity, and color discrimina- several potential limitations, two of which are examined tion in deep-sea visual systems. here. First, a predator with acute vision may be able to detect the individual photophores on the ventral surface. Introduction Second, a predator may be able to detect any mismatch between the spectrum of the bioluminescence and that of the Counterillumination is a common form of crypsis in the background light. The first limitation was examined by open ocean (Latz, 1995; Harper and Case, 1999; Widder, modeling the perceived images of the counterillumination 1999). Its prevalence is due to the fact that, because the of the squid Abralia veranyi and the myctophid fish Cera- downwelling light is orders of magnitude brighter than the toscopelus maderensis as a function of the distance and upwelling light, even an animal with white ventral colora- visual acuity of the viewer. -
Antipredator Deception in Terrestrial Vertebrates
Current Zoology 60 (1): 16–25, 2014 Antipredator deception in terrestrial vertebrates Tim CARO* Department of Wildlife, Fish and Conservation Biology, and Center of Population Biology, University of California, Davis, CA 95616, USA Abstract Deceptive antipredator defense mechanisms fall into three categories: depriving predators of knowledge of prey’s presence, providing cues that deceive predators about prey handling, and dishonest signaling. Deceptive defenses in terrestrial vertebrates include aspects of crypsis such as background matching and countershading, visual and acoustic Batesian mimicry, active defenses that make animals seem more difficult to handle such as increase in apparent size and threats, feigning injury and death, distractive behaviours, and aspects of flight. After reviewing these defenses, I attempt a preliminary evaluation of which aspects of antipredator deception are most widespread in amphibians, reptiles, mammals and birds [Current Zoology 60 (1): 16 25, 2014]. Keywords Amphibians, Birds, Defenses, Dishonesty, Mammals, Prey, Reptiles 1 Introduction homeotherms may increase the distance between prey and the pursuing predator or dupe the predator about the In this paper I review forms of deceptive antipredator flight path trajectory, or both (FitzGibbon, 1990). defenses in terrestrial vertebrates, a topic that has been Last, an antipredator defense may be a dishonest largely ignored for 25 years (Pough, 1988). I limit my signal. Bradbury and Vehrencamp (2011) state that “true scope to terrestrial organisms because lighting condi- deception occurs when a sender produces a signal tions in water are different from those in the air and whose reception will benefit it at the expense of the antipredator strategies often differ in the two environ- receiver regardless of the condition with which the sig- ments. -
Crypsis Decreases with Elevation in a Lizard
diversity Article Crypsis Decreases with Elevation in a Lizard Gregorio Moreno-Rueda * , Laureano G. González-Granda, Senda Reguera, Francisco J. Zamora-Camacho and Elena Melero Departamento de Zoología, Facultad de Ciencias, Universidad de Granada, E-18071 Granada, Spain; [email protected] (L.G.G.-G.); [email protected] (S.R.); [email protected] (F.J.Z.-C.); [email protected] (E.M.) * Correspondence: [email protected] Received: 7 November 2019; Accepted: 5 December 2019; Published: 7 December 2019 Abstract: Predation usually selects for visual crypsis, the colour matching between an animal and its background. Geographic co-variation between animal and background colourations is well known, but how crypsis varies along elevational gradients remains unknown. We predict that dorsal colouration in the lizard Psammodromus algirus should covary with the colour of bare soil—where this lizard is mainly found—along a 2200 m elevational gradient in Sierra Nevada (SE Spain). Moreover, we predict that crypsis should decrease with elevation for two reasons: (1) Predation pressure typically decreases with elevation, and (2) at high elevation, dorsal colouration is under conflicting selection for both crypsis and thermoregulation. By means of standardised photographies of the substratum and colourimetric measurements of lizard dorsal skin, we tested the colour matching between lizard dorsum and background. We found that, along the gradient, lizard dorsal colouration covaried with the colouration of bare soil, but not with other background elements where the lizard is rarely detected. Moreover, supporting our prediction, the degree of crypsis against bare soil decreased with elevation. Hence, our findings suggest local adaptation for crypsis in this lizard along an elevational gradient, but this local adaptation would be hindered at high elevations.